A N D R E A S   W E I X L E R

enumeration of compositions


08.09.2014

gehe zu deutscher Werkliste



I) computer music
a) multimedia, interactivity visuals & sound
b) electronic and electroacoustic music (tape music)
c) audio realtime processing

II) contemporary instrumental music

III) music for video and film
IV) music for contemporary dance and theatre

V) jazz related music

VI) experimental music
VII) cooperation with ensembles
VIII) music projects

IX) studio production

X) publications on CD
XI) publications on DVD / Video
XII) printed paper publications



the enumeration includes 169 compositions and media arts selected by premiers


gehe zu deutsche Version

I) computer music & media arts
a) multimedia, interactivity visuals & sound


2014

45
Momentum NYCEMF
audiovisual interactive improvisation for violin and bass recorder 

8.Juni 2104, Playhouse,  Abrons Center.
New York Electroacoustic Music Festival 2014
Se-Lien Chuang, bass recorder, interactive visuals

Andreas Weixler, multi-channel audio processing 

Adrianna Mateo, violin

44
Momentum Boston (2014),
audiovisual transformation
Portraitkonzert Weixler-Chuang, Virtuoso Chances
23. Februar 2014, Fenway Center, Northeastern University, Boston/MA
Andreas Weixler, live-electronics;
Se-Lien Chuang,piano, interactive visuals;
Nicole Cariglia, cello;
Mike Frengel, prepared electric guitar


2013


42
Melbourne concert
23.8.2013, Northcote, Melbourne, Australia
Adrian Sherriff:    trombone, bass trombone
Andrew McNaughton:  trumpet, EWI
Andreas Weixler:   audio realtime processing, electric feedback guitar, composition
Se-Lien Chuang:   piano, interactive visuals, composition
Sonic Frontiers Group
Paris Favilla:   saxophones, electronics and augmented, iPad
Tom O'Neil:    euphonium, trumpet, sousaphone, iPad
Mitch Mollison:    composer sound artist
Graeme Croft:   bass clarinet, winds and augmented saxophone
Dale Chant:      augmented, electric and acoustic guitars, flute
Stu Favilla:       lightHarp, piano, theremin and fluegel horn, iPad
Habibi Favilla:  violin, iPad


2012

41
Momentum Leeds (2012) von Andreas Weixler & Se-Lien Chuang
audiovisual realtime transformation for bass recorder, flute, vibraphone and piano
UA: 14.12.2012, iFIMPaC - The International Festival for Innovations in Music Production and Composition, Leeds College of Music, UK

40
Catch the Beatles Catch the Cage (2012) von Se-Lien Chuang und Andreas Weixler
for 6 Toy Pianos, 6 iContuctors and interactive iGing - video projection
UA: 02.12.2012, Toy Piano World Summit, Good Luck Rainy Days 2012, 24.11 - 02.12.2012 Festival de Musique Nouvelle Philharmonie Luxembourg
with Phyllis Chen, Isabel Ettenauer, Pascal Meyer, Xenia Pestova, Margaret Leng Tan, Bernd Wiesemann - toy pianos

39
Double Fancy Momentum (2012) von Se-Lien Chuang & Andreas Weixler
audiovisual realtime transformation for 2 bass clarinets and piano
UA: 23.11.2012, Alte Schmiede, Wien Doppel-Duo Konzert mit
Petra Stump, Heinz-Peter Linshalm,
clarinets
Se-Lien Chuang,
piano & interactive visuals
Andreas Weixler, live electronics

38
Momentum BEAST (2012) by Andreas Weixler & Se-Lien Chuang in cooperation with BEER audiovisual interactive performance

UA: 29.10.2012, Sonicintermedia BEAST - intermediale Computermusik Konzertreihe mit Schwerpunkt BEAST im DeepSpace des AEC - Ars Electronica Centre Linz
all-star performer:
Jonty Harrison, sample triggering
Scott Wilson, live coding
Chris Tarren, laptop improvisation
Tim Moyers, live coding
Andreas Weixler, multichannel audio realtime processing
Se-Lien Chuang, interactive visuals, bass recorder


37
SpectraSonic Trombones (2012) by Andreas Weixler, Se-Lien Chuang,
audiovisual realtime composition/improvisation
premiere: 14. 05.2012, Porgy & Bess, Wien

Christian Radovan (A), Brian Allen (New York), Alois Eberle (A),
Andreas Weixler (A), Se-Lien Chuang (A/TW)



36
Enhanced Phenotype (2012) von Andreas Weixler & Se-Lien Chuang 
interactive score (iScore) for multiple Computer, audiovisual realtime composition for open ensemble.

INTER/actions Symposium, Bangor, UK, April 10.-12.2012
UA: 12. April 2013, Powis Hall

    Chuang/Weixler + all-stars ensemble

    Pierre A Tremblay, bass
    Lauren Hayes, prepared piano
    Xenia Pestova, toy  piano
    Karlheinz Essl, m@ze¡2
    Se-Lien Chuang, bass recorder, interactive visuals
    Andreas Weixler, iScore, SpectraSonic
    Faye Snowdon, flute
    Sioned Roberts, clarinet
    Richard Eigner, percussion
 
2011

36
Momentum Huddersfield
audiovisual realtime transformation for bass recorder, saxophone & clarinet
by Se-Lien Chuang & Andreas Weixler
has been accepted for concert presentation out of 854 work proposals
concert on 4th of August 2011, 8 PM, St Paul's Concert Hall, Huddersfield
Ann Evans - saxophone
Heather Roche - clarinet
Se-Lien Chuang - bass recorder - interactive visuals
Andreas Weixler - electronics
Alex Harker - sound engineer


35
the borderline of random coincidence
Andreas Weixler Ð computer
Se-Lien Chuang - piano, bass recorder, computer
Rowland Sutherland Ð flutes

07.04. 2011, Theater im Bahnhof, 8. V:NM Festival - Graz, Austria
25.9.2010, Alpenglow Festival-London, Vortext London


2010


33
Momentum
audiovisual transformation by Andreas Weixler and Se-Lien Chuang with all performer

Simon Waters, electronics
Ed Perkins, electronics
Bill Vine, WeinglŠser, electronics
Anton Lukoszevieze, violoncello
Se-Lien Chuang, interactive visuals, bass recorder
Andreas Weixler, electronics

Sonic Intermedia : UEA, media cocnert and lecture
Mo 18th of October 2010, concert at the DeepSpace dof the  AEC - Ars Electronica Centre Linz
a cooperation of AEC , Anton Bruckner Private UniversitŠt and University of East Anglia, organisation: Andreas Weixler & Se-Lien Chuang

2009

32
SCCH_1
audiovisual realtime process
Andreas Weixler, Se-Lien Chuang, Philipp Harnisch (Sax) und Bernhard Geigl (Glockenspiel)
10.11. 2009 Software Competence Center Hagenberg - 10th anniversary, Hagenberg O…, Austria
Dauer 5:14

31
SCCH_2
audiovisual realtime process
Andreas Weixler, Se-Lien Chuang, Philipp Harnisch (Sax) und Bernhard Geigl (Glockenspiel)
10.11. 2009 Software Competence Center Hagenberg -
10th anniversary, Hagenberg O…, Austria
Dauer 8:40

30
Phenomenon
interactive score for orchestra and audiovisual electronics
by Andreas Weixler & Se-Lien Chuang
Premiere in th eopening programm of Salzburger Festspiele
European Jazz & Pop Orchestra International Summer Course for Orchestra 2009 (Andorf /AUSTRIA) organisiert von Werner & Denise Fait am Samstag, 25. July 2009 at Odeion Kulturforum Salzburg
duration 15:00

29
FŸgung
audiovisual interactivity with 3 grand pianos
collective composition by Andreas Weixler, Martin Stepanik und Se-Lien Chuang
Lukas Kletzander Ð left grand, Bernhard Hšchtel Ð middle grand, David Six Ð right grand
Doppelkonzert - Elektronik <--> 3 Kla4e, Sound and Vision  3
concert of music and media technology and JIM - Institu of Jazz and improvised music
5. 5. 2009, Bruckner-University, kleiner Saal, Linz


28
SpectraSonic VNM + Sarcastic System
Andreas Weixler, concept, electronics, multichannel spectral delay
Se-Lien Chuang, concept, piano, interactive visuals
Hermann Stangassinger, bass
16. 4. 2009  IEM CUBE, VNM Festival in Graz


27
SpectraSonic VNM
Andreas Weixler, electronics, multichannel spectral delay
Se-Lien Chuang, piano, interactive visuals
Tiziana Bertoncini, violin
Di, 10. MŠrz 2009, alpen:glŸhen II / styria meets cologne LOFT  Kšln


26
Spectra Sonic JIM (Computerprogramm und Improvisationskonzept)
Klavier, erhu, drums, djembe, Tenorsaxophon, Kontrabass und Computer
UA 13. Februar 2009,Ars Electronica, Linz, …1 live Aufzeichnung


2008

25
Sarcastic Momentum
(Computerprogramm und Improvisationskonzept)
fŸr Klavier, Sopransaxophon, Bassblockflšte, Stimme und Computer
UA: 9.10.2008, SARC - Sonic Arts Research Centre Belfast, concert series "Music @ Queen's


24
I always whisper to them
audiovisual realtime interaction

Andreas Weixler (A), multichannel granular synthesis
Se-Lien Chuang (A/TW), interactive visuals, bass recorder
Kiyoharu Kuwayama (JP), viola and devices

premiere: IAMAS OPENHOUSE, Multimedia Studio, Ogaki, Gifu, Japan, 02.08.2008

23
I am from the Universe and you know what it is worth
audiovisual realtime improvisation for groups of instrumentalists

premiers
29.8.2008, ICMC 08 Belfast
Whitla Hall, QUB `Roots« Ensemble, Irish traditional and contemporary instruments with bass recorder solo. Selected work of Weixler-Chuang for ICMC 2008, International Computer Music Conference / SARC - Sonic Arts Research Centre, Queens University, Belfast, Northern-Ireland 24.-29. August 2008

    Franziska Schroeder - sopran saxophone
    John Kenny - trombone
    Gascia Ouzounian - violin
    Laoise Kelly - Irish harp
    Ivan Goff - uilleann pipes
    Se-Lien Chuang, bass recorder, interactive visuals, Max/MSP/Jitter
    Andreas Weixler, composition, multichannel real time granular synthesis, Max/MSP/Jitter

11.01.2008, Konzert Sound and Vision  I
Bruckner-UniversitŠt, Gšllerichsaal, Linz
AVI - Ensemble neue Musik / audiovisuelle InteraktivitŠt
    composition and realisation: Andreas Weixler and Se-Lien Chuang
    Technic: Herwig Preiss
    Elisabeth Danecker and Moa Hayashi, flutes
    Monika Haubeneder, Oboe
    Michael Dumfart, clarinette and bass-clarinette
    Monika Parkfrieder, bariton and alto saxophone
    Maria Klebel und Stefan Altmanninger, percussion
    Veronika Lehner and Eunbin Lee, piano
    Christoph Prendl, Gambe
    Margherita Franceschini, violoncello  
    Andrew Wiering, conductor
    Simon Gattringer, Gernot Haslauer and Christian FŸrst, music and mediatechnology

2007

22
for Reynolds
audiovisual interactive improvisation for violin and computer system

Todd Reynolds, violin
Se-Lien Chuang, concept, interactive visuals, Max/msp/Jitter
Andreas Weixler: concept, multi channel granular synthesis, Max/msp/Jitter

premiere:
selection for NIME 07 - New  Instruments for Musical Expression Confernce in New York  5th -10t of June 2007
premiere: 8. Juni 2007, Frederick Loewe Theater, NYU, New York.
commission of SKE Fonds.

