conferences docu

Intensive international conference activity with presentations and concerts at ICMC, NIME, SMC, TENOR, ISEA, SICMF, NYCEMF and others.
2007 - 2024 Selection in international competition:

    ICMC - International Computer Music Conference
    NIME - New Instruments for Musical Expression Conference
    SMC - Sound and Music Computing Conference
    TENOR - Conference on Technologies for Music Notation and Representation
    ISEA - International Symposium on Electronic Arts
    SICMF - Seoul International Computer Music Festival
    NYCEMF - New York Electroacoustic Music Festival


recent conferences

2024
2022

selections 2007 - 2024

content docu
   ICMC 07, 08, 10, 11 - , 21, 24
    ISEA 02, 07, 08
    NIME 07
 


back to mai

2024


ACMC 2024 Futurity
The Australasian Computer Music Conference (ACMC)
22-23 October 2024




The Australian Institute of Music, Sydney and Melbourne, Australia

SNAP - Sonic Net Arts Performance
21.10.2024

Patti Cudd, percussion - Minnesota
Joslyn Ho, Piano - Sydney, Australia
Marc Ainger, live audio processing - Ohio, USA
Ann Stimson, flute, viola, whistling - Ohio, USA
Se-Lien Chuang, vocal, interactive visuals - Austria
Andreas Weixler, electric guitar, live audio processing - Austria




video stream





 
ICMC 2024
in Seoul
https://www.icmc2024.org/



The beauty of transience
Se-Lien Chuang & Andreas Weixler

interactive audiovisual comprovisation for C2S2 - Chinese Calligraphic Scenic Score

with traditional korean instruments:
Daeguem - Jiyun SONG
Haeguem -  Jeonghyeon Joo
Geomungo - Hyeyoung Hwang
Ajaeng - Yoona Kim
k-perc - Woonjung Sim  


Tuesday, July 9th
Concert D, Paiknam Concert Hall, Hanyang University Seoul

live video

info





TENOR Zurich

9th International Conference on Technologies for Music Notation and Representation (TENOR)
at the Zurich University of the Arts / Zürcher Hochschule der Künste (ZHdK)
hosted by the Institute for Computer Music and Sound Technology (ICST)

Thursday, 4 April – Saturday, 6 April 2024

selected work:

Die Schönheit der Vergänglichkeit
by Se-Lien Chuang & Andreas Weixler
interactive audiovisual comprovisation for C2S2 - Chinese Calligraphic Scenic Score

Se-Lien Chuang, interactive visuals, vocal & C2S2
Andreas Weixler, e-guitar & audio realtime processing
Nikita Kornyushin, A-clarinet (ICST/ZHDK)

video
 
time 18.30
Saturday 06.April 2024

venue
Konzertsaal 1, Ebene 7
Zürcher Hochschule der Künste
Toni-Areal, Zürich, Schweiz


more








nycemf
New York City Electroacoustic Music Festival

16. - 22. Juni 2024

Saturday, June 22
Loreto Theater, New York City


Die Schönheit der Vergänglichkeit
interactive audiovisual comprovisation for C2S2 - Chinese Calligraphic Scenic Score

Marianne Gythfeldt, bass clarinet
Jordana Sidlow, percussion
Se-Lien Chuang, interactive Visuals, voice
Andreas Weixler, realtime audio processing, electric guitar

live Concert Video


more

https://nycemf.org/




NIME - The International Conference on New Interfaces for Musical Expression
Utrecht (NL) and online 4-6 September 2024





Die Schönheit der Vergänglichkeit
interactive audiovisual comprovisation for C2S2 - Chinese Calligraphic Scenic Score

by Atelier Avant Austria

Se-Lien Chuang, interactive visuals, vocal & C2S2
Andreas Weixler, e-guitar & audio realtime processing

Selected work for NIME 2024 in Utrecht.

premiere:
Friday the 6th of September 2024, 20:30 
location: the Hertz venue at Tivoli Vredenburg, Utrecht

video docu

info




2022

SMC - Sound and Computing Conference
Saint-Etienne, France, 5.-12. Juni, 2022
https://smc22.grame.fr



