electronic access @ Goldsmith College,
London
Monday 6th November 2006, Great, Hall, Goldsmiths
College, London
a concert of computer music, art video
and interactive audio-visual improvisation
picture
© Se-Lien Chuang
A concert of computer music, video and interactive audio-visual
improvisation with composers Andreas Weixler and Se-Lien Chuang
(Austria) meeting Rowland Sutherland (flute; UK). The collaboration
with the Electronic Music Studios at Goldsmiths College will also
include a workshop with student composers and improvisers.
presented by the Electronic Music Studios at Goldsmiths
www.goldsmiths.ac.uk/departments/music/ems
Venue & information: Music Department, Goldsmiths College,
University of London, New Cross, London SE14 6NW
T: 020 7919 7640, E: music{at}gold.ac.uk
9.30 am-1 pm open workshop
6.00 pm pre concert talk
7.30 pm concert
in collaboration with
Electronic Music Studios at Goldsmiths College, Music Department,
University of London and the Austrian Cultural Forum in London,
support by the province government of Styria and province government of
Upper Austria, the City of Linz, the Arts
Division of the
Austrian Federal
Chancellery, comission of SKE Fonds
concert
program
update 12.11.2006
Andreas Weixler -
Se-Lien Chuang
audio-visual interactive
improvisation,
computer music, electroacoustic music & media arts
Atelier Avant Austria
Rowland Sutherland
Goldsmith
College electronic
music studios
Austrian
Cultural Forum
electronic access
preface
Our artistic creation is a
work in progress.
Every performance of our interactive audiovisual works, even of the
same title, is unique not only because of the inherent concept of
improvisation, but because of the computer system and the programming
are further developed for every event.
Also all other works like our contemporary instrumental compositions,
algorithmic composition, electro- acoustic music, videos and computer
animations belong to a flow of creation, therefore each presentation
can be seen as a window, in which you can experience the current status
of our art.
In our live performances we use a computer system for audiovisual
interaction, which we developed in Max Mps Jitter, described as follows:
The computer system and
Max/Msp/Jitter
created by Andreas Weixler and
Se-Lien Chuang
three modules of our computer system on two to three Macintosh G4
Powerbooks are interacting with the players, i.e. of
the arco piano, a flute, a bass recorder, and of the electroacoustic
hyper instrument, analysing
the sounds, exchanging data between analysis, audio and video computing
to make an age old dream of artists come true: to make music visible
and images audible. The visual and musical components interact and
exercise mutual influence thus leading to unique synthesis of arts.
The goal of this project in computer music is to create an interface
for visual and music computing for an associated audio-visual
composition as well as to find technical and artistic solutions for the
combination of traditional instruments with audio and visual computing
in terms of interactivity and real-time processing and last but not
least to create pure computer music.
Andreas Weixler: multi channel granular synthesis
by processing the instrumental sound in real-time the computer becomes
a
hyper instrument played in an improvisation along with the arco-piano,
spreading its sound on a 8 channel sound system, controlling flocks of
grains, rearranging those in terms of pitch, time, order and position
in the acoustic environment.
By its improvisation of music the data of the granular treatment also
determines part of the visual computing, so the progression of music
and visuals appears in sync.
Se-Lien Chuang: arco-piano
arco-piano is a special contemporary technique of performing the piano
with hairs of bows which gives a very sophisticated sound of the piano.
Se-Lien Chuang developed arco-piano technique to the artistic point,
where she can control polyphonic sound of the bowed piano strings and
their upcoming overtones.
The arco piano, the flute and the bass recorder are acting not only as
an musical instruments, but furthermore
as an interface for the computing system. The musical instruments are
controlling the creation of
the visuals in real-time and their sounds will feed the granular
synthesis
distributed on 8 channels. The control data of the granular synthesis
are linked with the visual computing, also changes of the parameter of
the visual computing effects the link of the data exchange of the
visual and the audio computing.
