A N D R E A S W E I
X L E R
enumeration of compositions
08.09.2014
I) computer music
a) multimedia, interactivity
visuals & sound
b) electronic and
electroacoustic music (tape music)
c) audio realtime
processing
II) contemporary instrumental music
III) music for video and film
IV) music for contemporary dance and
theatre
V) jazz related music
VI) experimental music
VII) cooperation with ensembles
VIII) music projects
IX) studio production
X) publications on CD
XI) publications on DVD / Video
XII) printed paper publications
the enumeration includes 169 compositions and
media arts selected by premiers
I) computer music & media arts
a) multimedia, interactivity visuals & sound
2014
45
Momentum NYCEMF
audiovisual interactive
improvisation for violin and bass recorder
8.Juni 2104, Playhouse, Abrons Center.
New York
Electroacoustic Music Festival 2014
Se-Lien Chuang, bass recorder, interactive visuals
Andreas Weixler, multi-channel audio processing
Adrianna Mateo, violin
44
Momentum Boston (2014),
audiovisual transformation
Portraitkonzert Weixler-Chuang, Virtuoso Chances
23. Februar 2014, Fenway Center, Northeastern University,
Boston/MA
Andreas Weixler, live-electronics;
Se-Lien Chuang,piano, interactive visuals;
Nicole Cariglia, cello;
Mike Frengel, prepared electric guitar
2013
42
Melbourne concert
23.8.2013, Northcote, Melbourne, Australia
Adrian Sherriff: trombone, bass trombone
Andrew McNaughton: trumpet, EWI
Andreas Weixler: audio realtime processing, electric
feedback guitar, composition
Se-Lien Chuang: piano, interactive visuals,
composition
Sonic Frontiers Group
Paris Favilla: saxophones, electronics and augmented,
iPad
Tom O'Neil: euphonium, trumpet, sousaphone, iPad
Mitch Mollison: composer sound artist
Graeme Croft: bass clarinet, winds and augmented
saxophone
Dale Chant: augmented, electric and
acoustic guitars, flute
Stu Favilla: lightHarp, piano,
theremin and fluegel horn, iPad
Habibi Favilla: violin, iPad
2012
41
Momentum Leeds (2012) von Andreas Weixler &
Se-Lien Chuang
audiovisual realtime transformation for bass recorder, flute,
vibraphone and piano
UA: 14.12.2012, iFIMPaC - The International Festival for
Innovations in Music Production and Composition, Leeds College of
Music, UK
40
Catch the Beatles Catch the Cage (2012) von Se-Lien
Chuang und Andreas Weixler
for 6 Toy Pianos, 6 iContuctors and interactive iGing - video
projection
UA: 02.12.2012, Toy Piano World Summit, Good Luck Rainy Days 2012,
24.11 - 02.12.2012 Festival de Musique Nouvelle Philharmonie
Luxembourg
with Phyllis Chen, Isabel Ettenauer, Pascal Meyer, Xenia Pestova,
Margaret Leng Tan, Bernd Wiesemann - toy pianos
39
Double Fancy Momentum (2012) von Se-Lien Chuang
& Andreas Weixler
audiovisual realtime transformation for 2 bass
clarinets and piano
UA: 23.11.2012, Alte Schmiede, Wien Doppel-Duo Konzert mit
Petra Stump, Heinz-Peter Linshalm, clarinets
Se-Lien Chuang, piano & interactive
visuals
Andreas Weixler, live electronics
38
Momentum BEAST (2012) by Andreas Weixler &
Se-Lien Chuang in cooperation with BEER audiovisual interactive
performance
UA: 29.10.2012, Sonicintermedia BEAST - intermediale Computermusik
Konzertreihe mit Schwerpunkt BEAST im DeepSpace des AEC - Ars
Electronica Centre Linz
all-star performer:
Jonty Harrison, sample triggering
Scott Wilson, live coding
Chris Tarren, laptop improvisation
Tim Moyers, live coding
Andreas Weixler, multichannel audio realtime processing
Se-Lien Chuang, interactive visuals, bass recorder
37
SpectraSonic Trombones (2012) by Andreas Weixler,
Se-Lien Chuang,
audiovisual realtime composition/improvisation
premiere: 14. 05.2012, Porgy & Bess, Wien
Christian Radovan (A), Brian Allen (New York), Alois Eberle (A),
Andreas Weixler (A), Se-Lien Chuang (A/TW)
36
Enhanced Phenotype (2012) von Andreas Weixler &
Se-Lien Chuang
interactive score (iScore) for multiple Computer, audiovisual
realtime composition for open ensemble.
INTER/actions Symposium, Bangor, UK, April 10.-12.2012
UA: 12. April 2013, Powis Hall
Chuang/Weixler + all-stars ensemble
Pierre A Tremblay, bass
Lauren Hayes, prepared piano
Xenia Pestova, toy piano
Karlheinz Essl, m@ze2
Se-Lien Chuang, bass recorder, interactive
visuals
Andreas Weixler, iScore, SpectraSonic
Faye Snowdon, flute
Sioned Roberts, clarinet
Richard Eigner, percussion
2011
36
Momentum Huddersfield
audiovisual realtime transformation for bass recorder,
saxophone & clarinet
by Se-Lien Chuang & Andreas Weixler
has been accepted for concert presentation out of 854 work
proposals
concert on 4th of August 2011, 8 PM, St Paul's Concert
Hall, Huddersfield
Ann Evans - saxophone
Heather Roche - clarinet
Se-Lien Chuang - bass recorder - interactive visuals
Andreas Weixler - electronics
Alex Harker - sound engineer
35
the borderline of random coincidence
Andreas Weixler computer
Se-Lien Chuang - piano, bass recorder, computer
Rowland Sutherland flutes
07.04. 2011, Theater im Bahnhof, 8. V:NM Festival - Graz,
Austria
25.9.2010, Alpenglow Festival-London, Vortext London
2010
33
Momentum
audiovisual transformation by Andreas Weixler and
Se-Lien Chuang with all performer
Simon Waters, electronics
Ed Perkins, electronics
Bill Vine, Weinglser, electronics
Anton Lukoszevieze, violoncello
Se-Lien Chuang, interactive visuals, bass recorder
Andreas Weixler, electronics
Sonic
Intermedia : UEA, media cocnert and lecture
Mo 18th of October 2010, concert at the DeepSpace dof
the AEC - Ars Electronica Centre Linz
a cooperation of AEC , Anton Bruckner Private Universitt
and University of East Anglia, organisation: Andreas Weixler &
Se-Lien Chuang
2009
32
SCCH_1
audiovisual realtime process
Andreas Weixler, Se-Lien Chuang, Philipp Harnisch (Sax) und
Bernhard Geigl (Glockenspiel)
10.11. 2009 Software Competence Center Hagenberg - 10th
anniversary, Hagenberg O, Austria
Dauer 5:14
31
SCCH_2
audiovisual
realtime
process
Andreas Weixler, Se-Lien Chuang, Philipp
Harnisch (Sax) und Bernhard Geigl (Glockenspiel)
10.11. 2009 Software Competence Center Hagenberg - 10th anniversary, Hagenberg O, Austria
Dauer
8:40
30
Phenomenon
interactive score for orchestra and audiovisual electronics
by Andreas Weixler & Se-Lien Chuang
Premiere in th eopening programm of Salzburger Festspiele
European Jazz & Pop Orchestra International Summer Course
for Orchestra 2009 (Andorf /AUSTRIA) organisiert von Werner
& Denise Fait am Samstag, 25. July 2009 at Odeion
Kulturforum Salzburg
duration 15:00
29
Fgung
audiovisual
interactivity
with 3 grand pianos
collective composition by Andreas Weixler, Martin Stepanik und
Se-Lien Chuang
Lukas Kletzander left grand, Bernhard Hchtel middle grand,
David Six right grand
Doppelkonzert - Elektronik <--> 3 Kla4e, Sound and
Vision 3
concert of music and media technology and JIM - Institu of Jazz
and improvised music
5. 5. 2009, Bruckner-University, kleiner Saal, Linz
28
SpectraSonic VNM +
Sarcastic System
Andreas Weixler, concept, electronics,
multichannel spectral delay
Se-Lien Chuang, concept,
piano, interactive visuals
Hermann Stangassinger, bass
16. 4. 2009 IEM CUBE,
VNM Festival in Graz
27
SpectraSonic VNM
Andreas Weixler, electronics, multichannel
spectral delay
Se-Lien Chuang, piano,
interactive visuals
Tiziana
Bertoncini, violin
Di, 10. Mrz 2009,
alpen:glhen II / styria meets cologne LOFT Kln
26
Spectra Sonic
JIM (Computerprogramm und Improvisationskonzept)
Klavier, erhu, drums, djembe,
Tenorsaxophon, Kontrabass und Computer
UA 13. Februar 2009,Ars
Electronica, Linz, 1 live Aufzeichnung
2008
25
Sarcastic Momentum (Computerprogramm
und
Improvisationskonzept)
fr Klavier, Sopransaxophon,
Bassblockflte, Stimme und Computer
UA: 9.10.2008, SARC - Sonic
Arts Research Centre Belfast, concert series "Music @ Queen's
24
I always
whisper to them
audiovisual realtime interaction
Andreas Weixler (A), multichannel granular synthesis
Se-Lien Chuang (A/TW), interactive visuals, bass recorder
Kiyoharu Kuwayama (JP), viola and devices
premiere: IAMAS OPENHOUSE, Multimedia Studio, Ogaki, Gifu,
Japan, 02.08.2008
23
I am from the
Universe and you know what it is worth
audiovisual realtime improvisation for groups of
instrumentalists
premiers
29.8.2008, ICMC 08 Belfast
Whitla Hall, QUB `Roots Ensemble, Irish traditional and
contemporary instruments with bass recorder solo. Selected work of
Weixler-Chuang for ICMC 2008, International Computer Music
Conference / SARC - Sonic Arts Research Centre, Queens University,
Belfast, Northern-Ireland 24.-29. August 2008
Franziska Schroeder - sopran saxophone
John Kenny - trombone
Gascia Ouzounian - violin
Laoise Kelly - Irish harp
Ivan Goff - uilleann pipes
Se-Lien Chuang, bass recorder,
interactive visuals, Max/MSP/Jitter
Andreas Weixler, composition,
multichannel real time granular synthesis, Max/MSP/Jitter
11.01.2008, Konzert Sound and Vision I
Bruckner-Universitt, Gllerichsaal, Linz
AVI - Ensemble neue Musik / audiovisuelle Interaktivitt
composition and realisation: Andreas
Weixler and Se-Lien Chuang
Technic: Herwig Preiss
Elisabeth Danecker and Moa Hayashi,
flutes
Monika Haubeneder, Oboe
Michael Dumfart, clarinette and
bass-clarinette
Monika Parkfrieder, bariton and alto
saxophone
Maria Klebel und Stefan Altmanninger,
percussion
Veronika Lehner and Eunbin Lee, piano
Christoph Prendl, Gambe
Margherita Franceschini, violoncello
Andrew Wiering, conductor
Simon Gattringer, Gernot Haslauer and
Christian Frst, music and mediatechnology
2007
22
for Reynolds
audiovisual interactive improvisation for violin and
computer system
Todd Reynolds, violin
Se-Lien Chuang, concept, interactive visuals,
Max/msp/Jitter
Andreas Weixler: concept, multi channel granular
synthesis, Max/msp/Jitter
premiere:
selection for NIME 07 - New Instruments for Musical
Expression Confernce in New York 5th -10t of June 2007
premiere: 8. Juni 2007, Frederick Loewe Theater, NYU, New
York.
commission of SKE Fonds.