Intuitive Access
Se-Lien Chuang and Andreas Weixler
machine improvisation for R-IoT playing ball, voice, mouth organ, electric guitar with audiovisual realtime processing

SMC-22 Concert 2 - Corbusier Church
Wednesday, June 8 , 07:30 PM

https://smc22.grame.fr/program.html

Video: https://youtu.be




TENOR 2022
7th International Conference on Technolgies for Music Notation and Representation
9.-11. May 2022, Marseille, France



selected work
General Tenor (2022)
by Se-Lien Chuang & Andreas Weixler
audiovisual realtime composition for open ensemble, iScore & live electronic

premiere: 10.05.2022

Ambre Vuillermoz, accordion
Marine Rodalec, cello
Joël Versavaud, saxophone
Alexandre Régis, percussion

Andreas Weixler, realtime audio processing, iScore
Se-Lien Chuang, interactive visuals


https://tenor2022.prism.cnrs.fr/


ICMC - International Computer Music Conference
3.-9- July 2022, Limerick, Irland


https://icmc2022.org/



 
https://icmc2022.org/programme/

Concert 22
CRASH ENSEMBLE
T Koljatic, "Praeludium"
S-L Chuang, A Weixler, "intuitive access"
M Helmuth, "Onsen:Hot Springs"
I Ferrer-Orozco, "Weip"
TUS Millennium Theatre




selected work:

intuitive access
by Se-Lien Chuang & Andreas Weixler

machine improvisation for R-IoT playing ball, voice, mouth organ, electric guitar with audiovisual realtime processing.
The project is open to other musicians i.e. cello, violin, flute, guitar, percussion of the The Crash Ensemble

premiere: 08.07.2022




  

   
      

    NIME - New Interfaces for Musical Expression, 28 JUNE - 1 JULY 2022, ONLINE
    https://nime2022.org

   

    intuitive access (2021/22) by Se-Lien Chuang & Andreas Weixler
    machine improvisation for R-IoT playing ball, voice, mouth organ, electric guitar with audiovisual realtime processing

    produced at Atelier Avant Austria

 
    video


Nownet Arts Conference 2022

Network Arts Stage: Artistic, Technological, and Social Strategies
October 31 - November 6, 2022





5.November 2022:
Sonic Arts Ensemble & Atelier Avant Austria

3 pm Eastern Daylight Time | 8 pm CET Austrian time

https://nownetarts.org/






2021

Now Net Arts Conference
Network Arts: Transformation of Distance
November 4-7, 2021


Concert Demonstration: The Sonic Arts Ensemble Marc Ainger, director, Ohio State University Ann Stimson, Marc Ainger, Scott Deal, Oded Huberman (live-streaming) Special Guests, Atelier Avant Austria: Se-Lien Chuang, Andreas Weixler

SUNDAY NOVEMBER 7 2021
1:30PM EST (18.30 CET)
realtime improvisation over the continents

--------------

Audio Mostly 2021
Trento, Italy

Sonic experiences in the era of the Internet of Sounds
1.-3. September 2021
Department of Information Engineering and Computer Science

https://audiomostly.com/
"Audio Mostly is an interdisciplinary conference on design and experience of interaction with sound that prides itself on embracing applied theory and reflective practice. "

program
https://audiomostly.com/2021/program/conference-program/


Day 2: September 2nd 2021
session music 18:50 – 18:55
https://youtu.be/A1tE8h-xYoQ

Nagoya City Sonic Culture
audiovisual realtime performance


Se-Lien Chuang - interactive visuals, Yan-Zin (chinese dulcimer)
Software: Max/Jitter; Modular Filter - programmed by Se-Lien Chuang

Andreas Weixler - audio realtime processing, electric guitar.
Software: Max/Msp; Granularsynthesis, Special Delay, Ring Modulation, Spectral Freeze - programmed by Andreas Weixler

Day 3: September 3rd 2021
session music 17:30 – 17:35
https://www.youtube.com/watch?v=MsEokDlTzxw

flaming tears
(2021)
 by Se-Lien Chuang & Andreas Weixler
R-IoT controlled realtime audio processing for mouth organ

duration of the performance:  6 min 16 sec
mouth organ, Se-Lien Chuang
computer performer, Andreas Weixler