Andreas Weixler &
Se-Lien Chuang, Linz, October 2006, http://avant.mur.at
download programm in pdf
short 4 pages
long 7 pages
1
blue elephant / ganz gemein 2’ 05"
audio-visual composition
Se-Lien Chuang and Andreas Weixler 1999
computer animation and concept by Se-Lien Chuang
computer music Andreas Weixler
2
In der Mitte der Hängebrücke erreichte mich der Ruf des
Kuckucks 5’ 13"
8-channel electroacoustic
composition
Se-Lien Chuang 2002
3
Das Kichern der
silbernen Flöte, part I by
Andreas Weixler 2006
Das Kichern der
silbernen Flöte, part II by
Se-Lien Chuang 2006
about 12’
audio-visual real-time processing and improvisation
Rowland Sutherland: flutes
Se-Lien Chuang: composition, visuals, Max/MSP/Jitter, super collider
audio transformation
Andreas Weixler: composition, multi channel real time
granular synthesis,
Max/MSP/Jitter
4
Nichts 3.1 - no thing 6’ 41"
electroacoustic, sound processing
of contemporary
instruments
Andreas Weixler 1998
5
Excerpt of running-figure-lantern 5’
57"
interactive audio-visual instrumental theatre
excerpt video of the live performance at ISEA 2002, Japan
Atelier Avant Austria 2002: Se-Lien Chuang & Andreas Weixler
6
Lauf-auf 1’ 12"
audio-visual composition
Se-Lien Chuang 2000
7, 8, 9
Trilogy for Pi and for Io
by Se-Lien Chuang and Andreas Weixler 2005
7
for Pi
6’ 04"
electroacoustic composition for 8-channel speaker system
Andreas Weixler 2005
8
Interlude für Pi and für Io ca
6´
audio-visual interactive improvisation
Chuang-Weixler 2005
Se-Lien Chuang: arco-piano, visuals, Max/MSP/Jitter
Andreas Weixler: Multichannel real time granular
synthesis,
Max/MSP/Jitter
9
for Io 6’ 25"
electroacoustic composition for 8-channel speaker system
Se-Lien Chuang 2005
10
Trinity / Broken Bowls 4 - talk 2’ 44"
computer animation and concept by Se-Lien Chuang 1999
computer music Andreas Weixler 1999
11
zum Kirschblütenfest 10’ 31"
8-channel electroacoustic music
Se-Lien Chuang 2005
12
infinity op. 1 - 4 / Seele brennt 7’
26"
audio-visual composition/ installation
Se-Lien Chuang, video feedback 2004
Andreas Weixler, audio feedback 2004
13
The
Colours Of A Wooden Flute ca. 10´
Se-Lien Chuang: composition, bass recorder, visuals, Max/MSP/Jitter
Andreas Weixler: composition, multi channel real time
granular synthesis,
Max/MSP/Jitter
1
blue elephant (1999)
audio-visual composition 2’ 05"
computer animationen and concept by Se-Lien Chuang
computer music
by Andreas Weixler (title: ganz gemein)
The visual is a
computer animation on silicon graphics computer with Maya, during a
scholarship - artist in residence, commissioned by Werkstadt Graz, the
music is
sound processing of concrete sounds.
Presentation of the
Maya Workshop of Werkstadt Graz 1.12. 99
premiere Festival Elektrokomplex 12.12.1999 at Rhiz Wien
other premiers.: Lovebytes Festival, Sheffield, England April 2000,
Centre for Contemporary Art, Kiew Russia, 26.02.2000,
Galerie Werkstadt Graz, 18.02. - 12.03.2000
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil ,17th-20th of October
2000
Experimental Intermedia New York 15.12.2000
Festival Schrattenberg, Österreich, 30. 08.2002
National Theatre Concert Hall in Taipei, 27.4.2003
Konzert am TNCA, Tainan National College of Art, Taiwan, 29.4.2003
Logos
Tetrahedron, Gent, Belgium, 23rd of September
2004
Wien Modern 2005, 26. November 2005
published at video edition SIBGRAPI 2000 Video festival, Gramado,
Brazil
DVD Edition SAMT 1, 2003, Bruckner-University, Linz
2
In der Mitte der Hängebrücke erreichte mich der Ruf des
Kuckucks
Se-Lien Chuang 2002 5’ 13"
8-channel computer music
The piece was produced at the IEM - Institute of
Elektronic
Music and Acoustics the University of Music and Dramatic Art
in Graz/Austria in Summer 2002.
first premier:
25.09.2002, Seoul/South Corea, Opera Workshop Hall, Sookmyung
Women‘s
University, at the SICMF - Seoul Internationalen Computer Musik
Festivals - KEAMS 2002
further presentations at Musikfest Salzburg, 2005
further premiers
Logos Tetrahedron, Gent Belgien, 23rd of September 2004
Wien Modern 2005, 26th of November 2005
3
Das Kichern der
silbernen Flöte, part I by
Andreas Weixler 2006
Das Kichern der
silbernen Flöte, part II by
Se-Lien Chuang 2006
about 12’
audiovisual real-time processing and improvisation
Rowland Sutherland: flutes
Se-Lien Chuang: composition, visuals, Max/MSP/Jitter, super collider
audio transformation
Andreas Weixler: composition, multichannel real time
granular synthesis,
Max/MSP/Jitter
This is the newest concept of an algorithmic composition/improvisation
with
the audio-visual interactive computer system created by Andreas Weixler
and Se-Lien Chuang in the graphical programming environment Max Msp
Jitter.