21
Hetz
audiovisual composition for piano
visual composition, Se-Lien Chuang
audio composition, Andreas Weixler
premiere:
BEYOND THE MACHINE 07, The Juilliard School Technology
Center
Three evenings of Electronic and Interactive Music, April
11, 12 and 13 at 8 P.M.
Clark Studio Theater, 70 Lincoln Center Plaza, Rose
Building, 7th floor, NYC
featuring the Julliard Electric Ensemble, Vicky Chow,
piano
2006
20
The Colours of
a Wooden Flute
audiovisual realtime processes and instrumental
improvisation
Andreas Weixler: composition, multichannel real time
granular synthesis, Max/MSP/Jitter
Se-Lien Chuang: composition, bass recorder, interactive
visuals, Max/MSP/Jitter
premiere:
Experimental Intermedia, NYC, New York, 15th of
December 2006
Great Hall, EMS - Electronic Music Studios, Goldsmiths
College, London, 6. November 2006
Auswahl zur ICMC - International Computer Music Confernce
2007 in Copenhagen
ICMC conzert 29.8.2007 at Huset Magstrde.
10. 11. 2009 Software Competence Center Hagenberg - 10th
anniversary, Hagenberg O, Austria
Demos:
07.08.08 ISEA 08 - Singapur, International Symposium on
Electronic Arts
29.07.08 IWASEDAN 08 - Nagoya -International Workshop and
Symposium for Environmental Design and Architecture in Nagoya
19
Das Kichern der
silbernen Flte
audiovisual realtime processes and instrumental
improvisation
Rowland Sutherland: flute
Se-Lien Chuang: composition, interactive visuals,
Max/MSP/Jitter, super collider audio transformation
Andreas Weixler: composition, multichannel real time
granular synthesis, Max/MSP/Jitter
premiere:
Great Hall, EMS - Electronic Music Studios, Goldsmiths
College, London, 6. November 2006
commission of SKE Fonds
2005
18
Interlude for
Pi and for Io
audiovisual interactive improvisation
studio: elektronisches studio der TU Berlin, Oktober
2004 - februar 2005
first premiere: UltraSchall - Festival for Neue
music, 17. Jnner 2005, Berlin
Se-Lien Chuang , arco-piano, visuals, Max/msp/Jitter
Andreas Weixler: multi channel granular synthesis,
Max/msp/Jitter
duration: ca. 6 minutes (as part of the triology "for Pi
and for Io", complete duration is 18 min)
premiere:
UltraSchall - das Festival for neue music, Sophiensle
Berlin, 17th of Januar 2005
concert oft the electronic studio of the TU-Berlin
further premieres:
5. V:NM Festival, Graz,esc labor, (double concert -
Erinnerung in jedem laut + Interlude for Pi and Io), 25th of May
2005
realtime/nonrealtime festival, Bahnhof for Neue music,
Basel, Swiss, 17th of June 2005
17
Rooming 2
Ensemble-Improvisation, elektroakustisch verformt von
Andreas Weixler, Se-Lien Chuang und Josef Novotny
Dauer ca. 45 Min
16
Rooming 3
Sequenz aus Stckteilen von Luna Alcalay, Christian
Mhlbacher, Wolfgang Kubizek, Hans Steiner, Doug Hammond und
Fabian Pollack - ausgesucht, zusammengestellt und
audiovisuellrumlich gedeutet von Se-Lien Chuang und Andreas
Weixler
Dauer 45 Min.
Interpreten: Janus Ensemble
knstlerische Leitung: Christoph Cech
Premiere: 13.12.2005, Porgy & Bess / Wien
2004
14/15
Erinnerung in jedem Laut (2003/4)
for live instrument, live electronic and visuals
The fragments of memories (from a human as well as a
computer) generate the synaesthesis between sounds and images. In
terms of acousmatics I applied the spatialisation of sounds to
integrate the movements of visuals for "the listening
imagination".
Se-Lien Chuang : concept, Yan-Zin, vocals, visuals,
Max/msp
Andreas Weixler: Max/msp, multichanneling granular
synthesis
duration: ca. 15 minutes
premieres:
10.03.2004, concert of JSEM, Japanese Society of
Electroacoustic Music, Sumida Triphony Hall, Tokyo, Japan
new Jitter
version in concert at
23.09.2004 Logos Tetrahedron , Gent, Belgium
12.12.2004 electronic access, special asia Japan at ORF
RadioKulturhaus Vienna, "Frhstck with Neutnern"
15.12.2004 electronic access, special asia Japan at the
Gllerichsaal of the Bruckner-University in Linz
25.05.2005. V:NM Festival, ESC / labor, Graz
05. 09.2005, Ars Electronica Festival 05, Sky media
Loft, AEC, Linz
13
Nite in Gale
interactive audiovisual improvisation
Judith Unterpertinger, (prep. piano), Fabian Pollak
(extended Guitar), Se-Lien Chuang (stage cam) and Andreas Weixler
(audiovisual interactive realtime processing Max/msp/nato)
first premiere: Jazz Nite der Bruckner-university in Linz,
17. and 18. Juni 2004
(Weiterentwicklung by Lightingale)
2003
12
Seoul-Lightingale
interactive audiovisual improvisation for trad.
corean instruments
Seoul International Computer Music Festival 2003
in South Corea, November 8.-12. 2003
[+]Concert 4
Monday, Nov. 10, 2003, 7:30 pm
KCAF Arts theatre -Andreas Weixler "Seoul
Lightingale" (korean traditional instruments and interactive
audio-visuals media)
Eunil Kang, Haegeum
Kyunghwa Yu:, Percussion & Cheolhyungeum
Heoh Yoon Jeong, Geomungo
Andreas Weixler:, computer
Se-Lien Chunang, live video
11
Lightingale Collection Essl
Museum, Klosterneuburg, Austria, 22.10.2003, series
of react_chain
audiovisual interactive performance
at the Essl-collection Hermann Nitsch retrospective
Andreas Weixler and Se-Lien Chuang , composition, concept
and programming
22.10.2003, Museum Essl, Klosterneuburg
Se-Lien Chuang : visuals, max/msp and Yan-Zin
(traditionall chinese instrument)
Andreas Weixler: max/msp and electric guitar
10
Lightingale Weixler 2003
audiovisual interactive transformation
description:
To generate synaesthesia of audio and visuals the live
improvisation of instruments will be processed in realtime,
generating colors, shapes and pictures accordingly to the
frequency range and dynamics. Also the granular synthesis of the
sound will be replayed in the performance.
work in progress, every event shows a new development, the
new version
premiers
Knstlerhaus Vienna, Austria,
soundlab of the exhibition genius loci, 1st of June 2003
Andreas Weixler -
audiovisual interactive transformation
Judith Unterpertinger
- piano
Fabian Pollak -
guitar
4th V:NM-Festival 2003, Graz,
Austria, 30th of May 2003
Andreas Weixler -
audiovisual interactive transformation
Peter Herbert - bass
Reinhard Micko -
piano
Jazz Nite 02, Bruckner-
Conservatory Linz
audiovisual interactive transformation with
Tuscher/Radovan/Gutternig/Schreiber/Cech/Weixler
DVD Video at Atelier Avant Austria
9
a visuals crush on you
for Yan-Zin, realtime audio processing and
interactive visuals
Se-Lien Chuang , Yan-Zin and visuals (x-pose)
Andreas Weixler, computer (max/msp)
National theatre Concert Hall in Taipeh, Taiwan 27.4.2003
TNCA, Tainan National College of Art, Taiwan, 29.4.2003
2002
8
running-figure-lantern 2002
by Se-Lien Chuang &
Andreas Weixler (Atelier Avant Austria)
interactive audiovisual instrumental theatre
The stage aspect associates with the Chinese
shadow-puppet-show and running-figure-lantern for approaching a
mind of cross-culture exchange.
Technically this work detects audio by a number of
microphones, which are carried by the musicians and dancers (or
actor & actress). It then makes a choice of pictures
accordingly to the sound and transforms those. Also the sound will
be transformed in stereo of 6 channel by granular synthesis and
will fit it in a prepared electroacoustic composition and stage
arrangement.
The audiovisual interactive ambience and the interpreters
are open to the public. The performance is expected, but
andetermined. The public can participate in this performance by
going and coming through the orbit stage like the moving figures
in the Chinese running-figure-lantern.
selceted for International Symposium of Electronic
Arts 27.- 31 Oktober, Nagoya Japan.
ISEA 02 Performance on October 30th, 2003.
performers:
Kuwayama Kiyoharu: violoncello, Kijima Rina: violin
Junko Sugano & Kawamura Atunori, dancers
Se-Lien Chuang, director, concept, visuals, stage setting
Andreas Weixler: realtime granular synthesis
2001
7
living cave by Atelier Avant -
Se-Lien Chuang & Andreas Weixler (2000/2001)
interactive audio-visual installation
Se-Lien Chuang , concept, visuals and electroacoustic
composition, Andreas Weixler Max/msp programming,
interactivity and realtime audio processing.
description: The room reacts to the audience in
algorithmic choice of pictures and their transformation and
processes realtime audio within an electroacoustic composition.
The interactive audiovisual interactive installation
Living Cave is very flexible to the exhibition site. It detects
audio by a number of microphones, which could be hidden in room or
be handed out to selected persons of the audience aswell. It then
makes a choice of pictures accordingly to the sound and transform
those. Also the sound will be transformed in stereo or 4 channel
by granular synthesis and will fit in a prepared electroacoustic
composition.
All in all it creates a visuals and audio ambience
accordingly to the sound fed into the system.
studio: sound Design Lab/Nagoya City University, School of
Design and Architecture, Japan
premiere: 19.01.2001 Nagoya, sound Design Lab/Nagoya City
University, Japan
further premieres 16.-2o th of May 2001 at Laval
Virtfirst interactive and VRIC (Virtfirst interactive
International International Conference), France
26.10.-4.11.2001 artport & media select, Nagoya, Japan
6
The Story of H e i k e (2001)
interactive audiovisual interactive narrative
description: the biwa player tells the
traditional japanese story of Heike. The computer cotnrolled
choice of picture interactively accompanies the play of the biwa
and the singing voice of the narrator. ca. 15,
performer:
Kagusho Kitagawa, Biwa
Mikako Mizuno, art concept
Se-Lien Chuang , visuals & realtime arrangement
Andreas Weixler, interactive programming
Premiere: Nagoya City University - School Design and
Architecture, Japan,
Friday 16th of Febrfirst premierery 2001, sound Lab
2000
5
Waon (2000)
interactive audio visual performance for 2 instruments
description: based on the japanese spirit of harmony the
computer senses harmony between the players and acts accordingly
to them in generating audio and visuals.
2 instruments are improvising between playing the same
note, making microtonal distortions up to free audio visual art.
