Chen
    Moldir Slyamova

 
    Werke von und mit:

    Michael Hutsteiner
    Sam Erpelding

    Inter Sonic Express Ensemble

   

    PROGRAMM

I )  Michael Hutsteiner

II )  Moldir Slyamova

Tebirene

In dir toben die Ozeane. Stell dir vor, du wärst ein Gefäß voller Emotionen und Reaktionen. Stell dir vor, wie diese bunte Gülle durch deine Adern fließt. Spürst du die Schwere? Manchmal bist du zu sehr überfüllt, dass Gülle aus dir herauskommt, nein...halt. Es spuckt aus wie Lava aus einem jungen, brennenden Vulkan. Heiße, belebende, schmerzhafte Ausbrüche. Du bist ein Element. Sich selbst und alle um ihn herum zerstören, ein Element, das manchmal sanft durch die Haare glätten kann. Du bist eine Gottheit. Schwelende Körper sind herum, und du erstellst ein Stillleben. In dir ist ein Universum, das du so dumm vergisst. Du bist ein Mensch.

Pre-recorded, 24 channels

Duration: 16 min

Tanz der Nacht is a stereo fixed-media piece, I think music is inseparable from people and times. In my time, people were willing to follow the loud music to empty their brains, and follow the strong and fixed rhythm and sound to let themselves achieve a kind of meditation or meditation in the rhythm. Rave state, maybe it's mundane, but that's party music, it might be loud (or not), but I guess beer and earplugs might be a good idea.

EcoSons Étude l.

1.
Mëllerdall
Duration: 8.10min
Setup: Stereo fixed-media (live 24-channel spatialisation)
Visuals: Beamer Sonic Lab

"Mëllerdall" is a stereo fixed-media piece and tells the story about the interaction of bird calls and highway noise in the area of eastern Luxembourg (September 2020).

2.
De Biesbosch
Duration: 8.54min
Setup: Stereo fixed-media (live 24-channel spatialisation)
Visuals: Beamer Sonic Lab

"De Biesbosch" is a stereo fixed-media piece and shows a very special biodiversity and human-environment interaction in the National Park "De Biesbosch" in southern Netherlands (August 2020).


© Sam Erpelding


"EcoSons Étude l." is a set of two electroacoustic soundscape compositions created in the context of an ecoacoustic music research. For this artistic research, the "acoustic niche hypothesis" is an important tool to investigate the field recordings and to allow an artistic-scientific evaluation of these various soundscapes.
Two different landscapes in Central Europe were chosen for this work, the "Mëllerdall" region in Luxembourg and National Park "De Biesbosch" in the Netherlands. For this research, the composer undertook kayak tours and sound walks in these areas to document the acoustic environment and interpret the perceived quality of the soundscape from each habitat. The idea of these compositions is to emphasise the psychoacoustic effects in acoustic environments, possible obstacles of bioacoustic communication and the interaction between humans and their environment.

  Foto © Andreas Weixler

Improvisation und Echtzeitprozesse

mit