A t e l i er   A v a n t   A u s t r i a

c o m p o s i t i o n   &   m e d i a   a r t s

zeitgenössische Komposition, Computermusik, Video & interaktive Medienkunst
contemporary instrumental composition, computer music, video & interactive media arts

Andreas Weixler

English site

gehe zu deutscher Seite
go to Atelier Avant main site



composer / media artist 



events Atelier Avant media art 
projects by Weixler-Chuang
mp3  and mp4
audio and video files

 
electronic concert series



electronic access

sound & vision
audiovisual interactivity with Max/Msp/Jitter
conferences

ICMC 11 Huddersfield, UK

ICMC 10
Nyc

ICMC08
Belfast


ISEA08
Singapur


ICMC 07, Kopenhagen

NIME 07, New York


ISEA 02 in
composition


about my work

enumeration of work
public

 press

workshop
ries

lecturer at the Bruckner-University, Linz, Austria


for music and media technology

department of Jazz / department of composition
 


students info  


lecturer at the Kunstuniversität Linz

University of Artistic and Industrial Design 

Advanced Audioviusal Interaction Project / Max Msp Jitter

institute of media design

InterfaceCulture



gehe zu deutscher Version japanese chinese index of detailed curriculum  short curriculum vitae


contact:



Seoul
            LightingaleLightingaleLightingale audiovisual transformation, RFL figurerunning-figure-lantern interactive audiovisual instrumental theater

Waon Ouroboros Broken Bowl 4 Sonic Satie a crush on You


born in Graz , Austria  1963

composer, lecturer and media artist
for interactive audiovisual performance and installation, contemporary instrumental music, computer music, jazzrelated music, modern dance, contemporary theatre.
Special emphasis in audio visual interactivity and algorithmic composition, as well as electronic sound processing.
Cooperationen with other arts and media (applied and fine arts, modern dance and contemporary theatre, literature, video and tradtional asian music).


concerts in

in Austria, France, Denmark, Northern Ireland, England, Germany, Swiss, Belgium, Italy, Netherlands, Czech Republic,
Canada, Columbia, Brazil, Cuba, Costa Rica, Mexico, China, Singapore, Japan, Taiwan, South-Corea, Russia and USA

Broadcastings in Austria, Germany, Swiss, Netherlands, Hungary, Finnland, Belgium, Canada a.o.


Andreas Weixler

  1. studies
  2. lectures & workshops
  3. contemporary arts & composition
    1. list of works
    2. details on selected works
    3.  festivals and concert series
    4. cooperations with ensembles & orchestras
    5. cooperations with other arts & media
    6. CD ´s by Andreas Weixler
    7. books about Andreas Weixler
    8. mp3 and Real Audio files
  4. management
  5. awards,
  6. artist in residence
  7. promotions


education

1982 studies in Electrical Engineering at The Technical University of Graz, Austria with special emphasis in sound engineering 

1985/86 studies in Composition with André Dobrowolski, Younghi Pagh-Paan and Beat Furrer at The University of Music and Performing Arts in Graz, Austria. 

Masters Degree in composition 1995 , Magisterium 1997. 

2000-2001 researcher in computer music and media arts at Nagoya City University, Japan 

further education in Austria, Japan, Taiwan, Swiss, France, UK and others 
 

teaching

lectures/employments

current:

since 2004 lecturer at the Kunstuniversität Linz, University of Artistic and Industrial Design
at the institute of media design interface cultures
       
since 2004    audiovisual projects / Max Msp Jitter, I and II

past: 2004/05 hybride projects / Max Msp Jitter, 2005/06 programming I / audio programming

> Realtime Based Media
past: 2005/06    trans-media and inter-media strategies, 2006/07 digital media & audiory interfaces

 
since 1997 lecturer at Bruckner-University Linz, Austria for music- & media technology
1997-2001 and 2004, since 2006 Studio for Advanced Music and Media Technology (SAMT)
since 2008 director of Computer Music Studio
since 2001 at the Institute for Jazz and Improvised Music
since 2003 at the Institute of Composition, Conducting and Music Theory
2011 habilitation in Computer music and electroacoustic music, associate professor

past:
2006 lecturer at the University of Applied Sciences at Hagenberg
        for algorithmic art at Media Technology and Design / Digital Media

2003/04 guest professor at TNCA Tainan National College of the Art, Taiwan, Applied Music Department

1998 lecturer at the Institute for Musicology at the University in Graz/Austria for acousmatic & net-music

1992-99 lecturer at the Institute of Electronic Music IEM at the University of Music and Performing Arts in Graz (KUG), Austria


--->
subjects of lectures
  

symposia, workshops and guest lectures  (40)

40
workshop  "real-time music systems"
NCTU Workshop Andreas Weixler, Master Program of Music Technology,
National Chiao Tung University, Hsin Chu City Taiwan

Wednesday, 20th April, 1:30-5:30pm

39
lecture "realtime - non-realtime, interactive music systems"
NCTU, Master Program of Music Technology, computer music at the Music Institute,
National Chiao Tung University, Hsin Chu City Taiwan