Voices from different nations are analysed in the same way, hear
the melody, the
rhythm the music of each langfirst premierege, see the
expression.
concept and max/msp progamming by Andreas Weixler.
studio: sound Design Lab/Nagoya City University, School of
Design and Architecture, Japan
premiere: 15.12.2000 Experimental Intermedia, New York,
USA
selected for ISEA 02, Symposium of Electronic Art, in
Nagoya, Japan
further presentations:
special asian version for sheng and erhu:
National theatre Concert Hall in Taipeh, Taiwan 27.4.2003
TNCA, Tainan National College of Art, Taiwan, 29.4.2003
performers:
szene instrumental, Andreas Weixler & Se-Lien Chuang,
Computersystem (NYC),
Pai Yu Ching, sheng & Tsai Chen Yu, erhu (Taiwan),
Kuwayama Kiyoharu, guitar, handmade electronics,
Andreas Weixler, concept, max/msp progamming, guitar
(Japan),
Martin Zrost, Bassklarinette, Saxophon, E-Bass; Andreas
Weixler, E-guitar, Computersystem, (Austria)
1999
4
Sonic Satie (1999)
interactive composition for piano, Disclavier,
realtime audio processing and visuals sampler
description: the audio data of a grand piano
playing Vexations by Erik Satie will be processed in granular
synthesis, and if silented a Disklavier playes Gymnopedie
alltogether with a live visuals improvisation.
A piano player keeps on playing Vexations by
Erik Satie in one concert hall. The audio signal will be
transmitted to another concert hall, where it feeds the input of
a Macintosh computer equiped with Max/msp. The Max/msp patch
listens whether the grand piano is played by the performer or
not. If not Max starts a sequence of Gymnopedie No1 and No 2
performed. If the grand piano is playing the computer silences
the Disklavier and starts a realtim audio processing the signal
of the grand piano.
While the listener in concert hall 1 can
listen to a piano piece of Erik Satie, the listener in concert
hall 2 will hear a computer processed interactive electro
acoustic piece with a live Disklavier and realtime granular
synthesis based on what is played in the other room.
concept and Max/msp programm: Andreas Weixler
piano, midi data, visuals arts: Se-Lien Chuang
studio: SUSS Sheffield University sound studio and Atelier
Avant Aweixler/cse-lien 1999
premiere 08.10.1999 Vexations - long night of Satie,
Bruckner-Conservatorium, Linz
3
Limits-no Limits (1999)
audiovisual interactive improvisation for
contemporary theatre
with Peter Infeld (Tenor), Karl Ratzer (Git), Luise Kloos
(Reib-Glas) Andreas Weixler (audio-and visuals sampler), Se-Lien
Chuang (piano and computer graphics) and the ensemble of
Projekttheatre Vienna.
premiere 26.06.1999 Projekttheatre Studio Vienna
studio : Atelier Avant Austria, Graz
2
paper wedding (1999)
interactive performance for prepared piano, visuals
and audio sampler
first premiere: 26.06.1999, Limits-no Limits -Performance
of Projekttheatre Studio Vienna, performers
Andreas Weixler, concept, audio and visual sampling
Se-Lien Chuang, arco-piano , computer graphics, X-pose
programming
Eva Brenner, director
studio :Atelier Avant Austria, Graz
1
Subject to Change (1999)
interactive performance for prepared piano, visuals and
audio sampler, realtime processing
Andreas Weixler, concept, audio and visuals sampler
Se-Lien Chuang , bowed piano , computer grafics X-pose
programming
Alberto de Campo, Wavetablet and SC2 programming
studio Atelier Avant Aweixler/cse-lien
premiere:
Atelier concert at Institute of Electronic Music, Graz
concert series die andere saite 26.03.1999,
archives of: IEM, Graz, Atelier Avant, ConcertZender
Amsterdam, Bild- and Tonarchiv Joanneum, ConcertZender Amsterdam
computer music
b) electronic and electroacoustic
music (tape music)
27
for Pi
electroacoustic composition for 8-channel speaker
system
studio: electronic studio of Technical University in
Berlin, Oktober 2004 - Februar 2005
first premiere: UltraSchall - Festival fr Neue
Musik, 17. Jnner 2005, Berlin
broadcasting 23. March 2005 Radio Brandenburg Berlin
Kulturradio rrb/ Deutschlandradio, Musik der Gegenwart
26
Seele brennt (2003)
ambience
studio: Atelier Avant Austria, Graz 2003
with kind support by SKE Fonds and Land Steiermark
commision of Projekttheatre Vienna and Thomastik-Infeld
for das Experimentaltheatre "Skandalon Stille" at the
Literaturhaus Graz,
kryptonale 9, Berlin, 19.12.2003, kleiner Wasserspeicher
and as sound track to the video installation infinity
op 1.-4. by Se-Lien Chuang:
3rd of December. 2003, Busan International Digital
Technology Music Festival
The Mail Hall, Busan Cultural Center
25
Broken Bowls 4 - Talk / Broken Bowls 4 -
Letter (1999)
computer music sound, processing of contemporary
instrumental sounds and voices
performer: Dagmar Hdl, mezzo sopran & ContrastTrio:
Christos Polyzoides (vla), Franois Benda (cl), Janna Polizoides
(pno)
studio: SUSS Sheffield University Sound studio, 1999
duration: 02:39 Talk, 04:06 letter
first premiere: 02.11.1999 Pusan Electronic Music
Association - Sd-Korea
and in the Video Trinity by
Se-Lien Chuang
premiere at Elektrokomplex 99 and 26.02.2000 Center
for Contemporary Art, vul. Skovorody 2/Kyiv (Russia) , 15.05.2000
Nagoya City University, Japan, 30. 11 - 1. 12. 2000, Festival
Terza Prattica, Muziek onder stroom, Amsterdam, The Netherlands,
New International Community of Electroacoustic Music (NICE)
as sound track of the video Trinity:
Presentation of the Maya Workshop of Werkstadt Graz 1.12.
99
Festival Elektrokomplex 12.12.1999 at Rhiz Vienna
Center for Contemporary Art, Kiew Ruland, 26.02.2000
Galerie Werkstadt Graz, 18.02. - 12.03.2000.
Experimental Intermedia New York 15.12.2000
Festival Schrattenberg, Austria, 30. 08.2002
National theatre Concert Hall in Taipeh, 27.4.2003
concert am TNCA, Tainan National College of Art, Taiwan,
29.4.2003
24
Der letzte Wassermann (1999)
4 channel computer music with live-arco piano
first premiere : 18.05.1999 Labor ESC Graz, v.nm Festival
further premiers. 15.12.2000 Experimental Intermedia, New
York, USA (version fuer Vlc)
TV: 19.05.99 Steiermark Heute
broadcasting 1 1999
Hardware: PowerMac 7200/90,
Software: Opcode-Max, ProTools 3.4
performer: live arco-piano: Se-Lien Chuang
studio: Atelier Avant Aweixler
duration: 8
23
Dampfmann (1999)
SoundDesign fr Landesaustellung Knittelfeld, 1. Mai - 31.
Oktober 1999
Studio: Atelier Avant, Graz
22
Zerbrochene Schalen 3 - Nichts - no
thing (1998)
computer music, sound processing of contemporary
instruments
first premiere :
9.+10.12.1998 Kulturzentrum Minoriten Graz,
Performance, Project theater Vienna-New York;
further premiers:
8.6.98 Images Acoustiques 98, Linz
26.03.1999,Atelier concert,
IEM-Graz
12.05.99, 21st
international study week of contemporary music, Lneburg,
Germany
02.11.1999 Pusan Electronic Music Association
- Sd-Korea,
15.05.2000 Nagoya City University, Japan
26.11.2006, Wien Modern Festival
Hardware: PowerMac 7200/90,
Software: Opcode-Max, ProTools 3.4
performer / recording: Se-Lien Chuang ,(pno), Ulrike
Stadler (perc),Theodoros Patsaloides (vio),Wolfgang Stangl (vla),
Thomas Platzgummer (vlc)
studio: Atelier Avant Austria
duration: 640
21
MAIN!Waves (1998)
improvisation and diffusion, music for theatre
first premiere : 11.2.1998 Konzerthaus Vienna, Performance
Duras; (tape version)
further premiers: Images Acoustiques Linz 8.6.98, (tape
version ) ElektroKomplex, european conference on electroacoustic
music, Vienna 3.7.1998 (live arco version) , Atelier concert,
IEM-Graz 26.03.1999
12.05.99 Lneburg , Germany, 21st. international study
week of contemporary music
broadcasting: 1 Zeitton 1998
Hardware: PowerMac 7200/90, 8100/80
Software: LAP - Live Audio Positioning System ( aweixler)
Protools IV, Opcode-Max
performer: Se-Lien Chuang , piano live
tape: Dagmar Hdl, Mezzosopran, Se-Lien Chuang , piano,
Anselm Schaufler, Violine
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 550
20
Entre (1998)
sound design for theatre (applause & text )
first premiere 11. -19. and 21+22.02.98. Konzerthaus
Vienna
Hardware PowerMac 7200/90, 8100/80
Software Protools IV
performer Dagmar Hdl, Mezzosopran, Se-Lien Chuang ,
piano, Anselm Schaufler, Violine,
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration 313
19
Blaue Augen-Schwarzes Haar (1998)
music for theatre (theatre titel: Salzgang,
Salzkatastrophe)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: Dagmar Hdl Mezzosopran, Se-Lien Chuang
piano, Anselm Schaufler Violine,
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 454
18
Phosphor (1998)
music for theatre, (Arbeitstitel: 1Turn)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: Dagmar Hdl Mezzosopran, Se-Lien Chuang
piano, Anselm Schaufler Violine
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 120
17
Szin 8 Atem (1998)
music diffusion
(theatre titel: Atem, Krieg)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
further premiers: 8.6.98 IMAGES ACOUSTIQUES 98,
Linz, Atelier concert, IEM-Graz 26.04.1999
studio: SAMT Sudio for Advanced Music and Media Technology
at the Bruckner-concervatory in Linz
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: szene instrumental
duration: 202
16
sound Barrier - Eine Schallmauer (1996)
composition, interaction, imprvosiation, computer
controlled electronic devices
co-composition with Adelhard Roidinger
first premiere 15.10.96 Austrian sound Check /
Steirischer Herbst 1996
broadcasting: ORF 1, Zeitton 3.6.97
Hardware: PowerMac 8100/80, Powerbook 150, ProTools,
IBM-PC, VideoCam, Dataprojector
Software: ProTools, TDM Plugins: HTD, BRN, MAX, GRM,
Hyperprism 1.5.2, GRM Tools 1.55, soundDesigner 2.8, Alchemy 3.0,
HyperControl D, soundhack 0.8, LAP -Live Audio Positioning by aw
performer: Michael Riessler cl, Adelhard Roidinger cb,
Andreas Weixler electronics,
Gerald Wolf, engineer
visuals in cooperation with ARCHIMEDIA -Linz:Christian
Mller, Sven Thne.
