legend
 instrumental
music |
computer music |
 interactive music |
 music video |
 arts
video |
 animation video |
 audio-visual composition |
Se-Lien Chuang a
- home -
| 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 |
2007 |
2008 |
2009 | 2010 | 2011 | 2012 |
2013 |
2014 |
2015 |
2016 | 2017 | 2018 |
2019 | 2020 | 2021 | 2022 |
intuitive access_Crash Ensemble, machine improvisation for R-IoT
playing ball, voice, mouth organ, electric guitar with audiovisual
realtime processing and open ensemble, 2022, von Se-Lien Chuang
& Andreas Weixler, (première) 08.07.2022, TUS - Millennium
Theatre, selected piece within the framework of ICMC 2022 -
International Computer Music Conference, 03.-09. Juli 2022,
Limerick, Irland
intuitive access, machine improvisation for R-IoT playing ball,
voice, mouth organ, electric guitar with audiovisual realtime
processing, 2022, von Se-Lien Chuang & Andreas Weixler,
(première) 08.06.2022, Le Corbusier Church, Firminy, selected piece
within the framework of the Festival SMC 2022 - Sound and Music
Computing, 07.-11. Juni 2022, Saint-Étienne, Frankreich l’intonazione, for
Leechkirche organ and live electronics, dedicated to Hermann Nitsch,
2022, (première) 31.05.2022, Leechkirche, Graz, Aleksey
Vylegzhanin,organ , within the framework of the concert series
d.a.s. „ Ricercarie II, Orgel und Elektronik“ General Tenor, audiovisual realtime
composition for open ensemble, iScore & live electronics, 2022,
by Se-Lien Chuang & Andreas Weixler, (première) 10.05.2022,
selected piece within the framework of TENOR 2022 - 7th
International Conference on Technolgies for Music Notation and
Representation, 9.-11. Mai 2022, Marseille, France
The Tides_Earth
Day Art Model, electroacoustic composition
with video, 2022, (première) 22.04.2022, online, , Telematic Festival, 22.
April 2022, within the framework of Earth Day Art Model -
Telematic Festival, curated concert by Atelier Avant Austria with
representative Austrian contributions/compositions 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008
2009 2010
2011
2012 2013
2014 2015 2016 2017 2018 2019 2020 2021 Top l’affetto_Paket 9 3 movements, for mezzo-soprano and
piano, piano duo, 2021,
intuitive access machine improvisation for R-IoT playing ball,
voice, mouth organ, electric guitar with audiovisual realtime
processing, 2021, von Se-Lien Chuang & Andreas Weixler, 6´48´´,
(première) 02.11.2021, #Homestage 02.11.2021, aufgeführt in Atelier
Avant Austria
Sonic Arts Ensemble with Atelier Avant Austria: Se-Lien Chuang,
Andreas Weixler, live-stream network concert, Echtzeit audiovisual
interactive performance, 2021, Andreas Weixler (realtime audio
processing, eGuitar, recording, mix -Austria), Se-Lien Chuang
(yan-zin, vocal, mouthorgan, bass recorder - Austria) with Scott
Deal (percussion - Indiana/USA), Marc Ainger (realtime audio
processing, McNetty, editing - Ohio/USA), Ann Stimson (flute, vocal
- Ohio/USA), Oded Huberman (live-streaming), (première) 07.11.2021,
Ohio-Indiana-Austria in realtime audio improvisation within the
framework of the NOWNET ARTS CONFERENCE 2021 Network Arts:
Transformation of Distance, 04.- 07.11.2021 Land - Wellen - Raum, offen - weich - atmend, 3
movements, for saxophone and piano , piano duo, 2019, ca. 7´,
(première) 04.10.2021, Musikgymnasium Graz, within the framework of
the concert series d.a.s. (Verein zur Förderung neuer Musik in
Graz/Austria) Sigrid´s Service_Slowenien, Tilen Lebar:
alto saxophone, Se-Lien Chuang: piano, voice, mouth organ, Andreas
Weixler: guitar, electronics, première) 27. August 2021, Cankarjev
dom, within the framework of the Festival Alpenglow 7 – Styria meets
Slovenia, 26. & 27. Aug 2021, Ljubljana / Slovenia Sigrid´s Service_Graz, Tilen Lebar: alto
saxophone, Se-Lien Chuang: piano, voice, mouth organ, Andreas
Weixler: guitar, electronics, (première) 21. August 2021, Maria
Cäsar Saal / Volkshaus Graz, within the framework of the 13. V:NM
Festivals, 18. - 21. Aug 2021
Sonic Arts Ensemble And Friends Spring Concert,
live-streamed network concert, realtime audiovisual interactive
performance, 2021, Andreas Weixler (realtime audio processing,
e-guitar, recording, mix - Austria), Se-Lien Chuang (yan-zin, voice,
mouth organ, bass recorder - Austria) with Scott Deal (percussion -
Indiana/USA), Marc Ainger (realtime audio processing, McNetty,
editing - Ohio/USA), Ann Stimson (flute, voice - Ohio/USA),
(première) 11.04.2021, Ohio-Indiana-Austria in realtime audio
improvisation
Sonic Arts Ensemble McNetty, realtime audiovisual
interactive performance, 2021, Andreas Weixler (realtime audio
processing, e-guitar, recording, mix - Austria), Se-Lien Chuang
(yan-zin, voice, mouth organ, bass recorder - Austria) with Scott
Deal (percussion - Indiana/USA), Marc Ainger (realtime audio
processing, McNetty, editing - Ohio/USA), Ann Stimson (flute, voice
- Ohio/USA), (première) 12.03.2021, Ohio-Indiana-Austria in realtime
audio improvisation
