composer / media artist 

lecturer at the Bruckner-University, Linz, Austria

for music and media technology

department of Jazz / department of composition
 

students info

lecturer at the Kunstuniversität Linz

Advanced Audioviusal Interaction Project / Max Msp Jitter

education

1985/86 studies in Composition with André Dobrowolski, Younghi Pagh-Paan and Beat Furrer at The University of Music and Performing Arts in Graz, Austria. 

Masters Degree in composition 1995 , Magisterium 1997. 

2000-2001 researcher in computer music and media arts at Nagoya City University, Japan 

further education in Austria, Japan, Taiwan, Swiss, France, UK and others 
 

teaching

lectures/employments

since 2004 lecturer at the Kunstuniversität Linz, University of Artistic and Industrial Design

at the institute of media design  >  interface cultures

       

since 2004    audiovisual projects / Max Msp Jitter, I and II

past: 2004/05 hybride projects / Max Msp Jitter, 2005/06 programming I / audio programming

> Realtime Based Media

past: 2005/06    trans-media and inter-media strategies, 2006/07 digital media & audiory interfaces

 
since 1997 lecturer at Bruckner-University Linz, Austria for music- & media technology

1997-2001 and 2004, 2006/07 Studio for Advanced Music and Media Technology (SAMT)
since 2001 at the Institute for Jazz and Improvised Music
since 2003 at the Institute of Composition, Conducting and Music Theory

2006 lecturer at the University of Applied Sciences at Hagenberg
        for algorithmic art at Media Technology and Design / Digital Media

2003/04 guest professor at TNCA Tainan National College of the Art, Taiwan, Applied Music Department

1998 lecturer at the Institute for Musicology at the University in Graz/Austria for acousmatic & net-music

1992-99 lecturer at the Institute of Electronic Music IEM at the University of Music and Performing Arts in Graz (KUG), Austria

---> subjects of lectures
  

symposia, workshops and guest lectures

audiovisual interactivity and Max/Msp/Jitter
workshop at the Bergische Universität Wuppertal, organized by Wolfram Zwanziger,
Lehrstuhl für Visuelle Kommunikation (institut for visual communication), Prof. Hans Günter Schmitz
12th-14th July 2004

From Minimal to Audiovisual
lecture by Andreas Weixler and Se-Lien Chuang for Pusan Electronic Music Association 
November the 13th of 2003 at Dongeui University, Pusan, South-Corea

algorithmic composition and  computer environment 
21.4.2003 lecture at TNCA, Tainan National College of Art, Taiwan

computer music and audiovisal interactivity
22.4.2003 lecture at TNCA, Tainan National College of Art, Taiwan

lecture midi, audio and video with Max/msp/Jitter 
7th-9th of Februar 2003, Institut für Neue Musik an der Staatlichen Hochschule in Freiburg, Germany

audiovisual interactivity
7.5..2002  Weinberg Castle, education centre of Upper Austria, event of the Bruckner-Conservatory

audiovisual interactivity
5.+10. 12.2001, Institute of Electronic Music and Acoustics (IEM) at the University of Arts in Graz, Austria
lecture and workshop 

W O R K S H O P - M A X / M S P / N A T O/GEM objectoriented programing for audio, midi and video
13th of November 2001, National Taiwan University of Arts,  Taipeh, Taiwan 
in English translated into Chinese by Se-Lien Chuang 

M A X / M S P / NATO object oriented programming for audio, midi and video
16th - 17th of July 2001, Academy of Visual Arts Leipzig, Germany

computer music and media arts
19.01.2001 Nagoya City University - School of Design and Architecture, Japan, 
computer music, algorithmic composition, audiovisual interactivity together with Se-Lien Chuang in English with Japanese translation by Mikako Mizuno. 

