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enumeration of compositions

 

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instrumental music 
computer music 
interactive music
music video
arts video
animation video
audio-visual composition

Se-Lien Chuang    a  - home -


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2007
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2009 2010 2011 2012
2013
2014
2015
2016 2017




- 2017-

Enhanced Phenotype_Figura, interactive Score (iScore) for multiple computer, audiovisual realtime composition for open ensemble, 2017, by Andreas Weixler & Se-Lien Chuang with Figura ensemble, 20´, (premičre) 15.05.2017, concert hall of The Royal Danish Academy of Music, in the framework of NIME conference 15.05.2017- 18.05.2017 Copenhagen, Denmark

gula huset, mehrkanal elektroakustische Komposition, 2017, 07´24´´, realisiert im VICC_Alpha Studio, Visby/Gotland, Schweden.


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- 2016-

Interlude for Pi and Io, for extended piano, voice, realtime audio und video processing, 2016, 12´, Se-Lien Chuang, arco-piano, realtime video processing; Andreas Weixler, multichannel audio processing, (premičre) 17.12.2016, in the framework of Artist in Residence Program, Polukružna dvorana Teatra &TD, Studentski Centar, Zagreb/Croatia

The Colours of A Wooden Flute, version Music with the Real,  2006/2016, ca. 6´(premičre) 06.12.2016, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, in the framework of Symposium: Music with the Real, Leicht über Linz _Festival for New Music, Kleiner Saal, ABPU/Linz

Austrian Improvisers Orchestra, with STIO - Styrian Improvisers Orchestra, Vienna Improvisers Orchestra and GIS Orchestra Wels, 2015, ca. 6´, (premičre) 25.11.2016, Se-Lien Chuang, director/conductor, Stockwerk Jazz/Graz, in the framework of 20th anniversary party of V:NM

Interlude for Pi and Io, for extended piano, voice, realtime audio und video processing, 2016, 12´, Se-Lien Chuang, arco-piano, realtime video processing; Andreas Weixler, multichannel audio processing, (premičre) 10.10.2016, in the framework of Symposium Media Art and the Art Market Symposium, Sonic Lab, ABPU/Linz

Interlude for Pi and Io, for extended piano, realtime audio und video processing  2006/2016, 10´58´´(premičre) 29.09.2016, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, in the framework of ERASMUS presentation at Königliche Musikhochschule in Stockholm/Sweden

The Colours of A Wooden Flute, version Stockholm,  2006/2016, 07´55´´ (premičre) 29.09.2016, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, in the framework of ERASMUS presentation at Königliche Musikhochschule in Stockholm/Sweden

Interlude for Pi and Io on fire, for extended piano, voice, realtime audio and video processing, 2016, 12´, Se-Lien Chuang, arco-piano, voice, realtime video processing; Andreas Weixler, multichannel audio processing, (premičre)16.09.2016, selected work for ICMC 2016 - International Computer Music Conference in Utrecht, The Netherlands, Tivoli Vredenburg, Hertz concert hall with 8 channel Omniwave sound system

Momentum TonArt SMC, audiovisual realtime improvisation, 2016, 11´50´´, with Ensemble TonArt Hamburg, (premičre) 01.09.2016, in the framework of SMC -  Sound and Music Computing Conference, Kampnagel, Hamburg/Germany

VICC_variation_4.6, 20.2 ch version, multichannel electroacoustic composition, 2015, 06´08´´, (premičre) 10.09.2016, in the framework of Ars Electronica Festival at CMS Produktionsstudio, ABPU/Linz

The Colours of A Wooden Flute, version ISEA Hongkong,  2006/2016, 10´40´´(premičre) 20.05.2016, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, selected work in the framework of ISEA - International Symposium on Electronic Arts, CMC Theatre, Hongkong City University’s Creative Media Centre/Hongkong

The Colours of A Wooden Flute, audiovisual transformation, 2006/2016, 6´08´´, (premičre) 10.05.2016, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, in the framework of the workshop Design & Research, FH Joanneum/Graz

Largo, for soprano, mezzo-soprano and piano, 2015, 04´31´´, Nataša Mirković, soprano; Dagmar Anna Hödl, mezzo-soprano; Heimo Puschnigg, piano, (premičre) 28.04.2016, Les Lieds - in series of the concerts d.a.s. - die andere saite (Verein zur Förderung neuer Musik in Graz/Austria) Minoritensaal/Graz

Vom Rufen, for soprano, mezzo-soprano and piano, 2015, 02´30´´, Nataša Mirković, soprano; Dagmar Anna Hödl, mezzo-soprano; Heimo Puschnigg, piano, (premičre) 28.04.2016, Les Lieds - in series of the concerts d.a.s. - die andere saite (Verein zur Förderung neuer Musik in Graz/Austria) Minoritensaal/Graz

for ovocutters, for cembalo and accordion, 2016, 10´40´´, Christoph Hofer, accordion; Sonja Leipold, cembalo, (premičre) 10.02.2016, in the framework of DUOS VI: OVOCUTTERS, Alte Schmiede/Vienna

You can leave the Capsule, David,  for extended piano, bass recorder, voice and multichannel live electronics, 2016, ca. 30´, Agnes Heginger, voice; Se-Lien Chuang, piano, bass recorder; Andreas Weixler, electronics, (premičre) 15.01.2016, Open Space in the framework of JIM Jazz Nite, Kleiner Saal, ABPU/Linz

You can leave the Capsule, David,  for extended piano, bass recorder, voice and multichannel live electronics, 2016, ca. 40´, Agnes Heginger, voice; Se-Lien Chuang, piano, bass recorder; Andreas Weixler, electronics, (premičre) 11.01.2016, in series of the concerts Lost&Found in Strengen Kammer, Porgy&Bess/Vienna


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- 2015-

Momentum Seppo, audiovisual interactive performance, 2015, 14´52´´, by Andreas Weixler & Se-Lien Chuang with Seppo Gründler at extended guitar, (premičre) 14.12.2015, Sonic Lab / ABPU, in the series of CMS concert & talk #5 with special guest Seppo Gründler „Once I was a guitarist"

The Colours of A Wooden Flute, audiosual transformation, 2006/2015, 6´08´´(premičre) 05.11.2015, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, in the framework of IGNM - Internationale Gesellschaft für Neue Musik_Forum Zeitgenössisches Musikschaffen Kreiere -Komponiere, Aktionstag des Oberösterreichischen KomponistInnenbundes,
Mittlerer Saal, Brucknerhaus/Linz

Momentum LSU, audiovisual interactive performance, 2015, 17´, by Andreas Weixler & Se-Lien Chuang with Hans Leeuw at electrumpet, (premičre) 03.06.2015, Shaver Theatre of LSU Music & Dramatic Arts Building, selected work in the framework of NIME - The 15th New Interfaces for Musical Expression May 31 - June 4 2015, at LSU Louisiana State University, Baton Rouge/LA, USA

