Casino Display ´25
    Luxemburg

    Se-Lien Chuang & Andreas Weixler
    Atelier Avant Austria

    Freitag, 03.10.2025

    Präsentation 17.30 - 18.00h

    Konzert  
          Sam Erpelding  18:15 - 18:45h
          Se-Lien Chuang & Andreas Weixler 18:50 - 19:30


    with kind support of

    casino display
    University of Luxembourg
    Espace Culture
    PWC




Weixler-Chuang_paint1©AtelierAvantAustria.jpg

Introduction

Se-Lien Chuang & Andreas Weixler, aka Atelier Avant Austria,
present their latest works in electroacoustic multichannel composition, improvisation, contemporary sound, and real-time computing at Casino Display.

Acoustic and electronic sounds merge within an experimental and vibrant environment — a space where contemporary artistic creation can be experienced performatively.
The program includes the premiere of their newest works, produced at VICC Visby in September 2025.


Programm

Asymmetric Stamina (2025)
by Andreas Weixler
electroacoustic composition, world premiere in 16 channels
Produced at Studio Alpha of VICC, Visby, Sweden
https://avant.mur.at/weixler/werke/AsymmetricStamina/index.html

Der Wind weht und die Sterne fallen wie Regen (2025)
by Se-Lien Chuang
electroacoustic composition, world premiere in 16 channels
Produced at Studio Alpha of VICC, Visby, Sweden
https://avant.mur.at/works/Der_Wind_weht_Sterne_fallen/

flaming tears (2021)
by Se-Lien Chuang and Andreas Weixler
R-IoT-controlled real-time audio processing for mouth organ
Produced at Atelier Avant Austria
https://avant.mur.at/media.dt.html#flaming

scenic soundings_the engines roar (2025)
by Se-Lien Chuang
electroacoustic composition, world premiere in 16 channels
Produced at Studio Alpha of VICC, Visby, Sweden
https://avant.mur.at/works/scenic_soundings_the_engines_roar/index.html





Weblinks

homepage
https://avant.mur.at

Youtube
https://www.youtube.com/@SonicIntermedia/videos

Medienkomposition
https://avant.mur.at/media.dt.html



bios:


Se-Lien Chuang

Composer, pianist, and media artist, born in 1965 in Taiwan. Since 1991, she has been residing in Austria.
Her artistic and compositional work spans contemporary instrumental composition and improvisation, computer music, and audiovisual interactivity.

Her compositions have been presented internationally in Europe, Asia, North and South America, including at festivals and conferences such as ICMC, ISEA, NIME, NYCEMF, SMC, TENOR, Audio Mostly, SICMF (Seoul), IAMAS (Japan), and others. She has also participated in numerous international productions, research stays, and lectures.

From 2016 to 2019, she served as a lecturer at the Computer Music Studio, Institute of Composition, Conducting and Computer Music at the Anton Bruckner Private University, teaching computer notation and contemporary performance techniques.

Since 1996, together with Andreas Weixler, she co-directs Atelier Avant Austria, focusing on the development of audiovisual interactive systems, audio/visual real-time and non-real-time processing, computer music, and algorithmic composition.


Andreas Weixler

Born in 1963 in Graz, Austria, Andreas Weixler is a composer specializing in computer music with a focus on intermedia real-time processing.

He teaches at the mdw – University of Music and Performing Arts in Vienna, as well as in the InterfaceCulture program at the University of Arts in Linz. He is also an associate university professor at the Computer Music Studio (CMS) of the Anton Bruckner Private University in Linz, where he initiated the intermedia concert hall Sonic Lab.

He studied contemporary composition at the University of Arts in Graz under Beat Furrer, earning his diploma there. His work has been enriched through numerous international projects and residencies. His artistic concepts have led to invitations to concerts, conferences, performances, presentations, and lectures across Europe, Asia, North, and South America.

Together with Se-Lien Chuang, he co-directs Atelier Avant Austria, founded 1981.



Progamm details:

Asymmetric Stamina
(2025)
by
Andreas Weixler
5.1 electroacoustic composition, premiered at Casino Display Luxemburg in 16 channels

The composition was created during a Composer-in-Residence at the VICC – Visby International Composers Centre in Sweden in 2025.
All sounds were recorded on the island of Gotland.
A special source of inspiration were the weekly gatherings of automobile enthusiasts every Wednesday at the harbor of Visby. Carefully restored vintage cars, American cruisers, and newly modified vehicles, Hot Rods – all equipped with powerful V8 engines, even a motorcycle. These deep resonant sounds became a central element of the sonic world, contrasted by the presence of young car posers noisily circling through the night. This urban soundscape stood in striking opposition to the dramatic cries of the seagulls and the creaking of the floating piers in the Baltic Sea harbor.
Studio recordings of electric guitar and voice processed in real time form a fundamental musical framework of the composition.

Credits:

Field Recordings: Se-Lien Chuang, Andreas Weixler

Voice: Se-Lien Chuang

Electric Guitar & Real-time Processing (Max): Andreas Weixler

The creation of this work was supported by The Swedish Arts Grants.

https://avant.mur.at/weixler/werke/AsymmetricStamina/index.html

--

Der Wind weht und die Sterne fallen wie Regen (2025)
by Se-Lien Chuang
5.1 electroacoustic composition, premiered at Casino Display Luxemburg in 16 channels

The sound material was taken from a single recording of firework in Visby. The piece was composed and realized at Alpha Studio in VICC Visby/Gotland during a composer in residence.
Glittering sounds float into the ear, and like falling rain, they contrast with the sublime bass rhythms.

https://avant.mur.at/works/Der_Wind_weht_Sterne_fallen/

--

Flaming tears (2021)

by Se-Lien Chuang & Andreas Weixler 2021
R-IoT controlled realtime audio processing for mouth organ

The improvisation is completed by an audio realtime signal processing by fft freeze reverb, classic ring modulation as well as spectral delay together with a multichannel granluar synthesis by a computer performer in mutual inducement with the instrumental player.
A playing ball serves as the performing interface of the computer player.
A R-IoT sensor inside the ball is sending OSC data to a Mac Book with Max udp and audio processing.

mouth organ, Se-Lien Chuang
computer performer, Andreas Weixler

produced at Atelier Avant Austria

Video:
https://youtu.be/MsEokDlTzxw

https://avant.mur.at/media.dt.html#flaming

--

scenic soundings_the engines roar (2025)
by Se-Lien Chuang
5.1 electroacoustic composition,
premiered at Casino Display Luxemburg in 16 channels
 
It’s V8 ! And in Visby/Gotland !! Juhu !!!
Wenn I met the group of these amazing hot rods and the high-performance engines in varied actions, I have fancied that it could be a symphony in a unique way.
So here you are !
With different field recordings there are stories to talk about. The intermeshing of these scenic soundings is a fanfare of the musical souls which inherent in everyday life here.
The piece was composed and realized in Visby at Alpha Studio in VICC Visby/Gotland during a composer in residence.

https://avant.mur.at/works/scenic_soundings_the_engines_roar/index.html

--

vs 29.09.2025 - 11:30

tech rider