21
Hetz
audiovisual composition for piano

visual composition, Se-Lien Chuang
audio composition, Andreas Weixler

premiere:
BEYOND THE MACHINE 07, The Juilliard School Technology Center
Three evenings of Electronic and Interactive Music, April 11, 12 and 13 at 8 P.M.
Clark Studio Theater, 70 Lincoln Center Plaza, Rose Building, 7th floor, NYC
featuring the Julliard Electric Ensemble, Vicky Chow, piano


2006

20
The Colours of a Wooden Flute
audiovisual realtime processes and instrumental improvisation

Andreas Weixler: composition, multichannel real time granular synthesis, Max/MSP/Jitter
Se-Lien Chuang: composition, bass recorder, interactive visuals, Max/MSP/Jitter

premiere:
Experimental Intermedia, NYC, New York,  15th of December 2006
Great Hall, EMS - Electronic Music Studios, Goldsmiths College, London, 6. November 2006
Auswahl zur ICMC - International Computer Music Confernce 2007 in Copenhagen
ICMC conzert 29.8.2007 at Huset Magstr¾de.
10. 11. 2009 Software Competence Center Hagenberg - 10th anniversary, Hagenberg O…, Austria
Demos:
07.08.08 ISEA 08 - Singapur, International Symposium on Electronic Arts
29.07.08 IWASEDAN 08 - Nagoya -International Workshop and Symposium for Environmental Design and Architecture in Nagoya

19
Das Kichern der silbernen Flšte
audiovisual realtime processes and instrumental improvisation

Rowland Sutherland: flute
Se-Lien Chuang: composition, interactive visuals, Max/MSP/Jitter, super collider audio transformation
Andreas Weixler: composition, multichannel real time granular synthesis, Max/MSP/Jitter

premiere:
Great Hall, EMS - Electronic Music Studios, Goldsmiths College, London, 6. November 2006
commission of SKE Fonds


2005

 18
Interlude for Pi and for Io
audiovisual interactive improvisation

 studio: elektronisches studio der TU Berlin, Oktober 2004 - februar 2005
 first premiere: UltraSchall - Festival for Neue music, 17. JŠnner 2005, Berlin

Se-Lien Chuang , arco-piano, visuals, Max/msp/Jitter
Andreas Weixler: multi channel granular synthesis, Max/msp/Jitter

duration: ca. 6 minutes (as part of the triology "for Pi and for Io", complete duration is 18 min)

premiere:
UltraSchall - das Festival for neue music, SophiensŠle Berlin,  17th of Januar 2005
concert  oft the electronic studio of the TU-Berlin
further premieres:
5. V:NM Festival, Graz,esc labor, (double concert - Erinnerung in jedem laut + Interlude for Pi and Io), 25th of May 2005
realtime/nonrealtime festival, Bahnhof for Neue music, Basel, Swiss, 17th of June 2005

17
Rooming 2
Ensemble-Improvisation, elektroakustisch verformt von Andreas Weixler, Se-Lien Chuang und Josef Novotny 
Dauer ca. 45 Min

16
Rooming 3
Sequenz aus StŸckteilen von Luna Alcalay, Christian MŸhlbacher, Wolfgang Kubizek, Hans Steiner, Doug Hammond und Fabian Pollack - ausgesucht, zusammengestellt und audiovisuellrŠumlich gedeutet von Se-Lien Chuang und Andreas Weixler 

Dauer 45 Min.
Interpreten: Janus Ensemble
kŸnstlerische Leitung: Christoph Cech
Premiere: 13.12.2005, Porgy & Bess / Wien


2004

14/15
Erinnerung in jedem Laut (2003/4)
for live instrument, live electronic and visuals

The fragments of memories (from a human as well as a computer) generate the synaesthesis between sounds and images. In terms of acousmatics I applied the spatialisation of sounds to integrate the movements of visuals for "the listening imagination".

Se-Lien Chuang : concept, Yan-Zin, vocals, visuals, Max/msp
Andreas Weixler: Max/msp, multichanneling granular synthesis
duration: ca. 15 minutes
premieres:
10.03.2004, concert of JSEM, Japanese Society of Electroacoustic Music, Sumida Triphony Hall, Tokyo, Japan

new Jitter version in concert at
23.09.2004 Logos Tetrahedron , Gent, Belgium
12.12.2004 electronic access, special asia Japan at ORF RadioKulturhaus Vienna, "FrŸhstŸck with Neutšnern"
15.12.2004 electronic access, special asia Japan at the Gšllerichsaal of the Bruckner-University in Linz
25.05.2005. V:NM Festival, ESC / labor, Graz
05. 09.2005, Ars Electronica Festival 05, Sky media Loft, AEC, Linz


13
Nite in Gale
interactive audiovisual improvisation

Judith Unterpertinger, (prep. piano), Fabian Pollak (extended Guitar), Se-Lien Chuang (stage cam) and Andreas Weixler (audiovisual interactive realtime processing Max/msp/nato)
first premiere: Jazz Nite der Bruckner-university in Linz, 17. and 18. Juni 2004
(Weiterentwicklung by Lightingale)

2003


12
Seoul-Lightingale
interactive audiovisual improvisation for trad. corean instruments

Seoul International Computer Music Festival 2003
 in South Corea, November 8.-12. 2003

 [+]Concert 4
 Monday, Nov. 10, 2003, 7:30 pm
 KCAF Arts theatre -Andreas Weixler "Seoul Lightingale" (korean traditional instruments and interactive audio-visuals media)

 Eunil Kang, Haegeum
 Kyunghwa Yu:, Percussion & Cheolhyungeum
 Heoh Yoon Jeong, Geomungo
 Andreas Weixler:, computer
 Se-Lien Chunang, live video

11
Lightingale Collection Essl Museum, Klosterneuburg, Austria, 22.10.2003, series of react_chain

audiovisual interactive performance
at the Essl-collection Hermann Nitsch retrospective
Andreas Weixler and Se-Lien Chuang , composition, concept and programming
22.10.2003, Museum Essl, Klosterneuburg
Se-Lien Chuang : visuals, max/msp and Yan-Zin (traditionall chinese instrument)
Andreas Weixler: max/msp and electric guitar

10
Lightingale Weixler 2003
audiovisual interactive transformation

description:
To generate synaesthesia of audio and visuals the live improvisation of instruments will be processed in realtime, generating colors, shapes and pictures accordingly to the frequency range and dynamics. Also the granular synthesis of the sound will be replayed in the performance.

work in progress, every event shows a new development, the new version

premiers
KŸnstlerhaus Vienna, Austria, soundlab of the exhibition Ègenius lociÇ, 1st of June 2003
       Andreas Weixler - audiovisual interactive transformation
       Judith Unterpertinger - piano
       Fabian Pollak - guitar
4th V:NM-Festival 2003, Graz, Austria, 30th of May 2003
       Andreas Weixler - audiovisual interactive transformation
       Peter Herbert - bass
       Reinhard Micko - piano
Jazz Nite 02, Bruckner- Conservatory Linz
audiovisual interactive transformation with Tuscher/Radovan/Gutternig/Schreiber/Cech/Weixler

DVD Video at Atelier Avant Austria

9
a visuals crush on you
 for Yan-Zin, realtime audio processing and interactive visuals

Se-Lien Chuang , Yan-Zin and visuals (x-pose)
Andreas Weixler, computer (max/msp)
 
National theatre Concert Hall in Taipeh, Taiwan 27.4.2003
TNCA, Tainan National College of Art, Taiwan, 29.4.2003


2002

8
running-figure-lantern 2002
by Se-Lien Chuang & Andreas Weixler (Atelier Avant Austria)
interactive audiovisual instrumental theatre

The stage aspect associates with the Chinese shadow-puppet-show and running-figure-lantern for approaching a mind of cross-culture exchange.

Technically this work detects audio by a number of microphones, which are carried by the musicians and dancers (or actor & actress). It then makes a choice of pictures accordingly to the sound and transforms those. Also the sound will be transformed in stereo of 6 channel by granular synthesis and will fit it in a prepared electroacoustic composition and stage arrangement.

The audiovisual interactive ambience and the interpreters are open to the public. The performance is expected, but andetermined. The public can participate in this performance by going and coming through the orbit stage like the moving figures in the Chinese running-figure-lantern.

selceted for  International Symposium of Electronic Arts 27.- 31 Oktober, Nagoya Japan.
ISEA  02 Performance on October 30th, 2003.

performers:
Kuwayama Kiyoharu: violoncello, Kijima Rina: violin
Junko Sugano & Kawamura Atunori, dancers
Se-Lien Chuang, director, concept, visuals, stage setting
Andreas Weixler: realtime granular synthesis


2001

7
living cave by Atelier Avant - Se-Lien Chuang & Andreas Weixler (2000/2001)
interactive audio-visual installation


Se-Lien Chuang , concept, visuals and electroacoustic composition, Andreas Weixler  Max/msp programming, interactivity  and realtime audio processing.

description: The room reacts to the audience in algorithmic choice of pictures and their transformation and processes realtime audio within an electroacoustic composition.

The interactive audiovisual interactive installation Living Cave is very flexible to the exhibition site. It detects audio by a number of microphones, which could be hidden in room or be handed out to selected persons of the audience aswell. It then makes a choice of pictures accordingly to the sound and transform those. Also the sound will be transformed in stereo or 4 channel by granular synthesis and will fit in a prepared electroacoustic composition.

All in all it creates a visuals and audio ambience accordingly to the sound fed into the system.

studio: sound Design Lab/Nagoya City University, School of Design and Architecture, Japan
premiere: 19.01.2001 Nagoya, sound Design Lab/Nagoya City University, Japan
further premieres 16.-2o th of May 2001 at  Laval Virtfirst interactive and VRIC (Virtfirst interactive International International Conference), France
26.10.-4.11.2001 artport & media select, Nagoya, Japan

6
The Story of  H e i k e (2001)
interactive audiovisual interactive narrative

description: the biwa player tells the traditional japanese story of Heike. The computer cotnrolled choice of picture interactively accompanies the play of the biwa and the singing voice of the narrator. ca. 15«,

performer:
Kagusho Kitagawa,  Biwa
Mikako Mizuno, art concept
Se-Lien Chuang ,  visuals & realtime arrangement
Andreas Weixler, interactive programming

Premiere:  Nagoya City University - School Design and Architecture, Japan,
Friday 16th of Febrfirst premierery 2001, sound Lab


2000

5
Waon (2000)

interactive audio visual performance for 2 instruments

description: based on the japanese spirit of harmony the computer senses harmony between the players and acts accordingly to them in generating audio and visuals.