April 19th, Tuesday 1:30 - 3.30

Musikalische Interaktionen in Wechselwirkung mit Raum und Architektur
15.12.2009     Sense of Architecture Symposion Raum und Klang, Künstlerhaus Graz, Austria
with Dieter Gutknecht, Andreas Weixler, Irene Suchy, Marion Wicher and Werner Jauk

Musikalische Interaktionen in Wechselwirkung mit Raum und Architektur
17. 11. 2009    Musik, Mathematik und Architektur, International Symposion in cooperation with WIEN MODERN, Konzertsaal am Rennweg, Wien
with Hartmut Krones, Helga de la Motte, Chou Wen-Chung, Andreas Weixler and others.

musical inspiration and digital concepts
31. 08. 2009 European Cultural Capital City Linz, Symposium and dance performance Challenging Music, Dance and Performance: the Electronic Media mit Helga de la Motte (Berlin), Elena Ungeheuer (Berlin), Johannes Goebel (Troy, USA), Christopher Salter (Montreal), Norah Zuniga Shaw (Columbus, USA), Henner Drewes (Salzburg) and Andreas Weixler (Linz) among others.

Improvisation nach interaktiven Grafiken – Im kreativen Spiel mit elektronischen Medien
24.2.2009  Linzer Improvisations Tage 23.-25. February 2009, Anton-Bruckner-Privatuniversität, Linz
        lectures: Vinko Globokar, Cordula Bösze, Christoph Cech, Michael Fischer,        
        Hannes Löschel, Karen Schlimp, Andreas Schreiber, Martin Stepanik, Andreas Weixler

Klang & Vision Ensemble Workshop Andreas Weixler & Se-Lien Chuang
9. und 10.2.2009 Week of Jazz, Jam and more 5.........Vision, Schloß Weinberg OÖ
        Institut JIM - Jazz und Improvisierte Musik, Anton-Bruckner-Privatuniversität, Linz

audiovisual realtime processes programming in Max Msp Jitter

09.10.2008    SARC  Workshop am SARC - Sonic Arts Research Centre, Queen´s University, Belfast, Nordirland

works of Weixler-Chuang, computer music and audiovisual realtime processes
08.10.2008    talk at SARC - Sonic Arts Research Centre, Queen´s University, School of Music and Sonic Arts Seminar Series Belfast, Northern Ireland  

audiovisual
computer music and realtime processes
14.07.2008    Gastvortrag und audiovisuelles Konzert, IAMAS gallery - IAMAS International Academy of Media Arts and Sciences, Ogaki, Gifu, Japan

computer music and audiovisual interactivity
06. 11.2006    Electronic Music Studios, Goldsmith College, University of London, Andreas Weixler & Se-Lien Chuang

Virtuoso Audiovisual Realtime Performance: The Colors of A Wooden Flute
29.07.2008    ISEA 2008 - International Symposium on Electronic Art in Singapore, 25th of July - 3rd of August 2008
artist presentation Andreas Weixler & Se-Lien Chuang

Improvised Instrumental Music and Computer Realtime Processes

07.08.2008    IWASEDAN 2008 International Workshop and Symposium for Environmental Design and Architecture in Nagoya,  Japan, 3.-9. August 2008
Nagoya City University, School of Design and Architecture, Sound Design Laboratory
artists presentation by Andreas Weixler and Se-Lien Chuang.

computer music and audio-visual interactivity
06. 11.2006    Electronic Music Studios, Goldsmith College, University of London, Andreas Weixler & Se-Lien Chuang

audiovisual interactivity

20.09.2005    CEMI, Center for Experimental Music and Intermedia
UNT - University of North Textas, College of Music, USA
The  Merrill Ellis Intermedia Theatre
Andreas Weixler & Se-Lien Chuang

audiovisual interactivity

15.09.2005    Owens Fine Arts Center, Meadows School of the Arts
SMU - Southern Methodist University, Division of Music, Texas, USA
Andreas Weixler & Se-Lien Chuang

musical instruments as interfaces
 05.09.2005    Mensch & Computer 2005, 5. interdisciplinary Conference
at the Johannes Kepler Universität Linz     4.-7.09.2005
art and sience - boarderline of the interactive art
InterfaceCulture Group: Christa Sommerer, Laurent Mignonneau, Robert Praxmarer, Martin Kaltenbrunner, Sabine Seymoure, Andreas Weixler and Se-Lien Chuang

Mag. Andreas Weixler und Mag. Se Lien Chuang: Musikinstrumente und deren zeitgenössische Spieltechniken als Interface zwischen Mensch und Computer


audiovisual interactivity
11. + 12.6.2005    lecture and Workshop, Andreas Weixler, guests: Se-Lien Chuang, Christoph Cech
Weinberg Castle in cooperation with JIM – Institute for Jazz and improvisedMusic of the Anton-Bruckner-Privat-University

multichannel computer music and audiovisual interactivity
04.11. 2004     electro acoustic music listening/ Elektroakustische-Musik-hören -"wichtig" Zyklus
at the Electronic Music Studio of the Technical University in Berlin, Germany
Se-Lien Chuang & Andreas Weixler

audiovisual interactivity and Max/Msp/Jitter
workshop at the Bergische Universität Wuppertal, organized by Wolfram Zwanziger,
Lehrstuhl für Visuelle Kommunikation (institut for visual communication), Prof. Hans Günter Schmitz
12th-14th July 2004

