A N D R E A S W E I X
L E R
enumeration of compositions
3.1.2010
I) computer music
a) multimedia, interactivity visuals &
sound
b) electronic and electroacoustic
music (tape music)
c) audio realtime processing
II) contemporary instrumental music
III) music for video and film
IV) music for contemporary dance and theatre
V) jazz related music
VI) experimental music
VII) cooperation with ensembles
VIII) music projects
IX) studio production
X) publications on CD
XI) publications on DVD / Video
XII) printed paper publications
the enumeration includes 126 compositions
and media arts selected by premiers
I) computer music & media arts
a) multimedia, interactivity visuals & sound
2009
31
SCCH_1
audiovisual realtime process
Andreas Weixler, Se-Lien Chuang, Philipp Harnisch (Sax) und Bernhard
Geigl (Glockenspiel)
10.11. 2009 Software Competence Center Hagenberg - 10th anniversary,
Hagenberg OÖ, Austria
Dauer 5:14
30
SCCH_2
audiovisual
realtime process
Andreas Weixler,
Se-Lien Chuang, Philipp Harnisch (Sax) und Bernhard
Geigl (Glockenspiel)
10.11. 2009 Software Competence Center Hagenberg - 10th anniversary,
Hagenberg OÖ, Austria
Dauer 8:40
29
Fügung
audiovisual
interactivity with 3 grand pianos
collective composition by Andreas Weixler, Martin Stepanik und
Se-Lien Chuang
Lukas Kletzander – left grand, Bernhard Höchtel – middle grand,
David Six – right grand
Doppelkonzert - Elektronik <--> 3 Kla4e, Sound and Vision 3
concert of music and media technology and JIM - Institu of Jazz and
improvised music
5. 5. 2009, Bruckner-University, kleiner Saal, Linz
28
SpectraSonic VNM + Sarcastic System
Andreas
Weixler, concept, electronics, multichannel spectral delay
Se-Lien Chuang, concept, piano,
interactive visuals
Hermann Stangassinger, bass
16. 4. 2009 IEM CUBE, VNM
Festival in Graz
27
SpectraSonic VNM
Andreas
Weixler, electronics, multichannel spectral delay
Se-Lien Chuang, piano, interactive
visuals
Tiziana Bertoncini, violin
Di, 10. März 2009,
alpen:glühen II / styria meets cologne LOFT Köln
26
Spectra Sonic JIM (Computerprogramm
und Improvisationskonzept)
Klavier, erhu, drums, djembe,
Tenorsaxophon, Kontrabass und Computer
UA 13. Februar 2009,Ars Electronica,
Linz, Ö1 live Aufzeichnung
2008
25
Sarcastic Momentum (Computerprogramm
und Improvisationskonzept)
für Klavier, Sopransaxophon,
Bassblockflöte, Stimme und Computer
UA: 9.10.2008, SARC - Sonic Arts
Research Centre Belfast, concert series "Music @ Queen's
24
I always whisper to them
audiovisual realtime interaction
Andreas Weixler (A), multichannel granular synthesis
Se-Lien Chuang (A/TW), interactive visuals, bass recorder
Kiyoharu Kuwayama (JP), viola and devices
premiere: IAMAS OPENHOUSE, Multimedia Studio, Ogaki, Gifu, Japan,
02.08.2008
23
I am from the Universe and you know
what it is worth
audiovisual realtime improvisation for groups of instrumentalists
premiers
29.8.2008, ICMC 08 Belfast
Whitla Hall, QUB `Roots´ Ensemble, Irish traditional and
contemporary instruments with bass recorder solo. Selected work of
Weixler-Chuang for ICMC 2008, International Computer Music Conference /
SARC - Sonic Arts Research Centre, Queens University, Belfast,
Northern-Ireland 24.-29. August 2008
Franziska Schroeder - sopran saxophone
John Kenny - trombone
Gascia Ouzounian - violin
Laoise Kelly - Irish harp
Ivan Goff - uilleann pipes
Se-Lien Chuang, bass recorder, interactive visuals,
Max/MSP/Jitter
Andreas Weixler, composition, multichannel real time
granular synthesis, Max/MSP/Jitter
11.01.2008, Konzert Sound and Vision I
Bruckner-Universität, Göllerichsaal, Linz
AVI - Ensemble neue Musik / audiovisuelle Interaktivität
composition and realisation: Andreas Weixler and
Se-Lien Chuang
Technic: Herwig Preiss
Elisabeth Danecker and Moa Hayashi, flutes
Monika Haubeneder, Oboe
Michael Dumfart, clarinette and bass-clarinette
Monika Parkfrieder, bariton and alto saxophone
Maria Klebel und Stefan Altmanninger, percussion
Veronika Lehner and Eunbin Lee, piano
Christoph Prendl, Gambe
Margherita Franceschini, violoncello
Andrew Wiering, conductor
Simon Gattringer, Gernot Haslauer and Christian
Fürst, music and mediatechnology
2007
22
for Reynolds
audiovisual interactive improvisation for violin and computer system
Todd Reynolds, violin
Se-Lien Chuang, concept, interactive visuals, Max/msp/Jitter
Andreas Weixler: concept, multi channel granular synthesis,
Max/msp/Jitter
premiere:
selection for NIME 07 - New Instruments for Musical Expression
Confernce in New York 5th -10t of June 2007
premiere: 8. Juni 2007, Frederick Loewe Theater, NYU, New York.
commission of SKE Fonds.
21
Hetz
audiovisual composition for piano
visual composition, Se-Lien Chuang
audio composition, Andreas Weixler
premiere:
BEYOND THE MACHINE 07, The Juilliard School Technology Center
Three evenings of Electronic and Interactive Music, April 11, 12 and 13
at 8 P.M.
Clark Studio Theater, 70 Lincoln Center Plaza, Rose Building, 7th
floor, NYC
featuring the Julliard Electric Ensemble, Vicky Chow, piano
2006
20
The Colours of a Wooden Flute
audiovisual realtime processes and instrumental improvisation
Andreas Weixler: composition, multichannel real time granular
synthesis, Max/MSP/Jitter
Se-Lien Chuang: composition, bass recorder, interactive visuals,
Max/MSP/Jitter
premiere:
Experimental Intermedia, NYC, New York, 15th of December 2006
Great Hall, EMS - Electronic Music Studios, Goldsmiths College, London,
6. November 2006
Auswahl zur ICMC - International Computer Music Confernce 2007 in
Copenhagen
ICMC conzert 29.8.2007 at Huset Magstræde.
10. 11. 2009 Software Competence Center Hagenberg - 10th anniversary,
Hagenberg OÖ, Austria
Demos:
07.08.08 ISEA 08 - Singapur, International Symposium on Electronic Arts
29.07.08 IWASEDAN 08 - Nagoya -International Workshop and Symposium for
Environmental Design and Architecture in Nagoya
19
Das Kichern der silbernen Flöte
audiovisual realtime processes and instrumental improvisation
Rowland Sutherland: flute
Se-Lien Chuang: composition, interactive visuals, Max/MSP/Jitter, super
collider audio transformation
Andreas Weixler: composition, multichannel real time granular
synthesis, Max/MSP/Jitter
premiere:
Great Hall, EMS - Electronic Music Studios, Goldsmiths College, London,
6. November 2006
commission of SKE Fonds
2005
18
Interlude for Pi and for Io
audiovisual interactive improvisation
studio: elektronisches studio der TU Berlin, Oktober 2004 -
februar 2005
first premiere: UltraSchall - Festival for Neue music, 17.
Jänner 2005, Berlin
Se-Lien Chuang , arco-piano, visuals, Max/msp/Jitter
Andreas Weixler: multi channel granular synthesis, Max/msp/Jitter
duration: ca. 6 minutes (as part of the triology "for Pi and for Io",
complete duration is 18 min)
premiere:
UltraSchall - das Festival for neue music, Sophiensäle
Berlin, 17th of Januar 2005
concert oft the electronic studio of the TU-Berlin
further premieres:
5. V:NM Festival, Graz,esc labor, (double concert - Erinnerung in jedem
laut + Interlude for Pi and Io), 25th of May 2005
realtime/nonrealtime festival, Bahnhof for Neue music, Basel, Swiss,
17th of June 2005
17
Rooming 2
Ensemble-Improvisation, elektroakustisch verformt von Andreas Weixler,
Se-Lien Chuang und Josef Novotny
Dauer ca. 45 Min
16
Rooming 3
Sequenz aus Stückteilen von Luna Alcalay, Christian
Mühlbacher, Wolfgang Kubizek, Hans Steiner, Doug Hammond und
Fabian Pollack - ausgesucht, zusammengestellt und
audiovisuellräumlich gedeutet von Se-Lien Chuang und Andreas
Weixler
Dauer 45 Min.
Interpreten: Janus Ensemble
künstlerische Leitung: Christoph Cech
Premiere: 13.12.2005, Porgy & Bess / Wien
2004
14/15
Erinnerung in jedem Laut (2003/4)
for live instrument, live electronic and visuals
The
fragments of memories (from a human as well as a computer) generate the
synaesthesis between sounds and images. In terms of acousmatics I
applied the spatialisation of sounds to integrate the movements of
visuals for "the listening imagination".