2 instruments are improvising between playing the same note, making microtonal distortions up to free audio visual art. Voices from different nations are analysed in the same way, hear the melody, the
rhythm the music of each langfirst premierege, see the expression.

concept and max/msp progamming by Andreas Weixler.

studio: sound Design Lab/Nagoya City University, School of Design and Architecture, Japan
premiere: 15.12.2000 Experimental Intermedia, New York, USA
selected for ISEA 02, Symposium of Electronic Art, in Nagoya, Japan
further presentations:
special asian version for sheng and erhu:
National theatre Concert Hall in Taipeh, Taiwan 27.4.2003
TNCA, Tainan National College of Art, Taiwan, 29.4.2003

performers:
szene instrumental, Andreas Weixler & Se-Lien Chuang, Computersystem (NYC),
Pai Yu Ching, sheng & Tsai Chen Yu, erhu (Taiwan),
Kuwayama Kiyoharu,  guitar, handmade electronics, Andreas Weixler,  concept, max/msp progamming, guitar (Japan),
Martin Zrost, Bassklarinette, Saxophon, E-Bass; Andreas Weixler, E-guitar, Computersystem, (Austria)

1999

4
Sonic Satie (1999)
interactive composition for piano, Disclavier, realtime audio processing and visuals sampler

description: the audio data of a grand piano playing Vexations by Erik Satie will be processed in granular synthesis, and if silented a Disklavier playes Gymnopedie alltogether with a live visuals improvisation.

A piano player keeps on playing Vexations by Erik Satie in one concert hall. The audio signal will be transmitted to another concert hall, where it feeds the input of a Macintosh computer equiped with Max/msp. The Max/msp patch listens whether the grand piano is played by the performer or not. If not Max starts a sequence of Gymnopedie No1 and No 2 performed. If the grand piano is playing the computer silences the Disklavier and starts a realtim audio processing the signal of the grand piano.
While the listener in concert hall 1 can listen to a piano piece of Erik Satie, the listener in concert hall 2 will hear a computer processed interactive electro acoustic piece with a live Disklavier and realtime granular synthesis based on what is played in the other room.

concept and Max/msp programm: Andreas Weixler
piano, midi data, visuals arts: Se-Lien Chuang
studio: SUSS Sheffield University sound studio and Atelier Avant Aweixler/cse-lien 1999
premiere 08.10.1999 Vexations - long night of Satie, Bruckner-Conservatorium, Linz

3
Limits-no Limits (1999)
audiovisual interactive improvisation  for contemporary theatre

with Peter Infeld (Tenor), Karl Ratzer (Git), Luise Kloos (Reib-Glas) Andreas Weixler (audio-and visuals sampler), Se-Lien Chuang (piano and computer graphics) and the  ensemble of Projekttheatre Vienna.
premiere 26.06.1999  Projekttheatre Studio Vienna
studio : Atelier Avant Austria, Graz

2
paper wedding (1999)
interactive performance for prepared piano, visuals and audio sampler

first premiere: 26.06.1999, Limits-no Limits -Performance of Projekttheatre Studio Vienna, performers
Andreas Weixler, concept, audio and visual sampling
Se-Lien Chuang, arco-piano , computer graphics, X-pose programming
Eva Brenner, director
studio :Atelier Avant Austria, Graz

1
Subject to Change (1999)
interactive performance for prepared piano, visuals and audio sampler, realtime processing

Andreas Weixler, concept, audio and visuals sampler
Se-Lien Chuang , bowed piano , computer grafics X-pose programming
Alberto de Campo, Wavetablet and SC2 programming
studio Atelier Avant Aweixler/cse-lien
premiere:
Atelier concert at Institute of Electronic Music, Graz concert series die andere saite 26.03.1999,
archives of: IEM, Graz, Atelier Avant, ConcertZender Amsterdam, Bild- and Tonarchiv Joanneum, ConcertZender Amsterdam
computer music
b) electronic and electroacoustic music (tape music)

27
for Pi
electroacoustic composition for 8-channel speaker system
   
studio: electronic studio of Technical University in Berlin, Oktober 2004 - Februar 2005
 first premiere: UltraSchall - Festival fŸr Neue Musik, 17. JŠnner 2005, Berlin
broadcasting 23. March 2005 Radio Brandenburg Berlin
Kulturradio rrb/ Deutschlandradio, Musik der Gegenwart

26
Seele brennt (2003)
ambience

studio: Atelier Avant Austria, Graz 2003
with kind support by SKE Fonds and Land Steiermark
commision of Projekttheatre Vienna and Thomastik-Infeld for das Experimentaltheatre "Skandalon Stille" at the Literaturhaus Graz,
kryptonale 9, Berlin, 19.12.2003, ãkleiner WasserspeicherÒ
and as sound track to the video installation infinity op 1.-4. by Se-Lien Chuang:
3rd of December. 2003, Busan International Digital Technology Music Festival
The Mail Hall, Busan Cultural Center
 
25
Broken Bowls 4 - Talk / Broken Bowls 4 - Letter (1999)
computer music sound, processing of contemporary instrumental sounds and voices

performer: Dagmar Hšdl, mezzo sopran & ContrastTrio: Christos Polyzoides (vla), Franois Benda (cl), Janna Polizoides (pno)
studio: SUSS Sheffield University Sound studio, 1999
duration:  02:39 Talk, 04:06 letter

first premiere: 02.11.1999 Pusan Electronic Music Association -  SŸd-Korea
and in the Video Trinity by Se-Lien Chuang
premiere at Elektrokomplex 99 and  26.02.2000 Center for Contemporary Art, vul. Skovorody 2/Kyiv (Russia) , 15.05.2000 Nagoya City University, Japan, 30. 11 - 1. 12. 2000, Festival Terza Prattica, Muziek onder stroom, Amsterdam, The Netherlands, New International Community of Electroacoustic Music (NICE)

as sound track of the video Trinity:
Presentation of the Maya Workshop of Werkstadt Graz 1.12. 99
Festival Elektrokomplex 12.12.1999 at Rhiz Vienna
Center for Contemporary Art, Kiew Ru§land, 26.02.2000
Galerie Werkstadt Graz, 18.02. - 12.03.2000.
Experimental Intermedia New York 15.12.2000
Festival Schrattenberg, Austria, 30. 08.2002
National theatre Concert Hall in Taipeh, 27.4.2003 
concert am TNCA, Tainan National College of Art, Taiwan, 29.4.2003

24
Der letzte Wassermann   (1999)
4 channel computer music with live-arco piano

first premiere : 18.05.1999 Labor ESC Graz, v.nm Festival
further premiers. 15.12.2000 Experimental Intermedia, New York, USA (version fuer Vlc)
TV: 19.05.99 Steiermark Heute
broadcasting …1 1999

Hardware: PowerMac 7200/90,
Software: Opcode-Max, ProTools 3.4
performer: live arco-piano: Se-Lien Chuang
studio: Atelier Avant Aweixler
duration: 8«

23
Dampfmann (1999)
SoundDesign fŸr Landesaustellung Knittelfeld, 1. Mai - 31. Oktober 1999
Studio: Atelier Avant, Graz

22
Zerbrochene Schalen 3 - Nichts - no thing   (1998)
computer music, sound processing of contemporary instruments

first premiere :
9.+10.12.1998 Kulturzentrum Minoriten Graz, Performance,  Project theater Vienna-New York;
further premiers:
8.6.98 Images Acoustiques 98, Linz
26.03.1999,Atelier concert, IEM-Graz
12.05.99, 21st international study week of contemporary music, LŸneburg, Germany
02.11.1999 Pusan Electronic Music Association -  SŸd-Korea,
15.05.2000 Nagoya City University, Japan
26.11.2006, Wien Modern Festival

Hardware: PowerMac 7200/90,
Software: Opcode-Max, ProTools 3.4
performer / recording: Se-Lien Chuang ,(pno), Ulrike Stadler (perc),Theodoros Patsaloides (vio),Wolfgang Stangl (vla), Thomas Platzgummer (vlc)
studio: Atelier Avant Austria
duration: 6«40


21
MAIN!Waves  (1998)
improvisation and diffusion, music for theatre

first premiere : 11.2.1998 Konzerthaus Vienna, Performance Duras; (tape version)
further premiers: Images Acoustiques Linz 8.6.98, (tape version ) ElektroKomplex, european conference on electroacoustic music, Vienna 3.7.1998 (live arco version) , Atelier concert, IEM-Graz 26.03.1999
12.05.99 LŸneburg , Germany, 21st. international study week of contemporary music
broadcasting: …1 Zeitton 1998

Hardware: PowerMac 7200/90, 8100/80
Software: LAP - Live Audio Positioning System ( aweixler)
Protools IV, Opcode-Max
performer: Se-Lien Chuang , piano  live
tape: Dagmar Hšdl, Mezzosopran, Se-Lien Chuang , piano, Anselm Schaufler, Violine
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 5«50Ò

20
EntrŽe  (1998)
sound design for theatre (applause & text )

first premiere 11. -19. and 21+22.02.98. Konzerthaus Vienna

Hardware PowerMac 7200/90, 8100/80
Software Protools IV
performer Dagmar Hšdl, Mezzosopran, Se-Lien Chuang , piano, Anselm Schaufler, Violine,
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration 3«13Ò
 
19
Blaue Augen-Schwarzes Haar  (1998)
music for theatre (theatre titel: Salzgang, Salzkatastrophe)

first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: Dagmar Hšdl  Mezzosopran, Se-Lien Chuang   piano, Anselm Schaufler  Violine,
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 4«54Ò


18
Phosphor  (1998)
music for theatre,  (Arbeitstitel: 1Turn)

first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: Dagmar Hšdl  Mezzosopran, Se-Lien Chuang piano, Anselm Schaufler Violine
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 1«20Ò

17
Szin 8 Atem  (1998)
music diffusion

(theatre titel: Atem, Krieg)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
further premiers: 8.6.98  IMAGES ACOUSTIQUES «98, Linz, Atelier concert, IEM-Graz 26.04.1999
studio: SAMT Sudio for Advanced Music and Media Technology at the Bruckner-concervatory in Linz
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: szene instrumental
duration: 2«02Ò

16
sound Barrier  - Eine Schallmauer (1996)
composition, interaction, imprvosiation, computer controlled electronic devices
co-composition with Adelhard Roidinger

first premiere  15.10.96 Austrian sound Check / Steirischer Herbst 1996
broadcasting: ORF …1, Zeitton 3.6.97

Hardware: PowerMac 8100/80, Powerbook 150, ProTools, IBM-PC, VideoCam, Dataprojector
Software: ProTools, TDM Plugins: HTD, BRN, MAX,  GRM, Hyperprism 1.5.2, GRM Tools 1.55, soundDesigner 2.8, Alchemy 3.0, HyperControl D, soundhack 0.8, LAP -Live Audio Positioning by aw

performer: Michael Riessler cl, Adelhard Roidinger cb, Andreas Weixler electronics,
Gerald Wolf, engineer

visuals in cooperation with ARCHIMEDIA -Linz:Christian Mšller, Sven Thšne.
Studios: Studio for Advanced Music and Media Technology at the Bruckner conservatory Linz, University of East Anglia UEA Norwich, Birmingham Electro Acoustic sound Theatre BEAST, UPIC - Paris, studio Acroasis, studio aweixler /Atelier Avant Austria
media
DAT archives of SAMT studio for Advanced Music and Media Technology
DAT archives of ORF Styria

15
Glas Seele (1996)
computer music, algorithmic composition, multi channel technique, diffusion

UA 15.10.96 Austrian sound Check, further premiers.: 29.05.97 Live Audio-Wels,
13.06.97 Nite of Jazz and Computermusic - Bruckner-conservatory Linz

