Intensive international conference activity with presentations
and concerts at ICMC, NIME, SMC, TENOR, ISEA, SICMF, NYCEMF and
others.
2007 - 2024 Selection in international competition:
ICMC - International Computer Music Conference
NIME - New Instruments for Musical Expression
Conference
SMC - Sound and Music Computing Conference
TENOR - Conference on Technologies for Music
Notation and Representation
ISEA - International Symposium on Electronic
Arts
SICMF - Seoul International Computer Music
Festival
NYCEMF - New York Electroacoustic Music
Festival
content docu
ICMC 07, 08, 10, 11 - , 21, 24
ISEA 02, 07, 08
NIME 07
NIME - New
Interfaces for Musical Expression, 28 JUNE - 1 JULY 2022,
ONLINE
https://nime2022.org
intuitive access (2021/22) by Se-Lien Chuang & Andreas Weixler
Now Net Arts Conference
Network Arts: Transformation of Distance
November 4-7, 2021
Concert Demonstration: The Sonic Arts Ensemble
Marc Ainger, director, Ohio State University Ann Stimson, Marc
Ainger, Scott Deal, Oded Huberman (live-streaming) Special
Guests, Atelier Avant Austria: Se-Lien Chuang, Andreas Weixler
SUNDAY NOVEMBER 7 2021
1:30PM EST (18.30 CET)
realtime improvisation over the continents
--------------
Audio Mostly 2021
Trento, Italy
Day 2:
September 2nd 2021
session music 18:50 – 18:55
https://youtu.be/A1tE8h-xYoQ
Nagoya City Sonic Culture
audiovisual realtime performance
Se-Lien
Chuang - interactive visuals, Yan-Zin (chinese
dulcimer)
Software: Max/Jitter; Modular Filter - programmed by
Se-Lien Chuang
Andreas Weixler - audio realtime processing, electric
guitar.
Software: Max/Msp; Granularsynthesis, Special Delay,
Ring Modulation, Spectral Freeze - programmed by
Andreas Weixler
Day 3: September 3rd 2021
session
music 17:30 – 17:35
https://www.youtube.com/watch?v=MsEokDlTzxw
flaming tears (2021)
by Se-Lien Chuang & Andreas Weixler
R-IoT controlled realtime audio processing for
mouth organ
duration of the performance: 6 min 16
sec
mouth organ, Se-Lien Chuang
computer performer, Andreas Weixler
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ICMC
International Computer Music Conference 2021
25. - 31. July 2021, Pontificia Universidad Católica de Chile,
Santiago, Chile
http://icmc2021.org/
flaming tears (2021)
R-IoT controlled realtime audio processing for mouth organ
A playing ball serves as the performing interface of the
computer player.
A R-IoT sensor inside the ball is sending OSC data to a Mac Book
with Max udp and audio processing.
The improvisation is completed by an audio realtime signal
processing by fft freeze reverb, classic ring modulation as well
as spectral delay together with a multichannel granular
synthesis by a computer performer in mutual inducement with the
instrumental player.
25.07.2021, 13:42 Listening Room
Nagoya City Sonic Culture
performance by Se-Lien Chuang & Andreas Weixler commissioned
by NCU Nagoya City University.
Performed at Atelier Avant Austria 2020
The mutual improvisation of an acoustic instruments performer
and a realtime audio processing performer of fft freeze reverb,
classic ring modulation as well as spectral delay together with
a multichannel granular synthesis is completed by interactive
modular visual computing.
Se-Lien Chuang - interactive visuals, Yan-Zin (chinese dulcimer)
Software: Max/Jitter; Modular Filter - programmed by Se-Lien
Chuang
Andreas Weixler - audio realtime processing, electric
guitar.