Se-Lien Chuang : concept, Yan-Zin, vocals, visuals, Max/msp
Andreas Weixler: Max/msp, multichanneling granular synthesis
duration: ca. 15 minutes
premieres:
10.03.2004, concert of JSEM, Japanese Society of Electroacoustic Music,
Sumida Triphony Hall, Tokyo, Japan
new Jitter version in concert
at
23.09.2004 Logos Tetrahedron , Gent, Belgium
12.12.2004 electronic access, special asia Japan at ORF RadioKulturhaus
Vienna, "Frühstück with Neutönern"
15.12.2004 electronic access, special asia Japan at the
Göllerichsaal of the Bruckner-University in Linz
25.05.2005. V:NM Festival, ESC / labor, Graz
05. 09.2005,
Ars Electronica Festival 05, Sky media Loft, AEC, Linz
13
Nite in Gale
interactive audiovisual improvisation
Judith Unterpertinger, (prep. piano), Fabian Pollak (extended Guitar),
Se-Lien Chuang (stage cam) and Andreas Weixler (audiovisual interactive
realtime processing Max/msp/nato)
first premiere: Jazz Nite der Bruckner-university in Linz, 17. and 18.
Juni 2004
(Weiterentwicklung by Lightingale)
2003
12
Seoul-Lightingale
interactive audiovisual improvisation for trad. corean instruments
Seoul International Computer Music Festival 2003
in South Corea, November 8.-12. 2003
[+]Concert 4
Monday, Nov. 10, 2003, 7:30 pm
KCAF Arts theatre -Andreas Weixler "Seoul Lightingale" (korean
traditional instruments and interactive audio-visuals media)
Eunil Kang, Haegeum
Kyunghwa Yu:, Percussion & Cheolhyungeum
Heoh Yoon Jeong, Geomungo
Andreas Weixler:, computer
Se-Lien Chunang, live video
11
Lightingale Collection Essl Museum, Klosterneuburg,
Austria, 22.10.2003, series of react_chain
audiovisual interactive performance
at the Essl-collection Hermann Nitsch retrospective
Andreas Weixler and Se-Lien Chuang , composition, concept and
programming
22.10.2003, Museum Essl, Klosterneuburg
Se-Lien Chuang : visuals, max/msp and Yan-Zin (traditionall chinese
instrument)
Andreas Weixler: max/msp and electric guitar
10
Lightingale Weixler 2003
audiovisual interactive transformation
description:
To generate synaesthesia of audio and visuals the live improvisation of
instruments will be processed in realtime, generating colors, shapes
and pictures accordingly to the frequency range and dynamics. Also the
granular synthesis of the sound will be replayed in the performance.
work in progress, every event shows a new development, the new version
premiers
Künstlerhaus Vienna, Austria, soundlab of the exhibition
»genius loci«, 1st of June 2003
Andreas Weixler - audiovisual
interactive transformation
Judith Unterpertinger - piano
Fabian Pollak - guitar
4th V:NM-Festival 2003, Graz, Austria, 30th of May 2003
Andreas Weixler - audiovisual
interactive transformation
Peter Herbert - bass
Reinhard Micko - piano
Jazz Nite 02, Bruckner- Conservatory Linz
audiovisual interactive transformation with
Tuscher/Radovan/Gutternig/Schreiber/Cech/Weixler
DVD Video at Atelier Avant Austria
9
a visuals crush on you
for Yan-Zin, realtime audio processing and interactive visuals
Se-Lien Chuang , Yan-Zin and visuals (x-pose)
Andreas Weixler, computer (max/msp)
National theatre Concert Hall in Taipeh, Taiwan 27.4.2003
TNCA, Tainan National College of Art, Taiwan, 29.4.2003
2002
8
running-figure-lantern 2002
by Se-Lien Chuang & Andreas Weixler (Atelier Avant
Austria)
interactive audiovisual instrumental theatre
The stage aspect associates with the Chinese shadow-puppet-show and
running-figure-lantern for approaching a mind of cross-culture
exchange.
Technically this work detects audio by a number of microphones, which
are carried by the musicians and dancers (or actor & actress). It
then makes a choice of pictures accordingly to the sound and transforms
those. Also the sound will be transformed in stereo of 6 channel by
granular synthesis and will fit it in a prepared electroacoustic
composition and stage arrangement.
The audiovisual interactive ambience and the interpreters are open to
the public. The performance is expected, but andetermined. The public
can participate in this performance by going and coming through the
orbit stage like the moving figures in the Chinese
running-figure-lantern.
selceted for International Symposium of Electronic Arts 27.- 31
Oktober, Nagoya Japan.
ISEA 02 Performance on October 30th, 2003.
performers:
Kuwayama Kiyoharu: violoncello, Kijima Rina: violin
Junko Sugano & Kawamura Atunori, dancers
Se-Lien Chuang, director, concept, visuals, stage setting
Andreas Weixler: realtime granular synthesis
2001
7
living cave by Atelier Avant - Se-Lien Chuang & Andreas
Weixler (2000/2001)
interactive audio-visual installation
Se-Lien Chuang , concept, visuals and electroacoustic composition,
Andreas Weixler Max/msp programming, interactivity and
realtime audio processing.
description: The room reacts to the audience in algorithmic choice of
pictures and their transformation and processes realtime audio within
an electroacoustic composition.
The interactive audiovisual interactive installation Living Cave is
very flexible to the exhibition site. It detects audio by a number of
microphones, which could be hidden in room or be handed out to selected
persons of the audience aswell. It then makes a choice of pictures
accordingly to the sound and transform those. Also the sound will be
transformed in stereo or 4 channel by granular synthesis and will fit
in a prepared electroacoustic composition.
All in all it creates a visuals and audio ambience accordingly to the
sound fed into the system.
studio: sound Design Lab/Nagoya City University, School of Design and
Architecture, Japan
premiere: 19.01.2001 Nagoya, sound Design Lab/Nagoya City University,
Japan
further premieres 16.-2o th of May 2001 at Laval Virtfirst
interactive and VRIC (Virtfirst interactive International International
Conference), France
26.10.-4.11.2001 artport & media select, Nagoya, Japan
6
The Story of H e i k e (2001)
interactive audiovisual interactive narrative
description: the biwa player tells the traditional japanese
story of Heike. The computer cotnrolled choice of picture interactively
accompanies the play of the biwa and the singing voice of the narrator.
ca. 15´,
performer:
Kagusho Kitagawa, Biwa
Mikako Mizuno, art concept
Se-Lien Chuang , visuals & realtime arrangement
Andreas Weixler, interactive programming
Premiere: Nagoya City University - School Design and
Architecture, Japan,
Friday 16th of Febrfirst premierery 2001, sound Lab
2000
5
Waon (2000)
interactive audio visual performance for 2 instruments
description: based on the japanese spirit of harmony the computer
senses harmony between the players and acts accordingly to them in
generating audio and visuals.
2 instruments are improvising between playing the same note, making
microtonal distortions up to free audio visual art. Voices from
different nations are analysed in the same way, hear the melody, the
rhythm the music of each langfirst premierege, see the expression.
concept and max/msp progamming by Andreas Weixler.
studio: sound Design Lab/Nagoya City University, School of Design and
Architecture, Japan
premiere: 15.12.2000 Experimental Intermedia, New York, USA
selected for ISEA 02, Symposium of Electronic Art, in Nagoya, Japan
further presentations:
special asian version for sheng and erhu:
National theatre Concert Hall in Taipeh, Taiwan 27.4.2003
TNCA, Tainan National College of Art, Taiwan, 29.4.2003
performers:
szene instrumental, Andreas Weixler & Se-Lien Chuang,
Computersystem (NYC),
Pai Yu Ching, sheng & Tsai Chen Yu, erhu (Taiwan),
Kuwayama Kiyoharu, guitar, handmade electronics, Andreas
Weixler, concept, max/msp progamming, guitar (Japan),
Martin Zrost, Bassklarinette, Saxophon, E-Bass; Andreas Weixler,
E-guitar, Computersystem, (Austria)
1999
4
Sonic Satie (1999)
interactive composition for piano, Disclavier, realtime audio
processing and visuals sampler
description: the audio data of a grand piano playing Vexations
by Erik Satie will be processed in granular synthesis, and if silented
a Disklavier playes Gymnopedie alltogether with a live visuals
improvisation.
A piano player keeps on playing Vexations by Erik Satie in one
concert hall. The audio signal will be transmitted to another concert
hall, where it feeds the input of a Macintosh computer equiped with
Max/msp. The Max/msp patch listens whether the grand piano is played by
the performer or not. If not Max starts a sequence of Gymnopedie No1
and No 2 performed. If the grand piano is playing the computer silences
the Disklavier and starts a realtim audio processing the signal of the
grand piano.
While the listener in concert hall 1 can listen to a piano piece of
Erik Satie, the listener in concert hall 2 will hear a computer
processed interactive electro acoustic piece with a live Disklavier and
realtime granular synthesis based on what is played in the other room.
concept and Max/msp programm: Andreas Weixler
piano, midi data, visuals arts: Se-Lien Chuang
studio: SUSS Sheffield University sound studio and Atelier Avant
Aweixler/cse-lien 1999
premiere 08.10.1999 Vexations - long night of Satie,
Bruckner-Conservatorium, Linz
3
Limits-no Limits (1999)
audiovisual interactive improvisation for contemporary
theatre
with Peter Infeld (Tenor), Karl Ratzer (Git), Luise Kloos (Reib-Glas)
Andreas Weixler (audio-and visuals sampler), Se-Lien Chuang (piano and
computer graphics) and the ensemble of Projekttheatre Vienna.
premiere 26.06.1999 Projekttheatre Studio Vienna
studio : Atelier Avant Austria, Graz
2
paper wedding (1999)
interactive performance for prepared piano, visuals and audio
sampler
first premiere: 26.06.1999, Limits-no Limits -Performance of
Projekttheatre Studio Vienna, performers
Andreas Weixler, concept, audio and visual sampling
Se-Lien Chuang, arco-piano , computer graphics, X-pose programming
Eva Brenner, director
studio :Atelier Avant Austria, Graz
1
Subject to Change (1999)
interactive performance for prepared piano, visuals and audio sampler,
realtime processing
Andreas Weixler, concept, audio and visuals sampler
Se-Lien Chuang , bowed piano , computer grafics X-pose programming
Alberto de Campo, Wavetablet and SC2 programming
studio Atelier Avant Aweixler/cse-lien
premiere:
Atelier concert at Institute of Electronic Music, Graz concert series
die andere saite 26.03.1999,
archives of: IEM, Graz, Atelier Avant, ConcertZender Amsterdam, Bild-
and Tonarchiv Joanneum, ConcertZender Amsterdam
computer music
b) electronic and electroacoustic music
(tape music)
26
for Pi
electroacoustic composition for 8-channel speaker system
studio: electronic studio of Technical University in Berlin, Oktober
2004 - Februar 2005
first premiere: UltraSchall - Festival für Neue Musik, 17.