Hardware: PowerMac 7200/90,  8100/80, div peripheral equipment, Ensoniq EPS 16+, ADAT
Software: ProTools, MAX, Longy by aw
duration: 5:54
studios: studio for Advanced Music and Media Technology am Bruckner conservatory Linz,
studio aweixler /Atelier Avant Austria
media: ADAT at private archives of A. Weixler
ADAT at archives of SAMT - studio for Advanced Music and Media Technology  studio/Linz
 

14
Plate du Jour (1996)
computer music, algorithmic composition, multi channel audio, diffusion

first premiere 15.10.96 Austrian sound Check, weitere premiers: Live audio in der musicwerkstattWels 29.5.1997, Nite of Jazz and Computermusic in Linz 13.06.97

duration: 3:00
Hardware: PowerMac 7200/90,  8100/80, div peripheral equipment, Ensoniq EPS 16+, ADAT
Software: ProTools, MAX, Longy by aw
studio studio aweixler, SAMT - studio for Advanced Music and Media Technology /LInz
media ADAT imprivate archives of A. Weixler
ADAT im archives of SAMT - studio for Advanced Music and Media Technology duration

13
Jade for orchestra on tape (1996)
computer music

duration: 5:54
Hardware: PowerMac 7200/90, MacIntosh Quadra 650 div peripheral equipment
Software: ProTools 16Track, TDM Plugins: HTD, BRN, GRM, Hyperprism 1.5.2, GRM Tools 1.55, soundDesigner 2.8, Alchemy 3.0, HyperControl D, soundhack 0.8
performer: Szene Instrumental - Graz
studios: University of East Anglia UEA Norwich, BEAST Birmingham Electro Acoustic sound Theatre
media: DAT at private archives of A. Weixler, DAT Im archives of BEAST, DAT archives of  UEA

first premiere  Kunsthalle Stockerau 31.8.96
further premiers:
WUK Vienna 3-13.10.96  Projekttheatre Vienna-New-York,
15.10.96 ãTheatroÒ Austrian sound Check/styrian autum ,
14.u.15.11.97 Projekttheatre Eva Brenner-Minoriten Graz ,
26.6.1997 European Electroacoustic Music Festival in BrŸssel ,
11.2.98 Electroacoustic Music Concert Montreal/Canada ,
15. 01.98  concert "music des 20. Jahrhanderts"  Tirolian conservatory,
10.11.98 Sumida Triphony Hall-Tokyo/Japan
13.03.1999 Lange Nacht der Neuen KlŠnge, Konzerthaus Vienna
11.05.99 LŸneburg 21. internationale Studienwoche contemporary music
15.05.2000 Nagoya City University, Japan
15.12.2000 Experimental Intermedia, New York, USA

and  in dev lectures for example at the University of East Anglia in Norwich, England and at the Institute for music science of the Karl-Franzens university in Graz SS1998,
broadcasting: ORF Zeitton 3.6.97 and 23.03.1999; 1998 Belgien
12
Sinn (1996)
computer music, music for tape, music for theatre

first premiere 3.10.96 WUK - Vienna, Projektheatre Vienna-New York
duration: 7 min
Hardware: Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by  aw
studio: studio aweixler / Atelier Avant Austria, c/o Vienna
media
DAT private archives of A.Weixler
DAT private archives of Eva Brenner

 11
Unsinn in Schuhen (1996)
first premiere 3.10.96 WUK - Vienna , Projektheatre Vienna-New York

computer music, music for tape
duration: 10 min
Hardware:
Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by  aw
studio: studio aweixler / Atelier Avant Austria, c/o Vienna
media : DAT private archives of A.Weixler, DAT archives of Projekttheatre Eva Brenner

10
Ganz Gemein (1996)
computer music, algorithmic composition

first premiere 3.10.96 WUK - Vienna, Projektheatre Vienna-New York ,
further premiers im Video ãBlue ElephantÒ by Se-Lien Chuang beim
Festival Elektrokomplex 99 am 12.12.1999 im Rhiz Vienna and 26.02.2000, Center for Contemporary Art, vul. Skovorody 2/Kyiv (Ru§land) and 6.-8. April Lovebytes Festival Sheffield ,England, 15.05.2000 Nagoya City University, Japan, 15.12.2000 Experimental Intermedia, New York, USA, 30.08.2002 Hotel Pupik, Festival Schrattenberg, Austria

duration: 4 min
Hardware: Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by  aw
studio: studio aweixler/ Atelier Avant Austria
media DAT private archives of A.Weixler, DAT archives of Projekttheatre Eva Brenner
 

9
Eilene (1996)
digital sound processing of the improvisation "SAMTene Stimmen"

first premiere 17.5.96 Festival Elektronischer FrŸhling - Vienna 96; SAMT-PrŠsentationsconcert  studio for Advanced Music and Media Technology am Brucknerconservatory Linz.
Weitere PrŠsentationen: Musica Scienza, Centro Ricerche Musicali - Rom/Italy 99
broadcasting …1 1999

instrumentation: 2 female voices, Macintosh PowerPC, Protools with GRM -Tools (TDM)
studio: produced 3.-6-5.1996 SAMT - studio for Advanced Music and Media Technology in Hagenberg/ Linz
media: CD Elektronischer FrŸhling (1997, GEM 9701)
DAT SAMT - studio for Advanced Music and Media Technology in Hagenberg/ Linz
DAT imprivate archives of S. Chuang
performer: Melanie Bong  and Se-Lien Chuang :  voice improvisation
Andreas Weixler:  composition and digital sound processing

8
Corresponding Methal (1993)
for piano, percussion and 8-channel electronics

first premiere Graz, 17.11.93 electronic access 93 (IGNM, die andere saite, ORF Stmk)
further premiers: baby-ars 95 - Linz/Hagenberg, 17.06.95 and  Fete de la Musique Landhaushof Graz 21.6.95, ZeitklŠnge Berlin 96
diverse broadcasting in Austria, The Netherlands, Hungary (1997), Germany (1997)
produced at studio A. Weixler /Atleri Avant Austria, commission of the Austrian Ministry of Education and Art.. ORF recording im studio 3 von ORF studio Styria, broadcasting - and CD-production

studios: studio aweixler (Aterlier Avant), Institut for Electronic music Graz
Interpreten: Shinobu Ishizuki p, Christian Riegler & Vitus Pirchner perc.
Berlin: Austrian Art Ensemble (Uli Stadler & Chicco perc; Wim van Zytphen p)
duration    12:26
media ORF-archives of (DAT), CD Klangschnitte II (CD GE 07)
 

7
Methabl 2.5 (1992)
electronic  composition for Atari Computer, Ensoniq 16+, Tx802

first premiere 14.4.1993 3. Internationales Festival contemporary music in Bogot‡/ Columbien, : organized by the Austrian society for electroacoustic music GEM
further premiers:  Campus der university Brasila /Brasilien Concertos de Musica Electroacustica

performer: music for tape
studio: studio aweixler (Atelier Avant)
duration : 4:30
media
DAT, CD-Rom im archives of der GEM, society for Electronic music
DAT imprivate archives of A. Weixler

6
Methabl 8.7 (1992/95)
Electronic  Komposition for Atari Computer, Ensoniq 16+, Tx802 first premiere.   8- channel Randumbeschallung
first premiere 12.06.95 electronic access 95 - Graz  further premiers: Festival Absolute music -Allensteig 96
20.06.95, 03.07.98 SiChuang premieren Conservatory in Chengdu, China , 15.05.2000 Nagoya City University, Japan
ORF-broadcasting:  26.6.95 "Zeitton" , and 30.07.99 …1

performer: ADAT  8-Spur Digitaltape
duration  4:30
studio: studio aweixler (Atelier Avant), IEM Institut for Electronic music, Graz
media
DAT, ADAT, am Institut for Electronic music, Graz
ADAT imprivate archives of A. Weixler
DAT archives of ORF Steiermark
CD d.a.s.Nr 1  electronic access 95


5
Ex per IM (1990)
computer music

first premiere 1991, Experimentalmusicfestival Forfest,  Kromeriz /CSFR
studio
Privatstudio A.Weixler
performer
Atari Computer, Dx7 , Tr 505, Ibanez-Delay
media
Audio Cassette private archives of A. Weixler
DAT archives of des Institutes for Electronic music, Graz

4
CR-Ferenz/ taio suru (1994)
computer music for 4 channel audio

first premiere Vienna, 14.6.94, Festival Elektronischer FrŸhling 94, further premier Forfest 95 Brno/CSFR 21.6.95 electroacoustic installation at Forfest 95, Klangnacht Hartberg 96

computer music for 4 channel audio, EPS 16+, Tx 802, NeXT-Computer, Atari-Computer, div Effektprozessoren
1st version: for 4 Lautsprechergruppen (ADAT - tape)
2nd version: music for tape stereo (DAT)
duration 18 min.
studios: studio aweixler (Atelier Avant), Institut for Electronic Music, Graz
media :DAT, ADAT private archives of A. Weixler
DAT, ADAT archives of the Institute for Electronic Music, Graz

3
IAJ (1991)
interactive computer music for Atari Computer, EPS 16+, M

performer music for tapecomposition
   duration: Gesamt:  11:45
  part a Nihon      05:16
  part b mei-shi    02:58
  part c ryoken kensa    02:30
  part d konnichi-wa   00:58
studio studio aweixler (Atelier Avant), Institut for Electronic music, Graz
media Cassprivate archives of A. Weixler


2
ILB - Interactive Love Bytes (1990)
computer music
Kromeriz /CSFR,  1991, experimenta lmusic festival Forfest,

instrumentation: Atari Computer, Tx 802 , Yamaha DMP 11
duration: total 14:15
  part a Thema   07:44
  part c Micro Mar  04:50
studio: IEM Institute for electronic music, Graz, studio aweixler /Atelier Avant Austria
media: Audio Cassette private archives of A. Weixler,
DAT archives of des Institutes for Electronic music, Graz

1
Scene Missing (1991 - 92)
first premiere Basel, 1992, music academy Basel  
soudn track for video for the seminar "composition and analysis in film music" with Ennio  Morricone.  produced at Privat studio  A. Weixler and at the Electronic mUsic Studio of the Music Acadenmy in Basel.

duration:
   Gesamt:   2:54
   a) Maedthe3  0:55        b) Bild  0:50       c) Mšnche   0:59
   d) Bett  0:06
  e) Das Thema by der guten Fee 2:04
studios
studio aweixler (Atelier Avant)
studio der musicakademie Basel
media
Video an der musicakademie Basel
DAT Im Privat archives of A. Weixler


computer music 
a) audio realtime processing

2012
17
Spielraum - die Grenzen des Zufalls
for Pipa + elektronics, interactive score (UA)

En-Ju Lin (Taiwan) / Pipa
Wolfgang Schliemann / percussion
Martin Speicher / sopran saxophone
Ulrich Phillipp / double bass
Se-Lien Chuang / bass recorder
Andreas Weixler / electronics

UA: Opening! Festival Tuchfabrik Trier, Klangkunst 2012
Internationales Festival fŸr Aktuelle Klangkunst
Konzert Neue und Alte Musik fŸr Pipa, So, 05.02.2012

duration: 15 minutes
audio and video documentation, Atelier Avant Austria

2011
16
die Grenzen des Zufalls
interaktive iScore Komposition mit live processing fŸr Violoncello solo
Michael Moser, Violoncello
die andere saite
21. November 2011, Kulturzentrum Minoriten, Graz

recording: Hennig Bosbach


2011

15
out of nothing
Elfi Aichinger (voc) - Andreas Schreiber (vio) - Andreas Weixler (el)
JIM Communicate - JIM ON STAGE
19.05.2011 - Kleiner Saal, Anton Bruckner Privat UniversitŠt, Linz