From Minimal to Audiovisual
lecture by Andreas Weixler and Se-Lien Chuang for Pusan Electronic Music Association 
November the 13th of 2003 at Dongeui University, Pusan, South-Corea
algorithmic composition and  computer environment 
21.4.2003 lecture at TNCA, Tainan National College of Art, Taiwan

computer music and audiovisal interactivity
22.4.2003 lecture at TNCA, Tainan National College of Art, Taiwan

lecture midi, audio and video with Max/msp/Jitter 
7th-9th of Februar 2003, Institut für Neue Musik an der Staatlichen Hochschule in Freiburg, Germany
audiovisual interactivity
7.5..2002  Weinberg Castle, education centre of Upper Austria, event of the Bruckner-Conservatory
audiovisual interactivity
5.+10. 12.2001, Institute of Electronic Music and Acoustics (IEM) at the University of Arts in Graz, Austria
lecture and workshop 

W O R K S H O P - M A X / M S P / N A T O/GEM objectoriented programing for audio, midi and video
13th of November 2001, National Taiwan University of Arts,  Taipeh, Taiwan 
in English translated into Chinese by Se-Lien Chuang 

M A X / M S P / NATO object oriented programming for audio, midi and video
16th - 17th of July 2001, Academy of Visual Arts Leipzig, Germany

computer music and media arts
19.01.2001 Nagoya City University - School of Design and Architecture, Japan, 
computer music, algorithmic composition, audiovisual interactivity together with Se-Lien Chuang in English with Japanese translation by Mikako Mizuno. 

Austrian contemporary composition 
30.11.2000 Aichi Prefectural University, Japan, Workshop about compositions by 
Furrer, Haas, Essl, Kühr, Mitterer, Neuwirth, Cerha, Haubenstock-Ramati, Kaufmann  Weixler & Chuang u.a. 

algorithmic composition & computer music
15.5.2000 Nagoya City University, Japan, 
algorithmic instrumental composition, electronic music, signal processing, interactivity, audiovisual composition and video together with  Se-Lien Chuang (Taiwan/A) , in English with Japanese translation 

object oriented programing with Max/msp
5.5.2000  Nagoya City University, Japan, 
basics in Max/msp, interactive audiovisual art work with X-pose and Max, multichanneling and localisation, algorithmic composition. (in English with Japanese translation.

aspects of electronic music in Austria
12.5.1999 Lünneburg, Germany, speech for the 21st international Studyweek of contemporary music 

1996-99Klangnetze, contemporary composition in Austrian schools, project of  ÖKS

institutions of electronic music  in Austria
June 1997 Brussels, Belgium, speech for the NICE, New International Community of Electroacoustic Music 

applied computer technology in composition
3.-7-11. 97 Workshop for algorithmic composition and digital Soundprocessing at the University of Music and Perfomring Arts, Instiute for Electronic Music, Graz/ Austria 

Sound Design und 3D Audio Environment
4-11.10 96 Workshop at the University of Design and Arts - Linz for AIAS international conference of Universites of Arts, in cooperation with ArchiMedia. 

 

contemporary arts & composition

style: 
starting with compositions of jazzrock, popular music, odd-rhythm and funk music I developed over minimal music, contemporary music and computer music up to interactive audiovisual media arts. 

ongoing performances of original compositions and music; projects in the areas of contemporary music, electronic music, jazz-related music, music theatre, contemporary theatre, dance performance and interactive and audiovisual media arts. 

over 130 international published compositions and media works 

List of Works

Details on selected works:

Seoul LightingaleLightingaleLightingale audiovisual transformation, running-figure-lanternrunning-figure-lantern interactive audiovisual instrumental theater 

Waon Ouroboros Broken Bowl 4 Sonic Satie a crush on You

Corresponding Methal , Glas Seele , Jade f.o.o.t. , Main!Waves , Plate du jour , Nichts 3.1 , szin 8 Atem , Die gepflückte Lotus


concerts& events


Kalender aktuell
Archiv 1999-2008
events 2001 Events 2k Konzerte 1999 Konzerte 1998 Konzerte 1997 Konzerte 1996 Konzerte 1995

international art festivals, exhibitions, concerts, conferences & symposia:

  1. ICMC Ljubljana, Slowenien 2012
  2. INTER/ACTIONS, Bangor, Wales, UK 2012
  3. ICMC - International Computer Music Conference, Huddersfield, UK 2011
  4. V:NM festival Graz, 2011
  5. JIM Faculty Tour, Porgy&Bess Wien, Jazzit Salzburg, Brucknerhaus Linz, 2011
  6. sound & vision IV -  KUNST:MUSIK, APBU, Linz 2010
  7. aNOther festival, Wien 2010
  8. Sonic Intermedia : UEA, intermedia concert, DeepSpace, ars electronica center, Linz 2010
  9. Alpenglow Festival, London 2010
  10. ICMC 2010, International Computer Music Conference in New York City and Stony Brook 2010
  11. Treffpunkt Neue Musik, ORF Studio OÖ, Linz 2010
  12. Sense of Architecture, Symposion "Raum und Klang" Graz 2009
  13. Internationales Symposion „Musik, Mathematik und Architektur“ Wien Modern 2009
  14. SCCH, Hagenberg 2009
  15. Sonic Intermedia, Ars Electronica Centre, Linz 2009
  16. Odeion Kulturforum Salzburg 2009
  17. Challenging Music, Dance and Performance: the Electronic Media, Symposium Kulturhauptstadt Linz 2009
  18. V.NM Festival - Graz 2009 Alpenglühen II - Köln 2009
  19. Jazz-Nite / ars electronica centre - Linz 2009
  20. Sala Villa-Lobos, Rio de Janeiro - Brazil 2008
  21. Santa Marcelina University, Sao Paulo - Brazil 2008
  22. Centro Cultural, Morelia - Mexiko 2008
  23. Music@Queen´s, SARC, Belfast, Nordirland 2008
  24. Festival Internacional de La Habana, Havanna - Kuba 2008
  25. Lange Nacht der Forschung, Linz, Österreich 2008
  26. ICMC 2008, International Computer Music Conference @ SARC, Belfast, Northern-Ireland 2008
  27. ISEA 08  - International Symposium on Electronic Arts, Singapore 2008
  28. IWASEDAN 2008, Nagoya, Japan 2008
  29. OPENHOUSE, IAMAS, Ogaki, Gifu, Japan 2008
  30. Sound and Vision, Bruckner-University, Linz 2008
  31. IGNM Festival Konzerthaus Vienna 2007
  32. ICMC 07 - International Computer Music Conference, Copenhagen, Denmark 2007
  33. NIME 07 - New Instruments for Musical Expression, New York 2007
  34. V:NM Festival - Graz/Austria '07
  35.  Beyond the Machine 07, The Juilliard School Technology Center, New York, 2007
  36.  experimental intermedia  - portrait concert Weixler-Chuang, New York, USA 2006
  37.  science conference of Upper Austria, Linz 2006
  38.  electronic access @ Goldsmiths  - Portraitkonzert  Weixler-Chuang, London, UK 2006
  39.  MAK, Microstories Austria, Vienna Österreich 2006
  40. Porgy&Bess, Vienna 2005
  41. Wien Modern, portrait concert Weixler-Chuang, collective identities,  2005
  42.  Burgtheater, Vienna 2005
  43.  ars electronica festival, Linz, Austria 2005
  44.  real-time/non real-time electronic musis Festival in Basel / Swiss 2005
  45.  Logothetis Project, Bruckneruniversity, Linz 2005
  46.  5. v:nm festival, Graz, Austria 2005
  47.  11th International Festival of Modern Art - Odessa - Ukraine 2005
  48. UltraSchall - Berlin 2005
  49. electronic access special asia Japan-Linz 2004
  50. electronic access special asia Japan-Vienna 2004
  51. Logos, Gent, Belgium 2004
  52. Jazz Nite of the Bruckner-University, Linz, Austria 2004
  53. JSEM 04 concert of the Japanese society of electronic music, Tokyo, Japan 2004
  54. Busan International Digital Technology Music Festival, South-Corea 2003
  55. SICMF 03 Seoul International Computer Music Festival, Seoul, South-Corea 2003
  56. Museum of the Collection Essl, Klosterneuburg, Austria, 2003
  57.  Künstlerhaus Wien, Austria, 2003
  58. v:nm 03 festival, Graz, Österreich, 2003
  59. TNCA, Tainan National College of Art, Taiwan, 2003
  60. National Theatre Concert Hall in Taipeh, Taiwan 2003
  61. Künstlerhaus Klagenfurt , Austria, 2003
  62. ISEA 02 International Symposium on Electronic Art, Nagoya, Japan 2002
  63. SICMF 02 Seoul International Computer Music Festival, Seoul, South-Corea 2002
  64. HOTEL PUPIK 02, Festival Schrattenberg O(ffen).R(eal).F(undamental), Austria2002
  65. Contemporanea, Vienna, Austria 2002
  66. BK Jazz Nites, Linz, Austria 2002
  67. Easter festival, Graz, Austria 2002
  68. States of Mind - Musikverein, Vienna, Austria 2001
  69. artport & Media Select, Nagoya, Japan 2001
  70. Laval Virtual - Laval, France 2001 
  71. V:NM Festival - Graz, Austria 2001
  72. Nagoya City University - Nagoya, Japan 2001
  73. Experimental Intermedia - New York, USA 2000
  74. Festival Terza Prattica, Muziek onder stroom, Amsterdam, The Netherlands 2000
  75. New International Community of Electroacoustic Music (NICE) 
  76. SIBGRAPI  Video Festival, Gramado - Brazil 2000
  77. Kentler International Drawing Space - New York , USA 2000
  78. Durham Art Gallery - Canada 2000
  79. Hörgänge -  Konzerthaus Vienna, Austria 2000
  80. Center for Contemporary Art, Kyiv - Russia 2000 
  81. Elektrokomplex - Vienna, Austria 99
  82. Vexations, Linz, Austria - 99
  83. Pusan Electronic Music Association -  South Corea 99
  84. Musica Scienza, Centro Ricerche Musicali - Rome/Italy 99
  85. Klangnetze - Graz 99
  86. 21st International Weeks for Contemporary Music - Lüneburg/Germany 99 
  87. V:NM Festival - Graz 99
  88. Austrian National Exhibition - Knittelfeld 99
  89. Atelier Konzert - Graz 99
  90. Lange Nacht der Neuen Klänge - Festival Hörgänge - Vienna 99
  91. Sumida Triphony Hall Tokio/Japan 98 
  92. Sichuan Conservatory in Chengdu/ China 98
  93. Tra Srittura ed Immagine, Villa Gori di Stiava, Massarosa, Italy 98
  94. ElektroKomplex- Vienna 98
  95. int. dance theatre festival - Graz 98
  96. Tyrolean Conservatory - Innsbruck 98
  97. Austrian Contemporary Music -Zürich/Swiss 98
  98. Images Acoustiques - Bruckner-Conservatory Linz  98
  99. Experimental Intermedia, NYC 98
  100. Electroacoustic Music Festival EuCuE Montreal/Canada 98
  101. Lambeart - Monestery St. Lambrecht 97
  102. open music - Graz 97
  103. ImageTanz - Vienna 97
  104. European Electroacoustic Music Festival Brussels, Belgium 97
  105. Nite of Jazz and Computermusic - Linz 97
  106. Austrian Sound Check/ Steirischer Herbst 96
  107. Zeitklänge - Berlin, Germany 96
  108. Klangnacht Hartberg, Austria 96
  109. Festival Absolute Musik - Allensteig, Austria 96
  110. Festival Elektronischer Frühling -Vienna 96
  111. Fete de la Musique Landhaushof Graz -95
  112. Concertos de Musica Eletroacustica - Brazil 95
  113. open music - Graz 95
  114. Forfest - Brno/Tschech Rebublic 95 
  115. baby-ars - Linz/Hagenberg  95
  116. electronic access  - Graz 95 
  117. Festival Elektronischer Frühling - Vienna 94
  118. electronic access - Graz 93
  119. 3. International Festival of Contemporary Music - Bogota, Columbia 93
  120. Forfest - Kromeríc, Tschech Rebublic 92
  121. die andere saite, Graz, Austria, 1990- today