Austrian contemporary composition 
30.11.2000 Aichi Prefectural University, Japan, Workshop about compositions by 
Furrer, Haas, Essl, Kühr, Mitterer, Neuwirth, Cerha, Haubenstock-Ramati, Kaufmann  Weixler & Chuang u.a. 

algorithmic composition & computer music
15.5.2000 Nagoya City University, Japan, 
algorithmic instrumental composition, electronic music, signal processing, interactivity, audiovisual composition and video together with  Se-Lien Chuang (Taiwan/A) , in English with Japanese translation 

object oriented programing with Max/msp
5.5.2000  Nagoya City University, Japan, 
basics in Max/msp, interactive audiovisual art work with X-pose and Max, multichanneling and localisation, algorithmic composition. (in English with Japanese translation.

aspects of electronic music in Austria
12.5.1999 Lünneburg, Germany, speech for the 21st international Studyweek of contemporary music 

1996-99Klangnetze, contemporary composition in Austrian schools, project of  ÖKS

institutions of electronic music  in Austria
June 1997 Brussels, Belgium, speech for the NICE, New International Community of Electroacoustic Music 

applied computer technology in composition
3.-7-11. 97 Workshop for algorithmic composition and digital Soundprocessing at the University of Music and Perfomring Arts, Instiute for Electronic Music, Graz/ Austria 

Sound Design und 3D Audio Environment
4-11.10 96 Workshop at the University of Design and Arts - Linz for AIAS international conference of Universites of Arts, in cooperation with ArchiMedia. 

contemporary arts & composition

ongoing performances of original compositions and music; projects in the areas of contemporary music, electronic music, jazz-related music, music theatre, contemporary theatre, dance performance and interactive and audiovisual media arts. 

over 100 international published compositions and media works 

List of Works

Details on selected works:

international art festivals, exhibitions, concerts, conferences & symposia:

1. Sense of Architecture, Symposion "Raum und Klang" Graz 2009
2. Internationales Symposion „Musik, Mathematik und Architektur“ Wien Modern 2009
3. SCCH, Hagenberg 2009
4. Sonic Intermedia, Ars Electronica Centre, Linz 2009
5. Odeion Kulturforum Salzburg 2009
6. Challenging Music, Dance and Performance: the Electronic Media, Symposium Kulturhauptstadt Linz 2009
7. V.NM Festival - Graz 2009 Alpenglühen II - Köln 2009
8. Jazz-Nite / ars electronica centre - Linz 2009
9. Sala Villa-Lobos, Rio de Janeiro - Brazil 2008
10. Santa Marcelina University, Sao Paulo - Brazil 2008
11. Centro Cultural, Morelia - Mexiko 2008
12. Music@Queen´s, SARC, Belfast, Nordirland 2008
13. Festival Internacional de La Habana, Havanna - Kuba 2008
14. Lange Nacht der Forschung, Linz, Österreich 2008
    
15. ICMC 2008, International Computer Music Conference @ SARC, Belfast, Northern-Ireland 2008
16. ISEA 08  - International Symposium on Electronic Arts, Singapore 2008
17. IWASEDAN 2008, Nagoya, Japan 2008
18. OPENHOUSE, IAMAS, Ogaki, Gifu, Japan 2008
19. Sound and Vision, Bruckner-University, Linz 2008
    
20. IGNM Festival Konzerthaus Vienna 2007
    
21. ICMC 07 - International Computer Music Conference, Copenhagen, Denmark 2007
    
22. NIME 07 - New Instruments for Musical Expression, New York 2007
23. V:NM Festival - Graz/Austria '07
24.  Beyond the Machine 07, The Juilliard School Technology Center, New York, 2007
25.  experimental intermedia  - portrait concert Weixler-Chuang, New York, USA 2006
26.  science conference of Upper Austria, Linz 2006
27.  electronic access @ Goldsmiths  - Portraitkonzert  Weixler-Chuang, London, UK 2006
28.  MAK, Microstories Austria, Vienna Österreich 2006
    
29. Porgy&Bess, Vienna 2005
30. Wien Modern, portrait concert Weixler-Chuang, collective identities,  2005
31.  Burgtheater, Vienna 2005
    