Instruments are played in the style of contemporary
composition/improvisation, in this case a classic flute. The computer
system consists of a pitch and dynamic
detection, real-time visual processes and a live multi-channel granular
synthesis with advanced controlling and performing methods. All
computing devices, the audio detection, the visual and the audio
processing are linked via a wireless Lan to reciprocally influence each
other.
commission of SKE Fonds, world premiere in
London
4
Exzerpt of running-figure-lantern
5’
57"
interactives audiovisual instrumental theatre
Excerpt video of the live performance at ISEA 2002, Nagoya, Japan
Atelier Avant Austria 2002: Se-Lien Chuang & Andreas Weixler
Se-Lien Chuang:
concept, visual-programming, stage setting
Andreas Weixler: live granular synthesis, Max/MSP, audio and video
editing
Kuwayama Kiyoharu: violoncello
Kijima Rina: violine
dancers: Junko Sugano & Kawamura Atunori
audio technician: Kensuke Okane, EARS, Japan
The stage aspect
associates with
the Chinese shadow-puppet-show ( 
)
and running-figure-lantern ( 
)
for approaching a mind of cross-culture exchange.
Technically this work detects
audio by a number of microphones,
which
are carried by the musicians and dancers (or actor & actress). It
then
makes a choice of pictures accordingly to the sound and transforms
those.
Also the sound will be transformed in stereo of 6 channel by granular
synthesis
and will fit it in a prepared electroacoustic composition and stage
arrangement.
The audio-visual ambience and the
interpreters are open to the
public.
The performance is expected, but undetermined. The public can
participate
in this performance by going and coming through the orbit stage like
the
moving figures in the Chinese running-figure-lantern.
selected
for
International
Symposium of Electronic Arts 27.- 31 Oktober, Nagoya Japan.
ISEA
02 Performance on
October
30th, 2003.
5
Nichts 3.1 - no thing 6’ 41"
electroacoustic,
sound processing of contemporary
instruments
Andreas Weixler 1998
Studio:
Atelier Avant Austria, Graz
first premiere :
9.+10.12.1998 Kulturzentrum Minoriten Graz, Performance,
Project theater Vienna-New York;
further premiers:
8.6.98 Images Acoustiques 98, Linz
26.03.1999,Atelier
concert, IEM-Graz
12.05.99, 21st international study week of
contemporary music,
Lüneburg, Germany
02.11.1999 Pusan Electronic Music
Association - Süd-Korea,
15.05.2000 Nagoya City University,
Japan
26.11.2006, Wien Modern Festival
6
Lauf-auf 1’ 12"
audio-visual composition
Se-Lien Chuang 2000
„The video is about running and made as piece of art for the city
marathon of Graz 2000“
(Se-Lien Chuang)
visual studio: Video Visual Design Lab/Nagoya City University, School
of Design and Architecture, Japan
music studio: Atelier Avant Austria, Graz,
commission of Werkstadt Graz , Art Video for the Marathon Graz
2000
published on CD-R Marathon 2000,
08.10.2000
presentations:
Experimental Intermedia, New York, USA 15.12.2000
Nagoya City University, Japan 19.01.2001
selection for ISEA 02, Symposium of Electronic Art, in Nagoya, Japan
Electronic Theatre 26. -31. Oktober / Nagoya Port Building
Wien Modern Festival, 26.11.2006
7, 8, 9
Trilogie für Pi and für Io
by Se-Lien Chuang and Andreas Weixler 2005
7
part 1
for Pi
6’
04"
electroacoustic
composition for 8-channel speaker system
Andreas Weixler 2005
studio: electronic studio of Technical University in Berlin,
Oktober
2004 - Februar 2005
first premiere: UltraSchall - Festival für Neue Musik, 17.