cooperations with ensembles & solists

Slowind (Bläser Quintett Slowenien), JIM faculty (Austria),  Frank Stadler Quartett (Salzburg), Roots Ensemble (ICMC Belfast), Juilliard Electric Ensemble (New York), DissonArt Ensemble (Greece), Janus Ensemble (Vienna), sang sang (South Corea), Kuwayama-Kijima (Japan), pierrot lunaire ensemble, CFMW China Found Music Workshop (Taiwan), ContrastTRIO, Klangforum - Wien, szene instrumental, percussion DAMA - DAMA, Austrian Art Ensemble, Ensemble Für Neue Musik Zürich, various concerts with the concerts series die andere saite,

div. solists:
Pierre A Tremblay (Bass, UK) Lauren Hayes (prepared piano, UK), Xenia Pestova (toy piano, UK), Karlheinz Essl (m@ze°2, Austria), Se-Lien Chuang (bass recorder, interactive visuals), Faye Snowdon (flute, UK), Sioned Roberts (clarinet, UK), Richard Eigner (percussion, Austria), En-Ju Lin (Pipa, Taiwan) Wolfgang Schliemann (Schlagwerk, Deutschland), Martin Speicher (Saxofon, Deutschland), Ulrich Phillipp (Kontrabass, Deutschland), Ann Evans (UK) - saxophone, Heather Roche (UK/D) - clarinet, Elfi Aichinger, Andreas Schreiber, Christian Radovan, Annelie Gahl, Hermann Stangassinger, Vicky Chow (New York City), Hsin-Huei Huang, Pedro Rebelo, Franziska Schroeder, John Kenny, Gascia Ouzounian, Laoise Kelly (Irish harp), Ivan Goff (Irish pipes), Uli Fussenegger, Todd Reynolds (New York), Petra Ackermann, Petra Stump, Zsófia Szeghalmy, Rowland Sutherland (London), Se-Lien Chuang, Fabian Pollack, Judith Unterpertinger, Peter Herbert, Reinhard Micko, Pai Yu Ching (sheng) & Tsai Chen Yu (erhu), Martin Zrost, Kiyoharu Kuwayama, Rina Kijima, Kagusho Kitagawa, Michael Moser, Shinobu Ishizuki, Christine Svoboda, Sandra Kraus, Dagmar Hödl, Ruth Straub, Ulrike Stadler-Fromme, Arno Steinwider, Eva Bajic u.a.