------

ICMC
International Computer Music Conference 2021
25. - 31. July 2021, Pontificia Universidad Católica de Chile, Santiago, Chile

http://icmc2021.org/


flaming tears (2021)
R-IoT controlled realtime audio processing for mouth organ

A playing ball serves as the performing interface of the computer player.
A R-IoT sensor inside the ball is sending OSC data to a Mac Book with Max udp and audio processing.
The improvisation is completed by an audio realtime signal processing by fft freeze reverb, classic ring modulation as well as spectral delay together with a multichannel granular synthesis by a computer performer in mutual inducement with the instrumental player.

25.07.2021, 13:42 Listening Room

Nagoya City Sonic Culture
performance by Se-Lien Chuang & Andreas Weixler commissioned by NCU Nagoya City University.
Performed at Atelier Avant Austria 2020

The mutual improvisation of an acoustic instruments performer and a realtime audio processing performer of fft freeze reverb, classic ring modulation as well as spectral delay together with a multichannel granular synthesis is completed by interactive modular visual computing.
Se-Lien Chuang - interactive visuals, Yan-Zin (chinese dulcimer)
Software: Max/Jitter; Modular Filter - programmed by Se-Lien Chuang
Andreas Weixler  - audio realtime processing, electric guitar.
Software: Max/Msp; Granularsynthesis, Special Delay, Ring Modulation, Spectral Freeze - programmed by Andreas Weixler


---

SMC
                    Torino

SMC
18th Sound and Music Computing Conference
The SMC2021 Conference will be organized as a virtual conference, free for attendees, and will take place
between the 29th of June and the 01st of July 2021 in Torino, Italy

 
June 30 @ 18:15 (CEST): Networked Performances
Andreas Weixler, Se-Lien Chuang — flaming tears

info

June 30 @ 18:00 (CEST): Networked Performances

Julian Scordato, Paolo Zavagna, Giorgio Klauer, Nicola Privato, Nicola Raccanelli, Luca Richelli and Giovanni Sparano — A networked laptop performance of Cornelius Cardew’s Treatise by means of graphical sequencing
Luc Döbereiner, Gerhard Eckel and Ludvig Elblaus — Umbral
Constantin Basica, Chris Chafe, Fernando Lopez-Lezcano, Henrik von Coler, Juan Parra Cancino and Klaus Scheuermann — The Core
Andreas Weixler, Se-Lien Chuang — flaming tears
Giorgio Alloatti, Andrea Reali, Federico Briata, Francesco Casanova and Matteo Tomasetti — Rhizomatic Mutual Jam


-------

NYCEMF
New York Electroacoustic Music Festival
June 21 – 27, 2021
New York City (New York, USA)
https://nycemf.org/submissions/

Nagoya City Sonic Culture
performance by Se-Lien Chuang & Andreas Weixler commissioned by NCU Nagoya City University. Performed at Atelier Avant Austria 2020

Se-Lien Chuang - interaktive visuals, Yan-Zin (Chinese dulcimer)
Software: Max; Modular Filter
Andreas Weixler - audio realtime processing, electric guitar.
Software: Max; Granularsynthesis, Special Delay, Ring Modulation, Spectral Freeze


Andreas Weixler
composer, performer, university professor, lecturer *1963, Graz, Austria

director of the Computer Music Studio at the ABPU and lecturer at Interface Culture in Linz and mdw Vienna. Invitations for concerts and lectures in Europe, Asia, North and South America. Emphasizing improvisation with live electronics, and fields of composition and computer music. 2018 Andreas Weixler and Se-Lien Chuang were awarded as the best European piece by the ICMA - International Computer Music Association for their audiovisual interactive work.
http://avant.mur.at

Se-Lien Chuang
composer, pianist and media artist, 1965 born in Taiwan, since 1991 residence in Austria.

