Casino Display ´25
Luxemburg
Se-Lien Chuang & Andreas Weixler
Atelier Avant Austria
Freitag, 03.10.2025
Präsentation 17.30 - 18.00h
Konzert
Sam Erpelding
18:15 - 18:45h
Se-Lien Chuang
& Andreas Weixler 18:50 - 19:30
with kind support of
casino display
University of Luxembourg
Espace Culture
PWC

Weixler-Chuang_paint1©AtelierAvantAustria.jpg
Introduction
Se-Lien Chuang & Andreas Weixler, aka Atelier Avant Austria,
present their latest works in electroacoustic multichannel
composition, improvisation, contemporary sound, and real-time
computing at Casino Display.
Acoustic and electronic sounds merge within an experimental and
vibrant environment — a space where contemporary artistic creation
can be experienced performatively.
The program includes the premiere
of their newest works, produced at VICC Visby in September 2025.
Programm
Asymmetric Stamina (2025)
by Andreas Weixler
electroacoustic composition, world premiere in 16 channels
Produced at Studio Alpha of VICC, Visby, Sweden
https://avant.mur.at/weixler/werke/AsymmetricStamina/index.html
Der Wind weht und die Sterne fallen wie Regen (2025)
by Se-Lien Chuang
electroacoustic composition, world premiere in 16 channels
Produced at Studio Alpha of VICC, Visby, Sweden
https://avant.mur.at/works/Der_Wind_weht_Sterne_fallen/
flaming tears (2021)
by Se-Lien Chuang and Andreas Weixler
R-IoT-controlled real-time audio processing for mouth organ
Produced at Atelier Avant Austria
https://avant.mur.at/media.dt.html#flaming
scenic soundings_the engines roar (2025)
by Se-Lien Chuang
electroacoustic composition, world premiere in 16 channels
Produced at Studio Alpha of VICC, Visby, Sweden
https://avant.mur.at/works/scenic_soundings_the_engines_roar/index.html
Weblinks
homepage
https://avant.mur.at
Youtube
https://www.youtube.com/@SonicIntermedia/videos
Medienkomposition
https://avant.mur.at/media.dt.html
bios:
Se-Lien Chuang
Composer, pianist, and media artist, born in 1965 in
Taiwan. Since 1991, she has been residing in Austria.
Her artistic and compositional work spans contemporary
instrumental composition and improvisation, computer music, and
audiovisual interactivity.
Her compositions have been
presented internationally in Europe, Asia, North and South
America, including at festivals and conferences such as ICMC,
ISEA, NIME, NYCEMF, SMC, TENOR, Audio Mostly, SICMF (Seoul), IAMAS
(Japan), and others. She has also participated in numerous
international productions, research stays, and lectures.
From 2016 to 2019, she served as
a lecturer at the Computer Music Studio, Institute of Composition,
Conducting and Computer Music at the Anton Bruckner Private
University, teaching computer notation and contemporary
performance techniques.
Since 1996, together with
Andreas Weixler, she co-directs Atelier Avant Austria, focusing on the
development of audiovisual interactive systems, audio/visual
real-time and non-real-time processing, computer music, and
algorithmic composition.
Andreas Weixler
Born in 1963 in Graz, Austria, Andreas Weixler is a
composer specializing in computer music with a focus on intermedia
real-time processing.
He teaches at the mdw –
University of Music and Performing Arts in Vienna, as well as in
the InterfaceCulture program at the University of Arts in Linz. He
is also an associate university professor at the Computer Music
Studio (CMS) of the Anton Bruckner Private University in Linz,
where he initiated the intermedia concert hall Sonic Lab.
He studied contemporary
composition at the University of Arts in Graz under Beat Furrer,
earning his diploma there. His work has been enriched through
numerous international projects and residencies. His artistic
concepts have led to invitations to concerts, conferences,
performances, presentations, and lectures across Europe, Asia,
North, and South America.
Together with Se-Lien Chuang,
he co-directs Atelier
Avant Austria, founded 1981.
Progamm details:
Asymmetric Stamina (2025)
by Andreas Weixler
5.1 electroacoustic composition, premiered at
Casino Display Luxemburg in 16 channels
The composition was created during a Composer-in-Residence at the
VICC – Visby International Composers Centre in Sweden in 2025.
All sounds were recorded on the island of Gotland.
A special source of inspiration were the weekly gatherings of
automobile enthusiasts every Wednesday at the harbor of Visby.
Carefully restored vintage cars, American cruisers, and newly
modified vehicles, Hot Rods – all equipped with powerful V8
engines, even a motorcycle. These deep resonant sounds became a
central element of the sonic world, contrasted by the presence of
young car posers noisily circling through the night. This urban
soundscape stood in striking opposition to the dramatic cries of
the seagulls and the creaking of the floating piers in the Baltic
Sea harbor.
Studio recordings of electric guitar and voice processed in real
time form a fundamental musical framework of the composition.
Credits:
Field Recordings: Se-Lien Chuang, Andreas Weixler
Voice: Se-Lien Chuang
Electric Guitar & Real-time Processing (Max): Andreas Weixler
The creation of this work was supported by The Swedish Arts
Grants.
https://avant.mur.at/weixler/werke/AsymmetricStamina/index.html
--
Der Wind weht und die Sterne fallen wie Regen (2025)
by
Se-Lien Chuang
5.1 electroacoustic composition, premiered at Casino Display
Luxemburg in 16 channels
The sound material was taken from a single recording of firework
in Visby. The piece was composed and realized at Alpha Studio in
VICC Visby/Gotland during a composer in residence.
Glittering sounds float into the ear, and like falling rain, they
contrast with the sublime bass rhythms.
https://avant.mur.at/works/Der_Wind_weht_Sterne_fallen/
--
Flaming tears (2021)
by
Se-Lien Chuang & Andreas Weixler 2021
R-IoT controlled realtime audio processing for mouth organ
The improvisation is completed by an audio realtime signal
processing by fft freeze reverb, classic ring modulation as well
as spectral delay together with a multichannel granluar synthesis
by a computer performer in mutual inducement with the instrumental
player.
A playing ball serves as the performing interface of the computer
player.
A R-IoT sensor inside the ball is sending OSC data to a Mac Book
with Max udp and audio processing.
mouth organ, Se-Lien Chuang
computer performer, Andreas Weixler
produced at Atelier Avant Austria
Video:
https://youtu.be/MsEokDlTzxw
https://avant.mur.at/media.dt.html#flaming
--
scenic soundings_the engines roar (2025)
by Se-Lien Chuang
5.1 electroacoustic composition, premiered
at Casino Display Luxemburg in 16 channels
It’s V8 ! And in Visby/Gotland !! Juhu !!!
Wenn I met the group of these amazing hot rods and the
high-performance engines in varied actions, I have fancied that it
could be a symphony in a unique way.
So here you are !
With different field recordings there are stories to talk about.
The intermeshing of these scenic soundings is a fanfare of the
musical souls which inherent in everyday life here.
The piece was composed and realized in Visby at Alpha Studio in
VICC Visby/Gotland during a composer in residence.
https://avant.mur.at/works/scenic_soundings_the_engines_roar/index.html
--
vs 29.09.2025 - 11:30
tech rider