cooperations with other arts & media

with Jodi Rose (Singing Bridge, Bangor 2012), Hermann Nitsch (Orgien-Mysterien Theater), Günther Eichberger (literature and realtime audio processing: Das Glück des Galeerensklaven 2002), Martin Zrost (Waon, interactive audiovisual improvisation at vnm 01) Mikako Mizuno und Kagusho Kitagawa, Se-Lien Chuang (audiovisual interactivity: The Story of Heike 2001, Nagoya, Japan), various projects with Se-Lien Chuang (audiovisual interactive installation: Living Cave 2001, video: Blue Elephant 1999, Trinity 1999, realtime processing: a crush on you 1999, O.zon 1997, u/hhua-ghua 1996, audiovisual interactivity: paper wedding 1999 u.v.a.m, ), Kuwayama-Kijima (audiovisual interactive improvisation, Japan 2001), Gertrude Moser-Wagner (video "Ouroboros" 2000, "Luftloch", 1997), Hermann Nitsch (Symphonie of Six Days 1999, Orgie-Mystery theatre, 1998), Projekttheater - Eva Brenner (contemporary theatre "Duras",1998, "Einsamkeit der Lust", 1996, workshop act now 1998, "Endspiel 2 Nichts-nothing" 1998, "Endspiel 3" 1998, Limits-no limits 1999), Luise Kloos Denkwerkstatt 1999, tanzbAAr- Eva Brunner (dance theatre, 1998), Anna Schrefl Cie (Tanz, 1997: LAMBEART-monestery St.Lambrecht and ImPuls - Vienna), Elio Gervasie Dance Company (dance theatre 1988), Dis-Moll - Klement/Steffen (Contact-dance, 1986), Flugfluchten - Katharina  Klement (music,dance and speech, 1987), Nikolaus Leytner  (film music,1980)

CD ´s by/with Andreas Weixler:

Kompositionsaufträge des Landes Steiermark (2001),
original music "Zerbrochene Schalen 1 - Geborgenheit", special bowed instrumental sounds for piano, marimba and string trio

Elektronischer Frühling (1998) Documentation of the festival concert series "Elektronischer Frühling"
original music: Eilene 

electronic access 95- die andere saite 1 (1996) producer and director of arts and organisation Andreas Weixler.
original music: Methabl 8.7.order

DAMA - DAMA II - die andere saite 2 (1996) original music: Idem I & Idem II minimal music for 4 percussionists 

Klangschnitte 2 (1994),
Live Recording of Corresponding Methal, for 2 percussionists, piano and electronics at electronic access 93 , order


Hermann Nitsch Orgien Mysterien Theater - Tag 5 (2000)
as performer of the electroacoustic part, samples & Synthesizer, Andreas Weixler & Se-lien Chuang


Beyond Noise and Haste (1994)
by Bor Turel; Andreas Weixler Co - Composer for  The Four Seasons    (SAZAS CD001)


ask for CDR with contemporary instrumental composition, computer music and live recordings: audio archiv  (text) 

mp3 files


  books about Andreas Weixler

Gerfried Stocker und Christine Schöpf (Hrsg.), >>Recollection in Every Sound - Audiovisual Interactive Improvisation<<. In: Hybrid-living in paradox, Ars Electronica 2005 - Festival für Kunst, Technologie und Gesellschaft Linz, 1. - 6. September 2005. Hatje Cantz Verlag 2005, ISBN 3-7757-1569-9, S. 308.

Andreas Auinger (Hrsg.), >>Musikinstrumente und deren zeitgenössische Spieltechniken als Interface zwischen Mensch und Computer - Mag. Andreas Weixler und Mag. Se-Lien Chuang<<. In: Workshop-Proceedings der 5. fachübergreifenden Konferenz Mensch und Computer 2005 Linz, 4. - 7. September 2005. Österreichische Computer Gesellschaft 2005, books@cog.at Band 197, ISBN 3-85403-197-1, S. 38.

Computer Music Journal, Vol 28, Number 2, Summer 2004, p 8, documentation of the Seoul International Computer Music Festival 2003
Mentioning of the contribution of Andreas Weixler and Se-Lien Chuang

ISEA2002 NAGOYA Steering Committee (Hrsg.),  >>Waon<<. In: ISEA 2002, 11th International Symposium on Electronic Art, Nagoya [Orai], October 27 - 31. 2002, Nagoya, Japan. S. 89f.

  Roland Foundation report 2002, p 28 (Japanese), audiovisual research of Chuang - Weixler at Nagoya City University - Japan 2000/01 

 Neue Zeitschrift für Musik book Mai/Juni 2002, Weixler-Chuang in "Symbiosen und Synergien" (symbiosises and synergies) in "composing in Austria (...)" by Bernhard Günther. 