Jänner 2005, Berlin
broadcasting 23. March 2005 Radio Brandenburg Berlin
Kulturradio rrb/ Deutschlandradio, Musik der Gegenwart
25
Seele brennt (2003)
ambience
studio: Atelier Avant Austria, Graz 2003
with kind support by SKE Fonds and Land Steiermark
commision of Projekttheatre Vienna and Thomastik-Infeld for das
Experimentaltheatre "Skandalon Stille" at the Literaturhaus Graz,
kryptonale 9, Berlin, 19.12.2003, „kleiner Wasserspeicher“
and as sound track to the video installation infinity op 1.-4.
by Se-Lien Chuang:
3rd of December. 2003, Busan International Digital Technology Music
Festival
The Mail Hall, Busan Cultural Center
24
Broken Bowls 4 - Talk / Broken Bowls 4 - Letter (1999)
computer music sound, processing of contemporary instrumental sounds
and voices
performer: Dagmar Hödl, mezzo sopran & ContrastTrio:
Christos Polyzoides (vla), François Benda (cl), Janna Polizoides
(pno)
studio: SUSS Sheffield University Sound studio, 1999
duration: 02:39 Talk, 04:06 letter
first premiere: 02.11.1999 Pusan Electronic Music Association -
Süd-Korea
and in the Video Trinity by Se-Lien Chuang
premiere at Elektrokomplex 99 and 26.02.2000 Center for
Contemporary Art, vul. Skovorody 2/Kyiv (Russia) , 15.05.2000 Nagoya
City University, Japan, 30. 11 - 1. 12. 2000, Festival Terza Prattica,
Muziek onder stroom, Amsterdam, The Netherlands, New International
Community of Electroacoustic Music (NICE)
as sound track of the video Trinity:
Presentation of the Maya Workshop of Werkstadt Graz 1.12. 99
Festival Elektrokomplex 12.12.1999 at Rhiz Vienna
Center for Contemporary Art, Kiew Rußland, 26.02.2000
Galerie Werkstadt Graz, 18.02. - 12.03.2000.
Experimental Intermedia New York 15.12.2000
Festival Schrattenberg, Austria, 30. 08.2002
National theatre Concert Hall in Taipeh, 27.4.2003
concert am TNCA, Tainan National College of Art, Taiwan, 29.4.2003
23
Der letzte Wassermann (1999)
4 channel computer music with live-arco piano
first premiere : 18.05.1999 Labor ESC Graz, v.nm Festival
further premiers. 15.12.2000 Experimental Intermedia, New York, USA
(version fuer Vlc)
TV: 19.05.99 Steiermark Heute
broadcasting Ö1 1999
Hardware: PowerMac 7200/90,
Software: Opcode-Max, ProTools 3.4
performer: live arco-piano: Se-Lien Chuang
studio: Atelier Avant Aweixler
duration: 8´
22
Zerbrochene Schalen 3 - Nichts - no thing (1998)
computer music, sound processing of contemporary instruments
first premiere :
9.+10.12.1998 Kulturzentrum Minoriten Graz, Performance,
Project theater Vienna-New York;
further premiers:
8.6.98 Images Acoustiques 98, Linz
26.03.1999,Atelier concert, IEM-Graz
12.05.99, 21st international study week of contemporary music,
Lüneburg, Germany
02.11.1999 Pusan Electronic Music
Association - Süd-Korea,
15.05.2000 Nagoya City University,
Japan
26.11.2006, Wien Modern Festival
Hardware: PowerMac 7200/90,
Software: Opcode-Max, ProTools 3.4
performer / recording: Se-Lien Chuang ,(pno), Ulrike Stadler
(perc),Theodoros Patsaloides (vio),Wolfgang Stangl (vla), Thomas
Platzgummer (vlc)
studio: Atelier Avant Austria
duration: 6´40
21
MAIN!Waves (1998)
improvisation and diffusion, music for theatre
first premiere : 11.2.1998 Konzerthaus Vienna, Performance Duras; (tape
version)
further premiers: Images Acoustiques Linz 8.6.98, (tape version )
ElektroKomplex, european conference on electroacoustic music, Vienna
3.7.1998 (live arco version) , Atelier concert, IEM-Graz 26.03.1999
12.05.99 Lüneburg , Germany, 21st. international study week of
contemporary music
broadcasting: Ö1 Zeitton 1998
Hardware: PowerMac 7200/90, 8100/80
Software: LAP - Live Audio Positioning System ( aweixler)
Protools IV, Opcode-Max
performer: Se-Lien Chuang , piano live
tape: Dagmar Hödl, Mezzosopran, Se-Lien Chuang , piano, Anselm
Schaufler, Violine
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 5´50“
20
Entrée (1998)
sound design for theatre (applause & text )
first premiere 11. -19. and 21+22.02.98. Konzerthaus Vienna
Hardware PowerMac 7200/90, 8100/80
Software Protools IV
performer Dagmar Hödl, Mezzosopran, Se-Lien Chuang , piano, Anselm
Schaufler, Violine,
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration 3´13“
19
Blaue Augen-Schwarzes Haar (1998)
music for theatre (theatre titel: Salzgang, Salzkatastrophe)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: Dagmar Hödl Mezzosopran, Se-Lien Chuang
piano, Anselm Schaufler Violine,
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 4´54“
18
Phosphor (1998)
music for theatre, (Arbeitstitel: 1Turn)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: Dagmar Hödl Mezzosopran, Se-Lien Chuang piano,
Anselm Schaufler Violine
studios: Atelier Avant Aweixler, IEM- Graz, SAMT Linz
duration: 1´20“
17
Szin 8 Atem (1998)
music diffusion
(theatre titel: Atem, Krieg)
first premiere 11. -19. and 21+22.02.98 Konzerthaus Vienna
further premiers: 8.6.98 IMAGES ACOUSTIQUES ´98, Linz,
Atelier concert, IEM-Graz 26.04.1999
studio: SAMT Sudio for Advanced Music and Media Technology at the
Bruckner-concervatory in Linz
Hardware: PowerMac 7200/90, 8100/80
Software: Protools IV
performer: szene instrumental
duration: 2´02“
16
sound Barrier - Eine Schallmauer (1996)
composition, interaction, imprvosiation, computer controlled
electronic devices
co-composition with Adelhard Roidinger
first premiere 15.10.96 Austrian sound Check / Steirischer Herbst
1996
broadcasting: ORF Ö1, Zeitton 3.6.97
Hardware: PowerMac 8100/80, Powerbook 150, ProTools, IBM-PC, VideoCam,
Dataprojector
Software: ProTools, TDM Plugins: HTD, BRN, MAX, GRM, Hyperprism
1.5.2, GRM Tools 1.55, soundDesigner 2.8, Alchemy 3.0, HyperControl D,
soundhack 0.8, LAP -Live Audio Positioning by aw
performer: Michael Riessler cl, Adelhard Roidinger cb, Andreas Weixler
electronics,
Gerald Wolf, engineer
visuals in cooperation with ARCHIMEDIA -Linz:Christian Möller,
Sven Thöne.