In Front Of The Nail, audiovisual interactive performance, 2015, 23´20´´, with Se-Lien Chuang - piano; voice, Damir Prica Kafka – sax; Andreas Weixler - live electronics, e-guitar; Josef Klammer – drums, (premičre) 21.05.2015, Stadtpark Forum Graz in the framework of V:NM festival 21.-24. May 2015

Momentum Double Fancy, audiovisual realtime transformation for viola , iPad and piano, 2015, by Se-Lien Chuang & Andreas Weixler with Johannes Kretz, electronics and Wei-Ya Lin, viola, ca.12´, (premičre) 30.04.2015, in series of the concerts Double Fancy, Alte Schmiede,Vienna

temptation, for quartet and multichannel electroacoustics, 2015, 7´, (premičre) 30.04.2015, Wei-Ya Lin, viola; Andreas Weixler, e-guitar; Johannes Kretz, i-bass; Se-Lien Chuang, piano, in series of the concerts Double Fancy, Alte Schmiede, Vienna

orchis blossom, video and electroacoustic composition, 2015, 6´57´´, (premičre) 30.04.2015, in series of the concerts Double Fancy, Alte Schmiede, Vienna

The Colours of A Wooden Flute, audiovisual transformation, 2006/2015, 6´08´´(premičre) 30.04.2015, Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler - realtime audio processing, in series of the concerts Double Fancy, Alte Schmiede,Vienna

Heaven on fire, for saxophone, accordion, percussion, piano and multichannel electronics, 2015, 10´39´´, (premičre) 29.04.2015, in series of the concerts Studio Fugu - ensemble for contemporary music, Großer Saal at Anton Bruckner Private University Linz

interlude for Pi and for Io,  interactive audiovisual  improvisation, 2006/15, 10´50´´, Se-Lien Chuang: arco-piano, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, (premičre) 23.04.2015, Sonic Lab, SARC - Sonic Arts Research Centre, Sonorities Festival, Queens University, Belfast/Nordirland

Austrian Improvisers Orchestra, with STIO - Styrian Improvisers Orchestra, Vienna Improvisers Orchestra and GIS Orchestra Wels, 2015, ca.11´, (premičre) 11.04.2015, Se-Lien Chuang, Dirigat, FORUM STADTPARK, Graz

Momentum nyc, audiovisual interactive performance, 2015, by Andreas Weixler & Se-Lien Chuang in cooperation with NYC and Boston musicians, 12´30´´, (premičre) 17.02.2015, Austrian Cultural Forum in the framework of Andreas Weixler & Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances

  incidere, for e-guitar, multichannel electroacoustics & live electronics, 2014/15, 7´53´´, Mike Frengel - e-guitar Se-Lien Chuang - composition, electronics; Andreas Weixler - live electronics,  (premičre) 17.02.2015, Austrian Cultural Forum in New York in the framework of Andreas Weixler & Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances

  Welches Deine Seele begründe / Of which your soul was constitued, for violoncello, tape and live electronics, 2011/15, ca. 10´, (premičre) 17.02.2015, Austrian Cultural Forum in New York in the framework of Andreas Weixler & Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances

  Nowhereland, for extended piano, bass clarinet, multichannel electroacoustics and live electronics, 2014/15, 8´12´´, Marianne Gythfeldt - bass clarinet; Se-Lien Chuang - composition, extended piano; Andreas Weixler, live electronics, (premičre) 17.02.2015, Austrian Cultural Forum in New York in the framework of Andreas Weixler & Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances


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- 2014-

incidere, for e-guitar, multichannel electroacoustics & live electronics, 2014, 7´55´´, premičre 17.02.2015, Austrian Cultural Forum in New York, Mike Frengel, e-guitar; Se-Lien Chuang, electronics; Andreas Weixler, live electronics, within the scope of Andreas Weixler & Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances


Nowhereland, for extended piano, bass clarinet, multichannel electroacoustics and live electronics, 2014, 8´, premičre 17.02.2015, Austrian Cultural Forum in New York, Marianne Gythfeldt, bass clarinet; Se-Lien Chuang, extended piano, electronics; Andreas Weixler, live electronics, within the scope of Andreas Weixler & Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances


Horchen, performance-related algorithmic composition for CEUS computer-operated grand piano, interactive light and live electronics, 9´ 40´´, premičre 24.11.2014, Klavierhaus Merta Linz, interactive Light: Se-Lien Chuang, live electronics: Andreas Weixler, within the scope of CMS CEUS Project - research week for guests of CMS and students of computer music, music- and medien technology of the ABPU


Momentum Frengel, interactive improvisation for e-guitar, extended piano and live electronics, 10´26´´, premičre 17.11. 2014, Kleiner Saal, ABPU/Linz, Se-Lien Chuang, piano, interactive visual; Andreas Weixler, multichannel audio processing; Mike Frengel, e-guitar, in series of CMS-talks-concerts Mike Frengel "prepared guitar and electronics"


cited raw, in 2 movements, for oboe and lupophon, ca. 5´, premičre 08.10.2014, Christopher Redgate: oboe & lupophon, ACF - Austria Cultural Forum London/UK, within the scope of call for composition commission for Christopher Redgate


Impromptu, for oud and electronics, 2011/14, ca. 6´, premičre16.09.2014, Theodoros Karras: tampoura, Onassis Cultural Center Upper Hall, Athen, within the scope of ICMC - International Computer Music Conference in Athen/Greece,14.09. - 20.09.2014


STIO_Croatia_Zargreb, with THE BIG STIOCRIO ORCHESTRA, 2014, 11´25´´, premičre 31.08.2014, Se-Lien Chuang, conductor & vocal, Museum of contemporary arts in Istria, Pula/Croatia,  in series of the concerts V:NM Festival „Styria meets Croatia“ Alpenglow/Styria meets Croatia, Pula 28.-30. 08. 2014


STIO_Croatia_Pula, with THE BIG STIOCRIO ORCHESTRA, 2014, 7´10´´, premičre 30.08.2014, Se-Lien Chuang, conductor & vocal, Museum of contemporary arts in Istria, Pula/Croatia, in series of the concerts V:NM Festival „Styria meets Croatia“ Alpenglow/Styria meets Croatia, Pula 28.-30. 08. 2014


AlpenGlow Croatia, interactive comtemporary improvisation concept with algorithmic electronics, 24´36´´, Andreas Weixler: live electronics & e-guitar, Se-Lien Chuang: piano, vocal, Seppo Gründler: e-guitar, Josef Klammer: drums , 2014, premičre 29.08.2014, Museum of contemporary arts in Istria, Pula/Croatia, Alpenglow/Styria meets Croatia, Pula 28.-30. 08. 2014


ignition 50 for ELAK, 16-kanal electroacoustic composition for 55 speakers Acousmonium, 2014, ca. 8´09´´, premičre 21.06.2014,  within the scope of 50 years jubilee of the education of electroacoustic music in Vienna - ELAK - 50 years Institute for composition and electroacoustics, Anker Expedithalle Vienna