Chunich Shinbun (japanese newspaper) review about living cave bei artport - media select 01 - Nagoya, Japan 2001 
on 27.10.2001

 Das Audiovisuelle Archiv Heft Nr. 39/40, December 1996, Gerald Trimmel 
  ISSN 1023-5787 pages 57 f about the CD electronic access 95 

 ACUSTICA, Elektronischer Frühling. Igor Lintz-Maues, Gerald Trimmel, 
 ISBN 3-9511380-0-0, Vienna 1995, pages 21 and 66 

 Ongaku Geijutsu, japanese music book series, September 1998, Mikako Mizuno, pages 74 ff 

 Lexikon zeitgenössischer Musik aus Österreich, (dictionary of contemporary composition in   Austria) Bernhard Günther (editor.), mica , 
 ISBN 3-901837-00-0, Wien 1997, pages 1132 ff 

Yearbook 1996/97 of the master class for Experimental Visual Design (Prof. Herbert Lachmayer) at the University of Design, page 97 
 


writings by Andreas Weixler

   
    Article: Virtuoso Audiovisual Real-Time Performance
    by Andreas Weixler & Se-Lien Chuang
    in the book: Interface Cultures, Artistic Aspects of Interaction
    Christa Sommerer, Laurent Mignonneau, Dorothée King (eds.)
    transcript Verlag, August 2008, ISBN 978-3-89942-884-1
    infos


   
    ISEA 08 proceedings - International Symposium on Electronic Arts in Singapore,
    paper publication: Virtuoso Audiovisual Real-Time Performance
    by Andreas Weixler & Se-Lien Chuang
    as book and CD-Rom



The Yearbook of Nagoya City University-school of Design and Architecture 6, 2002, Introduction to design and architecture 6 

Including an article about the research of Andreas Weixler and Se-Lien Chuang in computer music and audiovisual interactivity: 
Interactive Musical Art in the Second Half of the Twenthieth Century and the NCU Project 2000 
by Mikako Mizuno, Andreas Weixler and Se-Lien Chuang,p 197 - 225, ISBN4-87797-040-1 


Master Thesis

The border of sound and noise through controlling of granular sound particles by means of an introduction and analysis of the composition Paramour for piano and chamber orchestra by Andreas Weixler, theoretical work, University of Arts in Graz, 1997. 
(original title: Die Grenze Ton-Geräusch durch Dichtesteuerung granularer Klangauswahl anhand einer Einführung und Analyse in das Werk Paramour für Klavier und Orchester) 
 

management

2009-2010 organizing Sonic Intermedia media concert series at ars electronica center, DeepSapce, Linz
2008-2011 organizing sound and vision concert series for Bruckner-University, Linz
2006 organizing electronic access @ Goldsmiths, Music Department of the University of London in collaboration with the Electronic Music Studios at Goldsmiths College
2004 organisation of the concerts with the Japanes Society of Electonic Music - JSEM in Austria (Vienna and Linz), electronic acess - special Asia Japan
1995-2004 member of the directors board of GEM- The Society of Electroacoustic Music - Austria 
2000 consulting of the Austrian contribution to the 26th Pusan international Computer Music Festival in South-Corea 
1999 programing of the Austrian contribution to the 21st international week of contemporary composition in Lüneburg/BRD 
1999 consulting of the Austrian contribution to the 25th Pusan international Computer Music Festival in South-Corea 
1999 organisation of the Atelier Konzert - Graz 99 for die andere saite, IEM and Atelier Avant 
1998 Elektrokomplex, European Conference of Electroacoustic Music, Vienna 1998 
1995/96 chairman of the composers union, die andere saite -Graz/Austria 
1992-1996 member of the directors board of the composers union, die andere saite -Graz/Austria 
1996 producer of the CD "electronic access 95", coproducer of the CD "die andere saite 2" 
1992-98 editor of the publication series, "Beiträge zur Elektronischen Musik" (Contributions to Electronic Music); 
1995 program director and organisation of "electronic access 95", concert ofelectronic, electroacoustic and experimental music under the auspices of die andere saite, IGNM and the opera house Graz 
1993 program director and organisation of "electronic access 93", concert of electronic, electroacoustic and experimental music under the auspices of die andere saite, IGNM and ORF Styria. 

awards

 2000/01 Japan Foundation  Fellowship Program 
1996 Austrian National Scholarship for Composition 
 1993 Arts Award of Music of the City of Graz 
 1979  Austrian Youth Price in Music, Mentioning for the Trilogie "Fensterträume" 

selection for international conferences

    2011  ICMC Huddersfield, UK - International Computer Music Conference
    2010  ICMC New York City - International Computer Music Conference
    2008    ICMC Belfast - International Computer Music Conference
    2008    ISEA Singapore - International Symposium on Elctronic Arts
    2007    ICMC Copenhagen - International Computer Music Conference
    2007    NIME New York - New Instruments for Musical Expression Conference
    2002    ISEA Nagoya - International Symposium on Elctronic Arts
 

artist in residence

deutsch 


2008 July/Aug
composer in residence

scholarship of the province of Styria
SARC - Sonic Arts Research Centre
Queen's University Belfast, Northern Ireland
Ashley Ave - algorithmic composition for piano solo
sarcastic system - dynamic 32-channel audio diffusion system
sarcastic momentum - audiovisual interactive ensemble improvisation
2008 Sept/Oct
visiting researcher

scholarship of the province of Styria
IAMAS - International Academy of Media Arts and Sciences, Ogaki, Gifu, Japan
       
