CMS invited lecture series #34

Spencer Topel

Sound Synthesis Revisited: Nonlinear Modulation in Acoustic Instruments

5.11.2018 ABPU_Sonic Lab 14:30

Sound Synthesis Revisited: Nonlinear Modulation in Acoustic Instruments
What if electronic music is a premonition for an acoustic future? In this talk I present recent work relating to augmented music instrument design, with special consideration of techniques relating to nonlinear synthesis that include amplitude modulation (AM), frequency modulation (FM), intermodulation, and other variants. At the heart of this technology is the Syrinx Acoustic Synthesizer, and other instrument-specific modifications, consisting of voice-coil motors and cantilevers in specific arrangements. Inspiration for these designs came from a diverse range of sources, which included atomic force microscopy (AFM), biomimetic engineering, and electromechanical systems invented at the end of the 19th Century.

Photos Spencer Topel

Spencer Topel
is an artist working with sound, performance, and installation. He is a recipient of numerous awards and honors, including a Danish International Visiting Artist Residency in 2013 (DIVA), the Palmer Dixon Prize from the Juilliard School for best composition, BMI and ASCAP Awards, and was an artist-in-residence with the Meitar Ensemble in July 2014 (Tel Aviv).

Recent performances and exhibitions include Part des Anges (Center for the Arts, Wesleyan University), ICED BODIES: Ice Music for Chicago (The Arts Club of Chicago), Echoic Memory I, II (The drawing Center NY; Estonian Music Days 2016, Tallinn), Vox Nihili (HAU, Finkenau, American Modern Ensemble), String Quartet (FLUX Quartet), Palavers (String Noise), Listening Glass (P.3+ Bamboula NOLA), Capturing Resonance in collaboration with Soo Sunny Park (DeCordova Museum), Callings (TonBurst Ensemble,Chosen Vale Festival, FIGURA Ensemble), and Details on the Strasbourg Rosace (Third Sound, Meitar Ensemble).

Topel has produced works for many of America's premiere music and art institutions, including The Barnes Foundation, The Arts Club of Chicago, The Drawing Center NY, the DeCordova Museum and Sculpture Park, the Minnesota Orchestra, the Juilliard Symphony, Oregon Symphony, and the Aspen Contemporary Ensemble, TILT Brass, FLUX Quartet, and the Callithumpian Consort. Notable national/international collaborations include HUB New Music (Boston), FIGURA Ensemble (Copenhagen) the Contemporarte Ensemble (Venice) and the Meitar Ensemble and the Israeli Conservatory (Tel-Aviv). 
Topel received degrees from Cornell and The Juilliard School before joining the Tenure-Track Faculty at Dartmouth College, and is currently artist-in-residence at the Yale Quantum Institute at Yale University.


Organisation: Se-Lien Chuang & Andreas Weixler




CMS Gesprächskonzert #13

Spencer Topel & Pauline Kim Harris

#electronics # violin # acoustics

5.11.2018 ABPU_Sonic Lab 19:30

Photo Spencer Topel

Pauline Kim Harris
is a Grammy-nominated artist who engages in classical to the experimental/avant-garde. Co-concertmaster and soloist with the S.EM. Ensemble, Ostravska Banda, Ensemble LPR and Wordless Music Orchestra, she is also a frequent guest with New York City’s leading new music ensembles such as Alarm Will Sound, Ensemble Signal, Argento,Transit,Talea and ICE and has toured with the Orpheus Chamber Orchestra. Pauline serves as Music Director of the Bill T. Jones/Arnie Zane Dance Company and has performed as violin soloist for choreographer Pam Tanowitz and David Parker of The Bang Group. As a curator, she co-produced Drawing Sounds II, with husband, Conrad Harris at the Drawing Center, most recently, Petr Kotik @75 at (le) poisson rouge and continues at Carnegie Hill Concerts. As a member of violin duo, String Noise, she has expanded the two violin repertoire, pushing boundaries in groundbreaking new works. Despite her active performance schedule, Pauline carves out time to compose. Commissioned by the St. George’s Choral Society her piece for organ, choir, cello and soprano, “When We Were” was premiered in 2016. A collection of new works will be presented in July 2019 at her debut residency at The Stone as well as the world premiere of "gold/crack" at Roulette in June. Pauline was in the final masterclass of Jascha Heifetz.


Spencer Topel
https://www.spencertopel.com

Pauline Kim Harris
http://www.paulinekimharris.com

concert programm


Organisation: Se-Lien Chuang & Andreas Weixler