14
I score
iScore for Jim faculty tour
von Andreas Weixler
interactive score for multiple iBooks

24.1.2011, 20:30, Porgy&Bess, Wien
26.1.2011, 19:30, Brucknerhaus - Mittlerer Saal, Linz, ORF broadcasting recording

JIM Faculty
of the Institute of Jazz and Improvised Music (JIM), Anton Bruckner Private UniversitŠt

Elfi Aichinger: vocals
Allan Praskin, Harry Sokal: reeds
Daniel Nšsig: trumpet, fluegelhorn
Christian Radovan: trombone
Andi Schreiber: violin
Peter OÕMara: guitar
Martin Stepanik, Dejan Pecenko, Christoph Cech: piano, synthesizer
Andreas Weixler: electronics
Peter Herbert: acoustic bass
Helmut Schšnleitner: electric bass
Herbert Pirker, Jeff Boudreaux: drums, percussion
Gerhard Reiter: percussion

2010

13
xClavier
audio realtime processing composition for piano and interactive score
Andreas Weixler 2010

Manon-Liu Winter , piano
8. November 2010, Kulturzentrum bei den Minoriten, Graz
concert series die andere saite

2009
12
in divi duell
fŸr 2 Kontrafagotte, interaktive Partitur und live Elektronik von Andreas Weixler
Robert GILLINGER-BUSCHEK, Clemens B…HM, Fagott, Kontraforte
Andreas WEIXLER Mehrkanal-Echtzeitprozesse, Elektronik
extended BASSoons
UA Montag, 7. Dezember 2009, 20 Uhr, Konzertserie die andere saite, Kulturzentrum bei den Minoriten, Graz
Aufnahme&Mischung: Andreas Weixler, Atelier Avant Austria
Aufnahme: Privatarchiv Andreas Weixler
Dauer 16 min 21 sec

2008

11
LITTLE UNIVERSE by Andreas Weixler
Improvisation by instructions of an interactive score
An unique experiment is combining improvisation by instructions of an interactive computersystem and realtime audio processing.
concert Sound and Vision II 30.Mai.2008, Anton-Bruckner-PrivatuniversitŠt, Linz

Ensemble Zwischen RŠume
Monika Parkfrieder: piano, saxophone
Bernhard Parkfrieder: saxophone, clarinette
Christiane Zollhauser: voice
Astrid Bauer: oboe

Stefan Altmanninger, percussion
Fatima el Kosht, troumpet, flute, jaw«s harp
Se-Lien Chuang, multi channel granular synthesis
Andreas Weixler, interactive score

2007
 10
 arb/cb - the big fuzz
 audio realtime behaviour for double bass
 UA:  27. Oktober 2007, Kulturzentrum Minoriten, concert series die andere saite in Graz, Austria
 Uli Fussenegger, doulbe bass , Andreas Weixler multichannel granular synthesis

 9
 Quod erat...
 audio realtime processing  for bassoon
 Studio: Atelier Avant Austria
 UA:  21. April 2007, ESC / labor, 6. V:NM Festival,  19. - 21. April 2007 in Graz, Austria
 Klaus Hubmann, bassoon, Andreas Weixler multichannel granular synthesis


2002
8
Das GlŸck des Galeerensklaven (Weixler/Eichberger/HŸtter)
Echtzeit Prozessing for violoncello and Stimme (Literatur: GŸnther Eichberger)
studio: Atelier Avant Austria, Graz
first premiere: 6.4.2002 Osterfestival, Dom im Berg, Graz, Austria
Erich Oskar HŸtter, violoncello, GŸnther Eichberger, Stimmer, ANdreas Weixler, Echtzeitprozessing
media: ORF Steiermark

2001

7
a crush on You (1999-2001)
interactives performance for chinese dulcimer Yan-zin and Macintosh Computer with Max/msp

studio: SUSS Sheffield University sound studio and Atelier Avant ,1999
Weiter Entwicklung an der Nagoya City University, Japan 2001

concept and Max/msp Programmierung: Andreas Weixler
Yan-Zin: Se-Lien Chuang
first premiere: 25.09.1999 Weingut Gasser, Steiermark
further premiers: Festival Elektrokomplex 99 am 12.12.1999 im Rhiz Vienna
15.12.2000 Experimental Intermedia New York, 16. februar 2001 Nagoya City Univeristy, sound Lab.
 
1999

6
Sonic Satie
interactive composition for piano, Disclavier, realtime audio processing and visual sampler

studio: SUSS Sheffield University sound studio ,1999
concept and Max/msp Programmierung: Andreas Weixler
piano and Mididaten, visuals arts: Se-Lien Chuang
first premiere. 08.10.1999 ãVexations - lange Satie NachtÒ Bruckner-conservatory Linz
 
1998

5
music zur CDR-Produktion der denk.werk.statt.graz, Luise Kloos, Dezember 98
Schnitte aus "crossings", "3 Clowns" , "an sonnigen Tagen", "O.zonÒ


4
the cat and the mouse (1998)
interactive realtime computer music for E-guitar, piano & live electronic
Se-Lien Chuang & Andreas Weixler

first premiere: 11.05.1999, 21.Internationale Studienwoche for zeitgenšssische music LŸneburg
further premiers. 18. 05.1999, ESC im labor/Graz in Rahmen des V: NM Festivals 1999
concept & prŠpariertes piano: Se-Lien Chuang
ISPW- Max: Wolfgang MUSIL (LŸneburg), Thomas MUSIL (Graz)
E-guitar & Opcode- Max: Andreas WEIXLER
duration: 12«


3
  - - - - - - - in C  (1998)
realtime processing for  guitar, piano & live electronic
Se-Lien Chuang & Andreas Weixler

(first premiere) 29/04/1998 in der Alte Schmiede/Kunstverein Vienna im Rahmen des Festivals Elektronischer FrŸhling «98 Westšstlicher Divan:  Taiwan in Vienna-Vienna in Taiwan

Se-Lien Chuang , composition and piano
Andreas Weixler, Opcode Max Programmierung and guitar
Wolfgang Musil, ISPW-Max Programmierung
Opcode-Max Programming im Atelier Avant
ISPW-Max Programmierung am Institut for Elektroakustik Kunstuniversity  Vienna
 
1997

2
O.zon  (1997)
interactive composition for piano solo, multi channel technique, music im Raum

first premiere 2.8.97 14. KŸnstlerbegegnung St. Lambrecht;
further premiers 3.11.97 Institut for Electronic music,Graz, 12.05.99 LŸnneburg 21. internatinale Studienwoche contemporary music
Hardware : PowerMac 7200/90, Ensoniq EPS 16+, Tx802
Software : Opcode-MAX
performer : Se-Lien Chuang , piano; Andreas Weixler, Computersystem
duration  12«


1
u/hhua-ghua  (1996)
interactive composition with Realtime Processing.

first premiere 23.4.96  Festival Elektronischer FrŸhling 96, Vienna
in cooperation with the Institute for Electro Acoustics in Vienna and the Institute if Electronic Music un Graz Graz
instrumentation: prepared piano and Next-Comuter with  ISPW (Ircam sound Processing Workstation), Macintosh wiht Max
performer Se-Lien Chuang , piano and Performance, Andreas Weixler, concept and engineer
duration: 12 min



II) contemporary instrumental music

2011

31
Partly Ashley
algorithmische, pulsare Komposition
4. Mai 2011, Violine Solo Konzert, die andere saite, Kulturzentrum Minoriten, Graz
Annelie Gahl, Violine

2010

30
Ashley Ave STRQ (2010)
Dauer: 5 min
Werkbeschreibung: Die Komposition basiert auf einem algorithmischen Konzept, das am Sonic Arts Research Centre in Belfast wŠhrend einer composer in residence 2008 in Form einer Max
Programmierung erarbeitet wurde. Ashley Ave STRQ ist eine algorithmische Komposition.
Dem Werk liegt ein weitgefŠcherter Akkord zu Grunde von dem ein Computerprogramm in
wandernden Fenstern einzelne Tšne einer Pulsation freigibt.
UrauffŸhrung der  Version fŸr Streichquartett,: 22. April 2010 Minoritensaal, Graz
Interpreten: Stadler Quartett (Salzburg)
Radio Sendung: Zeit-Ton, 27. April 2010, 23:03 (Gestaltung Franz-Josef Kerstinger)


2009

29
The kiss of Life (2009)
pulsar composition for Idiophonics (2 Marimba, Vibraphon, 2 Glockenspiel, 1 Xyolophon)
performer: Lukas Schiske, Berndt Thurner, Adam Weisman
premiere: 20. 03. 2009 23:00 ORF Landesstudio Steiermark, Austria,
die andere saite Konzert "Malletts", live radio broadcasting in Zeitton š1


2008

28
Ashley Avenue (2008)
algorithmic composition for piano solo
UA: 9.10.2008, SARC - Sonic Arts Research Centre Belfast, concert series "Music @ Queen's
Version for Disklavier, pedal: Pedro Rebelo
further premiers: 11. 03. 2009, Minoritensaal, Graz, die andere saite, Austria
Hsin-Huei Huang, Klavier solo


2007

27
Der Wunsch zu horchen (2008)
Rezitativ
music: Andreas Weixler
lyrics: Se-Lien Chuang
premiere: 24.01.2008 Graz, die andere saite Konzert A Day in Life (Organisation Klaus Dorfegger), Kulturzentrum Minoriten, Graz
performed by Eis-Trio
Ivana Pristasova Ð violine, Petra Ackermann Ð viola, Roland Schueler Ð violoncello, Judith Lehner Ð vocal


26
Dissonanz 1a (2007)
fl, bcl, mar, pno, vl, vla, vlc, cb
premiere: Konzertreihe die andere saite
03.05./07.05. 2007 DissonArt Ensemble in Thessaloniki and Graz (Kulturzentrum Minoriten)

25
Zerbrochene Schalen 5 - Verbundenheit (2007)
for harp, viola, clarinet and bass clarinet

premiere: 7.3.2007 Kulturzentrum Minoriten, Konzertreihe die andere saite, Graz
Zs—fia Szeghalmi, harp
Petra Stump, clarinets
Petra Ackermann, viola

2000

24
Echinea... (2000)
algorithmic composition for violoncello solo

first premiere beim "Sukkulentenconcert" Botanischer Garten Graz: 16. u. 17.06.2000
duration: 2:00
performer: Ruth Straub vlc, szene instrumental

23
In  der Zeit des BlŸhens (2000)
algorithmic composition for chinesisches instrumentalensemble

first premiere: 05.04.2000 Konzerthaus Vienna, HšrgŠnge
instrumentation: dongxiao, sheng, pipa, guhzeng, darfirst premieren, yanzin, erhu and percussion
duration:  07:00
performer:  China Fund Music Workshop - Taipeh/Taiwan