Jänner 2005, Berlin
broadcasting 23. March 2005 Radio Brandenburg Berlin
Kulturradio rrb/ Deutschlandradio, Musik der Gegenwart
furher premier:
Musikfest Salzburg, 19.11.2005
Wien Modern Festival, 26.11.2005
8
Teil 2
Interlude for Pi and
for Io ca
6´
audio-visual
interactive improvisation
Chuang-Weixler 2005
Se-Lien Chuang, arco-piano, visuals, Max/msp/Jitter
Andreas Weixler: multi channel granular synthesis, Max/msp/Jitter
premiere:
UltraSchall - das Festival for new music, Sophiensäle
Berlin, 17th of January 2005
concert oft the electronic studio of the TU-Berlin
further premieres:
5. V:NM Festival, Graz,esc labor, (double concert - Erinnerung
in jedem
laut + Interlude for Pi and Io), 25th of May 2005
realtime/nonrealtime festival,Bahnhof for Neue music, Basel,
Swiss,
17th of June 2005
9
Teil 3
für Io
6’ 25"
electroacoustic
composition for 8-channel speaker
system
Se-Lien Chuang 2005
studio: electronic studio of Technical University in Berlin, Oktober
2004 - Februar 2005
first premiere: UltraSchall - Festival für Neue Musik, 17.
Jänner 2005, Berlin
broadcasting 23. March 2005 Radio Brandenburg Berlin
Kulturradio rrb/ Deutschlandradio, Musik der Gegenwart
furher premier:
Musikfest Salzburg, 19.11.2005
Wien Modern Festival, 26.11.2005
10
Trinity / Broken Bowls 4 - talk
2’ 44"
audio-visual composition
computer animationen by Se-Lien Chuang 1999
computer music: Andreas Weixler 1999
The visual is a
computer animation, the music is a sound
processing of comtemporary instrumental sounds in an algorthmic
composition.
computer
animationen and concept by Se-Lien Chuang
commission of Werkstadt Graz, scholarship for a
Silicon Graphics
Studio Training in computer animation; produced on Silicon Graphics
Computer and Maya Software.
computer music by Andreas Weixler
Broken
Bowl 4 - Talk has been produced at SUSS - Sheffield University Sound
Studio during a composers residency from July-August 1999.
The Composition is based on an algorithmic score by Andreas Weixler.
The production of the electroacoustic composition has taken place in
SUSS Studio 2 using ProTools 4.3.1 with TDM plugins TC Mega Reverb 3.0,
TC Works EQ Sat 3.0, GRM Tools 1.2 (shuffle, pitch accmulation),
Audiosuite plugins vari-fi, sci-fi, EQII and SoundDesigner 2.8.3
running on a Macintosh 9600/350 Computer, monitored by ATC SCM20 active
loudspeaker system.
presentations:
presentation of the Maya Workshop der Werkstadt Graz 1.12. 1999
Festival Elektrokomplex, Rhiz Wien 12.12.1999
Centre for Contemporary Art, Kiew Russia, 26.02.2000
Galerie Werkstadt Graz, 18.02. - 12.03.2000.
Experimental Intermedia New York 15.12.2000
Festival Schrattenberg, Österreich, 30. 08.2002
National Theatre Concert Hall in Taipei, 27.4.2003
Konzert am TNCA, Tainan National College of Art, Taiwan, 29.4.2003
Musikfest Salzburg, 19.11.2005
Wien Modern Festival, 26.11.2005
11
zum Kirschblütenfest 10’ 31"
8-channel electroacoustic composition
Se-Lien Chuang 2005
All electroacoustic sounds are created from a single sample of sound of
an arco-piano, a piano performed by hairs of a bow, processed by GRM-,
Waves- and TDM plugins and also generated by sound processing programm
written by Se-Lien Chuang in SuperCollider.
Ein Teppich von schwebender Klangfarbe durchzieht das ganze Stück.
Der gezielte dramatische Ausdruck suggeriert eine Handlung des
imaginären Geschehens –
Das
Fallen der
Blüten. Wie innig.
and Weh-en des Windes. Hautnah.
Produced at the Electronic Music Studio of the Technical Unversity in
Berlin (TU -Berlin) 2005.