Studios: Studio for Advanced Music and Media Technology at
the Bruckner conservatory Linz, University of East Anglia UEA
Norwich, Birmingham Electro Acoustic sound Theatre BEAST, UPIC -
Paris, studio Acroasis, studio aweixler /Atelier Avant Austria
media
DAT archives of SAMT studio for Advanced Music and Media
Technology
DAT archives of ORF Styria
15
Glas Seele (1996)
computer music, algorithmic composition, multi
channel technique, diffusion
UA 15.10.96 Austrian sound Check, further premiers.:
29.05.97 Live Audio-Wels,
13.06.97 Nite of Jazz and Computermusic -
Bruckner-conservatory Linz
Hardware: PowerMac 7200/90, 8100/80, div peripheral
equipment, Ensoniq EPS 16+, ADAT
Software: ProTools, MAX, Longy by aw
duration: 5:54
studios: studio for Advanced Music and Media Technology am
Bruckner conservatory Linz,
studio aweixler /Atelier Avant Austria
media: ADAT at private archives of A. Weixler
ADAT at archives of SAMT - studio for Advanced Music and
Media Technology studio/Linz
14
Plate du Jour (1996)
computer music, algorithmic composition, multi
channel audio, diffusion
first premiere 15.10.96 Austrian sound Check, weitere
premiers: Live audio in der musicwerkstattWels 29.5.1997, Nite of
Jazz and Computermusic in Linz 13.06.97
duration: 3:00
Hardware: PowerMac 7200/90, 8100/80, div peripheral
equipment, Ensoniq EPS 16+, ADAT
Software: ProTools, MAX, Longy by aw
studio studio aweixler, SAMT - studio for Advanced Music
and Media Technology /LInz
media ADAT imprivate archives of A. Weixler
ADAT im archives of SAMT - studio for Advanced Music and
Media Technology duration
13
Jade for orchestra on tape (1996)
computer music
duration: 5:54
Hardware: PowerMac 7200/90, MacIntosh Quadra 650 div
peripheral equipment
Software: ProTools 16Track, TDM Plugins: HTD, BRN, GRM,
Hyperprism 1.5.2, GRM Tools 1.55, soundDesigner 2.8, Alchemy 3.0,
HyperControl D, soundhack 0.8
performer: Szene Instrumental - Graz
studios: University of East Anglia UEA Norwich, BEAST
Birmingham Electro Acoustic sound Theatre
media: DAT at private archives of A. Weixler, DAT Im
archives of BEAST, DAT archives of UEA
first premiere Kunsthalle Stockerau 31.8.96
further premiers:
WUK Vienna 3-13.10.96 Projekttheatre
Vienna-New-York,
15.10.96 Theatro Austrian sound Check/styrian autum ,
14.u.15.11.97 Projekttheatre Eva Brenner-Minoriten Graz ,
26.6.1997 European Electroacoustic Music Festival in
Brssel ,
11.2.98 Electroacoustic Music Concert Montreal/Canada ,
15. 01.98 concert "music des 20. Jahrhanderts"
Tirolian conservatory,
10.11.98 Sumida Triphony Hall-Tokyo/Japan
13.03.1999 Lange Nacht der Neuen Klnge, Konzerthaus
Vienna
11.05.99 Lneburg 21. internationale Studienwoche
contemporary music
15.05.2000 Nagoya City University, Japan
15.12.2000 Experimental Intermedia, New York, USA
and in dev lectures for example at the University of
East Anglia in Norwich, England and at the Institute for music
science of the Karl-Franzens university in Graz SS1998,
broadcasting: ORF Zeitton 3.6.97 and 23.03.1999; 1998
Belgien
12
Sinn (1996)
computer music, music for tape, music for theatre
first premiere 3.10.96 WUK - Vienna, Projektheatre
Vienna-New York
duration: 7 min
Hardware: Ensoniq Digital Workstation EPS 16+, Powerbook
150, div.
Software: Max for Mac, longy by aw
studio: studio aweixler / Atelier Avant Austria, c/o
Vienna
media
DAT private archives of A.Weixler
DAT private archives of Eva Brenner
11
Unsinn in Schuhen (1996)
first premiere 3.10.96 WUK - Vienna , Projektheatre
Vienna-New York
computer music, music for tape
duration: 10 min
Hardware:
Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by aw
studio: studio aweixler / Atelier Avant Austria, c/o
Vienna
media : DAT private archives of A.Weixler, DAT archives of
Projekttheatre Eva Brenner
10
Ganz Gemein (1996)
computer music, algorithmic composition
first premiere 3.10.96 WUK - Vienna, Projektheatre
Vienna-New York ,
further premiers im Video Blue Elephant by Se-Lien
Chuang beim
Festival Elektrokomplex 99 am 12.12.1999 im Rhiz Vienna
and 26.02.2000, Center for Contemporary Art, vul. Skovorody 2/Kyiv
(Ruland) and 6.-8. April Lovebytes Festival Sheffield ,England,
15.05.2000 Nagoya City University, Japan, 15.12.2000 Experimental
Intermedia, New York, USA, 30.08.2002 Hotel Pupik, Festival
Schrattenberg, Austria
duration: 4 min
Hardware: Ensoniq Digital Workstation EPS 16+, Powerbook
150, div.
Software: Max for Mac, longy by aw
studio: studio aweixler/ Atelier Avant Austria
media DAT private archives of A.Weixler, DAT archives of
Projekttheatre Eva Brenner
9
Eilene (1996)
digital sound processing of the improvisation
"SAMTene Stimmen"
first premiere 17.5.96 Festival Elektronischer Frhling -
Vienna 96; SAMT-Prsentationsconcert studio for Advanced
Music and Media Technology am Brucknerconservatory Linz.
Weitere Prsentationen: Musica Scienza, Centro Ricerche
Musicali - Rom/Italy 99
broadcasting 1 1999
instrumentation: 2 female voices, Macintosh PowerPC,
Protools with GRM -Tools (TDM)
studio: produced 3.-6-5.1996 SAMT - studio for Advanced
Music and Media Technology in Hagenberg/ Linz
media: CD Elektronischer Frhling (1997, GEM 9701)
DAT SAMT - studio for Advanced Music and Media Technology
in Hagenberg/ Linz
DAT imprivate archives of S. Chuang
performer: Melanie Bong and Se-Lien Chuang :
voice improvisation
Andreas Weixler: composition and digital sound
processing
8
Corresponding Methal (1993)
for piano, percussion and 8-channel electronics
first premiere Graz, 17.11.93 electronic access 93 (IGNM,
die andere saite, ORF Stmk)
further premiers: baby-ars 95 - Linz/Hagenberg, 17.06.95
and Fete de la Musique Landhaushof Graz 21.6.95, Zeitklnge
Berlin 96
diverse broadcasting in Austria, The Netherlands, Hungary
(1997), Germany (1997)
produced at studio A. Weixler /Atleri Avant Austria,
commission of the Austrian Ministry of Education and Art.. ORF
recording im studio 3 von ORF studio Styria, broadcasting - and
CD-production
studios: studio aweixler (Aterlier Avant), Institut for
Electronic music Graz
Interpreten: Shinobu Ishizuki p, Christian Riegler &
Vitus Pirchner perc.
Berlin: Austrian Art Ensemble (Uli Stadler & Chicco
perc; Wim van Zytphen p)
duration 12:26
media ORF-archives of (DAT), CD Klangschnitte II (CD GE
07)
7
Methabl 2.5 (1992)
electronic composition for Atari Computer,
Ensoniq 16+, Tx802
first premiere 14.4.1993 3. Internationales Festival
contemporary music in Bogot/ Columbien, : organized by the
Austrian society for electroacoustic music GEM
further premiers: Campus der university Brasila
/Brasilien Concertos de Musica Electroacustica
performer: music for tape
studio: studio aweixler (Atelier Avant)
duration : 4:30
media
DAT, CD-Rom im archives of der GEM, society for Electronic
music
DAT imprivate archives of A. Weixler
6
Methabl 8.7 (1992/95)
Electronic Komposition for Atari Computer,
Ensoniq 16+, Tx802 first premiere. 8- channel
Randumbeschallung
first premiere 12.06.95 electronic access 95 - Graz
further premiers: Festival Absolute music -Allensteig 96
20.06.95, 03.07.98 SiChuang premieren Conservatory in
Chengdu, China , 15.05.2000 Nagoya City University, Japan
ORF-broadcasting: 26.6.95 "Zeitton" , and 30.07.99
1
performer: ADAT 8-Spur Digitaltape
duration 4:30
studio: studio aweixler (Atelier Avant), IEM Institut for
Electronic music, Graz
media
DAT, ADAT, am Institut for Electronic music, Graz
ADAT imprivate archives of A. Weixler
DAT archives of ORF Steiermark
CD d.a.s.Nr 1 electronic access 95
5
Ex per IM (1990)
computer music
first premiere 1991, Experimentalmusicfestival
Forfest, Kromeriz /CSFR
studio
Privatstudio A.Weixler
performer
Atari Computer, Dx7 , Tr 505, Ibanez-Delay
media
Audio Cassette private archives of A. Weixler
DAT archives of des Institutes for Electronic music, Graz
4
CR-Ferenz/ taio suru (1994)
computer music for 4 channel audio
first premiere Vienna, 14.6.94, Festival Elektronischer
Frhling 94, further premier Forfest 95 Brno/CSFR 21.6.95
electroacoustic installation at Forfest 95, Klangnacht Hartberg 96
computer music for 4 channel audio, EPS 16+, Tx 802,
NeXT-Computer, Atari-Computer, div Effektprozessoren
1st version: for 4 Lautsprechergruppen (ADAT - tape)
2nd version: music for tape stereo (DAT)
duration 18 min.
studios: studio aweixler (Atelier Avant), Institut for
Electronic Music, Graz
media :DAT, ADAT private archives of A. Weixler
DAT, ADAT archives of the Institute for Electronic Music,
Graz
3
IAJ (1991)
interactive computer music for Atari Computer, EPS
16+, M
performer music for tapecomposition
duration: Gesamt: 11:45
part a Nihon 05:16
part b mei-shi 02:58
part c ryoken kensa 02:30
part d konnichi-wa 00:58
studio studio aweixler (Atelier Avant), Institut for
Electronic music, Graz
media Cassprivate archives of A. Weixler
2
ILB - Interactive Love Bytes (1990)
computer music
Kromeriz /CSFR, 1991, experimenta lmusic festival
Forfest,
instrumentation: Atari Computer, Tx 802 , Yamaha DMP 11
duration: total 14:15
part a Thema 07:44
part c Micro Mar 04:50
studio: IEM Institute for electronic music, Graz, studio
aweixler /Atelier Avant Austria
media: Audio Cassette private archives of A. Weixler,
DAT archives of des Institutes for Electronic music, Graz
1
Scene Missing (1991 - 92)
first premiere Basel, 1992, music academy
Basel
soudn track for video for the seminar "composition and
analysis in film music" with Ennio Morricone. produced
at Privat studio A. Weixler and at the Electronic mUsic
Studio of the Music Acadenmy in Basel.