22
Zerbrochene Schalen 1 - Geborgenheit (1998)
Kammerensemble: arco-piano, vio, vla, vlc, mar

first premiere: 22.06.1998 Burg Graz
broadcasting: …1 Zeitton 1998
duration: 08:21
performer: Se-Lien Chuang , arco-piano, Ulrike Stadler, perc; Theo Patsaloides, Violine; Wolfgang Stangl, viola; Thomas Platzgummer, violoncello
CD Auftragswerke des Landes Steiermark (2001)


21
Zerbrochene Schalen 2 - Vertrauen (1998)
Kammerensemble: cl, vla, pno, vla

first premiere: 6.12.1998, anniversary concert of die andere saite, Kulturzentrum Minoriten, Graz
ORF-broadcasting: 7.JŠnner 1999
duration: 08:21
performer:
ContrastTrio: Christos Polyzoides (vla), Franois Benda (cl), Janna Polizoides (pno)
media: CDR im archives of Aweixler, d.a.s. Bibliothek der Kunstuniversity Graz


 20
An sonnigen Tagen (1998)
string trio, music for the dance performance of TanzbAAr/ Eva Brunner

first premiere bei "d.a.s Tanzprojekt" Minoriten Graz: 28.04.98
further premiers: 07.07.98 internationales Tanztheatre Festival Graz im TIP
7.11.1998 denk.werk.statt.graz  (teilw)
…1 Zeitton: 08.07.1998

duration: 2:08
instrumentation: vl, vla, vlc
performer: Szene instrumental
Barabara Haslmayr - Peyr (Toshie Shibata) vl, Wolfgang Stangl, vla, Ruth Straub, vlc

19
3 Clowns (1998)
chamber ensemble, music for the dance performance of TanzbAAr/ Eva Brunner

first premiere bei "d.a.s Tanzprojekt" Minoriten Graz: 28.04.98
further premiers: 07.07.98 internationales Tanztheatre Festival Graz im TIP
7.11.1998 denk.werk.statt.graz
…1 Zeitton: 08.07.1998

duration: 2:02
instrumentation: vl, vla, vlc, mar, acc
performer: szene instrumental
Barabara Haslmayr - Peyr (Toshie Shibata) vl, Wolfgang Stangl, vla, Ruth Straub, vlc
Ulli Stadler-Fromme, Mar, Georg Schulz, Akkordeon

18
Die gepflŸckte Lotus (1997)
chamber orchestra and electronic

duration: 7 min.
instrumentation: fl, ob,cl, fg, crn, tp, pos, perc, pno, S, A,pno, vl, vla, vlc, cb
performer: Szene instrumental
first premiere bei "open music", Minoriten, Graz 21.5. 97
Orf-broadcasting: Zeiton …1: 30.6. 1997


17
Wider-Wieder (1996)
chamber music, algorithmic composition

duration ca. 10 min.
performer: 4 Posaunen, Marimba,
performer: Grazer Posaunen Quartett , Ulrike Stadler perc, Dir. Wolfgang Hattinger
first premiere bei "die andere saite", gr. Minoritensaal, Graz 26.11.96
media: DAT  archives of d.a.s.

16
Paramour (1995)
chamber music, BlŠser, Chor, Streichorchester, Schlagwerk, piano solo

first premiere bei "open music", Minoriten, Graz 4.4. 95 ORF broadcasting: Zeitton 11.9.95
duration 10 min.
performer: fl, cl, bcl, fg, crn, tp, S, A, T, B, Pf, vl, vla, vcl, cb,
performer: Szene Instrumenta
media DAT  archives of ORF Stmk

15
Paravant (1994)
chamber music
performer 2vl, vla, vcl, S, A, T, B, Pf

14
Fragmente fŸr Streichquartett (1994)
chamber music, algorithmic composition

first premiere. Minoriten Graz 19.03.1995, Streichsang - die andere saite concert,
Radiosendung ãde ConcertZenderÒ , The Netherlands 1995

instrumentation: 2vl, vla, vcl
performer: Orbis-Qfirst premierertett
media
DAT archives of der anderen saite in der Bibliothek der MHS Graz
 
 


Zyklus IDEM:

13
Idem part II (1991)
chamber music, minimal music

instrumentation for female voice, violin, violoncello, accordion, and vibraphone
performer Dagmar Hšdl vc, Ruth Straub vlc, Georg Schulz akk, Dejan Dacic vl, Peter Schellegger  vib, conducter: Wolfgang Hattinger
first premiere Forum Stadtpark - Graz, 1991 Veranstalter: die andere saite

12
Idem I (1992)
chamber music, minimal music

for 4 percussionists
instrumentation: carillon, xylophone , marimba, vibraphone, piano
performer Schlagwerkensemble Dama-Dama (CSFR)
duration:  2:10
 first premiere M59 - Graz, 2.6.1992, Veranstalter: die andere saite further premiers: Janacek Akademie, BrŸnn, CSFR
media  DAT archives of der anderen saite in der Bibliothek der MHS Graz 
CD d.a.s. Nr. 2 DAMA DAMA 2, (WORE 960003-2), 1996

11
Idem II (1992)
chamber music, minimal music
for 4 percussionists
instrumentation: carillon, xylophone , marimba, vibraphone, piano
performer
Schlagwerkensemble Dama-Dama (CSFR)
duration  2:05
first premiere M59 - Graz, 2.6.1992, Veranstalter: die andere saite  further premiers: Janacek Akademie, BrŸnn, CSFR
media
DAT archives of der anderen saite in der Bibliothek der MHS Graz
CD d.a.s. Nr. 2 DAMA DAMA 2, (WORE 960003-2), 1996


10
Idem III (1992)
chamber music, minimal music

first premiere gro§er Minoritensaal in Graz, 28.5.1992 , Veranstalter: die andere saite
ORF-broadcasting in "Neue Musik im Konzert" 7.9.92
further premiers: 28.05.98 ZŸrich/ Schweiz
instrumentation: fl, cl, vl, vcl, p, perc
performer
Klangforum - Vienna (1992)
Ensemble for neue music ZŸrich (1998)
duration 2:09
media: DAT archives of ORF Styria

9
Idem IV (1992)
chamber music, minimal music

first premiere gro§er Minoritensaal in Graz, 28.5.1992 , Veranstalter: die andere saite
ORF-broadcasting in "Neue Musik im Konzert" 7.9.92
further premiers: 28.05.98 ZŸrich/ Schweiz
instrumentation: fl, cl, vl, vcl, p, perc
performer
Klangforum - Vienna, conducter Wolfgang Hattinger  (1992)
Ensemble fŸr Neue Music ZŸrich (1998)
duration: 2:05
media: DAT archives of ORF Styria

8
Dasselbe - Eine Verwebung (1991)
chamber music, contributions to the collective composition of die andere saite (composers union)

first premiere Forum Stadtpark -Graz, 13.6.91  Veranstalter: die andere saite
instrumentation for female voice, violin, violoncello, accordion, and vibraphone
performer: Dagmar Hšdl vc, Ruth Straub vlc, Georg Schulz akk, Dejan Dacic vl, Peter Schellegger   vib,  conducter: Wolfgang Hattinger

7
BlŠser vom Anfang bis Ende (5/1993)
BlŠserquintett, Beitrag zur Gemeinschaftproduktion d.a.s. Quadrat
first premiere 26.5.1993, Hof Grazer  Stadtmuseum
duration: 1 min.
performer 2 tp, pos, crn, tuba
 
6
StŸck in Quartenhexachorden fŸr Kla4 und Querflšte (1989)
Duo piano and flute

first premiere at MHS Graz
further premier
24.3.1996 evening of chamber music of die andere saite, Thearto - Graz
performed by Arno Steinwider/ Eva Bajic
15.07.2002 Festival contempor‡nea 15. Juli - 2. August Schlo§ Pštzleinsdorf in Vienna
22.04.2005 Odessa - Ukraine| 11th International Festival of Modern Art "Two days & Two night of new music"
15.07.2002 Festival contempor‡nea 15. Juli - 2. August Schlo§ Pštzleinsdorf in Vienna
22.04.2005 Odessa - Ukraine| 11th International Festival of Modern Art "Two days & Two night of new music"
08. 12. 2008 Rio de Janeiro - Brazil | Sala Villa-Lobos
03. 12. 2008 Sao Paulo - Brazil | Santa Marcelina University
08. 10. 2008 Morelia - Mexico | Centro Cultural
29. 09. 2008 Havanna - Cuba, Festival Internacional de La Habana
24. 09. 2008 San JosŽ - Costa Rica | Universidad de Costa Rica
performed by the Pierrot Lunaire Ensemble Wien

duration ca. 3 min.
media DAT archives of der anderen saite in der Bibliothek der MHS Graz

5
UI-RO (Beruhigung) (1991)
 algorithmic composition for piano zu 4 HŠnden
first premiere 9.12.91 Artvent-concert im Orpheum - Graz Veranstalter: die andere saite
instrumentation: piano 4 hands
duration: 2:53
performer David Hanner/ Eva Bajic
media DAT archives of der anderen saite in der Bibliothek der MHS Graz

 4
EtŸde for Stille and Cello (1990)
for violoncello solo

first premiere Forum Stadtpark, Graz 1990
performer : Michael Moser
duration   3 min.
media:  DAT archives of der anderen saite in der Bibliothek der MHS Graz

3
Auqa (1988)
improvisation in tonal system of hexa chords by Andreas Weixler
for violin and guitar for the dance theatre Elio Gervasie, Vienna

first premiere 1988 Posthof Linz, further premiers Grazer Landhaushof 1988
instrumentation: vl, git , computer
duration: 2:49
performer    Marion Namestnik vl/ Andreas Weixler git
media: music for tape im archives of des TU-studios, Graz, DAT archives of A. Weixler

2
StŸck for Kirchenorgel (1985)
for church organ solo

instrumentation: church organ
performer :   Christine Swoboda
duration 1:41 min.
media : archives of Atelier Avant A.Weixler

 1
StŸck for piano (1985)
for piano solo

performer: Sandra Kraus
duration 2 min.
media: archives of Atelier Avant A.Weixler 

III) music for video and film


2013

10
Wetterleuchten
Virtuoso Chances - return home  (2013)
multichannel ambience music, interactive sound file player
Komposition:  Andreas Weixler, Novars residency 2013, University of Manchester
Video: Se-Lien Chuang, Atelier Avant Austria
UA: Novars summer Matinee, 17. Juli 2013 Studio 1

weitere AuffŸhrungen:
4. Juni 2014 New York Electroacoustic Music Festival 2014
Experimental Theater  Abrons Center
New York City, USA


2012


9
Jade f.o.o.t.
Komposition: Andreas Weixler (1996)
Video: Se-Lien Chuang (2012) Video, Elektrokakustikkomposition und Klangspatialisation
UA: 29.10.2012, SonicIntermedia BEAST - intermediale Computermusik Konzertreihe mit Schwerpunkt BEAST im DeepSpace des AEC - Ars Electronica Centre Linz


2003

8
INFINITY op. 1 - 4

audiovisual composition/installation, Art Video 2003

Se-Lien Chuang  video & concept
Andreas Weixler  computer music

the room is breathing slowly, one breath takes 7 minutes, so it is worth to stay in the room longer to receipt the inifinite movement in this audiovisual composition.
the video is created by using infinite video feedback controlled by the artist Se-lien Chuang, the music is the feedback of a short click in an infinite electroacoustic room.