The artistic and compositional emphases range from contemporary instrumental composition/improvisation, computer music to audiovisual interactivity. Numerous representations of compositions in Europe, Asia, North- and South America. Since 1996 jointly with Andreas Weixler running Atelier Avant Austria, for audiovisual interactive systems  and computer music
http://avant.mur.at/chuang


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Tenor 21
6th international conference on technologies on music for music notation and representation
10.-13.5.2021 Hamburg



General Tenor
immersive realtime audiovisual compositional environment with interactive generative score (iScore)
 for multiple computer and open ensemble

by Se-Lien Chuang & Andreas Weixler

CONCERT: Fixed Media 2
WED 12.05.2021
7 PM

Werk-Videolink: https://youtu.be/bFBhfAEzC7o?t=3069

Konzert-Videolink https://www.youtube.com/watch?v=bFBhfAEzC7o

• Charles MacInnes (Composer) Musician, Composer & Researcher
• Pedro Louzeiro (Composer) University of Évora - CESEM
• Gil Dori (Composer) Phonos
• Chris Nash (Composer) UWE Bristol
• Andreas Weixler (Composer) Atelier Avant Austria
• Se-Lien Chuang (Composer) Atelier Avant Austria
• Auxig (Composer)
• Alison Isadora (Composer) composer, Victoria University of Wellington,NZ, DAS Graduate School, Amsterdam, Koninklijk Conservatorium, Den Haag
 
The 6th international conference on technologies for music notation and representation will take place from Monday May 10 to Thursday May 13 and be hosted by Hamburg University of Music and Drama (HfMT). The conference will include a special emphasis on Notation and Representation in the Time of a Pandemic.
The concerts only will be provided by HfMT Hamburg’s Youtube channel and public Zoom Links for free.



Auswahl zu


    ICMC 2024,  Seoul

    ICMC 2022, Limerick, Irland

    ICMC 2021, Pontificia Universidad Católica de Chile, Santiago, Chile

    ICMC-NYCEMF 2019, New York City at New York University, Sheen Centre and Fridman Gallery.

    ICMC 2018 Daegu, Süd-Korea

    ICMC 2017 Shanghai, China

    ICMC 2016 Utrecht, Niederlande

    ICMC - SMC 2014 -  Athen, Griechenland

    ICMC 2013 Perth, Australien

    ICMC 2012 Ljubljana, Slowenien

    ICMC 2011 Huddersfield, UK

    ICMC 2010 New York, USA

    ICMC 2008 Belfast, Nordirland

    ICMC 2007, Kopenhagen, Dänemark

   
    NIME - Utrecht 2024
   
    NIME - 2022, ONLINE The University of Auckland, New Zealand

    NIME 2017 Kopenhagen, Dänemark

    NIME 2007 New York, USA

  
    ISEA 2008 Singapur

    ISEA 2002 Nagoya, Japan, Doppel-Auswahl in Kategorie Konzert und Kategorie Performance

  
    SICMF 2003 Seoul, Süd-Korea

    SICMF 2002 Seoul, Süd-Korea

   
    TENOR 2024, Zürich
   
    TENOR 2022, Marseille, France

    TENOR 2021 Hamburg

  
    NYCEMF 2024, New York City (New York, USA)
   
    NYCEMF 2021, New York City (New York, USA)

    NYCEMF-ICMC 2019, New York City (New York, USA)

    NYCEMF 2014, New York City (New York, USA)

   
    Nownet Arts Conference 2022

    Now Net Arts Conference, 2021

    Network Arts Stage, 2022 


    SMC - Saint-Etienne, France, 2022

    SMC 2021, Torino, Italy

    SMC  - ICMC  2014 - Athen, Griechenland

    SMC 2018 -  Limassol, Zypern

    ACMC 2024 Futurity, The Australasian Computer Music Conference (ACMC), Sydney and Melbourne, Australia (SNAP - Sonic Net Arts Performance - online)

    Audio Mostly 2021, Trento, Italy

    Sonorities 2018, SARS - Sonic Arts Research Center, Queens University, Belfast

    Bridges 2019 @ Anton Bruckner Private University

    The Performing Arts Conference 2011, Waterloo, Stratford, Canada   

   






content docu

ICMC 11
Huddersfield

ICMC 10
New York City

ICMC08
Belfast
 
ISEA08
Singapur

ICMC 07
Kopenhagen

NIME 07
New York City

ISEA 02
Nagoya, Japan