Studios: Studio for Advanced Music and Media Technology at the Bruckner
conservatory Linz, University of East Anglia UEA Norwich, Birmingham
Electro Acoustic sound Theatre BEAST, UPIC - Paris, studio Acroasis,
studio aweixler /Atelier Avant Austria
media
DAT archives of SAMT studio for Advanced Music and Media Technology
DAT archives of ORF Styria
15
Glas Seele (1996)
computer music, algorithmic composition, multi channel technique,
diffusion
UA 15.10.96 Austrian sound Check, further premiers.: 29.05.97 Live
Audio-Wels,
13.06.97 Nite of Jazz and Computermusic - Bruckner-conservatory Linz
Hardware: PowerMac 7200/90, 8100/80, div peripheral equipment,
Ensoniq EPS 16+, ADAT
Software: ProTools, MAX, Longy by aw
duration: 5:54
studios: studio for Advanced Music and Media Technology am Bruckner
conservatory Linz,
studio aweixler /Atelier Avant Austria
media: ADAT at private archives of A. Weixler
ADAT at archives of SAMT - studio for Advanced Music and Media
Technology studio/Linz
14
Plate du Jour (1996)
computer music, algorithmic composition, multi channel audio,
diffusion
first premiere 15.10.96 Austrian sound Check, weitere premiers:
Live audio in der musicwerkstattWels 29.5.1997, Nite of Jazz and
Computermusic in Linz 13.06.97
duration: 3:00
Hardware: PowerMac 7200/90, 8100/80, div peripheral equipment,
Ensoniq EPS 16+, ADAT
Software: ProTools, MAX, Longy by aw
studio studio aweixler, SAMT - studio for Advanced Music and Media
Technology /LInz
media ADAT imprivate archives of A. Weixler
ADAT im archives of SAMT - studio for Advanced Music and Media
Technology duration
13
Jade for orchestra on tape (1996)
computer music
duration: 5:54
Hardware: PowerMac 7200/90, MacIntosh Quadra 650 div peripheral
equipment
Software: ProTools 16Track, TDM Plugins: HTD, BRN, GRM, Hyperprism
1.5.2, GRM Tools 1.55, soundDesigner 2.8, Alchemy 3.0, HyperControl D,
soundhack 0.8
performer: Szene Instrumental - Graz
studios: University of East Anglia UEA Norwich, BEAST Birmingham
Electro Acoustic sound Theatre
media: DAT at private archives of A. Weixler, DAT Im archives of BEAST,
DAT archives of UEA
first premiere Kunsthalle Stockerau 31.8.96
further premiers:
WUK Vienna 3-13.10.96 Projekttheatre Vienna-New-York,
15.10.96 „Theatro“ Austrian sound Check/styrian autum ,
14.u.15.11.97 Projekttheatre Eva Brenner-Minoriten Graz ,
26.6.1997 European Electroacoustic Music Festival in Brüssel ,
11.2.98 Electroacoustic Music Concert Montreal/Canada ,
15. 01.98 concert "music des 20. Jahrhanderts" Tirolian
conservatory,
10.11.98 Sumida Triphony Hall-Tokyo/Japan
13.03.1999 Lange Nacht der Neuen Klänge, Konzerthaus Vienna
11.05.99 Lüneburg 21. internationale Studienwoche contemporary
music
15.05.2000 Nagoya City University, Japan
15.12.2000 Experimental Intermedia, New York, USA
and in dev lectures for example at the University of East
Anglia in Norwich, England and at the Institute for music science of
the Karl-Franzens university in Graz SS1998,
broadcasting: ORF Zeitton 3.6.97 and 23.03.1999; 1998 Belgien
12
Sinn (1996)
computer music, music for tape, music for theatre
first premiere 3.10.96 WUK - Vienna, Projektheatre Vienna-New York
duration: 7 min
Hardware: Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by aw
studio: studio aweixler / Atelier Avant Austria, c/o Vienna
media
DAT private archives of A.Weixler
DAT private archives of Eva Brenner
11
Unsinn in Schuhen (1996)
first premiere 3.10.96 WUK - Vienna , Projektheatre Vienna-New York
computer music, music for tape
duration: 10 min
Hardware:
Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by aw
studio: studio aweixler / Atelier Avant Austria, c/o Vienna
media : DAT private archives of A.Weixler, DAT archives of
Projekttheatre Eva Brenner
10
Ganz Gemein (1996)
computer music, algorithmic composition
first premiere 3.10.96 WUK - Vienna, Projektheatre Vienna-New York ,
further premiers im Video „Blue Elephant“ by Se-Lien Chuang beim
Festival Elektrokomplex 99 am 12.12.1999 im Rhiz Vienna and 26.02.2000,
Center for Contemporary Art, vul. Skovorody 2/Kyiv (Rußland) and
6.-8. April Lovebytes Festival Sheffield ,England, 15.05.2000 Nagoya
City University, Japan, 15.12.2000 Experimental Intermedia, New York,
USA, 30.08.2002 Hotel Pupik, Festival Schrattenberg, Austria
duration: 4 min
Hardware: Ensoniq Digital Workstation EPS 16+, Powerbook 150, div.
Software: Max for Mac, longy by aw
studio: studio aweixler/ Atelier Avant Austria
media DAT private archives of A.Weixler, DAT archives of Projekttheatre
Eva Brenner
9
Eilene (1996)
digital sound processing of the improvisation "SAMTene Stimmen"
first premiere 17.5.96 Festival Elektronischer Frühling -
Vienna 96; SAMT-Präsentationsconcert studio for Advanced
Music and Media Technology am Brucknerconservatory Linz.
Weitere Präsentationen: Musica Scienza, Centro Ricerche Musicali -
Rom/Italy 99
broadcasting Ö1 1999
instrumentation: 2 female voices, Macintosh PowerPC, Protools with GRM
-Tools (TDM)
studio: produced 3.-6-5.1996 SAMT - studio for Advanced Music and Media
Technology in Hagenberg/ Linz
media: CD Elektronischer Frühling (1997, GEM 9701)
DAT SAMT - studio for Advanced Music and Media Technology in Hagenberg/
Linz
DAT imprivate archives of S. Chuang
performer: Melanie Bong and Se-Lien Chuang : voice
improvisation
Andreas Weixler: composition and digital sound processing
8
Corresponding Methal (1993)
for piano, percussion and 8-channel electronics
first premiere Graz, 17.11.93 electronic access 93 (IGNM, die andere
saite, ORF Stmk)
further premiers: baby-ars 95 - Linz/Hagenberg, 17.06.95 and Fete
de la Musique Landhaushof Graz 21.6.95, Zeitklänge Berlin 96
diverse broadcasting in Austria, The Netherlands, Hungary (1997),
Germany (1997)
produced at studio A. Weixler /Atleri Avant Austria, commission of the
Austrian Ministry of Education and Art.. ORF recording im studio 3 von
ORF studio Styria, broadcasting - and CD-production
studios: studio aweixler (Aterlier Avant), Institut for Electronic
music Graz
Interpreten: Shinobu Ishizuki p, Christian Riegler & Vitus Pirchner
perc.
Berlin: Austrian Art Ensemble (Uli Stadler & Chicco perc; Wim van
Zytphen p)
duration 12:26
media ORF-archives of (DAT), CD Klangschnitte II (CD GE 07)
7
Methabl 2.5 (1992)
electronic composition for Atari Computer, Ensoniq 16+,
Tx802
first premiere 14.4.1993 3. Internationales Festival contemporary
music in Bogotá/ Columbien, : organized by the Austrian society
for electroacoustic music GEM
further premiers: Campus der university Brasila /Brasilien
Concertos de Musica Electroacustica
performer: music for tape
studio: studio aweixler (Atelier Avant)
duration : 4:30
media
DAT, CD-Rom im archives of der GEM, society for Electronic music
DAT imprivate archives of A. Weixler
6
Methabl 8.7 (1992/95)
Electronic Komposition for Atari Computer, Ensoniq 16+,
Tx802 first premiere. 8- channel Randumbeschallung
first premiere 12.06.95 electronic access 95 - Graz further
premiers: Festival Absolute music -Allensteig 96
20.06.95, 03.07.98 SiChuang premieren Conservatory in Chengdu, China ,
15.05.2000 Nagoya City University, Japan
ORF-broadcasting: 26.6.95 "Zeitton" , and 30.07.99 Ö1
performer: ADAT 8-Spur Digitaltape
duration 4:30
studio: studio aweixler (Atelier Avant), IEM Institut for Electronic
music, Graz
media
DAT, ADAT, am Institut for Electronic music, Graz
ADAT imprivate archives of A. Weixler
DAT archives of ORF Steiermark
CD d.a.s.Nr 1 electronic access 95
5
Ex per IM (1990)
computer music
first premiere 1991, Experimentalmusicfestival Forfest, Kromeriz
/CSFR
studio
Privatstudio A.Weixler
performer
Atari Computer, Dx7 , Tr 505, Ibanez-Delay
media
Audio Cassette private archives of A. Weixler
DAT archives of des Institutes for Electronic music, Graz
4
CR-Ferenz/ taio suru (1994)
computer music for 4 channel audio
first premiere Vienna, 14.6.94, Festival Elektronischer
Frühling 94, further premier Forfest 95 Brno/CSFR 21.6.95
electroacoustic installation at Forfest 95, Klangnacht Hartberg 96
computer music for 4 channel audio, EPS 16+, Tx 802, NeXT-Computer,
Atari-Computer, div Effektprozessoren
1st version: for 4 Lautsprechergruppen (ADAT - tape)
2nd version: music for tape stereo (DAT)
duration 18 min.
studios: studio aweixler (Atelier Avant), Institut for Electronic
Music, Graz
media :DAT, ADAT private archives of A. Weixler
DAT, ADAT archives of the Institute for Electronic Music, Graz
3
IAJ (1991)
interactive computer music for Atari Computer, EPS 16+, M
performer music for tapecomposition
duration: Gesamt: 11:45
part a Nihon 05:16
part b mei-shi 02:58
part c ryoken kensa 02:30
part d konnichi-wa 00:58
studio studio aweixler (Atelier Avant), Institut for Electronic music,
Graz
media Cassprivate archives of A. Weixler
2
ILB - Interactive Love Bytes (1990)
computer music
Kromeriz /CSFR, 1991, experimenta lmusic festival Forfest,
instrumentation: Atari Computer, Tx 802 , Yamaha DMP 11
duration: total 14:15
part a Thema 07:44
part c Micro Mar 04:50
studio: IEM Institute for electronic music, Graz, studio aweixler
/Atelier Avant Austria
media: Audio Cassette private archives of A. Weixler,
DAT archives of des Institutes for Electronic music, Graz
1
Scene Missing (1991 - 92)
first premiere Basel, 1992, music academy Basel
soudn track for video for the seminar "composition and analysis in film
music" with Ennio Morricone. produced at Privat
studio A. Weixler and at the Electronic mUsic Studio of the Music
Acadenmy in Basel.
duration:
Gesamt: 2:54
a) Maedthe3
0:55 b) Bild
0:50 c) Mönche
0:59
d) Bett 0:06
e) Das Thema by der guten Fee 2:04
studios
studio aweixler (Atelier Avant)
studio der musicakademie Basel
media
Video an der musicakademie Basel
DAT Im Privat archives of A. Weixler
computer music
a) audio realtime processing
2009
11
in
divi duell
für 2 Kontrafagotte,
interaktive Partitur und live Elektronik von Andreas Weixler
Robert GILLINGER-BUSCHEK, Clemens
BÖHM, Fagott, Kontraforte
Andreas WEIXLER
Mehrkanal-Echtzeitprozesse, Elektronik
extended BASSoons
UA Montag, 7. Dezember 2009, 20 Uhr,
Konzertserie die andere saite, Kulturzentrum bei den Minoriten, Graz
Aufnahme&Mischung: Andreas
Weixler, Atelier Avant Austria
Aufnahme: Privatarchiv Andreas
Weixler
Dauer 16 min 21 sec
2007
10
arb/cb - the big fuzz
audio realtime behaviour for
double bass
UA: 27. Oktober
2007, Kulturzentrum Minoriten, concert series die andere saite in Graz,
Austria
Uli Fussenegger, doulbe bass ,
Andreas Weixler multichannel granular synthesis
9
Quod erat...