32.  ars electronica festival, Linz, Austria 2005
    
33.  real-time/non real-time electronic musis Festival in Basel / Swiss 2005
34.  Logothetis Project, Bruckneruniversity, Linz 2005
35.  5. v:nm festival, Graz, Austria 2005
    
36.  11th International Festival of Modern Art - Odessa - Ukraine 2005
37. UltraSchall - Berlin 2005
    
38. electronic access special asia Japan-Linz 2004
39. electronic access special asia Japan-Vienna 2004
    
40. Logos, Gent, Belgium 2004
41. Jazz Nite of the Bruckner-University, Linz, Austria 2004
    
42. JSEM 04 concert of the Japanese society of electronic music, Tokyo, Japan 2004
    
43. Busan International Digital Technology Music Festival, South-Corea 2003
44. SICMF 03 Seoul International Computer Music Festival, Seoul, South-Corea 2003
45. Museum of the Collection Essl, Klosterneuburg, Austria, 2003
    
46.  Künstlerhaus Wien, Austria, 2003
47. v:nm 03 festival, Graz, Österreich, 2003
48. TNCA, Tainan National College of Art, Taiwan, 2003
49. National Theatre Concert Hall in Taipeh, Taiwan 2003
50. Künstlerhaus Klagenfurt , Austria, 2003
51. ISEA 02 International Symposium on Electronic Art, Nagoya, Japan 2002
52. SICMF 02 Seoul International Computer Music Festival, Seoul, South-Corea 2002
53. HOTEL PUPIK 02, Festival Schrattenberg O(ffen).R(eal).F(undamental), Austria2002
54. Contemporanea, Vienna, Austria 2002
55. BK Jazz Nites, Linz, Austria 2002
56. Easter festival, Graz, Austria 2002
57. States of Mind - Musikverein, Vienna, Austria 2001
58. artport & Media Select, Nagoya, Japan 2001
59. Laval Virtual - Laval, France 2001 
60. V:NM Festival - Graz, Austria 2001
61. Nagoya City University - Nagoya, Japan 2001
62. Experimental Intermedia - New York, USA 2000
63. Festival Terza Prattica, Muziek onder stroom, Amsterdam, The Netherlands 2000
64. New International Community of Electroacoustic Music (NICE) 
65. SIBGRAPI  Video Festival, Gramado - Brazil 2000
66. Kentler International Drawing Space - New York , USA 2000
67. Durham Art Gallery - Canada 2000
68. Hörgänge -  Konzerthaus Vienna, Austria 2000
69. Center for Contemporary Art, Kyiv - Russia 2000 
70. Elektrokomplex - Vienna, Austria 99
71. Vexations, Linz, Austria - 99
72. Pusan Electronic Music Association -  South Corea 99
73. Musica Scienza, Centro Ricerche Musicali - Rome/Italy 99
74. Klangnetze - Graz 99
75. 21st International Weeks for Contemporary Music - Lüneburg/Germany 99 
76. V:NM Festival - Graz 99
77. Austrian National Exhibition - Knittelfeld 99
78. Atelier Konzert - Graz 99
79. Lange Nacht der Neuen Klänge - Festival Hörgänge - Vienna 99
80. Sumida Triphony Hall Tokio/Japan 98 
81. Sichuan Conservatory in Chengdu/ China 98
82. Tra Srittura ed Immagine, Villa Gori di Stiava, Massarosa, Italy 98
83. ElektroKomplex- Vienna 98
84. int. dance theatre festival - Graz 98
85. Tyrolean Conservatory - Innsbruck 98
86. Austrian Contemporary Music -Zürich/Swiss 98
87. Images Acoustiques - Bruckner-Conservatory Linz  98
88. Experimental Intermedia, NYC 98
89. Electroacoustic Music Festival EuCuE Montreal/Canada 98
90. Lambeart - Monestery St. Lambrecht 97
91. open music - Graz 97
92. ImageTanz - Vienna 97
93. European Electroacoustic Music Festival Brussels, Belgium 97
94. Nite of Jazz and Computermusic - Linz 97
95. Austrian Sound Check/ Steirischer Herbst 96
96. Zeitklänge - Berlin, Germany 96
97. Klangnacht Hartberg, Austria 96
98. Festival Absolute Musik - Allensteig, Austria 96
99. Festival Elektronischer Frühling -Vienna 96
100. Fete de la Musique Landhaushof Graz -95
101. Concertos de Musica Eletroacustica - Brazil 95
102. open music - Graz 95
103. Forfest - Brno/Tschech Rebublic 95 
104. baby-ars - Linz/Hagenberg  95
105. electronic access  - Graz 95 
106. Festival Elektronischer Frühling - Vienna 94
107. electronic access - Graz 93
108. 3. International Festival of Contemporary Music - Bogota, Columbia 93
109. Forfest - Kromeríc, Tschech Rebublic 92
110. die andere saite, Graz, Austria, 1990- today