Software: Max/Msp; Granularsynthesis, Special Delay, Ring
Modulation, Spectral Freeze - programmed by Andreas Weixler
---
SMC
18th Sound and Music Computing Conference
The SMC2021 Conference will be organized as a virtual
conference, free for attendees, and will take place
between the 29th of June and the 01st of July 2021 in Torino,
Italy
June 30 @ 18:15 (CEST): Networked Performances
Andreas Weixler, Se-Lien Chuang — flaming tears
info
June 30 @ 18:00 (CEST): Networked Performances
Julian Scordato, Paolo Zavagna, Giorgio Klauer, Nicola Privato,
Nicola Raccanelli, Luca Richelli and Giovanni Sparano — A
networked laptop performance of Cornelius Cardew’s Treatise by
means of graphical sequencing
Luc Döbereiner, Gerhard Eckel and Ludvig Elblaus — Umbral
Constantin Basica, Chris Chafe, Fernando Lopez-Lezcano, Henrik
von Coler, Juan Parra Cancino and Klaus Scheuermann — The Core
Andreas Weixler, Se-Lien Chuang — flaming tears
Giorgio Alloatti, Andrea Reali, Federico Briata, Francesco
Casanova and Matteo Tomasetti — Rhizomatic Mutual Jam
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NYCEMF
New York Electroacoustic Music Festival
June 21 – 27, 2021
New York City (New York, USA)
https://nycemf.org/submissions/
Nagoya City Sonic Culture
performance by Se-Lien Chuang & Andreas Weixler commissioned
by NCU Nagoya City University. Performed at Atelier Avant Austria
2020
Se-Lien Chuang - interaktive visuals, Yan-Zin (Chinese dulcimer)
Software: Max; Modular Filter
Andreas Weixler - audio realtime processing, electric guitar.
Software: Max; Granularsynthesis, Special Delay, Ring Modulation,
Spectral Freeze
Andreas Weixler
composer, performer, university professor, lecturer *1963, Graz,
Austria
director of the Computer Music Studio at the ABPU and lecturer at
Interface Culture in Linz and mdw Vienna. Invitations for concerts
and lectures in Europe, Asia, North and South America. Emphasizing
improvisation with live electronics, and fields of composition and
computer music. 2018 Andreas Weixler and Se-Lien Chuang were
awarded as the best European piece by the ICMA - International
Computer Music Association for their audiovisual interactive work.
http://avant.mur.at
Se-Lien Chuang
composer, pianist and media artist, 1965 born in Taiwan, since
1991 residence in Austria.
The artistic and compositional emphases range from contemporary
instrumental composition/improvisation, computer music to
audiovisual interactivity. Numerous representations of
compositions in Europe, Asia, North- and South America. Since 1996
jointly with Andreas Weixler running Atelier Avant Austria, for
audiovisual interactive systems and computer music
http://avant.mur.at/chuang
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ICMC-NYCEMF 2019, New York City at New York
University, Sheen Centre and Fridman Gallery.
ICMC 2018 Daegu, Süd-Korea
ICMC 2017 Shanghai, China
ICMC 2016 Utrecht, Niederlande
ICMC - SMC 2014 - Athen, Griechenland
ICMC 2013 Perth, Australien
ICMC 2012 Ljubljana, Slowenien
ICMC 2011 Huddersfield, UK
ICMC 2010 New York, USA
ICMC 2008 Belfast, Nordirland
ICMC 2007, Kopenhagen, Dänemark
NIME - Utrecht 2024
NIME - 2022, ONLINE The University of Auckland,
New Zealand
NIME 2017 Kopenhagen, Dänemark
NIME 2007 New York, USA
ISEA 2008 Singapur
ISEA 2002 Nagoya, Japan, Doppel-Auswahl in Kategorie Konzert und Kategorie Performance
SICMF 2003 Seoul, Süd-Korea
SICMF 2002 Seoul, Süd-Korea
TENOR 2024, Zürich
TENOR 2022, Marseille, France
TENOR 2021 Hamburg
NYCEMF 2024, New York City (New York, USA)
NYCEMF 2021, New York City (New York, USA)
NYCEMF-ICMC 2019, New York City (New York, USA)
NYCEMF 2014, New York City (New York, USA)
Nownet Arts Conference 2022
Now Net Arts Conference, 2021
Network Arts Stage, 2022
SMC - Saint-Etienne, France, 2022
SMC 2021, Torino, Italy
SMC - ICMC 2014 - Athen, Griechenland
SMC 2018 - Limassol, Zypern
ACMC 2024 Futurity, The Australasian Computer
Music Conference (ACMC), Sydney and Melbourne, Australia (SNAP -
Sonic Net Arts Performance - online)
Audio Mostly 2021, Trento, Italy
Sonorities 2018, SARS - Sonic Arts Research Center, Queens University, Belfast
Bridges 2019 @ Anton Bruckner Private
University
The Performing Arts Conference 2011, Waterloo, Stratford, Canada