audio realtime processing for bassoon
Studio: Atelier Avant Austria
UA: 21. April 2007, ESC
/ labor, 6. V:NM Festival, 19. - 21. April 2007 in Graz, Austria
Klaus Hubmann, bassoon,
Andreas
Weixler multichannel
granular synthesis
2002
8
Das Glück des Galeerensklaven
(Weixler/Eichberger/Hütter)
Echtzeit Prozessing for violoncello and Stimme (Literatur: Günther
Eichberger)
studio: Atelier Avant Austria, Graz
first premiere: 6.4.2002 Osterfestival, Dom im Berg, Graz, Austria
Erich Oskar Hütter, violoncello, Günther Eichberger, Stimmer,
ANdreas Weixler, Echtzeitprozessing
media: ORF Steiermark
2001
7
a crush on You (1999-2001)
interactives performance for chinese dulcimer Yan-zin and
Macintosh Computer with Max/msp
studio: SUSS Sheffield University sound studio and Atelier Avant ,1999
Weiter Entwicklung an der Nagoya City University, Japan 2001
concept and Max/msp Programmierung: Andreas Weixler
Yan-Zin: Se-Lien Chuang
first premiere: 25.09.1999 Weingut Gasser, Steiermark
further premiers: Festival Elektrokomplex 99 am 12.12.1999 im Rhiz
Vienna
15.12.2000 Experimental Intermedia New York, 16. februar 2001 Nagoya
City Univeristy, sound Lab.
1999
6
Sonic Satie
interactive composition for piano, Disclavier, realtime audio
processing and visual sampler
studio: SUSS Sheffield University sound studio ,1999
concept and Max/msp Programmierung: Andreas Weixler
piano and Mididaten, visuals arts: Se-Lien Chuang
first premiere. 08.10.1999 „Vexations - lange Satie Nacht“
Bruckner-conservatory Linz
1998
5
music zur CDR-Produktion der denk.werk.statt.graz, Luise Kloos,
Dezember 98
Schnitte aus "crossings", "3 Clowns" , "an sonnigen Tagen", "O.zon“
4
the cat and the mouse (1998)
interactive realtime computer music for E-guitar, piano & live
electronic
Se-Lien Chuang & Andreas Weixler
first premiere: 11.05.1999, 21.Internationale Studienwoche for
zeitgenössische music Lüneburg
further premiers. 18. 05.1999, ESC im labor/Graz in Rahmen des V: NM
Festivals 1999
concept & präpariertes piano: Se-Lien Chuang
ISPW- Max: Wolfgang MUSIL (Lüneburg), Thomas MUSIL (Graz)
E-guitar & Opcode- Max: Andreas WEIXLER
duration: 12´
3
- - - - - - - in C (1998)
realtime processing for guitar, piano & live electronic
Se-Lien Chuang & Andreas Weixler
(first premiere) 29/04/1998 in der Alte Schmiede/Kunstverein
Vienna im Rahmen des Festivals Elektronischer Frühling ´98
Westöstlicher Divan: Taiwan in Vienna-Vienna in Taiwan
Se-Lien Chuang , composition and piano
Andreas Weixler, Opcode Max Programmierung and guitar
Wolfgang Musil, ISPW-Max Programmierung
Opcode-Max Programming im Atelier Avant
ISPW-Max Programmierung am Institut for Elektroakustik
Kunstuniversity Vienna
1997
2
O.zon (1997)
interactive composition for piano solo, multi channel technique,
music im Raum
first premiere 2.8.97 14. Künstlerbegegnung St. Lambrecht;
further premiers 3.11.97 Institut for Electronic music,Graz, 12.05.99
Lünneburg 21. internatinale Studienwoche contemporary music
Hardware : PowerMac 7200/90, Ensoniq EPS 16+, Tx802
Software : Opcode-MAX
performer : Se-Lien Chuang , piano; Andreas Weixler, Computersystem
duration 12´
1
u/hhua-ghua (1996)
interactive composition with Realtime Processing.
first premiere 23.4.96 Festival Elektronischer Frühling 96,
Vienna
in cooperation with the Institute for Electro Acoustics in Vienna and
the Institute if Electronic Music un Graz Graz
instrumentation: prepared piano and Next-Comuter with ISPW (Ircam
sound Processing Workstation), Macintosh wiht Max
performer Se-Lien Chuang , piano and Performance, Andreas Weixler,
concept and engineer
duration: 12 min
II) contemporary instrumental music
2009
29
The kiss of Life (2009)
pulsar composition for Idiophonics (2 Marimba, Vibraphon, 2
Glockenspiel, 1 Xyolophon)
performer: Lukas Schiske, Berndt Thurner, Adam Weisman
premiere: 20. 03. 2009 23:00 ORF Landesstudio Steiermark, Austria,
die andere saite Konzert "Malletts", live radio broadcasting in Zeitton
ö1
2008
28
Ashley Avenue (2008)
algorithmic composition for piano solo
UA: 9.10.2008, SARC - Sonic Arts Research Centre Belfast, concert
series "Music @ Queen's
Version for Disklavier, pedal: Pedro Rebelo
further premiers: 11. 03. 2009, Minoritensaal, Graz, die andere saite,
Austria
Hsin-Huei Huang, Klavier solo
2007
27
Der Wunsch zu horchen (2008)
Rezitativ
music: Andreas Weixler
lyrics: Se-Lien Chuang
premiere: 24.01.2008 Graz, die andere saite Konzert A Day in Life
(Organisation Klaus Dorfegger), Kulturzentrum Minoriten, Graz
performed by Eis-Trio
Ivana Pristasova – violine, Petra Ackermann – viola, Roland Schueler –
violoncello, Judith Lehner – vocal
26
Dissonanz 1a (2007)
fl, bcl, mar, pno, vl, vla, vlc, cb
premiere: Konzertreihe die andere saite
03.05./07.05. 2007 DissonArt Ensemble in Thessaloniki and Graz
(Kulturzentrum Minoriten)
25
Zerbrochene Schalen 5 - Verbundenheit
(2007)
for harp, viola, clarinet and bass clarinet
premiere: 7.3.2007 Kulturzentrum Minoriten, Konzertreihe die andere
saite, Graz
Zsófia Szeghalmi, harp
Petra Stump, clarinets
Petra Ackermann, viola
2000
24
Echinea... (2000)
algorithmic composition for violoncello solo
first premiere beim "Sukkulentenconcert" Botanischer Garten Graz: 16.
u. 17.06.2000
duration: 2:00
performer: Ruth Straub vlc, szene instrumental
23
In der Zeit des Blühens (2000)
algorithmic composition for chinesisches instrumentalensemble
first premiere: 05.04.2000 Konzerthaus Vienna, Hörgänge
instrumentation: dongxiao, sheng, pipa, guhzeng, darfirst premieren,
yanzin, erhu and percussion
duration: 07:00
performer: China Fund Music Workshop - Taipeh/Taiwan
22
Zerbrochene Schalen 1 - Geborgenheit (1998)
Kammerensemble: arco-piano, vio, vla, vlc, mar
first premiere: 22.06.1998 Burg Graz
broadcasting: Ö1 Zeitton 1998
duration: 08:21
performer: Se-Lien Chuang , arco-piano, Ulrike Stadler, perc; Theo
Patsaloides, Violine; Wolfgang Stangl, viola; Thomas Platzgummer,
violoncello
CD Auftragswerke des Landes Steiermark (2001)
21
Zerbrochene Schalen 2 - Vertrauen (1998)
Kammerensemble: cl, vla, pno, vla
first premiere: 6.12.1998, anniversary concert of die andere saite,
Kulturzentrum Minoriten, Graz
ORF-broadcasting: 7.Jänner 1999
duration: 08:21
performer:
ContrastTrio: Christos Polyzoides (vla), François Benda (cl),
Janna Polizoides (pno)
media: CDR im archives of Aweixler, d.a.s. Bibliothek der
Kunstuniversity Graz
20
An sonnigen Tagen (1998)
string trio, music for the dance performance of TanzbAAr/ Eva
Brunner
first premiere bei "d.a.s Tanzprojekt" Minoriten Graz: 28.04.98
further premiers: 07.07.98 internationales Tanztheatre Festival Graz im
TIP
7.11.1998 denk.werk.statt.graz (teilw)
Ö1 Zeitton: 08.07.1998
duration: 2:08
instrumentation: vl, vla, vlc
performer: Szene instrumental
Barabara Haslmayr - Peyr (Toshie Shibata) vl, Wolfgang Stangl, vla,
Ruth Straub, vlc
19
3 Clowns (1998)
chamber ensemble, music for the dance performance of TanzbAAr/ Eva
Brunner
first premiere bei "d.a.s Tanzprojekt" Minoriten Graz: 28.04.98
further premiers: 07.07.98 internationales Tanztheatre Festival Graz im
TIP
7.11.1998 denk.werk.statt.graz
Ö1 Zeitton: 08.07.1998
duration: 2:02
instrumentation: vl, vla, vlc, mar, acc
performer: szene instrumental
Barabara Haslmayr - Peyr (Toshie Shibata) vl, Wolfgang Stangl, vla,
Ruth Straub, vlc
Ulli Stadler-Fromme, Mar, Georg Schulz, Akkordeon
18
Die gepflückte Lotus (1997)
chamber orchestra and electronic
duration: 7 min.
instrumentation: fl, ob,cl, fg, crn, tp, pos, perc, pno, S, A,pno, vl,
vla, vlc, cb
performer: Szene instrumental
first premiere bei "open music", Minoriten, Graz 21.5. 97
Orf-broadcasting: Zeiton Ö1: 30.6. 1997
17
Wider-Wieder (1996)
chamber music, algorithmic composition
duration ca. 10 min.
performer: 4 Posaunen, Marimba,
performer: Grazer Posaunen Quartett , Ulrike Stadler perc, Dir.