The composition was produced in the "großes Studio" using
ProTools and numerous plugins: GRM Tools (Equalize,
FreqWarp, Freezing, Doppler, Contrast), X-Noise, Mod Delay II Long,
MondoMod, Digirack TimeAdjuster, AudioTrack, SuperTab, Waves Doubler4
ammong others.
premiere: Kirschblütenfest, Hidden Museum Tirol, May 4-8, 2005,
further presentations at Musikfest Salzburg, November 19, 2005
commission of the Hidden Museums, Fraxern/Feldkirch, directed by
Bernhard Kathan
12
infinity op. 1 - 4 / Seele brennt 7’ 26"
audio-visual composition/ Installation
Se-Lien Chuang, Video-Feedback 2004
Andreas Weixler, Audio-Feedback 2004
the room is breathing slowly,
one breath takes 7 minutes, so it is worth to stay in the room longer
to experience the inifinite movement in this audio-visual composition.
the video is created by using
infinite video feedback controlled by the artist Se-lien Chuang, the
music is the feedback of a short click in an infinite electroacoustic
room.
Se-Lien Chuang video &
concept
Andreas Weixler computer
music
Premiere 3rd of December. 2003,
Busan International Digital Technology Music Festival, The
Mail Hall, Busan Cultural Centre
further presentation at Wien Modern Festival 2005
13
The Colours
Of A Wooden Flute ca. 10´
Se-Lien Chuang: composition, bass recorder, visuals, Max/MSP/Jitter
Andreas Weixler: composition, multichannel real time
granular synthesis,
Max/MSP/Jitter
This is the newest concept of an algorithmic
composition/improvisation
with
the audio-visual interactive computer system created by Andreas Weixler
and Se-Lien Chuang in the graphical programming environment Max Msp
Jitter.
Instruments are played in the style of contemporary
composition/improvisation, in this case a bass recorder,which is a
wooden flute with a low register and a smooth, warm sound. The computer
system consists of a pitch and dynamic
detection, real-time visual processes and a live multi-channel granular
synthesis with advanced controlling and performing methods. All
computing devices, the audio detection, the visual and the audio
processing are linked via a wireless Lan to reciprocally influence each
other.
commision of SKE Fonds, world premiere in
London
all project
pictures © Se-lien Chuang
Rowland
Sutherland
photo by Goswin Schwendinger
Flautist Rowland Sutherland enjoys an international career in many
different fields of music. He regularly performs in new music
ensembles, jazz groups, symphony orchestras, various non-Western
groups, pop outfits and as a soloist. Many of Rowland's solo
contemporary flute performances have been broadcast on BBC Radio 3. He
has composed and arranged music for groups, ensembles and for the
BBC.
Rowland studied flute at the Guildhall School of Music mainly with
Kathryn Lukas and studied jazz with the late Lionel Grigson in the mid
1980s.
He is a flute professor at the Trinity College of Music and the
Guildhall School of Music and Drama.
He has performed with a number of new music ensembles and dance
companies. These include: New Music Players, Ixion, Icebreaker, London
Musici, Lontano, Music Projects/London, Phoenix Dance and Rambert Dance
Company.
Orchestras played with include: Philharmonia, Bournemouth Symphony,
B.B.C. National Orchestra Of Wales, London Philharmonic, European
Community Chamber, Sadlers Wells Royal Ballet and B.B.C. Radio. He
played principal flute with the latter three.
As bandleader, Rowland leads several bands including the Brazilian
influenced Mistura, 'Creative Force' a six piece contemporary Jazz
group, which features Orphy Robinson on vibes and uses African-funk and
Reggae rhythms.
Rowland co-leads the quintet In Kimbe, with Sardinian vocalist Filomena
Campus which explores Mediterranean and Brazilian jazz and free improv.
He also co-leads an experimental/free improv trio called Myrtle, with
Alwynne Pritchard (voice) and Thorolf Thuestad (computer), which was
formed in 2006.
http://www.rowlandsutherland.com/rowland.htm
Andreas Weixler
Born 1963 in Graz Austria, composer for contemporary instrumental
composition, computer music and audio visual interactivity.
* education
study of composition at the University of Music and Dramatic Arts in
Graz, Austria, with Andrzej Dobrowolski, Younghi Pagh-Paan, diploma
with Beat Furrer 1995, pre-studies in sound engineering and physics.
Special researcher at the Nagoya City University in computer music and
audio-visual interactivity 2000-2001
specializing in computer music in workshops and artist in residence in
Austria, Germany, Swiss, England, France und Japan 1993-2005.
* performances
concerts, performances and lectures in Austria, Germany, Swiss, France,
Belgium, Netherlands, Italy, CSFR, Russia, Canada, Columbia, Brasil,
China, Taiwan, Japan, South-Korea and USA.