duration:
Gesamt: 2:54
a) Maedthe3
0:55 b) Bild
0:50 c) Mnche
0:59
d) Bett 0:06
e) Das Thema by der guten Fee 2:04
studios
studio aweixler (Atelier Avant)
studio der musicakademie Basel
media
Video an der musicakademie Basel
DAT Im Privat archives of A. Weixler
computer music
a) audio realtime
processing
2012
17
Spielraum - die Grenzen des Zufalls
for Pipa + elektronics, interactive score (UA)
En-Ju Lin (Taiwan) / Pipa
Wolfgang Schliemann / percussion
Martin Speicher / sopran saxophone
Ulrich Phillipp / double bass
Se-Lien Chuang / bass recorder
Andreas Weixler / electronics
UA: Opening! Festival Tuchfabrik Trier,
Klangkunst 2012
Internationales Festival fr Aktuelle
Klangkunst
Konzert Neue und Alte Musik fr Pipa, So,
05.02.2012
duration: 15 minutes
audio and video documentation, Atelier
Avant Austria
2011
16
die Grenzen des Zufalls
interaktive iScore
Komposition mit live processing fr Violoncello solo
Michael Moser, Violoncello
die andere saite
21. November 2011,
Kulturzentrum Minoriten, Graz
recording: Hennig Bosbach
2011
15
out of nothing
Elfi Aichinger (voc) -
Andreas Schreiber (vio) - Andreas Weixler (el)
JIM Communicate - JIM ON
STAGE
19.05.2011 - Kleiner Saal,
Anton Bruckner Privat Universitt, Linz
14
I score
iScore for Jim faculty tour
von Andreas Weixler
interactive score for multiple iBooks
24.1.2011, 20:30, Porgy&Bess, Wien
26.1.2011, 19:30, Brucknerhaus - Mittlerer Saal, Linz, ORF
broadcasting recording
JIM Faculty
of the Institute of Jazz and Improvised Music (JIM), Anton
Bruckner Private Universitt
Elfi Aichinger: vocals
Allan Praskin, Harry Sokal: reeds
Daniel Nsig: trumpet, fluegelhorn
Christian Radovan: trombone
Andi Schreiber: violin
Peter OMara: guitar
Martin Stepanik, Dejan Pecenko, Christoph Cech: piano,
synthesizer
Andreas Weixler: electronics
Peter Herbert: acoustic bass
Helmut Schnleitner: electric bass
Herbert Pirker, Jeff Boudreaux: drums, percussion
Gerhard Reiter: percussion
2010
13
xClavier
audio realtime processing composition for piano and
interactive score
Andreas Weixler 2010
Manon-Liu Winter , piano
8. November 2010, Kulturzentrum bei den Minoriten, Graz
concert series die andere saite
2009
12
in divi duell
fr 2
Kontrafagotte, interaktive Partitur und live Elektronik von
Andreas Weixler
Robert
GILLINGER-BUSCHEK, Clemens BHM, Fagott, Kontraforte
Andreas
WEIXLER Mehrkanal-Echtzeitprozesse, Elektronik
extended
BASSoons
UA Montag, 7.
Dezember 2009, 20 Uhr, Konzertserie die andere saite,
Kulturzentrum bei den Minoriten, Graz
Aufnahme&Mischung:
Andreas Weixler, Atelier Avant Austria
Aufnahme:
Privatarchiv Andreas Weixler
Dauer 16 min
21 sec
2008
11
LITTLE UNIVERSE
by Andreas Weixler
Improvisation by instructions of an interactive score
An unique experiment is combining improvisation by
instructions of an interactive computersystem and realtime audio
processing.
concert Sound and Vision II 30.Mai.2008,
Anton-Bruckner-Privatuniversitt, Linz
Ensemble Zwischen Rume
Monika Parkfrieder: piano, saxophone
Bernhard Parkfrieder: saxophone, clarinette
Christiane Zollhauser: voice
Astrid Bauer: oboe
Stefan Altmanninger, percussion
Fatima el Kosht, troumpet, flute, jaws harp
Se-Lien Chuang, multi channel granular synthesis
Andreas Weixler, interactive score
2007
10
arb/cb -
the big fuzz
audio
realtime behaviour for double bass
UA:
27. Oktober 2007, Kulturzentrum Minoriten, concert series die
andere saite in Graz, Austria
Uli
Fussenegger, doulbe bass , Andreas Weixler multichannel granular
synthesis
9
Quod
erat...
audio realtime processing for bassoon
Studio:
Atelier Avant Austria
UA:
21. April 2007, ESC / labor, 6. V:NM Festival, 19. - 21.
April 2007 in Graz, Austria
Klaus
Hubmann, bassoon, Andreas Weixler multichannel granular synthesis
2002
8
Das Glck des Galeerensklaven
(Weixler/Eichberger/Htter)
Echtzeit Prozessing for violoncello and Stimme (Literatur:
Gnther Eichberger)
studio: Atelier Avant Austria, Graz
first premiere: 6.4.2002 Osterfestival, Dom im Berg, Graz,
Austria
Erich Oskar Htter, violoncello, Gnther Eichberger,
Stimmer, ANdreas Weixler, Echtzeitprozessing
media: ORF Steiermark
2001
7
a crush on You (1999-2001)
interactives performance for chinese dulcimer
Yan-zin and Macintosh Computer with Max/msp
studio: SUSS Sheffield University sound studio and Atelier
Avant ,1999
Weiter Entwicklung an der Nagoya City University, Japan
2001
concept and Max/msp Programmierung: Andreas Weixler
Yan-Zin: Se-Lien Chuang
first premiere: 25.09.1999 Weingut Gasser, Steiermark
further premiers: Festival Elektrokomplex 99 am 12.12.1999
im Rhiz Vienna
15.12.2000 Experimental Intermedia New York, 16. februar
2001 Nagoya City Univeristy, sound Lab.
1999
6
Sonic Satie
interactive composition for piano, Disclavier,
realtime audio processing and visual sampler
studio: SUSS Sheffield University sound studio ,1999
concept and Max/msp Programmierung: Andreas Weixler
piano and Mididaten, visuals arts: Se-Lien Chuang
first premiere. 08.10.1999 Vexations - lange Satie Nacht
Bruckner-conservatory Linz
1998
5
music zur CDR-Produktion der denk.werk.statt.graz, Luise
Kloos, Dezember 98
Schnitte aus "crossings", "3 Clowns" , "an sonnigen
Tagen", "O.zon
4
the cat and the mouse (1998)
interactive realtime computer music for E-guitar,
piano & live electronic
Se-Lien Chuang & Andreas Weixler
first premiere: 11.05.1999, 21.Internationale Studienwoche
for zeitgenssische music Lneburg
further premiers. 18. 05.1999, ESC im labor/Graz in Rahmen
des V: NM Festivals 1999
concept & prpariertes piano: Se-Lien Chuang
ISPW- Max: Wolfgang MUSIL (Lneburg), Thomas MUSIL (Graz)
E-guitar & Opcode- Max: Andreas WEIXLER
duration: 12
3
- - - - - - - in C (1998)
realtime processing for guitar, piano &
live electronic
Se-Lien Chuang & Andreas Weixler
(first premiere) 29/04/1998 in der Alte
Schmiede/Kunstverein Vienna im Rahmen des Festivals Elektronischer
Frhling 98 Weststlicher Divan: Taiwan in Vienna-Vienna in
Taiwan
Se-Lien Chuang , composition and piano
Andreas Weixler, Opcode Max Programmierung and guitar
Wolfgang Musil, ISPW-Max Programmierung
Opcode-Max Programming im Atelier Avant
ISPW-Max Programmierung am Institut for Elektroakustik
Kunstuniversity Vienna
1997
2
O.zon (1997)
interactive composition for piano solo, multi
channel technique, music im Raum
first premiere 2.8.97 14. Knstlerbegegnung St. Lambrecht;
further premiers 3.11.97 Institut for Electronic
music,Graz, 12.05.99 Lnneburg 21. internatinale Studienwoche
contemporary music
Hardware : PowerMac 7200/90, Ensoniq EPS 16+, Tx802
Software : Opcode-MAX
performer : Se-Lien Chuang , piano; Andreas Weixler,
Computersystem
duration 12
1
u/hhua-ghua (1996)
interactive composition with Realtime Processing.
first premiere 23.4.96 Festival Elektronischer
Frhling 96, Vienna
in cooperation with the Institute for Electro Acoustics in
Vienna and the Institute if Electronic Music un Graz Graz
instrumentation: prepared piano and Next-Comuter
with ISPW (Ircam sound Processing Workstation), Macintosh
wiht Max
performer Se-Lien Chuang , piano and Performance, Andreas
Weixler, concept and engineer
duration: 12 min
II) contemporary instrumental
music
2011
31
Partly Ashley
algorithmische, pulsare Komposition
4. Mai 2011, Violine Solo Konzert, die andere saite,
Kulturzentrum Minoriten, Graz
Annelie Gahl, Violine
2010
30
Ashley Ave STRQ (2010)
Dauer: 5 min
Werkbeschreibung: Die Komposition basiert auf einem
algorithmischen Konzept, das am Sonic Arts Research Centre in
Belfast whrend einer composer in residence 2008 in Form einer Max
Programmierung erarbeitet wurde. Ashley Ave STRQ ist eine
algorithmische Komposition.
Dem Werk liegt ein weitgefcherter Akkord zu Grunde von
dem ein Computerprogramm in
wandernden Fenstern einzelne Tne einer Pulsation
freigibt.
Urauffhrung der Version fr Streichquartett,: 22.
April 2010 Minoritensaal, Graz
Interpreten: Stadler Quartett (Salzburg)
Radio Sendung: Zeit-Ton, 27. April 2010, 23:03 (Gestaltung
Franz-Josef Kerstinger)
2009
29
The kiss of
Life (2009)
pulsar composition for Idiophonics (2 Marimba, Vibraphon, 2
Glockenspiel, 1 Xyolophon)
performer: Lukas Schiske, Berndt Thurner, Adam Weisman
premiere: 20. 03. 2009 23:00 ORF Landesstudio Steiermark,
Austria,
die andere saite Konzert "Malletts", live radio broadcasting in
Zeitton 1
2008
28
Ashley
Avenue (2008)
algorithmic composition for piano solo
UA: 9.10.2008, SARC - Sonic Arts Research Centre Belfast,
concert series "Music @ Queen's
Version for Disklavier, pedal: Pedro Rebelo
further premiers: 11. 03. 2009, Minoritensaal, Graz, die andere
saite, Austria
Hsin-Huei Huang, Klavier solo
2007
27
Der Wunsch zu
horchen (2008)
Rezitativ
music: Andreas Weixler
lyrics: Se-Lien Chuang
premiere: 24.01.2008 Graz, die andere saite Konzert A Day
in Life (Organisation Klaus Dorfegger), Kulturzentrum Minoriten,
Graz
performed by Eis-Trio
Ivana Pristasova violine, Petra Ackermann viola,
Roland Schueler violoncello, Judith Lehner vocal
26
Dissonanz 1a (2007)
fl, bcl, mar, pno, vl, vla, vlc, cb
premiere: Konzertreihe die andere saite
03.05./07.05. 2007 DissonArt Ensemble in Thessaloniki and
Graz (Kulturzentrum Minoriten)
25
Zerbrochene Schalen 5 - Verbundenheit
(2007)
for harp, viola, clarinet and bass clarinet
premiere: 7.3.2007 Kulturzentrum Minoriten, Konzertreihe
die andere saite, Graz
Zsfia Szeghalmi, harp
Petra Stump, clarinets
Petra Ackermann, viola
2000
24
Echinea...