Momentum NYCEMF, audiovisual interactive performance, 2014, by Andreas Weixler & Se-Lien Chuang in cooperation with violinist Adrianna Mateo,  ca.12´, premičre 8.6.2014, im Playhouse, Abrons Center New York City  within the scope of NYCEMF - New York Electroacoustic Music Festival 2014


ignition, for Kontrabassblockflöte and electronics, 2014, 8´27´´, premičre 30.05.2014, in series of the computer music concerts Sound & Vision  8 - react, Kleiner Saal at Anton Bruckner University Linz


STIO_Graz, 2014,  ca. 12´48´´, premičre 06.05.2014, Stockwerk/ Graz, Styrian Improvisers Orchester meets Croatia, Se-Lien Chuang, Dirigat & Stimme in series of the concerts STIO_Styrian Improvisers Orchestra, Styria/Austria


Abendröte, 2014,  ca. 5´11´´, premičre 29.4.2014, Cubus Kulturzentrum Minoriten/ Graz, in series of the concerts IGNM Styria (International Association for New Music Section Styria/Austria)


STIO_Spoken Words, 2014, ca. 12´48´´, premičre 01.04.2014, Stockwerk/ Graz, special guest: Ivana Sajko, Grazer Stadtschreiberin, Se-Lien Chuang, conductor & vocal in series of the concerts STIO_Styrian Improvisers Orchestra, Styria/Austria


mind mapping I, II, III, IV, for septet, 2014, 11´18´´


The Colours of a Wooden Flute, Boston, for bass recorder, interactive audiovisual composition/improvisation, 2006/14, 7´11´´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 23.02.2014, Fenway Center at Northeastern University, Boston/USA, within the scope of portrait concert Weixler&Chuang Virtuoso Chances


Welches Deine Seele begründe/Of which your soul was constitued, for violoncello, playback and live electronics, 2011/14, ca. 10´, premičre 23.02.2014 Fenway Center at Northeastern University, Boston/USA, within the scope of portrait concert Weixler & Chuang Virtuoso Chances


Momentum Boston, audiovisual interactive performance, 2014, by Andreas Weixler & Se-Lien Chuang in cooperation with Boston musicians, ca.12´, premičre 23.02.2014, Fenway Center at Northeastern University, Boston/USA, within the scope of portrait concert Weixler & Chuang Virtuoso Chances



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- 2013-

as it is_for gut string 4, 2013,  ca. 7´10´´, (programmed premičre) 27.11.2013, Kulturzentrum Minoriten/ Graz, in series of the concerts d.a.s.(Verein zur Förderung neuer Musik in Graz/Austria)


interlude for Pi and for Io,  interactive audiovisual  improvisation, 2005/13, ca.6’,  Se-Lien Chuang: arco-piano, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 14.11.2013, Fachhochschule Nordwest-schweiz, Brugg


The Colours of a Wooden Flute, Vienna, for bass recorder, interactive audio-visual composition/improvisation, 2006/13, ca. 10´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 14.11.2013, Fachhochschule Nordwestschweiz, Brugg


Momentum NOVARS, audiovisual interactive performance, 2013, von Andreas Weixler & Se-Lien Chuang in cooperation with NOVARS,  ca.10´, premičre 14.10.2013, SonicIntermedia NOVARS - intermedial computer music concert series with emphesis on NOVARS im DeepSpace des AEC - Ars Electronica Centre Linz


Wetterleuchten, Virtuoso Chances - return home, video and electroacoustic composition, 2013, 7´33´´, premičre 14.10.2013, composition: Andreas Weixler, video: Se-Lien Chuang, SonicIntermedia NOVARS - intermedial computer music concert series with emphesis on NOVARS im DeepSpace des AEC - Ars Electronica Centre Linz


impromptu for yang-chin_océan Indien, video and electroacoustic composition, 2013, 6´10´´, premičre 14.10.2013, SonicIntermedia NOVARS - intermedial computer music concert series with emphesis on NOVARS im DeepSpace des AEC - Ars Electronica Centre Linz
 

impromptu for yang-chin, multichannel electroacoustic composition, 2013, 6´, premičre 17.07.2013, NOVARS Research Centre for Electroacoustic Composition, Performance and Sound-Art, SAHC, The University of Manchester, Manchester/UK


half a century,  for brass quintett, 2013,  ca. 7´10´´, premičre 06.03.2013, Kulturzentrum Minoriten/ Graz,  in series of the concerts d.a.s. (Verein zur Förderung neuer Musik in Graz/ Austria)


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- 2012-

as it is, for Viola Solo, 2012/13, ca. 7´10´´


Momentum Leeds, audiovisual realtime transformation for bass recorder, flute, vibraphone and piano, 2012, by Andreas Weixler & Se-Lien Chuang, ca. 10 min, premičre 14.12.2012, iFIMPaC - The International Festival for Innovations in Music Production and Composition, Leeds College of Music, UK, 13.-14.12. 2012


coincident synchrisis I, II, III, for 7 instruments and sensor-live-electronics, 2012, by Se-Lien Chuang, Sound director: Se-Lien Chuang, realtime audio processing: Andreas Weixler, interactive sensor system: Johannes Kretz, ca. 17 min, premičre 09.12. 2012, Palais Kabelwerk, Vienna, sensor - live-electronics - dance - project of the ensemble xx. jahrhandert, conductor: Peter Burwik


Catch the Beatles Catch the Cage, for 6 Toy Pianos, 6 iContuctors and interactive iGing - Videoprojektion, 2012, by Se-Lien Chuang and Andreas Weixler, 5´15´´, premičre 02.12.2012, Toy Piano World Summit in series of the Good Luck Rainy Days 2012, 24.11 - 02.12.2012 Festival de Musique Nouvelle Philharmonie Luxembourg


con amore, in 4 movements, for Chambre d'écoute (piano forte/piano, oboe/oboe d‘amore/english horn, violoncello), trio concert - piano forte, 2012, by Se-Lien Chuang, ca.15 min, premičre 26.11.2012, Kulturzentrum Minoriten/ Graz, in series of the concerts d.a.s. (Verein zur Förderung neuer Musik in Graz/ Austria)


Double Fancy Momentum, audiovisual realtime transformation for 2 bass clarinet and piano, 2012, by Se-Lien Chuang & Andreas Weixler, ca. 14 min, premičre 23.11.2012, Alte Schmiede, Vienna


Double Fancy, for clarinet-duo, multichannel electroacoustics and live electronics, 2012, Sound director: Se-Lien Chuang, live electronics: Andreas Weixler, 4´56´´, premičre 23.11. 2012, Alte Schmiede, Vienna


