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Se-Lien Chuang a - home -

Institutional production, study and research stays in computer music & interactive audiovisual composition

2025 Composer in Residence, VICC - Visby International Centre for Composers (electroacoustic composition)

2019 Advanced Computing Center for the Arts and Design at The Ohio State University (iScore and audiovisual interactivity)

2017 Composer in Residence, VICC - Visby International Centre for Composers (electroacoustic composition)

2016 Artist in Residence, Polukružna dvorana Teatra &TD, Studentski Centar u Zagreb, Kroatien (electroacoustic composition, interactive audiovisual composition)

2016 Stockholm Erasmus, Royal College of Music in Stockholm, Department of composition, visit of the computer music studios (electroacoustic composition, interactive audiovisual composition)

2015 VICC Visby composer in residence, Schweden (electroacoustic composition)

2015 ACF - Austrian Cultural Forum NY/USA (electroacoustic composition, interactive audiovisual composition)

2014 CMS CEUS Projekt, Anton Bruckner Private Unversität / CEUS Bösendorfer / Merta Klavierhaus, Linz/Österreich (electroacoustic composition, interactive audiovisual composition)

2014 Northeastern University, Boston/USA (electroacoustic composition, interactive audiovisual composition)

2013 NOVARS - Research Centre for Electroacoustic Composition, Performance and Sound Art at the University of Manchester, UK (electroacoustic composition)

2008 SARC - Sonic Arts Research Centre, Queens University, Belfast, Northern Ireland (electroacoustic composition, interactive audiovisual composition)

2008 IAMAS - International Academy of Media Arts and Science, Ogaki/Japan (interactive audiovisual composition)

2006 JIM - Institute for Jazz and improvised Music , Anton Bruckner Private University (audio signal processing, interactive audiovisual composition, ensemble workshop)

2004/05 Institute for Composition, Music Theory, Music History and Conducting, University of Music and Dramatic Arts Graz, master thesis (compositional aspects in audiovisual interactive work - studies to Interlude for Pi and Io by Se-Lien Chuang und Andreas Weixler)

2004/05 Electronic Studio TU Berlin (audio signal processing, interactive audiovisual composition)

2000-03 IEM Institute for Electronic Music and Acoustics, Graz Austria (audio signal processing)

2000-01 Nagoya City University, Japan, Sound Lab der School of Design & Architecture, research project in computer music and audiovisuaj arts in Nagoya City Universiy/Japan

1999 SUSS, Sheffield University Sound Studio, England computer music (interactivity, sound processing)

1996/2004 IRCAM Paris, France, div. workshops (computer aided composition)

1996-98 ELAC, Institute for Electroacoustic and Experimental Music, Arts University Vienna (realtime audio signal processing)

1996 BEAST, University of Birmingham, England und UEA, University of East Anglia, Norwich, England (digital sound processing)

1996-99 SAMT , Studio for Advanced Music and Media Technology at the Bruckner-Conservatory, Softwarepark Hagenberg/Linz,Austria (multichanneling, visual sampling)

created: 18.04.2006 cse AAA

last update: 26.11.2024 cse AAA