(2000)
algorithmic composition for violoncello solo
first premiere beim "Sukkulentenconcert" Botanischer
Garten Graz: 16. u. 17.06.2000
duration: 2:00
performer: Ruth Straub vlc, szene instrumental
23
In
der Zeit des Blhens (2000)
algorithmic composition for chinesisches
instrumentalensemble
first premiere: 05.04.2000 Konzerthaus Vienna, Hrgnge
instrumentation: dongxiao, sheng, pipa, guhzeng, darfirst
premieren, yanzin, erhu and percussion
duration: 07:00
performer: China Fund Music Workshop - Taipeh/Taiwan
22
Zerbrochene Schalen 1 - Geborgenheit
(1998)
Kammerensemble: arco-piano, vio, vla, vlc, mar
first premiere: 22.06.1998 Burg Graz
broadcasting: 1 Zeitton 1998
duration: 08:21
performer: Se-Lien Chuang , arco-piano, Ulrike Stadler,
perc; Theo Patsaloides, Violine; Wolfgang Stangl, viola; Thomas
Platzgummer, violoncello
CD Auftragswerke des Landes Steiermark (2001)
21
Zerbrochene
Schalen 2 - Vertrauen (1998)
Kammerensemble: cl, vla, pno, vla
first premiere: 6.12.1998, anniversary concert of die
andere saite, Kulturzentrum Minoriten, Graz
ORF-broadcasting: 7.Jnner 1999
duration: 08:21
performer:
ContrastTrio: Christos Polyzoides (vla), Franois Benda
(cl), Janna Polizoides (pno)
media: CDR im archives of Aweixler, d.a.s. Bibliothek der
Kunstuniversity Graz
20
An sonnigen
Tagen (1998)
string trio, music for the dance performance of
TanzbAAr/ Eva Brunner
first premiere bei "d.a.s Tanzprojekt" Minoriten Graz:
28.04.98
further premiers: 07.07.98 internationales Tanztheatre
Festival Graz im TIP
7.11.1998 denk.werk.statt.graz (teilw)
1 Zeitton: 08.07.1998
duration: 2:08
instrumentation: vl, vla, vlc
performer: Szene instrumental
Barabara Haslmayr - Peyr (Toshie Shibata) vl, Wolfgang
Stangl, vla, Ruth Straub, vlc
19
3 Clowns
(1998)
chamber ensemble, music for the dance performance of
TanzbAAr/ Eva Brunner
first premiere bei "d.a.s Tanzprojekt" Minoriten Graz:
28.04.98
further premiers: 07.07.98 internationales Tanztheatre
Festival Graz im TIP
7.11.1998 denk.werk.statt.graz
1 Zeitton: 08.07.1998
duration: 2:02
instrumentation: vl, vla, vlc, mar, acc
performer: szene instrumental
Barabara Haslmayr - Peyr (Toshie Shibata) vl, Wolfgang
Stangl, vla, Ruth Straub, vlc
Ulli Stadler-Fromme, Mar, Georg Schulz, Akkordeon
18
Die gepflckte
Lotus (1997)
chamber orchestra and electronic
duration: 7 min.
instrumentation: fl, ob,cl, fg, crn, tp, pos, perc, pno,
S, A,pno, vl, vla, vlc, cb
performer: Szene instrumental
first premiere bei "open music", Minoriten, Graz 21.5. 97
Orf-broadcasting: Zeiton 1: 30.6. 1997
17
Wider-Wieder
(1996)
chamber music, algorithmic composition
duration ca. 10 min.
performer: 4 Posaunen, Marimba,
performer: Grazer Posaunen Quartett , Ulrike Stadler perc,
Dir. Wolfgang Hattinger
first premiere bei "die andere saite", gr. Minoritensaal,
Graz 26.11.96
media: DAT archives of d.a.s.
16
Paramour
(1995)
chamber music, Blser, Chor, Streichorchester,
Schlagwerk, piano solo
first premiere bei "open music", Minoriten, Graz 4.4. 95
ORF broadcasting: Zeitton 11.9.95
duration 10 min.
performer: fl, cl, bcl, fg, crn, tp, S, A, T, B, Pf, vl,
vla, vcl, cb,
performer: Szene Instrumenta
media DAT archives of ORF Stmk
15
Paravant
(1994)
chamber music
performer 2vl, vla, vcl, S, A, T, B, Pf
14
Fragmente
fr Streichquartett (1994)
chamber music, algorithmic composition
first premiere. Minoriten Graz 19.03.1995, Streichsang -
die andere saite concert,
Radiosendung de ConcertZender , The Netherlands 1995
instrumentation: 2vl, vla, vcl
performer: Orbis-Qfirst premierertett
media
DAT archives of der anderen saite in der Bibliothek der
MHS Graz
Zyklus IDEM:
13
Idem part II (1991)
chamber music, minimal music
instrumentation for female voice, violin, violoncello,
accordion, and vibraphone
performer Dagmar Hdl vc, Ruth Straub vlc, Georg Schulz
akk, Dejan Dacic vl, Peter Schellegger vib, conducter:
Wolfgang Hattinger
first premiere Forum Stadtpark - Graz, 1991 Veranstalter:
die andere saite
12
Idem I (1992)
chamber music, minimal music
for 4 percussionists
instrumentation: carillon, xylophone , marimba,
vibraphone, piano
performer Schlagwerkensemble Dama-Dama (CSFR)
duration: 2:10
first premiere M59 - Graz, 2.6.1992, Veranstalter:
die andere saite further premiers: Janacek Akademie, Brnn, CSFR
media DAT archives of der anderen saite in der
Bibliothek der MHS Graz
CD d.a.s. Nr. 2 DAMA DAMA 2, (WORE 960003-2), 1996
11
Idem II (1992)
chamber music, minimal music
for 4 percussionists
instrumentation: carillon, xylophone , marimba,
vibraphone, piano
performer
Schlagwerkensemble Dama-Dama (CSFR)
duration 2:05
first premiere M59 - Graz, 2.6.1992, Veranstalter: die
andere saite further premiers: Janacek Akademie, Brnn, CSFR
media
DAT archives of der anderen saite in der Bibliothek der
MHS Graz
CD d.a.s. Nr. 2 DAMA DAMA 2, (WORE 960003-2), 1996
10
Idem III (1992)
chamber music, minimal music
first premiere groer Minoritensaal in Graz, 28.5.1992 ,
Veranstalter: die andere saite
ORF-broadcasting in "Neue Musik im Konzert" 7.9.92
further premiers: 28.05.98 Zrich/ Schweiz
instrumentation: fl, cl, vl, vcl, p, perc
performer
Klangforum - Vienna (1992)
Ensemble for neue music Zrich (1998)
duration 2:09
media: DAT archives of ORF Styria
9
Idem IV (1992)
chamber music, minimal music
first premiere groer Minoritensaal in Graz, 28.5.1992 ,
Veranstalter: die andere saite
ORF-broadcasting in "Neue Musik im Konzert" 7.9.92
further premiers: 28.05.98 Zrich/ Schweiz
instrumentation: fl, cl, vl, vcl, p, perc
performer
Klangforum - Vienna, conducter Wolfgang Hattinger
(1992)
Ensemble fr Neue Music Zrich (1998)
duration: 2:05
media: DAT archives of ORF Styria
8
Dasselbe - Eine Verwebung (1991)
chamber music, contributions to the collective
composition of die andere saite (composers union)
first premiere Forum Stadtpark -Graz, 13.6.91
Veranstalter: die andere saite
instrumentation for female voice, violin, violoncello,
accordion, and vibraphone
performer: Dagmar Hdl vc, Ruth Straub vlc, Georg Schulz
akk, Dejan Dacic vl, Peter Schellegger vib,
conducter: Wolfgang Hattinger
7
Blser vom Anfang bis Ende (5/1993)
Blserquintett, Beitrag zur Gemeinschaftproduktion
d.a.s. Quadrat
first premiere 26.5.1993, Hof Grazer Stadtmuseum
duration: 1 min.
performer 2 tp, pos, crn, tuba
6
Stck in Quartenhexachorden fr Kla4 und
Querflte (1989)
Duo piano and flute
first premiere at MHS Graz
further premier
24.3.1996 evening of chamber music of die andere saite,
Thearto - Graz
performed by Arno Steinwider/ Eva Bajic
15.07.2002 Festival contempornea
15. Juli - 2. August Schlo Ptzleinsdorf in Vienna
22.04.2005 Odessa - Ukraine| 11th International Festival
of Modern Art "Two days & Two night of new music"
15.07.2002 Festival contempornea 15. Juli - 2. August
Schlo Ptzleinsdorf in Vienna
22.04.2005 Odessa - Ukraine| 11th International Festival
of Modern Art "Two days & Two night of new music"
08. 12. 2008 Rio de Janeiro - Brazil | Sala Villa-Lobos
03. 12. 2008 Sao Paulo - Brazil | Santa Marcelina
University
08. 10. 2008 Morelia - Mexico | Centro Cultural
29. 09. 2008 Havanna - Cuba, Festival Internacional de La
Habana
24. 09. 2008 San Jos - Costa Rica | Universidad de Costa
Rica
performed by the Pierrot Lunaire Ensemble Wien
duration ca. 3 min.
media DAT archives of der anderen saite in der Bibliothek
der MHS Graz
5
UI-RO (Beruhigung) (1991)
algorithmic composition for piano zu 4 Hnden
first premiere 9.12.91 Artvent-concert im Orpheum - Graz
Veranstalter: die andere saite
instrumentation: piano 4 hands
duration: 2:53
performer David Hanner/ Eva Bajic
media DAT archives of der anderen saite in der Bibliothek
der MHS Graz
4
Etde for Stille and Cello (1990)
for violoncello solo
first premiere Forum Stadtpark, Graz 1990
performer : Michael Moser
duration 3 min.
media: DAT archives of der anderen saite in der
Bibliothek der MHS Graz
3
Auqa (1988)
improvisation in tonal system of hexa chords by
Andreas Weixler
for violin and guitar for the dance theatre Elio Gervasie,
Vienna
first premiere 1988 Posthof Linz, further premiers Grazer
Landhaushof 1988
instrumentation: vl, git , computer
duration: 2:49
performer Marion Namestnik vl/ Andreas
Weixler git
media: music for tape im archives of des TU-studios, Graz,
DAT archives of A. Weixler
2
Stck for Kirchenorgel (1985)
for church organ solo
instrumentation: church organ
performer : Christine Swoboda
duration 1:41 min.
media : archives of Atelier Avant A.Weixler
1
Stck for piano (1985)
for piano solo
performer: Sandra Kraus
duration 2 min.
media: archives of Atelier Avant A.Weixler
III) music for video and film
2013
10
Wetterleuchten
Virtuoso Chances - return home
(2013)
multichannel
ambience music, interactive sound file player
Komposition:
Andreas Weixler, Novars residency 2013, University of
Manchester
Video:
Se-Lien Chuang, Atelier Avant Austria
UA:
Novars summer Matinee, 17. Juli 2013 Studio 1
weitere Auffhrungen:
4. Juni 2014 New York Electroacoustic Music Festival 2014
Experimental Theater Abrons Center
New York City, USA
2012
9
Jade f.o.o.t.
Komposition: Andreas Weixler (1996)
Video: Se-Lien Chuang (2012) Video, Elektrokakustikkomposition
und Klangspatialisation
UA: 29.10.2012, SonicIntermedia BEAST - intermediale
Computermusik Konzertreihe mit Schwerpunkt BEAST im DeepSpace
des AEC - Ars Electronica Centre Linz
2003
8
INFINITY op. 1 - 4
audiovisual composition/installation, Art Video 2003
Se-Lien Chuang video & concept
Andreas Weixler computer music
the room is breathing slowly, one breath takes 7 minutes,
so it is worth to stay in the room longer to receipt the inifinite
movement in this audiovisual composition.
the video is created by using infinite video feedback
controlled by the artist Se-lien Chuang, the music is the feedback
of a short click in an infinite electroacoustic room.