The Colours of a Wooden Flute, Vienna, for bass recorder, interactive audiovisual composition/improvisation, 2006/12, ca. 10´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthese, Max/MSP/Jitter, premičre 23.11.2012, Alte Schmiede, Vienna


tweaks for es, for es-clarinet solo, 2012, 4´56´´


moments musicaux,  for mezzosopran and accordion, 2008/2012, ca. 8´, premičre 09.11.2012, Großer Saal, Bruckner University/Linz,  the "Fest for New Music" IGNM Upper Austria


Momentum BEAST, audiovisual interactive performance, 2012, by Andreas Weixler & Se-Lien Chuang in cooperation with BEER,  ca.12´, premičre 29.10.2012, Sonicintermedia BEAST - intermedial computer music concert series with emphesis on BEAST im DeepSpace des AEC - Ars Electronica Centre Linz


Jade f.o.o.t., video, electroacoustic composition and Sound diffusion, 1996/2012, 5´40´´, premičre 29.10.2012, composition: Andreas Weixler, video: Se-Lien Chuang, Sonicintermedia BEAST - intermedial computer music concert series with emphesis on BEAST at DeepSpace des AEC - Ars Electronica Centre Linz


Secret Momentum, interaction, 2012, ca.11´, premičre 12.10.2012, violin: Barbara Lüneburg, bass recorder, vocals: Se-Lien Chuang, multichannel audio processing: Andreas Weixler, Favoriten Modern - musicale


  for Slowind, for woodwind quintet and live electronics, 2012, by Se-Lien Chuang and Andreas Weixler, 15´10´´, premičre 11.09. 2012, Kino Siska, Laibach in series of the ICMC - International computer Music Conference Non-Cochlear Sound (09.09. - 14.09. 2012)


The Tides, in 4 movements, 2012, instrumentation: flute, bassoon, saxophone, violoncello, and double bass, 16´24´´, premičre 20.06. 2012, Kulturzentrum Minoriten/ Graz, in series of the concerts d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


SpectraSonic Trombones, audiovisual realtime composition/improvisation, by Andreas Weixler, Se-Lien Chuang, ca. 8 min, premičre 14. 05. 2012, Porgy & Bess, Vienna


in and out - for Menai Singing Bridge, for singing bridge, toy piano, bass recorder and live electronics, 2012, by Jodi Rose, Andreas Weixler, Se-Lien Chuang, Xenia PestovaBangor 2012, ca. 60 min, premičre 12.04.2012, Bridgemasters House, Menai Suspension Bridge, INTER/actions symposium, Bangor, UK, April 10.-12. 2012


Enhanced Phenotype, interactive Partitur (iScore) for multipel computer, audiovisual realtime composition for open ensemble,  2012, from Andreas Weixler & Se-Lien Chuang, ca. 10´, premičre 12.04.2012, Powis Hall, School of Music, Bangor University, INTER/actions symposium, Bangor, UK, April 10.-12. 2012


the giants causeway - the days fly, for piano quintet, in 2 movements, 2012, instrumentation: violin, viola, violoncello, double bass and piano, (1. movement: 4 min 36 sec, 2. movement: 6 min 20 sec), premičre 19.03.2012, 3raum-Anatomietheater Vienna, in series of dialogue concert of the 16. edition of Lauschergreifend live des ÖKB - Austrian Composer League and the ensemble xx. jahrhandert


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- 2011 -

  Welches Deine Seele begründe / Of which your soul was constitued, for violoncello, playback and live-electronics, 2011, ca. 10´, premičre 21.11 .2011 Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


The Colours of a Wooden Flute, Stratford, for bass recorder, interactive audiovisual composition/Improvisation, 2006/11, ca. 5´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 30.09.2011,Challenging Digital Media: The Performing Arts Conference, University of Waterloo, Stradford Campus, September 28-30, 2011, Canada


Momentum Huddersfield, audiovisual realtime Ttansformation for bass recorder, clarinet and saxophone, 2011, ca. 10´, premičre 04. August 2011 in St Paul's Huddersfield, UK in concert series of ICMC - International computer Music Conference Huddersfield UK (31. 07. - 05.08. 2011)


Impromptu, for pipa and electronics, 2011, ca. 6´, premičre 01.07.2011 XIX Randspiele Festival Panketal/Berlin 01.07.- 03.07. 2011


A Reminiscence of Pipa, for Pipa and electronics, 2011,  9´  14´´, composer: Tseng Yu-Chung, interactive Visuals: Chuang Se-Lien, premičre 24.06.2011 in Nanhai Gallery of the National Taiwan Arts Education Center in Taipei, Taiwan


  I got reason for you, for violin solo, 2011, 4´51´´, premičre 04.05. 2011, Kulturzentrum Minoriten/ Graz,  in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


the borderline of random coincidence,  Graz, for flute, piano, bass recorder, audiovisual Interaction-contemporary improvisation concept with algorithmic electronics and video projection, 2011, Se-Lien Chuang: bass recorder, piano, computer; Andreas Weixler: computer; Rowland Sutherland: flute. ca. 37´ 29´´, premičre 07. 04. 2011, Theater im Bahnhof Graz, V:NM Festival 07.04 -10.04. 2011 Graz



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- 2010 -

the giants causeway - the days fly,  for piano quartet, 2010, 4´ 27´´


The Colours of a Wooden Flute, Vienna, for bass recorder, interactive audio-visual composition/ improvisation, 2006/10, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime audio processing, ca. 6´, premičre 13. 11. 2011, aNOther festival, music, performance and arts of the next generation at Palais Kabelwerk, Vienna


chance, for piano solo, uo, multichannel electroacoustics and live electronics, 2010, 06´ 16´´, premičre 08.11. 2010, Kulturzentrum Minoriten/Graz, in concert series of  d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


momentum, for Instrumentalisten and computer performer, audiovisual composition/improvisation and Sound spatialization, 2010, ca. 15´, Anton Lukoszevieze: cello, Simon Waters: flute, electronics, Ed Perkins: wine glasses, electronics, Bill Vine: wine glasses, electronics, Se-Lien Chuang: visuals, Max/MSP/Jitter,bass recorder, Andreas Weixler: sarcastic system, multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 18.10.2010, UEA - intermedia computer music conert series with focus on UEA in DeepSpace of AEC - Ars Electronica Centre Linz


Dichte4Dichtl, multichannel electroacoustic music & visual composition, 2010, 10´12´´, premičre 18.10.2010, intermedia computer music conert series with focus on UEA in DeepSpace of AEC - Ars Electronica Centre Linz


die Augenblicke in seinen Händen, multichannel electroacoustic music & visual composition, 2010, 10´48´´, premičre 18.10.2010, intermedia computer music conert series with focus on UEA in DeepSpace of AEC - Ars Electronica Centre Linz