Broadcastings in Austria, Germany, Swiss, Netherlands, Hungary,
Finnland, Belgium a.o.
since 1981 running Atelier Avant Austria for contemporary composition,
computer music & media arts together with Se-Lien Chuang.
http://avant.mur.at
* teaching (selection)
since 1997 lecturer at Bruckner-University Linz, Austria for music-
& media technology
since 2004 lecturer at the University of Arts in Linz, Institute of
Media, for audio-visual interactive projects / Max Msp Jitter and audio
Programming.
International lectures and guest professorship in computer music,
composition and media arts (Austria, Germany, Japan, Taiwan,
South-Korea a.o).
* managment (selection)
since 1995 member of the directors board of the Austrian society of
electroacoustic music
Organisation of numerous events (electronic access, ElektroKomplex,
d.a.s. CDs and others)
1993-1999 organisation of the publication series contribution to
electronic music at IEM Graz as an editor.
http://avant.mur.at/weixler
Se-Lien
Chuang
composer, pianist and media artist
1965 born in Taiwan, since 1991 residence in Austria
training
2005 Magistra artium in composition (Beat Furrer) at
the University for Music and Dramatic Arts in Graz/Austria;
1999 diploma with distinction in Music and Media
Technology at Studio for Advanced Music and Media Technology (Adelhard
Roidinger, Karlheinz Essl) at Bruckner-University Linz/Austria;
scholarship in Silicon Graphics Studio at WIFI/ Graz/ Styria;
1996 piano-diploma in IGP - Instrumental-Vocal Pedagogics
(Walter Groppenberger) at the University of Music and Dramatic Arts in
Graz/Austria; study of electro-acoustic music at the Institute of
Electroacoustic and Experimental Music (Tamas Ungvary, Wolfgang Musil)
at the University of Music and Dramatic Arts in Vienna/Austria;
artistic activities (selection)
2003/04 lecturer in computer visual communication at
Tainan National College of the Arts, Department of Applied Music
/Taiwan;
2000/01 research project in computer music and
audio-visual arts in Nagoya City Universiy/ Japan;
diverse performances and study-stays in Europe, Asia, Russia, Canada,
South- and North America.
* Experimental Intermedia NYC ´00 and ´06
* Wien Modern - Musik der Gegenwart Vienna/Austria 2005
* Ars Electronica 2005, Linz/Austria
* Ultraschall Festival für Neue Musik 2005 - Berlin/Germany
* Logos Tetrahedron 2004 - live electronic music and video Gent/Belgium
* JSEM concert 2004 -Japanese Society of Electronic Music, Tokyo/Japan
* 2003 k r y p t o n a l e 9 Festival Berlin/Germany
* 2003 Busan International Digital Technology Music Festival, South
Korea
* SICMF 2002/03 –Seoul International Computer Music Festival, South
Korea
* ISEA 2002 – the 11th International Symposium on Electronic Art
Nagoya/Japan
* Laval Virtual and VRIC (Virtual International Conference), France
´01
* concert New International Community of Electroacoustic Music
(NICE)/Amsterdam, Netherland '00
* SIBGRAPI 2000 Video Festival/Gramado-RS, Brazil
http://avant.mur.at/chuang
electronic access
is a series of concerts of electroacoustic, experimental music and
media art and CD production founded by Andreas Weixler 1993.
electronic access 93, Studio 3
of the ORF in Graz, CD: Klangschnitte 2
electronic access 95, at the
studio stage of Vereinigten Bühnen - opera house Graz,
CD electronic access 95
electronic access 2004,
special asia: Japan,concerts with the Japanese society of electronic
music
Vienna, ORF RadioKulturhaus and Linz, Bruckner-University
electronic access @ Goldsmith´s 2006
the Electronic Music Studios at Goldsmiths College, London
Atelier Avant Austria
is the workspace of the composers Andreas Weixler and Se-Lien Chuang,
for their art work and cooperations with other artists. Founded 1981 in
Graz. Due to projects it also was
located in Vienna, Nagoya, Kaoshiung, Guantien, Berlin
und Linz (2000-2006) and on short terms in Sheffield,
Nottingham, New York, Tokio und Seoul (1999-2003). 2006 is the 25th
anniversary of Atelier Avant Austria and the 10th anniversary of
artistic cooperation between Weixler-Chuang, which is
celebrated in this concert in London as well as in portrait concerts
Vienna and New York.