       
I always whisper to them - audiovisual realtime interaction
IAMANIAC Session I + II
Oktober 2004 - Februar 2005
electroacoustic production, Max/Msp/Jitter Programming
electronic studio of the TU-Berlin (Technical University) artist in residence
für Pi, electroacoustic composition
Interlude for Pi and Io, interactive audiovisual improvisation (Max/Msp/Jitter) with Se-lien Chuang. Premiere at UltraSchall - Berlin 2005
2000 Oktober - 2001 April special research in computermusic and media arts Japan Foundation Fellowship at Nagoya City University, School of Design and Architecture, Japan  Living Cave and others. premieres in New York (USA), Nagoya  (Japan) and Laval (France)
2000 April-May special research in computermusic and audiovisual composition   Nagoya City University, School of Design and Architecture, Japan reserach
1999 composer in residence Sheffield University Sound Studio (SUSS), England  A crush oon You, Broken Bowls 4 - Talk, div. world wide presentaions
1997 14th Artists Meeting LAMBEART  in the monestery of St. Lambrecht /Styria , Austria TeleXie for Dance, O.zon for piano and interactive computer system, div. premieres
1996 artist in residence at SAMT Studio for Advanced Music and Media Technology at Bruckner conservatory Linz / Software Park Hagenberg, Austria "SoundBarrier" Premiere 
  15.10.96 Austrian Sound Check/ Styrian Autmn 
1996 composer in residence at UEA Studios of the University of East Anglia    in Norwich, England  "Jade f.o.o.t" div. world wide presentations.
1996 composer in residence at Electroacoustic Music Studios University of Birmingham Music Department, BEAST Birmingham Electro Acoustic Theatre, England "Jade f.o.o.t" div. world wide presentations. 
1996 guest at the Institute for Elektroacoustic Music at the University of Music,    Vienna "u/hhua-ghua" für präp. Klavier und ISPW/NeXT Computer, Premiere 23.4.96 Festival Elektronischer Frühling 96, Wien 
1994 guest composer at the Institute for Electronic Music, at the University of Music,   Graz.  CR-Ferenz/ taio suru  Premiere 14.6.94 Wien, Festival Elektronischer Frühling 94 
1992/93 guest composer  at the Instiute for Electronic Music, at the University of Music,   Graz
Methabl 2.5 computermusic, Premiere 14.4. 93 3. International Festival of contemporary Music, Bogotá/ Columbien 

commissions and promotions

2007 SKE Fonds, commission of I am from the Universe and you know what it´s worth for 14 instruments and audiovisual interactive computersystem
2006 SKE Fonds, commission of Das Kichern der silbernen Flöte for flute and audiovisual computersystem
2005 scholarship of the Austrian cancelors office/ section for art (composition)
2003/04  selection for composer in residence together in Berlin by  the Styria Government
2003 commission of Thomastik-Infeld, Projekt-Theater Wien-New York , Music for theatre on Werner Schwab literature
2003 support of Seoul International Computer Music Festival (Corea), and a concert series in Taiwan by SKE Fonds (commission of Seoul Lightingale), The Austrian Embassy in Seoul, City of Graz, The Province of Upper Austria, The Province of Styria
2002 commission of the Austrian cancelors office/ section for art (composition) together with Se-Lien Chuang 
2000 comission of the AsianCultureLink for a contemporary composition for traditional chinese instruments for Taiwanese Ceiphon Ensemble (China Found Music Workshop), premiere 5.4.2000 Konzerthaus Wien 
2000 commission of the Austrian cancelors office/ section for art (composition) 
1998 Thomastik-Infeld, Projekt-Theater Wien-New York , Music for theatre "nichts - no thing - SUNDER WARUMBE", Premiere 09-10.11.1998 Kulturzentrum Minoriten Graz 
1998 Styrian government for "Zerbrochene Schalen 1" for arco-piano, Marimba and strings, Premiere 22.06.1998 Grazer Burg, Weißer Saal 
1998 Thomastik-Infeld, Projekt-Theater Wien-New York, music for theatre "Echo des   Schweigens", Premiere 11.2.-21.2.98 Konzerthaus Vienna 
1996 Projekt-Theater Wien-New York, Theater Music for theatre    "Einsamkeit der Lust" Premiere 3-13.10.96 WUK Theater Wien 
1993 Corresponding Methal, On behalf of the Austrian Ministery für Education and Arts. Premiere 17.11.93 electronic access, Broadcasting and CD-Production 
1992 Selection to the seminar Composition & Analysis in Film Music  with Ennio Morricone at the Academy of Music in Basel/Schweiz 
1992 selection for the seminar UPIC (Paris) at the Institute for Electroacoustic Vienna, scholarship by the University for Music, Graz 


(always under construction...), 07.06.2011