Alpenglow VNM_2. movement, audiovisual interaction - contemporary improvisation concept with algorithmic elektronic and video projecion, Andreas Weixler: computer, Se-Lien Chuang: piano, computer, Rowland Sutherland: flute, 2010, ca. 20´, premičre 25. 09. 2010, Votex/London, Alpenglow/ Styria meets UK, London 24.-26. 09. 2010


Alpenglow VNM _1. movement, , audiovisual interaction - contemporary improvisation concept with algorithmic elektronic and video projecion, Andreas Weixler: computer, Se-Lien Chuang: piano, computer, Rowland Sutherland: flute, 2010, ca. 20´, premičre 25. 09. 2010, Votex/London, Alpenglow/ Styria meets UK, London 24.-26. 09. 2010


Streichquartett in three movements, 2010, 9´48´´, premičre 22.April.2010 Graz, Kulturzentrum bei den Minoriten in concert series of  d.a.s.(die andere saite)



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- 2009 -

die Zeit danach, for (contra-)basson duo, multichannel electroacoustics and live electronics, 2009, 13´ 43´´, premičre 07.12. 2009, Kulturzentrum Minoriten/Graz, in concert series of  d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


The Colours of a Wooden Flute, Hagenberg, for bass recorder, interactive audiovisual composition/ improvisation, 2006/09, ca. 5´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 10.11.2009, Software Competence Center Hagenberg - 10 years anniversary


sarcastic momentum, Belfast, for Instruments and computer performer, audiovisual composition/ improvisation and Sound spatialization, 2009, ca. 5´, Franziska Schröder: sax, Pedro Rebelo: piano, Se-Lien Chuang: visuals, Max/MSP/Jitter, Andreas Weixler: Sarcastic System, multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 19.10.2009, SARC -  intermedia computer music conert series with focus on SARC in DeepSpace des AEC - Ars Electronica Centre Linz


die Wege entstehen im Gehen -  Semi Studie,  multichannel electroacoustic music & visual composition, 2008, 9´, premičre 19.10.2009, intermedia computer music conert series with focus on SARC in DeepSpace of AEC - Ars Electronica Centre Linz


Phenomenon,  interactive score for orchestra and audiovisual elektronics, Weixler-Chuang, 2009, ca. 15´, premičre 25. July 2009, in opening program of the Salzburger Festspiele,  in Odeion Kulturforum Salzburg


seuil de saturation, for sextette, 2009, 4´08´´, premičre 05.June 2009, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


Fügung, audiovisual interaction with 3 pianos - contemporary improvisation concept with algorithmic elektronic and video projecion, Weixler-Stepanik-Chuang, 2009, ca. 15´, premičre 05. Mai 2009, at concert series Sound and Vision  3 - double concert - electronics <--> 3 pnos,  Kleiner Saal, Anton Bruckner Privat University, Linz


SpectraSonic VNM, audiovisual interaction - contemporary improvisation concept with algorithmic elektronic and video projecion, 2009, ca. 20´, premičre 14. April 2009, IEM / Graz, opening concert 7. V:NM Festival, Graz 16.-18. April 2009


SpectraSonic VNM, audiovisual interaction - contemporary improvisation concept with algorithmic elektronic and video projecion,  2009, ca. 30´, premičre 10. March 2009, LOFT/Köln, alpen:glühen II / styria meets cologne
Cologne 9.-11. March 2009


SpectraSonic JIM, audiovisual interaction - contemporary improvisation concept with algorithmic elektronic and video projecion, 2009, ca. 20´, premičre 13. February 2009, Sky Media Loft AEC - Ars Electronic Centre, Linz, Jazz-Nite, eine Veranstaltung from institute JIM -Jazz and Improvised Music Anton Bruckner Privat University, Linz, in cooperation with Jazzzeit, Ars Electronica Centre and Ö1


I got reason, for 3 percussion, 2009, 3´ 02´´, premičre 20.03.2009, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


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- 2008 -
sarcastic momentum, Belfast, for Instruments and computer performer, interactive audiovisual composition/improvisation, 2008, ca. 10´, Franziska Schröder: sax, Pedro Rebelo: piano, Miguel Ortiz: trumpet, Cavan Fyans: laptop, SuperCollider, David Bird: voice, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: sarcastic system, multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 09.10.2008, SARC - Sonic Arts Research Centre, concert series "Music @ Queen's", Queens University, Belfast/Northern Ireland (live stereo mp3, 4ch ogg)


die Wege entstehen im Gehen - Semi Studie  multichannel electroacoustic piece, 2008, 9´, premičre 09.10.2008, SARC - Sonic Arts Research Centre, concert series "Music @ Queen's", Queens University, Belfast/Northern Ireland (studio stereo mp3)


The Colours of A Wooden Flute, Belfast, for bass recorder, interactive audiovisual composition/improvisation, 2006/08, ca. 15´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre 09.10.2008, SARC - Sonic Arts Research Centre, concert series "Music @ Queen's", Queens University, Belfast/Northern Ireland (live stereo mp3, 4ch ogg)


  the giants causeway  for piano solo, 2008, 4´ 40´´, premičre  14.03.2009, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/Austria)


I am from the universe and you know what it´s worth  audiovisual realtime composition/improvisation from Andreas Weixler & Se-Lien Chuang for `Roots´ ensemble, irish traditional and contemporary instruments with bass recorder solo, 2008, premičre  29.8.2008 Whitla Hall, QUB, ICMC 2008 (24.-29. 08), Belfast/Northern Irland
 

I always whisper to them  audiovisual realtime interaction - numerical creation,
(2008), artist(s): Andreas Weixler, Se-Lien Chuang and Kiyoharu Kuwayama, ca. 25´, premičre  02.08.2008, at OPENHOUSE (2.-3. 08), IAMAS, Ogaki, Gifu/Japan


Elektronische Studie  for percussion solo  and audio realtime processing, 2008, 12´36‘”, premičre  30.05.2008, at concert Sound and Vision  II - musical inspiration and digital concepts, Anton Bruckner Privat University, Göllerichsaal, Linz


moments musicaux  for mezzo-soprano and strings trio, 2007/ 08, ca. 8´, premičre  24.1.2008, A Day In Live - lyrics to the time of day, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


J’écoute marcher... for 13 instruments, video projection & live electronics, 2007/ 08,  16´30”,  premičre  11.1.2008, Göllerichsaal Anton Bruckner Privat University,  in concert series of Sound and Vision (audio excerpt: 8m, mp3)



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- 2007 -

who is who  for double bass solo, CD-player and live electonics, 2007,  6´5”,  premičre  27.10.2007, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