Premiere 3rd of December. 2003, Busan International Digital Technology Music Festival
The Mail Hall, Busan Cultural Center

2000

7
Trinity
music zum Video Trinity by Se-Lien Chuang

12.12.99 Elektrokomplex 99, 1.12.99 Silicon graphics presentation Wifi Graz, and 18.2.2000 Werkstatt Graz and  26.02.2000, Center for Contemporary Art, Kyiv (Ru§land),  Experimental Intermedia New York 15.12.2000

6
Blue Elephant
computer music for the video Blue Elephant by Se-Lien Chuang

Festival Elektrokomplex 99, 12.12.1999 im Rhiz Vienna, 1.12.99 Silicon graphics presentation Wifi Graz, 18.2.2000 Werkstatt Graz, 26.02.2000, Center for Contemporary Art, vul. Skovorody 2/Kyiv (Ru§land), 6.-8. April 2000 Lovebytes Festival Sheffield ,England, 15.5.2000 Nagoya City University, Japan, 15.12.2000 Experimental Intermedia New York
Galerie Werkstadt Graz, 18.02. - 12.03.2000
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil ,17th-20th of October 2000
Festival Schrattenberg, …sterreich, 30. 08.2002
National Theater Concert Hall in Taipeh, 27.4.2003 
Konzert am TNCA, Tainan National College of Art, Taiwan, 29.4.2003
Logos Tetrahedron, Gent, Belgium, 23rd of September 2004

published at video edition SIBGRAPI 2000 Video festival, Gramado, Brazil
DVD Edition SAMT 1, 2003, Bruckner-Univerisity, Linz
5
Ouroboros
interactive sound modulation for the video Ouroboros by Gertrude Moser-Wagner,
premiers in Italy, Austria, Canada and USA  and in the Internet.

1998
4
music for the video of denk.werk.statt.graz - 4. internationales project of fine arts
crossings, 3 Clowns, an sonnigen Tagen (parts.) compositionen for the presentation of the video by xxx Kunstkabel / performance  Thinking by Luise Kloos  7.11.1998 at Grazer Kunstverein.
 
1997
3
Luftloch
music zum Video Luftloch by Gertrude Moser-Wagner, 1997, div. presentaions and broadcastings, Austria, Italy, Canada, USA

1992
2
Scene Missing (1991-1992)
first premiere Basel music academy, sound track for the video for the Seminar composition and anaysis in film music with Ennio Morricone
 
1980
1
Filmusic for the directors class Vienna (1980), director Nikolaus Leytner



IV) music for contemporary dance and theatre

2013

19

display - mind leap
Tanz, interactive visuals, Stimme, live processing, skeleton tracking Anton Bruckner Privat UniversitŠt, kleiner Saal, 20.9.2013, CMS Research Residency Sina Heiss (NYC/AT), Tanz und Lia Bonfilio (NYC), Tanz
mit Daniel Rikker (kinect sensor technology), Se-Lien Chuang (interactive visuals) und Andreas Weixler (realtime audio processing)

16, 17,18
coincident synchrisis I, II, III (2012) von Se-Lien Chuang fŸr 7 Instrumenten und Sensor-Live-Elektronik
09.12. 2012, Palais Kabelwerk, Wien, Sensor - live-elektronik - Tanz - Projekt des ensemble xx. jahrhunderts

Se-Lien Chuang, Komposition, Klangregie
Andreas Weixler, Echtzeit Audio Prozesse
Johannes Kretz, interaktive Sensorik, Peter Burwik, Dirigent

2010

15
for Pi
05.06.2010, ÒDance Concert,Ó at the Wang Center Theater at Stony Brook University , ICMC 2010 - International Computer Music Conference in New York City and Stony Brook, NY, USA, selected works (from over 1700)

Andreas Weixler: for Pi - electroacoustic multichannel composition
Choreography: Laurie Berg in collaboration with Siri Peterson
Performance:  Laurie Berg & Siri Peterson

2005

14
Hermann Nitsch OM-Theater
19.11.2005,  50 Jahre Burgtheater Wien
Junge Philharmoniker
Elektroakustische KlŠnge von Andreas Weixler & Se-Lien Chuang

2004

13
Das 2-Tages Spiel des Orgien Mysterien theatres

 by Hermann Nitsch, 31. Juli - 2. Juli 2004
 electro acoustic by Andreas Weixler and Se-Lien Chuang


12
music zu Skandalon Stille by Andreas Weixler
music for theatre for das Projektheatre Vienna -New York, Werner Schwab Projekt im Literaturhaus Graz, EuropŠische Kulturhauptstadt Graz 2003

studio: Atelier Avant Austria, Graz 2003
with kind support of SKE Fonds and Land Steiermark
Auftragscomposition des  PROJEKT theatre / Vienna - New York and Thomastik-Infeld
first premiere. 17. September 2003, Literaturhaus Graz

1998

11
music zu Endspiel in Process 3
Projekttheatre Vienna-New York, director Eva Brenner, Projekttheatre studio, Vienna,14.-20.12.1998

10
4-channel modulare computer music zu Nichts - no thing SandER WARUMBE
with Projekttheatre Vienna-New York, director Eva Brenner , Kulturzentrum Minoriten Graz, 09.+10.11. 1998

9
Elektroakustik for das Orgien-Mysterien theatre by Hermann Nitsch
6-Tage Spiel Prinzendorf 1998, CD Produktion 2000, Austria-Deutschland Tournee

8
TanzbAAR, compositionen for Tanztheatre
Choreographie Eva Brunner, Minoriten Graz 28.4.98,
Classics in the City - Landhaushof Graz 19.06.98, int. Tanztheatre Festival Graz, 5.7.98

7
act now
music for theatre-workshop
19.07.98 Graz , Austira, TIP - Theatre In the Palais, director Eva Brenner

6
music zu Echo des Schweigens (1998)
Text by Marguerite Duras. music for theatre . director Eva Brenner, Projektheatre Vienna-New York,
UrauffŸhrung: 11.2-19.2 and 21-22.2.98 Konzerthaus Vienna;
Werktitel: Blaue Augen-Schwarzes Haar, Szin 8 Atem, EntreŽ
 
1997

5
TeleXie (1997)
for die Anna Schrefl Cie, Tanzprojekt ãdance and composition in spaceÒ
Stift St. Lambrecht STMK, 31.7.97 and 1.8.97,  Intiative LAMBEART «97
at the 14th KŸnstlerbegegnung of the Initiative LAMBEART at the monestery St. Lambrecht 12.7-97 -3. 8.97
further premiers:  18 u. 19. 9.97 bei imagetanz 97   im KŸnstlerhaus/ theatre  Vienna
 
1996

4
music zu Einsamkeit der Lust (1996),
Text by Margit Hahn. music for theatre . director Eva Brenner, Projektheatre Vienna-New York, UrauffŸhrung: 3-13.10.96 WUK theatre Vienna; further premiers: 14. u. 15. 11. «97 Kulturzentrum Minoriten, Graz;
musictitel: Jade f.o.o.t, Sinn, Unsinn in Schuhen, Ganz Gemein
 
1988

3
Aqua di Marma (1988)
for die Elio Gervasie Dance Company, Posthof Linz, Landhaushof Graz

1987

2
Flugfluchten (1987)
music, dance and Sprache with Katharina  Klement, Donato Deliano, Samir Kedwani and others
 
1986

1
Dis-Moll (1986)
Contact-dance and music-Perfomance
with Katharina Klement, Monika Steffen, Alberto de Campo, Christian Koppensteiner, Axel Staudinger


V) jazz related music
 
Zyklus Atelier Avant
6
Die Unken gehen heute baden (1986)
jazz rock

duration:. 10 min.
instrumentation g, ky, vio, voc, b, dr, tp, FlŸgelhorn, as,
oder for   2 E-git, b, ky, dr
performer  Eliot Biss and die Unerhšrten, Andreas Weixler Corporation
div. premiers
media private archives of A. Weixler

5
Das Thema by der guten Fee (1984-86)
jazz ballade, Odds

duration   ca. 13:30 min.
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio
oder for   2 E-git, b, ky, dr
performer Eliot Biss and die Unerhšrten, Andreas Weixler Corporation
div. premiers
media  private archives of A. Weixler
 
4
Gemischte GefŸhle (1984)
jazz rock, Odds

duration  5:00 min.
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio  oder for  2 E-git, b, ky, dr
performer: Eliot Biss and die Unerhšrten, Andreas Weixler Corporation
div. premiers
media  private archives of A. Weixler
 
3
Atelier Avant (1984)
funk music, Odds

duration   3:30 min.
div. premiers
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio oder for 2 E-git, b, ky, dr
performer: Die Goldfische, Eliot Biss and die Unerhšrten, Andreas Weixler Corporation
media   private archives of A. Weixler
premiere, Tingel-Tangel, Graz, 1984
Die Goldfische: Johannes Wimmer (dr), Michael Schwarz (Rhodes), Samir Kedwani (b), Christian Koppensteiner (guit), Andreas Weixler (guit)
 

2
Ganz spezielle NŸsse diese TritonŸsse (1984)
jazz rock

div. premiers
duration: 7 min.
performer   g, ky, voc, b, dr, feat. tp, ,as, vio oder  for   2 E-git, b, ky, dr
performer
Eliot Biss and die Unerhšrten, Andreas Weixler Corporation
mediaprivate archives of A. Weixler

1
I want to find out today (1986)
jazz ballade, Odds

duration   5:20  performer g, p, voc, b, dr,
performer: Eliot Biss and die Unerhšrten, Andreas Weixler Corporation
media: private archives of A. Weixler
div. performances



VI) experimental music

1981
a) Jaques Prevert
  u.a. with Ronald Trimmel, Manuel Simon, Andrea Sedminek, Andreas Weixler

 b) Dementia precox, experimental music
simulations with Andreas Weixler, Ronald Trimmel, Axel Staudinger

1982-86
a) Eliott Biss & die Unerhšrten
Odd-Rhythmik, jazzverwandte music, with Andreas Weixler, Johannes   Wimmer, Michael Schwarz, Samir Kedwani, Christian Koppensteiner, Carla Carnevale, Gerhard Fritsch

 b) Anchrax
experimental music  with Andreas Weixler, Axel Staudinger, Christian Koppensteiner u.a.
 