Wolfgang Hattinger
first premiere bei "die andere saite", gr. Minoritensaal, Graz 26.11.96
media: DAT archives of d.a.s.
16
Paramour (1995)
chamber music, Bläser, Chor, Streichorchester, Schlagwerk,
piano solo
first premiere bei "open music", Minoriten, Graz 4.4. 95 ORF
broadcasting: Zeitton 11.9.95
duration 10 min.
performer: fl, cl, bcl, fg, crn, tp, S, A, T, B, Pf, vl, vla, vcl, cb,
performer: Szene Instrumenta
media DAT archives of ORF Stmk
15
Paravant (1994)
chamber music
performer 2vl, vla, vcl, S, A, T, B, Pf
14
Fragmente für Streichquartett (1994)
chamber music, algorithmic composition
first premiere. Minoriten Graz 19.03.1995, Streichsang - die andere
saite concert,
Radiosendung „de ConcertZender“ , The Netherlands 1995
instrumentation: 2vl, vla, vcl
performer: Orbis-Qfirst premierertett
media
DAT archives of der anderen saite in der Bibliothek der MHS Graz
Zyklus IDEM:
13
Idem part II (1991)
chamber music, minimal music
instrumentation for female voice, violin, violoncello, accordion, and
vibraphone
performer Dagmar Hödl vc, Ruth Straub vlc, Georg Schulz akk, Dejan
Dacic vl, Peter Schellegger vib, conducter: Wolfgang Hattinger
first premiere Forum Stadtpark - Graz, 1991 Veranstalter: die andere
saite
12
Idem I (1992)
chamber music, minimal music
for 4 percussionists
instrumentation: carillon, xylophone , marimba, vibraphone, piano
performer Schlagwerkensemble Dama-Dama (CSFR)
duration: 2:10
first premiere M59 - Graz, 2.6.1992, Veranstalter: die andere
saite further premiers: Janacek Akademie, Brünn, CSFR
media DAT archives of der anderen saite in der Bibliothek der MHS
Graz
CD d.a.s. Nr. 2 DAMA DAMA 2, (WORE 960003-2), 1996
11
Idem II (1992)
chamber music, minimal music
for 4 percussionists
instrumentation: carillon, xylophone , marimba, vibraphone, piano
performer
Schlagwerkensemble Dama-Dama (CSFR)
duration 2:05
first premiere M59 - Graz, 2.6.1992, Veranstalter: die andere
saite further premiers: Janacek Akademie, Brünn, CSFR
media
DAT archives of der anderen saite in der Bibliothek der MHS Graz
CD d.a.s. Nr. 2 DAMA DAMA 2, (WORE 960003-2), 1996
10
Idem III (1992)
chamber music, minimal music
first premiere großer Minoritensaal in Graz, 28.5.1992 ,
Veranstalter: die andere saite
ORF-broadcasting in "Neue Musik im Konzert" 7.9.92
further premiers: 28.05.98 Zürich/ Schweiz
instrumentation: fl, cl, vl, vcl, p, perc
performer
Klangforum - Vienna (1992)
Ensemble for neue music Zürich (1998)
duration 2:09
media: DAT archives of ORF Styria
9
Idem IV (1992)
chamber music, minimal music
first premiere großer Minoritensaal in Graz, 28.5.1992 ,
Veranstalter: die andere saite
ORF-broadcasting in "Neue Musik im Konzert" 7.9.92
further premiers: 28.05.98 Zürich/ Schweiz
instrumentation: fl, cl, vl, vcl, p, perc
performer
Klangforum - Vienna, conducter Wolfgang Hattinger (1992)
Ensemble für Neue Music Zürich (1998)
duration: 2:05
media: DAT archives of ORF Styria
8
Dasselbe - Eine Verwebung (1991)
chamber music, contributions to the collective composition of die
andere saite (composers union)
first premiere Forum Stadtpark -Graz, 13.6.91 Veranstalter: die
andere saite
instrumentation for female voice, violin, violoncello, accordion, and
vibraphone
performer: Dagmar Hödl vc, Ruth Straub vlc, Georg Schulz akk,
Dejan Dacic vl, Peter Schellegger vib, conducter:
Wolfgang Hattinger
7
Bläser vom Anfang bis Ende (5/1993)
Bläserquintett, Beitrag zur Gemeinschaftproduktion d.a.s.
Quadrat
first premiere 26.5.1993, Hof Grazer Stadtmuseum
duration: 1 min.
performer 2 tp, pos, crn, tuba
6
Stück in Quartenhexachorden für Kla4 und Querflöte
(1989)
Duo piano and flute
first premiere at MHS Graz
further premier
24.3.1996 evening of chamber music of die andere saite, Thearto - Graz
performed by Arno Steinwider/ Eva Bajic
15.07.2002 Festival contemporánea 15. Juli - 2. August
Schloß Pötzleinsdorf in Vienna
22.04.2005 Odessa - Ukraine| 11th International Festival of Modern Art
"Two days & Two night of new music"
15.07.2002 Festival contemporánea 15. Juli - 2. August
Schloß Pötzleinsdorf in Vienna
22.04.2005 Odessa - Ukraine| 11th International Festival of Modern Art
"Two days & Two night of new music"
08. 12. 2008 Rio de Janeiro - Brazil | Sala Villa-Lobos
03. 12. 2008 Sao Paulo - Brazil | Santa Marcelina University
08. 10. 2008 Morelia - Mexico | Centro Cultural
29. 09. 2008 Havanna - Cuba, Festival Internacional de La Habana
24. 09. 2008 San José - Costa Rica | Universidad de Costa Rica
performed by the Pierrot Lunaire Ensemble Wien
duration ca. 3 min.
media DAT archives of der anderen saite in der Bibliothek der MHS Graz
5
UI-RO (Beruhigung) (1991)
algorithmic composition for piano zu 4 Händen
first premiere 9.12.91 Artvent-concert im Orpheum - Graz Veranstalter:
die andere saite
instrumentation: piano 4 hands
duration: 2:53
performer David Hanner/ Eva Bajic
media DAT archives of der anderen saite in der Bibliothek der MHS Graz
4
Etüde for Stille and Cello (1990)
for violoncello solo
first premiere Forum Stadtpark, Graz 1990
performer : Michael Moser
duration 3 min.
media: DAT archives of der anderen saite in der Bibliothek der
MHS Graz
3
Auqa (1988)
improvisation in tonal system of hexa chords by Andreas Weixler
for violin and guitar for the dance theatre Elio Gervasie, Vienna
first premiere 1988 Posthof Linz, further premiers Grazer Landhaushof
1988
instrumentation: vl, git , computer
duration: 2:49
performer Marion Namestnik vl/ Andreas Weixler git
media: music for tape im archives of des TU-studios, Graz, DAT archives
of A. Weixler
2
Stück for Kirchenorgel (1985)
for church organ solo
instrumentation: church organ
performer : Christine Swoboda
duration 1:41 min.
media : archives of Atelier Avant A.Weixler
1
Stück for piano (1985)
for piano solo
performer: Sandra Kraus
duration 2 min.
media: archives of Atelier Avant A.Weixler
III) music for video and film
2003
8
INFINITY op. 1 - 4
audiovisual composition/installation, Art Video 2003
Se-Lien Chuang video & concept
Andreas Weixler computer music
the room is breathing slowly, one breath takes 7 minutes, so it is
worth to stay in the room longer to receipt the inifinite movement in
this audiovisual composition.
the video is created by using infinite video feedback controlled by the
artist Se-lien Chuang, the music is the feedback of a short click in an
infinite electroacoustic room.
Premiere 3rd of December. 2003, Busan International Digital Technology
Music Festival
The Mail Hall, Busan Cultural Center
2000
7
Trinity
music zum Video Trinity by Se-Lien Chuang
12.12.99 Elektrokomplex 99, 1.12.99 Silicon graphics presentation
Wifi Graz, and 18.2.2000 Werkstatt Graz and 26.02.2000, Center
for Contemporary Art, Kyiv (Rußland), Experimental
Intermedia New York 15.12.2000
6
Blue Elephant
computer music for the video Blue Elephant by Se-Lien Chuang
Festival Elektrokomplex 99, 12.12.1999 im Rhiz Vienna, 1.12.99
Silicon graphics presentation Wifi Graz, 18.2.2000 Werkstatt Graz,
26.02.2000, Center for Contemporary Art, vul. Skovorody 2/Kyiv
(Rußland), 6.-8. April 2000 Lovebytes Festival Sheffield
,England, 15.5.2000 Nagoya City University, Japan, 15.12.2000
Experimental Intermedia New York
Galerie Werkstadt Graz, 18.02. - 12.03.2000
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil ,17th-20th of October
2000
Festival Schrattenberg, Österreich, 30. 08.2002
National Theater Concert Hall in Taipeh, 27.4.2003
Konzert am TNCA, Tainan National College of Art, Taiwan, 29.4.2003
Logos Tetrahedron, Gent, Belgium, 23rd of September 2004
published at video edition SIBGRAPI 2000 Video festival, Gramado, Brazil
DVD Edition SAMT 1, 2003, Bruckner-Univerisity, Linz
5
Ouroboros
interactive sound modulation for the video Ouroboros by Gertrude
Moser-Wagner,
premiers in Italy, Austria, Canada and USA and in the Internet.