The Colours of A Wooden Flute, Copenhagen, for bass recorder, interactive audiovisual composition/ improvisation, 2007, ca. 15´, Se-Lien Chuang: bass recorder,  visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  29.08.2007, Huset i Magstrćde, ICMC Copenhagen/Denmark


for Reynolds  interactive audiovisual improvisation for Violine and computer system, 2007, ca. 12´, Todd Reynolds: Violine, Se-Lien Chuang: interactive visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  8.06.2007, NIME 07, Frederick Loewe Theater, NYU/ New York


for DissonArt  for DissonArt ensemble, 2007, minimum ca. 5´, premičre  03.05.2007, Thessaloniki/ Griechenland, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


  "...demonstrandum"   interactive audiovisual composition/ improvisation for arco-piano and computer system, 2007, ca. 30´, Se-Lien Chuang: Konzept, arco-piano, audiovisual Interaktion, Wolfgang Musil: Elektronics, premičre  20..04.2007, ESC labor/ Graz  in series of des V:NM Festivals 07


Hetz  audiovisual composition for piano, 2007, 4’ 26”, visual composition by Se-Lien Chuang, audio composition by Andreas Weixler, premičre  11.04-13.04.2007 with the Juilliard Electric ensemble (Director: Edward Bilous) at the Juilliard Music Technology Center NYC



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- 2006 -

ohne Worte - ein Trauermarsch  for (bass-) clarinet, viola and harp, 2006/ 07, minimum 4´ 33´´, premičre  07.03.2007, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)


The Colours of A Wooden Flute, New York, for bass recorder, interactive audiovisual composition/ improvisation, 2006, ca. 15´, Se-Lien Chuang: bass recorder,  visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  15.12.2006, Experimental Intermedia NYC


audiovisual realtime Prozesse and spontanes Komponieren im ensemble  interactive audiovisual composition/improvisation with students of Anton Bruckner Private University Linz, 2006,  ca. 10´, Se-Lien Chuang: visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  20.11.2006, Johannes Kepler University, 2. Upper Austria Conference of Sciences -Wissen schaf(f)t Zukunft


interlude for Pi and for Io   interactive audiovisual  improvisation, 2006, ca.6’,  Se-Lien Chuang: arco-piano, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  06.11.2006, Great Hall, Goldswithhs College, London


The Colours of A Wooden Flute, London, for bass recorder, interactive audiovisual composition/improvisation, 2006, ca. 10´, Se-Lien Chuang: bass recorder,  visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  06.11.2006, Great Hall, Goldswithhs College, London
   

Das Kichern der silbernen flute  for flute (also piccolo), interactive audiovisual composition/ improvisation, 2006, ca. 12´, Rowland Sutherland: flute (also piccolo), Se-Lien Chuang: visuals, Max/MSP/Jitter, SuperCollider, Andreas Weixler: multichannel realtime granular synthesis, Max/MSP/Jitter, premičre  06.11.2006, Great Hall, Goldswithhs College, London


Percussion for 4  for 4 percussion players, 2006, 4´ 30´´, premičre 10.03.2008, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria)



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- 2005 -

Rooming 2 for das Janus Eesemble  ensemble improvisation, electroacoustic altered by Andreas Weixler, Se-Lien Chuang and Josef Novotny, 2005, ca. 40´, premičre 13.12.2005, Porgy and Bess Vienna


Rooming 3 for das Janus ensemble  sequences of selected fragments of pieces by Luna Alcalay, Christian Mühlbacher, Wolfgang Kubizek, Hans Steiner, Doug Hammond and Fabian Pollack, reassembled and audiovisual spatial interpreted by Se-Lien Chuang and Andreas Weixler, 2005, ca. 38´ , premičre 13.12.2005, Porgy and Bess Vienna


Erinnerung in jedem Laut  interactive audiovisual instrumental composition/ improvisation, 2005, ca.15 min, Se-Lien Chuang: yang-qin, vocal, visuals, Max/msp/Jitter, Andreas Weixler: multichannel real-time granular synthesis, Max/msp/Jitter, premičre 05. 09. 2005, Sky Media Loft, AEC - Ars Electronica Centre Linz, Ars Electronica


Doppelconcert - Erinnerung in jedem Laut / interlude for Pi and for Io interactive audiovisual instrumental composition/ improvisation, 2005, 30 min, Se-Lien Chuang: yang-qin, piano, visuals, Max/msp/Jitter, Andreas Weixler: multichannel real-time granular synthesis, Max/msp/Jitter, premičre 25. 05. 2005, ESC Labor, V:NM Festival for New Music 25. -28. 05.2005 Graz


zum Kirschblütenfest  8-channel computer music composition, 2005, 10 min 26 sec, premičre 05.- 07. 05. 2005, Hidden Museum, Fraxern/Feldkirch, feast of cherry blossom
 

die Heimkehrende  in two movements for Oboe solo, 2004/ 05, 6 min 22 sec


interlude for Pi and for Io   interactive audiovisual improvisation, 2005, 6 min,  Se-Lien Chuang: arco-piano, visuals, Max/msp/Jitter, Andreas Weixler: multichannel realtime-Granularsynthese, Max/msp/Jitter, premičre 17. 01. 2005, Sophiensaele, Berlin/Germany, Ultraschall - Festival for New Music


for Io   8-channel computer music composition, 2005, 6 min 26 sec , premičre 17. 01. 2005, Sophiensaele, Berlin/Germany, Ultraschall - Festival for New Music
  


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- 2004 -

Erinnerung in jedem Laut  interactive audiovisual Instrumentalcomposition/ Improvisation, 2004, ca.10’, Se-Lien Chuang: Yan-Zin, visuals, Max/msp/Jitter, Andreas Weixler: multichannel realtime-Granularsynthese, Max/msp/Jitter, premičre 15. 12. 2004, Jägersaal, Anton Bruckner Privat Universität Linz, electronic access


Erinnerung in jedem Laut  interactive audiovisual Instrumentalcomposition/ Improvisation, 2004, ca.12’, Se-Lien Chuang: Yan-Zin, visuals, Max/msp/Jitter, Andreas Weixler: multichannel realtime-Granularsynthese, Max/msp/Jitter, premičre 12. 12. 2004, Radiokulturhaus, ORF Vienna, electronic access


die Heimkehrende  for oboe solo, 2004,  6 min


Erinnerung in jedem Laut  interactive audio visual instrumental composition/ improvisation with Andreas Weixler (Max/msp/Jitter), 2004, 15 min, premičre 23. 09.2004, Logos Tetrahedron, Gent/Belgium, concert series of the Logos Foandation


Erinnerung in jedem Laut  interactive audio visual instrumental composition/ improvisation with Andreas Weixler (Max/msp), 2003, 16 min , premičre 10. 03.2004, Sumida Triphony Hall, Tokio/Japan, concert of JSEM, Japanese Society of Electroacoustic Music