cooperations with ensembles & solists

cooperations with other arts & media

CD ´s by/with Andreas Weixler:

Elektronischer Frühling (1998) Documentation of the festival concert series "Elektronischer Frühling"
original music: Eilene 

electronic access 95- die andere saite 1 (1996) producer and director of arts and organisation Andreas Weixler.
original music: Methabl 8.7.order

DAMA - DAMA II - die andere saite 2 (1996) original music: Idem I & Idem II minimal music for 4 percussionists 

Klangschnitte 2 (1994),
Live Recording of Corresponding Methal, for 2 percussionists, piano and electronics at electronic access 93 , order

Hermann Nitsch Orgien Mysterien Theater - Tag 5 (2000)
as performer of the electroacoustic part, samples & Synthesizer, Andreas Weixler & Se-lien Chuang

Beyond Noise and Haste (1994)
by Bor Turel; Andreas Weixler Co - Composer for  The Four Seasons    (SAZAS CD001)

ask for CDR with contemporary instrumental composition, computer music and live recordings: audio archiv  (text) 

mp3 files

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  books about Andreas Weixler

 Neue Zeitschrift für Musik book Mai/Juni 2002, Weixler-Chuang in "Symbiosen und Synergien" (symbiosises and synergies) in "composing in Austria (...)" by Bernhard Günther. 

Chunich Shinbun (japanese newspaper) review about living cave bei artport - media select 01 - Nagoya, Japan 2001 
on 27.10.2001

 Das Audiovisuelle Archiv Heft Nr. 39/40, December 1996, Gerald Trimmel 
  ISSN 1023-5787 pages 57 f about the CD electronic access 95 

 ACUSTICA, Elektronischer Frühling. Igor Lintz-Maues, Gerald Trimmel, 
 ISBN 3-9511380-0-0, Vienna 1995, pages 21 and 66 

 Ongaku Geijutsu, japanese music book series, September 1998, Mikako Mizuno, pages 74 ff 

 Lexikon zeitgenössischer Musik aus Österreich, (dictionary of contemporary composition in   Austria) Bernhard Günther (editor.), mica , 
 ISBN 3-901837-00-0, Wien 1997, pages 1132 ff 

Yearbook 1996/97 of the master class for Experimental Visual Design (Prof. Herbert Lachmayer) at the University of Design, page 97 
 

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writings by Andreas Weixler

The Yearbook of Nagoya City University-school of Design and Architecture 6, 2002, Introduction to design and architecture 6 

Including an article about the research of Andreas Weixler and Se-Lien Chuang in computer music and audiovisual interactivity: 
Interactive Musical Art in the Second Half of the Twenthieth Century and the NCU Project 2000 
by Mikako Mizuno, Andreas Weixler and Se-Lien Chuang,p 197 - 225, ISBN4-87797-040-1 

Master Thesis

The border of sound and noise through controlling of granular sound particles by means of an introduction and analysis of the composition Paramour for piano and chamber orchestra by Andreas Weixler, theoretical work, University of Arts in Graz, 1997. 
(original title: Die Grenze Ton-Geräusch durch Dichtesteuerung granularer Klangauswahl anhand einer Einführung und Analyse in das Werk Paramour für Klavier und Orchester) 
 

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