1998
4
music for the video of denk.werk.statt.graz - 4. internationales
project of fine arts
crossings, 3 Clowns, an sonnigen Tagen (parts.) compositionen for
the presentation of the video by xxx Kunstkabel / performance
Thinking by Luise Kloos 7.11.1998 at Grazer Kunstverein.
1997
3
Luftloch
music zum Video Luftloch by Gertrude Moser-Wagner, 1997, div.
presentaions and broadcastings, Austria, Italy, Canada, USA
1992
2
Scene Missing (1991-1992)
first premiere Basel music academy, sound track for the video for
the Seminar composition and anaysis in film music with Ennio Morricone
1980
1
Filmusic for the directors class Vienna (1980), director Nikolaus
Leytner
IV) music for contemporary dance and theatre
2005
14
Hermann Nitsch OM-Theater
19.11.2005, 50 Jahre Burgtheater
Wien
Junge Philharmoniker
Elektroakustische Klänge von Andreas Weixler & Se-Lien Chuang
2004
13
Das 2-Tages Spiel des Orgien Mysterien theatres
by Hermann Nitsch, 31. Juli - 2. Juli 2004
electro acoustic by Andreas Weixler and Se-Lien Chuang
2003
12
music zu Skandalon Stille by Andreas Weixler
music for theatre for das Projektheatre Vienna -New York, Werner Schwab
Projekt im Literaturhaus Graz, Europäische Kulturhauptstadt Graz
2003
studio: Atelier Avant Austria, Graz 2003
with kind support of SKE Fonds and Land Steiermark
Auftragscomposition des PROJEKT theatre / Vienna - New York and
Thomastik-Infeld
first premiere. 17. September 2003, Literaturhaus Graz
1998
11
music zu Endspiel in Process 3
Projekttheatre Vienna-New York, director Eva Brenner,
Projekttheatre studio, Vienna,14.-20.12.1998
10
4-channel modulare computer music zu Nichts - no thing SandER WARUMBE
with Projekttheatre Vienna-New York, director Eva Brenner ,
Kulturzentrum Minoriten Graz, 09.+10.11. 1998
9
Elektroakustik for das Orgien-Mysterien theatre by Hermann Nitsch
6-Tage Spiel Prinzendorf 1998, CD Produktion 2000,
Austria-Deutschland Tournee
8
TanzbAAR, compositionen for Tanztheatre
Choreographie Eva Brunner, Minoriten Graz 28.4.98,
Classics in the City - Landhaushof Graz 19.06.98, int. Tanztheatre
Festival Graz, 5.7.98
7
act now
music for theatre-workshop
19.07.98 Graz , Austira, TIP - Theatre In the Palais, director Eva
Brenner
6
music zu Echo des Schweigens (1998)
Text by Marguerite Duras. music for theatre . director Eva
Brenner, Projektheatre Vienna-New York,
Uraufführung: 11.2-19.2 and 21-22.2.98 Konzerthaus Vienna;
Werktitel: Blaue Augen-Schwarzes Haar, Szin 8 Atem, Entreé
1997
5
TeleXie (1997)
for die Anna Schrefl Cie, Tanzprojekt „dance and composition in
space“
Stift St. Lambrecht STMK, 31.7.97 and 1.8.97, Intiative LAMBEART
´97
at the 14th Künstlerbegegnung of the Initiative LAMBEART at the
monestery St. Lambrecht 12.7-97 -3. 8.97
further premiers: 18 u. 19. 9.97 bei imagetanz 97 im
Künstlerhaus/ theatre Vienna
1996
4
music zu Einsamkeit der Lust (1996),
Text by Margit Hahn. music for theatre . director Eva Brenner,
Projektheatre Vienna-New York, Uraufführung: 3-13.10.96 WUK
theatre Vienna; further premiers: 14. u. 15. 11. ´97
Kulturzentrum Minoriten, Graz;
musictitel: Jade f.o.o.t, Sinn, Unsinn in Schuhen, Ganz Gemein
1988
3
Aqua di Marma (1988)
for die Elio Gervasie Dance Company, Posthof Linz, Landhaushof Graz
1987
2
Flugfluchten (1987)
music, dance and Sprache with Katharina Klement, Donato
Deliano, Samir Kedwani and others
1986
1
Dis-Moll (1986)
Contact-dance and music-Perfomance
with Katharina Klement, Monika Steffen, Alberto de Campo, Christian
Koppensteiner, Axel Staudinger
V) jazz related music
Zyklus Atelier Avant
6
Die Unken gehen heute baden (1986)
jazz rock
duration:. 10 min.
instrumentation g, ky, vio, voc, b, dr, tp, Flügelhorn, as,
oder for 2 E-git, b, ky, dr
performer Eliot Biss and die Unerhörten, Andreas Weixler
Corporation
div. premiers
media private archives of A. Weixler
5
Das Thema by der guten Fee (1984-86)
jazz ballade, Odds
duration ca. 13:30 min.
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio
oder for 2 E-git, b, ky, dr
performer Eliot Biss and die Unerhörten, Andreas Weixler
Corporation
div. premiers
media private archives of A. Weixler
4
Gemischte Gefühle (1984)
jazz rock, Odds
duration 5:00 min.
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio oder
for 2 E-git, b, ky, dr
performer: Eliot Biss and die Unerhörten, Andreas Weixler
Corporation
div. premiers
media private archives of A. Weixler
3
Atelier Avant (1984)
funk music, Odds
duration 3:30 min.
div. premiers
instrumentation g, ky, voc, b, dr, feat. tp, ,as, vio oder for 2 E-git,
b, ky, dr
performer: Die Goldfische, Eliot Biss and die Unerhörten, Andreas
Weixler
Corporation
media private archives of A. Weixler
premiere, Tingel-Tangel, Graz, 1984
Die Goldfische: Johannes Wimmer (dr),
Michael Schwarz (Rhodes), Samir Kedwani (b), Christian Koppensteiner
(guit), Andreas Weixler (guit)
2
Ganz spezielle Nüsse diese Tritonüsse (1984)
jazz rock
div. premiers
duration: 7 min.
performer g, ky, voc, b, dr, feat. tp, ,as, vio oder
for 2 E-git, b, ky, dr
performer
Eliot Biss and die Unerhörten, Andreas Weixler Corporation
mediaprivate archives of A. Weixler
1
I want to find out today (1986)
jazz ballade, Odds
duration 5:20 performer g, p, voc, b, dr,
performer: Eliot Biss and die Unerhörten, Andreas Weixler
Corporation
media: private archives of A. Weixler
div. performances
VI) experimental music
1981
a) Jaques Prevert
u.a. with Ronald Trimmel, Manuel Simon, Andrea Sedminek,
Andreas Weixler
b) Dementia precox, experimental music
simulations with Andreas Weixler, Ronald Trimmel, Axel Staudinger
1982-86
a) Eliott Biss & die Unerhörten
Odd-Rhythmik, jazzverwandte music, with Andreas Weixler,
Johannes Wimmer, Michael Schwarz, Samir Kedwani, Christian
Koppensteiner, Carla Carnevale, Gerhard Fritsch
b) Anchrax
experimental music with Andreas Weixler, Axel Staudinger,
Christian Koppensteiner u.a.
1986
Dis-moll, dance- and music-Performance
with Katharina Klement, Monika Steffen, Alberto de Campo,
Christian Koppensteiner, Axel Staudinger
1987
Flugfluchten
music, dance and speech with Katharina Klement, Donato Deliano,
Samir Kedwani and others
VII) cooperation with ensembles and solists
ensembles
Roots Ensemble (ICMC Belfast), Juilliard Electric Ensemble (New York),
Dissonart (Greece), Janus Ensemble (Vienna), sang sang (South Corea),
Kuwayama-Kijima (Japan), Pierrot Lunaire Ensemble Wien, CFMW China
Found Music Workshop (Taiwan), ContrastTRIO, Klangforum - Wien, Szene
Instrumental, percussion DAMA - DAMA, Austrian Art Ensemble, Ensemble
Für Neue Musik Zürich, various concerts with the concerts
series die andere saite
div. solists:
Franziska Schroeder, John Kenny, Gascia Ouzounian, Laoise Kelly (Irish
harp), Ivan Goff (Irish pipes), Uli Fussenegger, Todd Reynolds (New
York), Petra Ackermann, Petra Stump, Zsófia Szeghalmy, Rowland
Sutherland (London), Fabian Pollack, Judith Unterpertinger, Peter
Herbert, Reinhard Micko, Pai Yu Ching (sheng) & Tsai Chen Yu
(erhu), Martin Zrost, Kiyoharu Kuwayama, Rina Kijima, Kagusho Kitagawa,
Michael Moser, Se-Lien Chuang, Shinobu Ishizuki, Christine Svoboda,
Sandra Kraus, Dagmar Hödl, Ruth Straub, Ulrike Stadler-Fromme,
Arno Steinwider, Eva Bajic a.o.