1986
Dis-moll, dance- and music-Performance
with Katharina Klement, Monika Steffen, Alberto de Campo, Christian Koppensteiner, Axel Staudinger

1987
Flugfluchten
music, dance and speech with Katharina Klement, Donato Deliano, Samir Kedwani and others



VII) cooperation with ensembles and solists


ensembles
JIM Faculty (Austria), Stadler String Quartett (Salzburg, Austria), Roots Ensemble (ICMC Belfast), Juilliard Electric Ensemble (New York), Dissonart (Greece), Janus Ensemble (Vienna), sang sang (South Corea), Kuwayama-Kijima (Japan), Pierrot Lunaire Ensemble Wien, CFMW China Found Music Workshop (Taiwan), ContrastTRIO, Klangforum - Wien, Szene Instrumental, percussion DAMA - DAMA, Austrian Art Ensemble, Ensemble FŸr Neue Musik ZŸrich, various concerts with the concerts series die andere saite

div. solists:
Ann Evans (UK) - saxophone, Heather Roche (UK/D) - clarinet , Elfi Aichinger (voc), Andreas Schreiber (vio), Christian Radovan (trb), Annelie Gahl (vio), Hermann Stangassinger (b) , Vicky Chow (p, New York City), Pedro Rebelo, Franziska Schroeder, John Kenny, Gascia Ouzounian, Laoise Kelly (Irish harp), Ivan Goff (Irish pipes), Uli Fussenegger, Todd Reynolds (New York), Petra Ackermann, Petra Stump, Zs—fia Szeghalmy, Rowland Sutherland (London), Fabian Pollack, Judith Unterpertinger, Peter Herbert, Reinhard Micko, Pai Yu Ching (sheng) & Tsai Chen Yu (erhu), Martin Zrost, Kiyoharu Kuwayama, Rina Kijima, Kagusho Kitagawa, Michael Moser, Se-Lien Chuang, Shinobu Ishizuki, Christine Svoboda, Sandra Kraus, Dagmar Hšdl, Ruth Straub, Ulrike Stadler-Fromme, Arno Steinwider, Eva Bajic a.o.

cooperation with other arts & media (selection)
interactive audio-visual & video
Roots Ensemble (ãI am from the Universe and you know what it«s worthÒ Belfast 2008)
Christoph Cech and the Janus Ensemble (ãRoomingÒ 2005)
Se-Lien Chuang (divers interactive ausiovisual projects, "SpectraSonic", "Interlude for Pi and for Io", "Erinnerung in jedem LautÒ interactive audio-visual improvisations, ãrunning-figure-lanternÒ interactive audio-visual instrumental theatre at the ISEA 02, International Symposium on Electronic Arts, Nagoya, Japan, ãliving caveÒ audio-visual installation 2001 and numerous art videos 1998-2005)
sang-sang ensemble (ãSeoul LightingaleÒ Corea 2003, interactive audio-visual improvisation)
Mikako Mizuno (ãThe Story of HeikeÒ, Japan  2001 interactive audio-visual narrative)
Kuwayama-Kijima (ã living caveÒ audio-visual interactive improvisation, Japan 2001, ãrunning-figure-lanternÒ audio visual interactive instrumental theatre, Japan 2002)
Gertrude Moser-Wagner (video "Ouroboros" 2000, "Luftloch", 1997),
Nikolaus Leytner  (film music, 1980)
and numerous others

contemporary theatre
Hermann Nitsch (Symphony of Six Days 1999, Orgie-Mystery theatre, 1998, 2004, 2005)
Projekttheater - Eva Brenner (contemporary theatre ãWerner SchwabÒ 2003, european cultural capital  city Graz, "Duras",1998, "Einsamkeit der Lust", 1996, workshop act now 1998, "Endspiel 2 Nichts-nothing" 1998, "Endspiel 3" 1998, Limits-no limits 1999),
Luise Kloos Denkwerkstatt 1999.

dance
tanzbAAr- Eva Brunner (dance theatre, 1998),
Anna Schrefl Cie (Tanz, 1997: LAMBEART-monestery St.Lambrecht and ImPuls - Vienna),
Elio Gervasie Dance Company (dance theatre 1988),
Dis-Moll - Klement/Steffen(Contact-dance, 1986),
Flugfluchten - Katharina  Klement (music,dance and speech, 1987).



VIII) music projects

1988
Andreas Weixler Corporation
 ensemble for jazz related music with a special emphasis in odd rhythms
performers: Lars Lindvall, Marion Namestnik, Maria    Konrad, Hans Glawischnigg, Donato Deliano, Robbi StŸtzle, Sebastian Piekarek. (substitutes: Uli Rennert, Heinrich v. Kalnein, Christian Giessing)

seit 1990
die andere saite,
concert series for contemporary music in Graz. numerous concerte as composer,
1992-1996 member of the directros board, 1995/96 president of die andere saite
 
1993
electronic access
founding of the concert series for electronic, electroacoustic and experimental music  
electronic access 93 at the studio 3 of ORF Styria
by der anderen saite - Graz, IGNM,  and  ORF Steiermark,
CD-Production by Robert Hšldrich
 
1995
electronic access 95
at the studio stage of the opera house Graz; wiht support of die andere saite - Graz, IGNM,  and  the Vereinigten BŸhnen Graz, ORF national broadcasting
CD-Production by Andreas Weixler & Seppo GrŸndler

2004
electronic access special asia Japan
concerts with the japanese society for electronic music

12.12.2004 ORF RadioKulturhaus Vienna, "FrŸhstŸck mit Neutšnern"
15.12.2004 Gšllerichsaal of the Bruckner-university Linz

2006
electronic access @ Goldsmith«s

Monday 6 November 2006 Goldsmiths College, London
A concert of computer music, video and interactive audiovisual improvisation with composers Andreas Weixler and Se-Lien Chuang (Austria) meeting Rowland Sutherland (flute; UK)
10th anniversary artistic cooperation Weixler-CHuang and 25th anniversary of Atelier Avant Austria
in collaboration with Electronic Music Studios at Goldsmiths College, Music Department, University of London and the Austrian Cultural Forum in London



IX) studio production

NOVARS - Manchester, UK, July 2013

SARC Sonic Arts Rersearch Center,at Queen«s Universiy, Belfast, Northern Ireland, September-October 2008

IAMAS - International Academy of Media Arts and Sciences, Ogaki, Gifu, Japan, August 2008

TUB electronic studio of the Technical University inBerlin Oktober 2004 - februar 2005

NCU soundlab Nagoya City Unversity, Japan 2000, 2001

SUSS Sheffield University sound studio, England 1999

BEAST  Birmingham Electro Acoustic sound Theatre, England
 University of Birmingham, Music Department, 1996

UEA   University of East Anglia, England, 1996

ELAC  Institute for Electro Acoustic and Experimental Music (ELAK) at the
Hochschule/University of music - Vienna, 1992, 1996

SAMT  studio for Advanced Music and Media Technology /Softwarepark Hagenberg -
Bruckner conservatory Linz. 1995-1998

IEM   Institute for Electronic Music (IEM) at the
 Hochschule / University of Music and dramatic arts in Graz, 1990-1999

AAA Atelier Avant Austria. founded by Andreas Weixler for algorithmic composition,
computer music and experimental music in Graz.
  1981-till today , alias: studio aweixler,
since 1996 Media arts, video, interactivity together with Se-Lien Chuang

El.studio  - electronic music studio dofer music academy in Basel, 1992


X) publications on CD

CD «s by/with Andreas Weixler:
KompositionsauftrŠge des Landes Steiermark
(2001), original music "Zerbrochene Schalen 1 - Geborgenheit", special bowed instrumental sounds for
piano, marimba and string trio 

Elektronischer FrŸhling  (1997)
documentation of the Austrian society of electroacoutic music
CD GEM 9701

electronic access 95- die andere saite 1 (1996) producer and director of arts and
organisation Andreas Weixler. original music: Methabl 8.7
CD d.a.s. Nr1, GE 015

DAMA - DAMA II - die andere saite 2 (1996)
original music: IdemI & Idem II for 4 percussionists 
CD d.a.s. Nr 2, WORE 960003-2

Klangschnitte 2 (1994), Live Recording of Corresponding Methal, for 2
percussionists, piano and electronics at electronic access 93
CD GE 07

Beyond Noise and Haste (1994)
by Bor Turel; Andreas Weixler Co - Composer for  The Four Seasons   
SAZAS CD001

Hermann Nitsch Orgien Mysterien Theater - Tag 5 (2000)
as performer of the electroacoustic part together with Se-lien Chuang, 5 CD Box


XI) publications on DVD / Video

concept & Coincidence
Videos by Gertrude Moser-Wagner
music by Se-Lien Chuang & Andreas Weixler
DVD-Label, Edition INDEX 2004

  blue elephant
computer animation by Se-lien Chuang, computer music by Andreas Weixler
pubished by Studio Samt / Brucknerkonservatorium Linz
Edition SAMT DVD 1, 2003

blue elephant
computer animation by Se-lien Chuang, computer music by Andreas Weixler
pubished by the official video tape of  the
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil

Luftloch
Videos by Gertrude Moser-Wagner
music by Se-Lien Chuang & Andreas Weixler
published on VHS at monestery St. Lambrecht, 1997


XII) printed paper publications

Article: Virtuoso Audiovisual Real-Time Performance
   
by Andreas Weixler & Se-Lien Chuang
    in the book: Interface Cultures, Artistic Aspects of Interaction
    Christa Sommerer, Laurent Mignonneau, DorothŽe King (eds.)
    transcript Verlag, August 2008, ISBN 978-3-89942-884-1

    ISEA 08 proceedings
- International Symposium on Electronic Arts in Singapore,
    paper publication: Virtuoso Audiovisual Real-Time Performance
    by Andreas Weixler & Se-Lien Chuang
    as book and CD-Rom

Katalog Wien Modern 05,
 introduction into computer music, video and audiovisual realtime processing for the portrait concert collective identities by Andreas Weixler and Se-Lien Chuang, ISBN 3-89727-307-1. p 218 - 220

Hybrid-living in paradox, Ars Electronica 2005
Gerfried Stocker und Christine Schšpf (Hrsg.), >>Recollection in Every Sound - Audiovisual Interactive Improvisation<<. In: Hybrid-living in paradox, Ars Electronica 2005 - Festival fŸr Kunst, Technologie und Gesellschaft Linz, 1. - 6. September 2005. Hatje Cantz Verlag 2005, ISBN 3-7757-1569-9, S. 308.

Mensch und Computer Konferenz, Linz 2005 (human and computer conference)
of the Kepler University in Linz, Musical Instrument s and their conteporary playing techniques as an interface
between Human and Computer (short introduction to the speech)
Andreas Auinger (Hrsg.), >>Musikinstrumente und deren zeitgenšssische Spieltechniken als Interface zwischen Mensch und Computer - Mag. Andreas Weixler und Mag. Se-Lien Chuang<<. In: Workshop-Proceedings der 5. fachŸbergreifenden Konferenz Mensch und Computer 2005 Linz, 4. - 7. September 2005. …sterreichische Computer Gesellschaft 2005, books@cog.at Band 197, ISBN 3-85403-197-1, S. 38.

ISEA2002 NAGOYA Steering Committee (Hrsg.),  >>Waon<<. In: ISEA 2002, 11th International Symposium on Electronic Art, Nagoya [Orai], October 27 - 31. 2002, Nagoya, Japan. S. 89f.


The Yearbook of Nagoya City University-school of Design and Architecture 6
,
2002, Introduction to design and architecture 6
Interactive Musical Art in the Second Half of the Twenthieth Century and the NCU Project 2000 by Mikako Mizuno, Andreas Weixler and Se-Lien Chuang
p 197 - 225, ISBN4-87797-040-1

master thesis The border of sound and noise through controlling of granular sound
particles by means of an introduction and analysis of the composition Paramour for
piano and chamber orchestra by Andreas Weixler, theoretical work, University of Arts
in Graz, 1997.


as an editor of contributions to electronic music (BEM, 1993-1999)
BEM 1 Enumeration in Musical Theory by Harald Fripteringer
BEM 2 Holographie, CAD und Modalanalyse im Dienste der Musik
by Gregor Widholm
BEM 3 Der Nachtigallengesang in der EuropŠischen Kunstmusik by Helwig Brunner
BEM 4 GRAINY - Granularsynthese in Echtzeit by Norbert Schnell
BEM 5 Strukturengeneratoren by Karlheinz Essl
Algorithmische Komposition in Echtzeit
BEM 6 Sound Installation Art by Robin Minard





enumeration of composition - # - Andreas Weixler