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- 2003 -
     
for ensemble Triade  for 2 oboes and english horn, 2003, 10 min 09 sec , premičre 07.12.2003  Haus der Frauen/St. Johann bei Herberstein/Austria


infinity op.1 -op.4  arts video, 2003, 7 min 14 sec,  music by Andreas Weixler, premičre 03.12.2003 in Busan International Digital Technology Music Festival/South Korea (video: infinity op.1)


Horch! Der Duft der Blüten läutet nach  concert version, 8-channel ADAT piece, 2003,  15 min 20 sec, premičre 07-11.11.2003 Seoul/South Korea, KNUA Hall of the Korean National Univerity of Arts,  in seires of Seoul Internationalen computer Music Festival - KEAMS 2003


  Lightingale  audio visual interactive performance by Se-Lien Chuang & Andreas Weixler, 2003,  60 min, premičre 22.10.2003 Klosterneuburgl/Austria, Museum Sammlung Essl, in concert series of react_chain


Horch! Der Duft der Blüten läutet nach  tape music, 2003,  20 min 40 sec, premičre 09.07.2003, Innsbrucker Seegrube (1900m)/Tirol, composition commission by Stadtmuseum Innsbruck, in series of project “Ruheraum” exhibition by the City of Innsbruck of celebrating the 75th anniversary of the Nordkettenbahn funicular system which is in the Tyrolean Alps/Austria

Cross-over  audio visual interaction by Se-Lien Chuang & forum::for::umläute + nap, ca. 30 min, premičre 30.05.2003, Graz CUBE IEM, in concert series of the V:NM Festival 03


  a visual crush on You  for yan-zin, computer and visual sampler, premičre 27.04.2003, National Theater Concert Hall in Taipeh, in concert series of the TNCA, Tainan National College of Art, Taiwan


liquid pendulum  for clarinet, cello and piano, 2003, 4 min 10 sec, premičre 25.04.2003, Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Föderung neuer Musik in Graz/Austria)


Hör‘n  Sie sich das an!  real-time Sound synthesis, 2003,  7 min, premičre 11.3.2003, electroacoustics Report 2 in concert series of  IEM CUBE



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- 2002 -

Algotetrix  algorithmic composition, 2002, minimal 3 min, premičre10.12.2002, electroacoustics Report 1 in concert series of IEM CUBE


running-figure-lantern  interactive audio visual instrumental theatre by Se-Lien Chuang & Andreas Weixler,  2002, 25 min,  premičre 30.10.2002, Garden Pier in Port of Nagoya, ISEA 2002 - The 11th International Symposium on Electronic Art


In der Mitte der Hängebrücke erreichte mich der Ruf des Kuckucks  8-channel ADAT piece ,  2002,  5 min 12 sec, premičre 25.09.2002, Seoul/South Corea, Opera Workshop Hall, Sookmyung Women‘s University, in sereis of the Seoul Internationalen computer Musik Festivals - KEAMS 2002


In großen Takten singt das Meer  for 2 pianos, 2002, 15 min, premičre 12.11.2002, Minoritensaal Graz, in concert series of d.a.s.(Verein zur Föderung neuer Musik in Graz/Austria)

In der Mitte der Hängebrücke erreichte mich der Ruf des Kuckucks string trio for violin, viola and violoncello, 2002, 12 min, premičre 29.05.2002, Minoritensaal Graz, in concert seires of d.a.s.(Verein zur Föderung neuer Musik in Graz/Austria)

Yo-Yo tape music, 2002, 38 min 49 sec

subject of canon tape music, 2002, 18 min 46 sec



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- 2001 -

In dem Zeitfluß  for 13 Instruments, 2000/01, 10 min 42 sec, premičre 26.11.2001, Graz Minoritensaal, in ceoncert series of the University for music and Dramatic Arts Graz/Austria November 2001

living cave  interactive audio visual installation by Se-Lien Chuang with Max/msp by Andreas Weixler, premičre 26.- 04.11.2001 Nagoya, artport 01/mediaselect 2001 Japan
 

Lebens-lauf  audio visual composition by Se-Lien Chuang, visuals: Se-Lien Chuang & Joseph Taucher, 2001, 45 sec, published 14.10.2001,  CD-R Marathon 2001 commission by Werkstadt Graz
 

24-05-01 for prepared piano, e-guitar & computer by Se-Lien Chuang and Seppo Gründler, 24 min, premičre 24.05.2001, Graz CUBE IEM in series of V:NM Festival 01
 

a crush on You  for yan-zin solo with CD-player, computer and video projection, premičre 24.05.2001, Graz CUBE IEM in sereis of V:NM Festival 01

living cave  interactive audio visual installation by Se-Lien Chuang with Max/msp by Andreas Weixler, premičre 16.- 20.05.2001, Laval Virtual and VRIC (Virtual Reality International Conference) France
 

the Story of Heike interactive audio visual narrative performance by Mizuno/ Kitagawa/ Chuang/ Weixler, 14 min 22 sec, premičre 16.02.2001 Nagoya,  Sound Design Lab/Nagoya City University Japan  


a crush on You  interactive improvisation for yan-zin (Se-Lien Chuang) and computer (Andreas Weixler), premičre16.02.2001 Nagoya, Sound Design Lab/Nagoya City University Japan

a
living cave  interactive audio visual installation by Se-Lien Chuang with Max/msp by Andreas Weixler, ca. 11´, premičre 19.01.2001 Nagoya,  Sound Design Lab/Nagoya City University Japan


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- 2000 -
a
„Ich höre wandern in ...“  for xiao, sheng, pipa and guhzeng, 2000, 4 min 41sec, premičre 05.04.2000 Vienna, Concerthall in series of concerts of Hörgänge Festivals 2000
 

„... in meinen Beinen“   for daraun, yan-zin, erhu and percussion, 2000, 5 min 15 sec, premičre 05.04.2000 Vienna, Concerthall in series of concerts of Hörgänge Festivals 2000
 

DEN FLUSS ANSCHAUEN arts video by Getrude Moser Wagner(A) with music by Se-Lien Chuang, 2000,  7 min 27sec, premičre 5.5.2000 Vienna, Stadtpark/Vienna in series of "Fest der Flüsse"
 

Aloe acutissima  for Violin Solo, 2000, 4 min, premičre 16.06.2000 Graz, Botany Garten cactus concert of d.a.s.(die andere saite)
 

Trio for mezzosopran, oboe & violoncello, 2000, 4 min 15sec, premičre 16.06.2000 Graz, Botany Garten cactus concert of d.a.s.(die andere saite)
 

In dem Zeitfluß (in dem fließenden Flüstern)  for 15 Instruments, 2000, 9 min
 

in die Weite eines flüsternden Gebetes blicken  tape piece, 2000, 7 min 36 sec, premičre 06.10.2000 Süd Korea, Concert Hall of Kyzng Sung University, in series of concerts of the 6. international festival in computermusic of Pusan Eletronic Music Association Performance Süd-Korea
 