cooperation with other arts &
media (selection)
interactive audio-visual & video
Roots Ensemble („I am from the Universe and you know what it´s
worth“ Belfast 2008)
Christoph Cech and the Janus Ensemble („Rooming“ 2005)
Se-Lien Chuang (divers interactive ausiovisual projects,
"SpectraSonic", "Interlude for Pi and for Io", "Erinnerung in jedem
Laut“ interactive audio-visual improvisations, „running-figure-lantern“
interactive audio-visual instrumental theatre at the ISEA 02,
International Symposium on Electronic Arts, Nagoya, Japan, „living
cave“ audio-visual installation 2001 and numerous art videos 1998-2005)
sang-sang ensemble („Seoul Lightingale“ Corea 2003, interactive
audio-visual improvisation)
Mikako Mizuno („The Story of Heike“, Japan 2001 interactive
audio-visual narrative)
Kuwayama-Kijima („ living cave“ audio-visual interactive improvisation,
Japan 2001, „running-figure-lantern“ audio visual interactive
instrumental theatre, Japan 2002)
Gertrude Moser-Wagner (video "Ouroboros" 2000, "Luftloch", 1997),
Nikolaus Leytner (film music, 1980)
and numerous others
contemporary theatre
Hermann Nitsch (Symphony of Six Days 1999, Orgie-Mystery theatre, 1998,
2004, 2005)
Projekttheater - Eva Brenner (contemporary theatre „Werner Schwab“
2003, european cultural capital city Graz, "Duras",1998,
"Einsamkeit der Lust", 1996, workshop act now 1998, "Endspiel 2
Nichts-nothing" 1998, "Endspiel 3" 1998, Limits-no limits 1999),
Luise Kloos Denkwerkstatt 1999.
dance
tanzbAAr- Eva Brunner (dance theatre, 1998),
Anna Schrefl Cie (Tanz, 1997: LAMBEART-monestery St.Lambrecht and
ImPuls - Vienna),
Elio Gervasie Dance Company (dance theatre 1988),
Dis-Moll - Klement/Steffen(Contact-dance, 1986),
Flugfluchten - Katharina Klement (music,dance and speech, 1987).
VIII) music projects
1988
Andreas Weixler Corporation
ensemble for jazz related music with a special emphasis in
odd rhythms
performers: Lars Lindvall, Marion Namestnik, Maria
Konrad, Hans Glawischnigg, Donato Deliano, Robbi Stützle,
Sebastian Piekarek. (substitutes: Uli Rennert, Heinrich v. Kalnein,
Christian Giessing)
seit 1990
die andere saite,
concert series for contemporary music in Graz. numerous concerte
as composer,
1992-1996 member of the directros board, 1995/96 president of die
andere saite
1993
electronic access
founding of the concert series for electronic, electroacoustic and
experimental music
electronic access 93 at the studio 3 of ORF Styria
by der anderen saite - Graz, IGNM, and ORF Steiermark,
CD-Production by Robert Höldrich
1995
electronic access 95
at the studio stage of the opera house Graz; wiht support of die
andere saite - Graz, IGNM, and the Vereinigten Bühnen
Graz, ORF national broadcasting
CD-Production by Andreas Weixler & Seppo Gründler
2004
electronic access special asia Japan
concerts with the japanese society for electronic music
12.12.2004 ORF RadioKulturhaus Vienna, "Frühstück mit
Neutönern"
15.12.2004 Göllerichsaal of the Bruckner-university Linz
2006
electronic access @ Goldsmith´s
Monday 6 November 2006 Goldsmiths College, London
A concert of computer music, video and interactive audiovisual
improvisation with composers Andreas Weixler and Se-Lien Chuang
(Austria) meeting Rowland Sutherland (flute; UK)
10th anniversary artistic cooperation Weixler-CHuang and 25th
anniversary of Atelier Avant Austria
in collaboration with Electronic Music Studios at Goldsmiths College,
Music Department, University of London and the Austrian Cultural Forum
in London
IX) studio production
SARC Sonic Arts Rersearch Center,at Queen´s Universiy,
Belfast, Northern Ireland, September-October 2008
TUB electronic studio of the Technical University inBerlin Oktober
2004 - februar 2005
NCU soundlab Nagoya City Unversity, Japan 2000, 2001
SUSS Sheffield University sound studio, England 1999
BEAST Birmingham Electro Acoustic sound Theatre, England
University of Birmingham, Music Department, 1996
UEA University of East Anglia, England, 1996
ELAC Institute for Electro Acoustic and Experimental Music (ELAK)
at the
Hochschule/University of music - Vienna, 1992, 1996
SAMT studio for Advanced Music and Media Technology /Softwarepark
Hagenberg -
Bruckner conservatory Linz. 1995-1998
IEM Institute for Electronic Music (IEM) at the
Hochschule / University of Music and dramatic arts in Graz,
1990-1999
AAA Atelier Avant Austria. founded by Andreas Weixler for algorithmic
composition,
computer music and experimental music in Graz.
1981-till today , alias: studio aweixler,
since 1996 Media arts, video, interactivity together with Se-Lien
Chuang
El.studio - electronic music studio dofer music academy in Basel,
1992
X) publications on CD
CD ´s by/with Andreas Weixler:
Kompositionsaufträge des Landes Steiermark (2001), original
music "Zerbrochene Schalen 1 - Geborgenheit", special bowed
instrumental sounds for
piano, marimba and string trio
Elektronischer Frühling (1997)
documentation of the Austrian society of electroacoutic music
CD GEM 9701
electronic access 95- die andere saite 1 (1996) producer and
director of arts and
organisation Andreas Weixler. original music: Methabl 8.7
CD d.a.s. Nr1, GE 015
DAMA - DAMA II - die andere saite 2 (1996)
original music: IdemI & Idem II for 4 percussionists
CD d.a.s. Nr 2, WORE 960003-2
Klangschnitte 2 (1994), Live Recording of Corresponding Methal,
for 2
percussionists, piano and electronics at electronic access 93
CD GE 07
Beyond Noise and Haste (1994)
by Bor Turel; Andreas Weixler Co - Composer for The Four
Seasons
SAZAS CD001
Hermann Nitsch Orgien Mysterien Theater - Tag 5 (2000)
as performer of the electroacoustic part together with Se-lien Chuang,
5 CD Box
XI) publications on DVD / Video
concept & Coincidence
Videos by Gertrude Moser-Wagner
music by Se-Lien Chuang & Andreas Weixler
DVD-Label, Edition INDEX 2004
blue elephant
computer animation by Se-lien Chuang, computer music by Andreas
Weixler
pubished by Studio Samt / Brucknerkonservatorium Linz
Edition SAMT DVD 1, 2003
blue elephant
computer animation by Se-lien Chuang, computer music by Andreas
Weixler
pubished by the official video tape of the
SIBGRAPI 2000 Video festival, Gramado, RS, Brazil
Luftloch
Videos by Gertrude Moser-Wagner
music by Se-Lien Chuang & Andreas Weixler
published on VHS at monestery St. Lambrecht, 1997
XII) printed paper publications
Article: Virtuoso Audiovisual Real-Time Performance
by Andreas Weixler & Se-Lien Chuang
in the book: Interface
Cultures, Artistic Aspects of Interaction
Christa Sommerer, Laurent Mignonneau,
Dorothée King (eds.)
transcript Verlag, August 2008, ISBN
978-3-89942-884-1
ISEA 08 proceedings - International Symposium
on Electronic Arts in Singapore,
paper publication: Virtuoso Audiovisual Real-Time
Performance
by Andreas Weixler & Se-Lien Chuang
as book and CD-Rom
Katalog Wien Modern 05,
introduction into computer music, video and audiovisual realtime
processing for the portrait concert collective
identities by Andreas Weixler and Se-Lien
Chuang, ISBN 3-89727-307-1. p 218 - 220
Gerfried Stocker und Christine Schöpf (Hrsg.),
>>Recollection in Every Sound - Audiovisual Interactive
Improvisation<<. In: Hybrid-living
in paradox, Ars Electronica 2005 - Festival für Kunst,
Technologie und Gesellschaft Linz, 1. - 6. September 2005. Hatje Cantz
Verlag 2005, ISBN 3-7757-1569-9, S. 308.
Mensch und Computer Konferenz, Linz 2005 (human and computer
conference)
of the Kepler University in Linz, Musical Instrument s and their
conteporary playing techniques as an interface
between Human and Computer (short introduction to the speech)
Andreas Auinger (Hrsg.), >>Musikinstrumente und deren
zeitgenössische Spieltechniken als Interface zwischen Mensch und
Computer - Mag. Andreas Weixler und Mag. Se-Lien Chuang<<. In:
Workshop-Proceedings der 5.
fachübergreifenden Konferenz Mensch und Computer 2005 Linz,
4. - 7. September 2005. Österreichische Computer Gesellschaft
2005, books@cog.at Band 197, ISBN 3-85403-197-1, S. 38.
ISEA2002 NAGOYA Steering Committee (Hrsg.), >>Waon<<.
In: ISEA 2002, 11th International
Symposium on Electronic Art, Nagoya [Orai], October 27 - 31.
2002, Nagoya, Japan. S. 89f.
The Yearbook of Nagoya City University-school of Design and
Architecture 6,
2002, Introduction to design and architecture 6
Interactive Musical Art in the Second Half of the Twenthieth Century
and the NCU Project 2000 by Mikako Mizuno, Andreas Weixler and
Se-Lien Chuang
p 197 - 225, ISBN4-87797-040-1
master thesis The border of sound and noise through controlling
of granular sound
particles by means of an introduction and analysis of the composition
Paramour for
piano and chamber orchestra by Andreas Weixler, theoretical work,
University of Arts
in Graz, 1997.
as an editor of contributions to electronic music (BEM, 1993-1999)
BEM 1 Enumeration in Musical Theory by Harald Fripteringer
BEM 2 Holographie, CAD und Modalanalyse im Dienste der Musik
by Gregor Widholm
BEM 3 Der Nachtigallengesang in der Europäischen Kunstmusik by
Helwig Brunner
BEM 4 GRAINY - Granularsynthese in Echtzeit by Norbert Schnell
BEM 5 Strukturengeneratoren by Karlheinz Essl
Algorithmische Komposition in Echtzeit
BEM 6 Sound Installation Art by Robin Minard
enumeration of composition - # -
Andreas Weixler