Premiere 3rd of December. 2003, Busan International
Digital Technology Music Festival
The Mail Hall, Busan Cultural Center
2000
7
Trinity
music zum Video Trinity by Se-Lien Chuang
12.12.99 Elektrokomplex 99, 1.12.99 Silicon graphics
presentation Wifi Graz, and 18.2.2000 Werkstatt Graz and
26.02.2000, Center for Contemporary Art, Kyiv (Ruland),
Experimental Intermedia New York 15.12.2000
6
Blue Elephant
computer music for the video Blue Elephant by
Se-Lien Chuang
Festival Elektrokomplex 99, 12.12.1999 im Rhiz Vienna,
1.12.99 Silicon graphics presentation Wifi Graz, 18.2.2000
Werkstatt Graz, 26.02.2000, Center for Contemporary Art, vul.
Skovorody 2/Kyiv (Ruland), 6.-8. April 2000 Lovebytes Festival
Sheffield ,England, 15.5.2000 Nagoya City University, Japan,
15.12.2000 Experimental Intermedia New York
Galerie Werkstadt Graz, 18.02. - 12.03.2000
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil
,17th-20th of October 2000
Festival Schrattenberg, sterreich, 30. 08.2002
National Theater Concert Hall in Taipeh, 27.4.2003
Konzert am TNCA, Tainan National College of Art, Taiwan,
29.4.2003
Logos Tetrahedron, Gent, Belgium, 23rd of September 2004
published at video edition SIBGRAPI 2000 Video festival,
Gramado, Brazil
DVD Edition SAMT 1, 2003, Bruckner-Univerisity, Linz
5
Ouroboros
interactive sound modulation for the video Ouroboros
by Gertrude Moser-Wagner,
premiers in Italy, Austria, Canada and USA and in
the Internet.
1998
4
music for the video of denk.werk.statt.graz -
4. internationales project of fine arts
crossings, 3 Clowns, an sonnigen Tagen (parts.)
compositionen for the presentation of the video by xxx Kunstkabel
/ performance Thinking by Luise Kloos 7.11.1998 at
Grazer Kunstverein.
1997
3
Luftloch
music zum Video Luftloch by Gertrude Moser-Wagner,
1997, div. presentaions and broadcastings, Austria, Italy, Canada,
USA
1992
2
Scene Missing (1991-1992)
first premiere Basel music academy, sound track for
the video for the Seminar composition and anaysis in film music
with Ennio Morricone
1980
1
Filmusic for the directors class Vienna
(1980), director Nikolaus Leytner
IV) music for contemporary
dance and theatre
2013
19
display - mind leap
Tanz, interactive visuals, Stimme, live processing, skeleton
tracking Anton Bruckner Privat Universitt, kleiner Saal,
20.9.2013, CMS Research Residency Sina Heiss (NYC/AT), Tanz und
Lia Bonfilio (NYC), Tanz
mit Daniel Rikker (kinect sensor technology), Se-Lien Chuang
(interactive visuals) und Andreas Weixler (realtime audio
processing)
16, 17,18
coincident synchrisis I, II, III (2012) von Se-Lien
Chuang fr 7 Instrumenten und Sensor-Live-Elektronik
09.12. 2012, Palais Kabelwerk, Wien, Sensor - live-elektronik -
Tanz - Projekt des ensemble xx. jahrhunderts
Se-Lien Chuang, Komposition, Klangregie
Andreas Weixler, Echtzeit
Audio Prozesse
Johannes Kretz, interaktive Sensorik, Peter Burwik, Dirigent
2010
15
for Pi
05.06.2010, Dance Concert, at the Wang Center Theater at
Stony Brook University , ICMC 2010 - International Computer Music
Conference in New York City and Stony Brook, NY, USA, selected
works (from over 1700)
Andreas Weixler: for Pi - electroacoustic multichannel
composition
Choreography: Laurie Berg in collaboration with Siri
Peterson
Performance: Laurie Berg & Siri Peterson
2005
14
Hermann Nitsch
OM-Theater
19.11.2005, 50 Jahre Burgtheater Wien
Junge Philharmoniker
Elektroakustische Klnge von Andreas Weixler & Se-Lien
Chuang
2004
13
Das 2-Tages Spiel des Orgien Mysterien
theatres
by Hermann Nitsch, 31. Juli - 2. Juli 2004
electro acoustic by Andreas Weixler and Se-Lien
Chuang
12
music zu Skandalon Stille by
Andreas Weixler
music for theatre for das Projektheatre Vienna -New York,
Werner Schwab Projekt im Literaturhaus Graz, Europische
Kulturhauptstadt Graz 2003
studio: Atelier Avant Austria, Graz 2003
with kind support of SKE Fonds and Land Steiermark
Auftragscomposition des PROJEKT theatre / Vienna -
New York and Thomastik-Infeld
first premiere. 17. September 2003, Literaturhaus Graz
1998
11
music zu Endspiel in Process 3
Projekttheatre Vienna-New York, director Eva
Brenner, Projekttheatre studio, Vienna,14.-20.12.1998
10
4-channel modulare computer music zu Nichts -
no thing SandER WARUMBE
with Projekttheatre Vienna-New York, director Eva
Brenner , Kulturzentrum Minoriten Graz, 09.+10.11. 1998
9
Elektroakustik for das Orgien-Mysterien
theatre by Hermann Nitsch
6-Tage Spiel Prinzendorf 1998, CD Produktion 2000,
Austria-Deutschland Tournee
8
TanzbAAR, compositionen for Tanztheatre
Choreographie Eva Brunner, Minoriten Graz 28.4.98,
Classics in the City - Landhaushof Graz 19.06.98, int.
Tanztheatre Festival Graz, 5.7.98
7
act now
music for theatre-workshop
19.07.98 Graz , Austira, TIP - Theatre In the Palais,
director Eva Brenner
6
music zu Echo des Schweigens (1998)
Text by Marguerite Duras. music for theatre .
director Eva Brenner, Projektheatre Vienna-New York,
Urauffhrung: 11.2-19.2 and 21-22.2.98 Konzerthaus Vienna;
Werktitel: Blaue Augen-Schwarzes Haar, Szin 8 Atem, Entre
1997
5
TeleXie (1997)
for die Anna Schrefl Cie, Tanzprojekt dance and
composition in space
Stift St. Lambrecht STMK, 31.7.97 and 1.8.97,
Intiative LAMBEART 97
at the 14th Knstlerbegegnung of the Initiative LAMBEART
at the monestery St. Lambrecht 12.7-97 -3. 8.97
further premiers: 18 u. 19. 9.97 bei imagetanz
97 im Knstlerhaus/ theatre Vienna
1996
4
music zu Einsamkeit der Lust (1996),
Text by Margit Hahn. music for theatre . director
Eva Brenner, Projektheatre Vienna-New York, Urauffhrung:
3-13.10.96 WUK theatre Vienna; further premiers: 14. u. 15. 11.
97 Kulturzentrum Minoriten, Graz;
musictitel: Jade f.o.o.t, Sinn, Unsinn in Schuhen, Ganz
Gemein
1988
3
Aqua di Marma (1988)
for die Elio Gervasie Dance Company, Posthof Linz,
Landhaushof Graz
1987
2
Flugfluchten (1987)
music, dance and Sprache with Katharina
Klement, Donato Deliano, Samir Kedwani and others
1986
1
Dis-Moll (1986)
Contact-dance and music-Perfomance
with Katharina Klement, Monika Steffen, Alberto de Campo,
Christian Koppensteiner, Axel Staudinger
V) jazz related music
Zyklus Atelier Avant
6
Die Unken gehen heute baden (1986)
jazz rock
duration:. 10 min.
instrumentation g, ky, vio, voc, b, dr, tp, Flgelhorn,
as,
oder for 2 E-git, b, ky, dr
performer Eliot Biss and die Unerhrten, Andreas
Weixler Corporation
div. premiers
media private archives of A. Weixler
5
Das Thema by der guten Fee (1984-86)
jazz ballade, Odds
duration ca. 13:30 min.
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio
oder for 2 E-git, b, ky, dr
performer Eliot Biss and die Unerhrten, Andreas Weixler
Corporation
div. premiers
media private archives of A. Weixler
4
Gemischte Gefhle (1984)
jazz rock, Odds
duration 5:00 min.
instrumentation g, ky, voc, b, dr, feat. tp, ,as,
vio oder for 2 E-git, b, ky, dr
performer: Eliot Biss and die Unerhrten, Andreas Weixler
Corporation
div. premiers
media private archives of A. Weixler
3
Atelier Avant (1984)
funk music, Odds
duration 3:30 min.
div. premiers
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio oder
for 2 E-git, b, ky, dr
performer: Die Goldfische, Eliot Biss and die Unerhrten,
Andreas Weixler Corporation
media private archives of A. Weixler
premiere, Tingel-Tangel, Graz, 1984
Die Goldfische: Johannes Wimmer (dr), Michael Schwarz
(Rhodes), Samir Kedwani (b), Christian Koppensteiner (guit),
Andreas Weixler (guit)
2
Ganz spezielle Nsse diese Tritonsse (1984)
jazz rock
div. premiers
duration: 7 min.
performer g, ky, voc, b, dr, feat. tp, ,as,
vio oder for 2 E-git, b, ky, dr
performer
Eliot Biss and die Unerhrten, Andreas Weixler Corporation
mediaprivate archives of A. Weixler
1
I want to find out today (1986)
jazz ballade, Odds
duration 5:20 performer g, p, voc, b,
dr,
performer: Eliot Biss and die Unerhrten, Andreas Weixler
Corporation
media: private archives of A. Weixler
div. performances
VI) experimental music
1981
a) Jaques Prevert
u.a. with Ronald Trimmel, Manuel Simon,
Andrea Sedminek, Andreas Weixler
b) Dementia precox, experimental music
simulations with Andreas Weixler, Ronald Trimmel,
Axel Staudinger
1982-86
a) Eliott Biss & die Unerhrten
Odd-Rhythmik, jazzverwandte music, with Andreas
Weixler, Johannes Wimmer, Michael Schwarz, Samir
Kedwani, Christian Koppensteiner, Carla Carnevale, Gerhard Fritsch
b) Anchrax
experimental music with Andreas Weixler, Axel
Staudinger, Christian Koppensteiner u.a.