Lauf-auf  audiovisual composition, 2000, 55 sec, published 08.10.2000,  CD-R marathon 2000 with commission of Werkstadt Graz
 

Streichquartett  in zwei Sätze, 2000, 6 min 37 sec, premičre 20.10.2000 Graz, Kulturzentrum bei den Minoriten, in series of d.a.s. concerts (die andere saite)
 

die Reisende quartet for sopran, (alt) flute, engl. horn & percussion, 2000, 10min, commission by Styria Government 2000

living cave audiovisual improvisation, 15 min, premičre 15.12.2000 New York, Experimental Intermedia NYC


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- 1999 -
a 
Jasmin II for alt-flute and marimba, 1999, 4 min 25 sec, premičre 20.04.1999 Graz, Kulturzentrum bei den Minoriten in series of concertsn d.a.s.(Verein zur Föderung Neuer Musik Graz/Austria)

the cat and the mouse, Revision I  for  guitar, piano & live-electronic, 1999, 14 min 32 sec, premičre 12.05.1999 Glockenhaus/Lüneburg(D), 21.International Studyweek for Contemporary Music 1999 (09.-16. Mai 1999)
 

the cat and the mouse, Revision II  for guitar, piano & live-electronic, 1999, ca 14 min, premičre 18.05.1999 Graz, in ESC at labor in series of V:NM Festival (Verein zur Förderung and Verbreitung Neuer Musik)-3 days.extraordinary music (18.- 20. MAI 1999)
 

paper wedding  audiovisual improvisation for piano (Se-Lien Chuang) and audio-visual sampling (Andreas Weixler), premičre 26.06.1999 Vienna, Project Theatre Studio Vienna, in series of DADA performance limits-no limits with Peter Infeld (tenor), Karl Ratzer (git.), Luiss Kloos (Reib-Glas) and ensemble of Project Theatre Vienna
 

a crush on You  interactive improvisation for yan-zin (Se-Lien Chuang) and computer (Andreas Weixler), premičre 26.09.1999 Styria, Steirische Weinstraße in series of doctor conference by Hof Gasser
 

Sonic Satie  interactive composition for grand piano, disclavier, Max/msp real time processing by Andreas Weixler with visual sampling improvisation by Se-Lien Chuang, premičre 08.10.1999 Linz, Bruckner-Conservatory in concerts series of Satie-Night Vexations
 

cave tape music, 1999, 10 min 47 sec, premičre 08.10.1999 Linz, Bruckner-Conservatory in series of Satie-Nacht “Vexations”
 

ec-lipse  tape music, 1999, 5 min 40 sec, premičre 12.12.1999 Vienna, Rhiz in concert seires of Festival Elektrokomplex 99
 

MetaDancer  tape music, 1999, 3 min 10 sec, premičre 01.06.2000 Vienna, MICA-Sreet Festival in series of  IGNM concerts

blue elephant  animation video, 1999, 2 min 2 sec, premičre 01.12.1999 Graz, Laufke in series of culture month of Werkstadt Graz - presentation of Maya Workshop/WIFI

Trinity  animation video, 1999, 2 min 35 sec, premičre 01.12.1999 Graz, Laufke in series of culture month of Werkstadt Graz - presentation of Maya Workshop/WIFI

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- 1998 -

„ - - - - - - - in C“  for  guitar, piano & live-electronic, 1998, ca. 12 min, premičre 29.04.1998 Vienna, Alte Schmiede in series of concerts of Festival Elektronischer Frühling 1998 Westöstlicher Divan: Taiwan in Vienna-Vienna in Taiwan
 

Die Kraft ist die Linie  8-channel ADAT piece, 1998, 4 min 31sec, premičre 29.04.1998 Vienna, Alte Schmiede

Lini-en  8-channel ADAT piece mit video projection, 1998, 4 min 31sec, premičre 08.06.1998 Linz, presentation concert IMAGES ACOUSTiQUES ´98 of Bruckner-Conservatory - (1993-1998) 5 Jahre SAMT (Studio for Advanced Music & Media Technology)
 

Catch in the Cage  arts video, 1998, 14 min 46 sec, November 1998 exhibited at the Sammlung Essl, Klosterneuburg/Austria
 

Largo  for clarinet, violin & piano, 1998, 2 min 35 sec, premičre 06.12.1998 Graz/Austria, Großer Minoritensaal , ContrastTRIO - at the 11th anniversary concert of d.a.s.(die andere saite)
 

Chant  for clarinet, viola & piano, 1998, 4 min 20 sec, premičre 06.12.1998 Graz/Austria, Großer Minoritensaal, ContrastTRIO - at the 11th anniversary concert of d.a.s.(die andere saite)
 

Jasmin  for piano, 1998, 4 min 48 sec, premičre 12.12.1998 Graz, Aula der KUG in series of composition workshops at the University for Music and Dramatic Arts Graz/Austria


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- 1997 -
a
holz-blech wind quintet for flute, oboe, clarinet, horn & bassoon,1997,  4 min 07 sec, premičre 28.04.1997 Graz, MHS (Workshop)
 

Impromptu  piano piece, 1997, 6 min 13 sec, premičre 16.0.5.1997 Graz, MHS (Workshop)
 

fujpair tape music, 1997, 4 min 59 sec, premičre 13.06.1997 Linz, Bruckner-Conservatory
 

fujpair  for computer & prepared piano, 1997,  6 min 30 sec,  premičre 26.06.1997, Brussel, Boondael Chapel European Electroacoustic Music in Brussel/FeBeME (Federation Belge de Musique Electroacoustique) - BeFEM et Musiques§Recherches min97 (24.06-26.06.1997)

X a s for 2 percussions, 3 violins, viola and double bass, 1997, 4 min 42 sec, premičre 18.12.1997 Graz, Großer Minoritensaal
 

grüne Fee mit rotem Schuh  for percussion, violin, viola, cello & akkordeon, 1997/98, 4 min 44  sec, premičre 28.04.1998 Graz, Großer Minoritensaal; RP ORF radio broadcasting  08.06.1998(Ö1-Zeitton, 23.00) 4 min 45 sec


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- 1996 - a

zu zweit  for prepared piano, 1996, 4 min 12 sec, premičre 13.12.1996 Graz, MHS (Workshop)
 

Launenspiel  8-channel ADAT piece, 1996/97, 6 min 43 sec, premičre 29.05.1997 Wels, music workstation
 

bow  tape music, 1996, 2 min 45 sec, produced at the University of East Anglia, England
 

greedy new game 4-channel ADAT piece, 1996/97, 4 min 16 sec, premičre 06.06.1997 Vienna, Stadtinitiative
 

parame  tape music, 1996, 3 min 25 sec, premičre 20.03.1998 Graz,  gallery I & AC


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created: 30.01.2001 cse NCU/Japan
last update: 09.08.2017 cse AAA