1986
Dis-moll, dance- and music-Performance
with Katharina Klement, Monika Steffen, Alberto de
Campo, Christian Koppensteiner, Axel Staudinger
1987
Flugfluchten
music, dance and speech with Katharina Klement,
Donato Deliano, Samir Kedwani and others
VII) cooperation with ensembles and
solists
ensembles
JIM Faculty (Austria), Stadler String Quartett (Salzburg,
Austria), Roots Ensemble (ICMC Belfast), Juilliard Electric
Ensemble (New York), Dissonart (Greece), Janus Ensemble (Vienna),
sang sang (South Corea), Kuwayama-Kijima (Japan), Pierrot Lunaire
Ensemble Wien, CFMW China Found Music Workshop (Taiwan),
ContrastTRIO, Klangforum - Wien, Szene Instrumental, percussion
DAMA - DAMA, Austrian Art Ensemble, Ensemble Fr Neue Musik
Zrich, various concerts with the concerts series die andere saite
div. solists:
Ann Evans (UK) - saxophone, Heather Roche (UK/D) -
clarinet , Elfi Aichinger (voc), Andreas Schreiber (vio),
Christian Radovan (trb), Annelie Gahl (vio), Hermann Stangassinger
(b) , Vicky Chow (p, New York City), Pedro Rebelo, Franziska
Schroeder, John Kenny, Gascia Ouzounian, Laoise Kelly (Irish
harp), Ivan Goff (Irish pipes), Uli Fussenegger, Todd Reynolds
(New York), Petra Ackermann, Petra Stump, Zsfia Szeghalmy,
Rowland Sutherland (London), Fabian Pollack, Judith
Unterpertinger, Peter Herbert, Reinhard Micko, Pai Yu Ching
(sheng) & Tsai Chen Yu (erhu), Martin Zrost, Kiyoharu
Kuwayama, Rina Kijima, Kagusho Kitagawa, Michael Moser, Se-Lien
Chuang, Shinobu Ishizuki, Christine Svoboda, Sandra Kraus, Dagmar
Hdl, Ruth Straub, Ulrike Stadler-Fromme, Arno Steinwider, Eva
Bajic a.o.
cooperation
with other arts & media (selection)
interactive audio-visual & video
Roots Ensemble (I am from the Universe and you know what
its worth Belfast 2008)
Christoph Cech and the Janus Ensemble (Rooming 2005)
Se-Lien Chuang (divers interactive ausiovisual projects,
"SpectraSonic", "Interlude for Pi and for Io", "Erinnerung in
jedem Laut interactive audio-visual improvisations,
running-figure-lantern interactive audio-visual instrumental
theatre at the ISEA 02, International Symposium on Electronic
Arts, Nagoya, Japan, living cave audio-visual installation 2001
and numerous art videos 1998-2005)
sang-sang ensemble (Seoul Lightingale Corea 2003,
interactive audio-visual improvisation)
Mikako Mizuno (The Story of Heike, Japan 2001
interactive audio-visual narrative)
Kuwayama-Kijima ( living cave audio-visual interactive
improvisation, Japan 2001, running-figure-lantern audio visual
interactive instrumental theatre, Japan 2002)
Gertrude Moser-Wagner (video "Ouroboros" 2000, "Luftloch",
1997),
Nikolaus Leytner (film music, 1980)
and numerous others
contemporary
theatre
Hermann Nitsch (Symphony of Six Days 1999, Orgie-Mystery
theatre, 1998, 2004, 2005)
Projekttheater - Eva Brenner (contemporary theatre Werner
Schwab 2003, european cultural capital city Graz,
"Duras",1998, "Einsamkeit der Lust", 1996, workshop act now 1998,
"Endspiel 2 Nichts-nothing" 1998, "Endspiel 3" 1998, Limits-no
limits 1999),
Luise Kloos Denkwerkstatt 1999.
dance
tanzbAAr- Eva Brunner (dance theatre, 1998),
Anna Schrefl Cie (Tanz, 1997: LAMBEART-monestery
St.Lambrecht and ImPuls - Vienna),
Elio Gervasie Dance Company (dance theatre 1988),
Dis-Moll - Klement/Steffen(Contact-dance, 1986),
Flugfluchten - Katharina Klement (music,dance and
speech, 1987).
VIII) music
projects
1988
Andreas Weixler Corporation
ensemble for jazz related music with a special
emphasis in odd rhythms
performers: Lars Lindvall, Marion Namestnik,
Maria Konrad, Hans Glawischnigg, Donato Deliano,
Robbi Sttzle, Sebastian Piekarek. (substitutes: Uli Rennert,
Heinrich v. Kalnein, Christian Giessing)
seit 1990
die andere saite,
concert series for contemporary music in Graz.
numerous concerte as composer,
1992-1996 member of the directros board, 1995/96 president
of die andere saite
1993
electronic access
founding of the concert series for electronic,
electroacoustic and experimental music
electronic access 93 at the studio 3 of ORF Styria
by der anderen saite - Graz, IGNM, and ORF
Steiermark,
CD-Production by Robert Hldrich
1995
electronic access 95
at the studio stage of the opera house Graz; wiht
support of die andere saite - Graz, IGNM, and the
Vereinigten Bhnen Graz, ORF national broadcasting
CD-Production by Andreas Weixler & Seppo Grndler
2004
electronic access special asia Japan
concerts with the japanese society for electronic
music
12.12.2004 ORF RadioKulturhaus Vienna, "Frhstck mit
Neutnern"
15.12.2004 Gllerichsaal of the Bruckner-university Linz
2006
electronic access @ Goldsmiths
Monday 6 November 2006 Goldsmiths College, London
A concert of computer music, video and interactive
audiovisual improvisation with composers Andreas Weixler and
Se-Lien Chuang (Austria) meeting Rowland Sutherland (flute; UK)
10th anniversary artistic cooperation Weixler-CHuang and
25th anniversary of Atelier Avant Austria
in collaboration with Electronic Music Studios at
Goldsmiths College, Music Department, University of London and the
Austrian Cultural Forum in London
IX) studio production
NOVARS - Manchester, UK, July 2013
SARC Sonic Arts Rersearch Center,at Queens
Universiy, Belfast, Northern Ireland, September-October 2008
IAMAS - International Academy of Media Arts and Sciences,
Ogaki, Gifu, Japan, August 2008
TUB electronic studio of the Technical University inBerlin
Oktober 2004 - februar 2005
NCU soundlab Nagoya City Unversity, Japan 2000, 2001
SUSS Sheffield University sound studio, England 1999
BEAST Birmingham Electro Acoustic sound Theatre,
England
University of Birmingham, Music Department, 1996
UEA University of East Anglia, England, 1996
ELAC Institute for Electro Acoustic and Experimental
Music (ELAK) at the
Hochschule/University of music - Vienna, 1992, 1996
SAMT studio for Advanced Music and Media Technology
/Softwarepark Hagenberg -
Bruckner conservatory Linz. 1995-1998
IEM Institute for Electronic Music (IEM) at
the
Hochschule / University of Music and dramatic arts
in Graz, 1990-1999
AAA Atelier Avant Austria. founded by Andreas Weixler for
algorithmic composition,
computer music and experimental music in Graz.
1981-till today , alias: studio aweixler,
since 1996 Media arts, video, interactivity together with
Se-Lien Chuang
El.studio - electronic music studio dofer music
academy in Basel, 1992
X) publications on CD
CD s by/with Andreas Weixler:
Kompositionsauftrge des Landes Steiermark (2001),
original music "Zerbrochene Schalen 1 - Geborgenheit", special
bowed instrumental sounds for
piano, marimba and string trio
Elektronischer Frhling (1997)
documentation of the Austrian society of
electroacoutic music
CD GEM 9701
electronic access 95- die andere saite 1 (1996)
producer and director of arts and
organisation Andreas Weixler. original music: Methabl
8.7
CD d.a.s. Nr1, GE 015
DAMA - DAMA II - die andere saite 2
(1996)
original music: IdemI & Idem II for 4
percussionists
CD d.a.s. Nr 2, WORE 960003-2
Klangschnitte 2 (1994), Live Recording
of Corresponding Methal, for 2
percussionists, piano and electronics at electronic
access 93
CD GE 07
Beyond Noise and Haste (1994)
by Bor Turel; Andreas Weixler Co - Composer for The
Four Seasons
SAZAS CD001
Hermann Nitsch Orgien Mysterien Theater - Tag 5
(2000)
as performer of the electroacoustic part together with
Se-lien Chuang, 5 CD Box
XI) publications on DVD /
Video
concept & Coincidence
Videos by Gertrude Moser-Wagner
music by Se-Lien Chuang & Andreas Weixler
DVD-Label, Edition INDEX 2004
blue elephant
computer animation by Se-lien Chuang, computer music
by Andreas Weixler
pubished by Studio Samt / Brucknerkonservatorium Linz
Edition SAMT DVD 1, 2003
blue elephant
computer animation by Se-lien Chuang, computer music
by Andreas Weixler
pubished by the official video tape of the
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil
Luftloch
Videos by Gertrude
Moser-Wagner
music by Se-Lien Chuang & Andreas Weixler
published on VHS at monestery St. Lambrecht, 1997
XII) printed paper publications
Article: Virtuoso Audiovisual Real-Time
Performance
by Andreas Weixler &
Se-Lien Chuang
in the book: Interface Cultures, Artistic
Aspects of Interaction
Christa Sommerer, Laurent Mignonneau,
Dorothe King (eds.)
transcript Verlag, August 2008, ISBN
978-3-89942-884-1
ISEA 08 proceedings -
International Symposium on Electronic Arts in Singapore,
paper publication: Virtuoso
Audiovisual Real-Time Performance
by Andreas Weixler & Se-Lien
Chuang
as book and CD-Rom
Katalog Wien Modern
05,
introduction into computer music, video and
audiovisual realtime processing for the portrait concert collective identities by
Andreas Weixler and Se-Lien Chuang, ISBN 3-89727-307-1. p 218 -
220
Hybrid-living in paradox,
Ars Electronica 2005
Gerfried Stocker und Christine Schpf (Hrsg.),
>>Recollection in Every Sound - Audiovisual Interactive
Improvisation<<. In: Hybrid-living in paradox, Ars Electronica 2005
- Festival fr Kunst, Technologie und Gesellschaft Linz, 1. - 6.
September 2005. Hatje Cantz Verlag 2005, ISBN 3-7757-1569-9, S.
308.
Mensch und Computer Konferenz, Linz 2005
(human and computer conference)
of the Kepler University in Linz, Musical Instrument s
and their conteporary playing techniques as an interface
between Human and Computer (short introduction to the
speech)
Andreas Auinger (Hrsg.),
>>Musikinstrumente und deren zeitgenssische
Spieltechniken als Interface zwischen Mensch und Computer - Mag.
Andreas Weixler und Mag. Se-Lien Chuang<<. In:
Workshop-Proceedings der 5. fachbergreifenden Konferenz Mensch und Computer
2005 Linz, 4. - 7. September 2005.
sterreichische Computer Gesellschaft 2005, books@cog.at Band
197, ISBN 3-85403-197-1, S. 38.
ISEA2002 NAGOYA Steering Committee (Hrsg.),
>>Waon<<. In: ISEA 2002, 11th International Symposium on Electronic
Art, Nagoya [Orai], October 27 - 31. 2002,
Nagoya, Japan. S. 89f.
The Yearbook of Nagoya City University-school of Design and
Architecture 6,
2002, Introduction to design and
architecture 6
Interactive Musical Art in the Second Half of the
Twenthieth Century and the NCU Project 2000 by
Mikako Mizuno, Andreas Weixler and Se-Lien Chuang
p 197 - 225, ISBN4-87797-040-1
master thesis The border of sound and
noise through controlling of granular sound
particles by means of an introduction and analysis of
the composition Paramour for
piano and chamber orchestra by Andreas Weixler,
theoretical work, University of Arts
in Graz, 1997.
as an editor of contributions to electronic music (BEM,
1993-1999)
BEM 1 Enumeration in Musical Theory by Harald
Fripteringer
BEM 2 Holographie, CAD und Modalanalyse im Dienste der
Musik
by Gregor Widholm
BEM 3 Der Nachtigallengesang in der Europischen
Kunstmusik by Helwig Brunner
BEM 4 GRAINY - Granularsynthese in Echtzeit by Norbert
Schnell
BEM 5 Strukturengeneratoren by Karlheinz Essl
Algorithmische Komposition in Echtzeit
BEM 6 Sound Installation Art by Robin Minard
enumeration of composition - # -
Andreas Weixler