Sonic Arts Ensemble McNetty, realtime interactive
performance, 2021, Andreas Weixler (realtime audio processing,
e-guitar, recording, mix - Austria), Se-Lien Chuang (yan-zin,
voice, mouth organ, bass recorder- Austria) with Scott Deal
(percussion - Indiana/USA), Marc Ainger (realtime audio processing,
McNetty, editing - Ohio/USA), Ann Stimson (flute, voice - Ohio/USA),
(première) 19.02.2021, Ohio-Indiana-Austria in realtime audio
improvisation Flaming
tears, R-IoT controlled realtime audio
processing for mouth organ, 2021, by Se-Lien Chuang & Andreas
Weixler ca. 6´16´´, (première) 16.02.2021, #homestage 16.02.2021,
performed at Atelier Avant Austria Poppy
Seeds 3, realtime computing - intermedial
improvisation with Se-Lien Chuang (voice, ring modulation), Andreas
Weixler (e-guitar, mix), Yvonne Hofmeister (voice, concept), Harry
Hofmeister (e-guitar, mix), (première) 11.02.2021, online produktion
#homestage Poppy Seeds 3,
realtime computing - intermedial improvisation with Se-Lien Chuang
(voice, ring modulation), Andreas Weixler (e-guitar, mix), Yvonne
Hofmeister (voice, concept), Harry Hofmeister (e-guitar, mix),
(première) 04.02.2021, online produktion #homestage Poppy Seeds 3,
realtime computing - intermedial improvisation with Se-Lien Chuang
(voice, ring modulation), Andreas Weixler (e-guitar, mix), Yvonne
Hofmeister (voice, concept), Harry Hofmeister (e-guitar, mix),
(première) 02.02.2021, online produktion #homestage Two
Worlds Union, #homestage - realtime improvisation
audio stream, ca. 38´, (première) 05.01.2021, Netty-McNetface
session, Atelier Avant Austria & Sonic Arts USA 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008
2009 2010
2011
2012 2013
2014 2015 2016 2017 2018 2019 2020 
2022 Top Sonic
Cultures, Interaction with audiovisual
realtime processing by and with Andreas Weixler / Se-Lien Chuang /
Stadler string quartet, 2020, 6´17´´, (première) 11.10..2020, Dom im
Berg Graz, string quartet extended - die andere saite, in series of
musikprotokoll 2020 Duty
Cycles, for string quartet, playback and live
electronics, 2020, 6´40´´, with Stadler string quartet, (première)
11.10.2020, Dom im Berg Graz, string quartet extended - die andere
saite, in series of musikprotokoll 2020 Nagoya
City Sonic Culture, audiovisuelle interaktive
Performance, 2020, 6´22´´, von Andreas Weixler & Se-Lien Chuang,
(première) 10.10..2020, performance by Se-Lien Chuang & Andreas
Weixler commissioned by NCU Nagoya City University, performed at
Atelier Avant Austria 2020
live
stream NIME 2020, audiovisual realtime
transformation, concert by Atelier Avant Austria, Se-Lien Chuang
& Andreas Weixler,, ca.12´21´´, (première) 25.07.2020, in series
of NIME Konferenz 21-25 Juli, Royal Birmingham Conservatoire We need you all,
STIO quarantine session, Styrian Improvisers Orchestra, ca. 5´,
(première) 29.04.2020, by Se-Lien Chuang (Dirigat), (première)
29.04.2020, Online Jam Land - Wellen -Raum, offen - weich
-atmend, 3 movements, for saxophone and piano, piano
duo, 2019, ca. 7´, (première) in series of the concert series d.a.s.
(Verein zur Förderung neuer Musik in Graz/Austria) the concert will
be postponed due to COVID-19 Pandemie and re-approved announced at
the earliest convenience LIMA Session,
Yvonne Hofmeister (voc), Se-Lien Chuang (voc), Harald Hofmeister
(guit) & Andreas Weixler (guit), ca. 30´, (première) 01.03.2020,
Workspace LIMA, Graz 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013
2014 2015 2016 2017 2018 2019 2021 2022 Top
Die Rache
der Normalbegabten, audiovisual interactive
improvisation, 2019, 8´30´´, by Andreas Weixler & Se-Lien
Chuang, (première) 23.11.2019, in series of portrait concert
Virtuoso Chances Weixler-Chuang within concert series Sound Junction
at Firth Hall of the Sheffield University UK double
fancy for Longyou caves, multichannel
electroacoustic composition, 2019, 12´, (première) 25.10.2019, in
series of Longyou Grotto International Music Festival 2019 con voi, 2 movements, for violin,
violoncello and piano, piano trio, 2019, ca. 8´ Momentum
ACCAD, audiovisual interactive performance, 2019,
8´58´´, by Andreas Weixler & Se-Lien Chuang with Sonic Arts
Ensemble, (première) 23.09..2019, Double
Fancy OSU, audiovisual realtime transformation for
flute, e-guitar, vocal, mouth organ and computer, 2015, by Se-Lien
Chuang & Andreas Weixler with Duo Ann Stimson & Marc Ainger,
ca.12´21´´, (première) 23.09.2019, The Motion Lab@ACCAD OSU -
Advanced Computing Center for the Arts and Design at The Ohio State
University in Columbus USA in the framework of portrait concert
Virtuoso Chances Weixler-Chuang Virtuoso
Chances, realtime computing of audiovisual intermedia
improvisation with stochastic controlling methods, by Se-Lien Chuang
& Andreas Weixler with Till Alexander Körber, Sven Birch,
Aleksandra Dragosavac, Jan Satler (piano); Miloš Katanić, Vojtěch
Drnek (accordion); Katja Finsel (cello); Se-Lien Chuang (interactive
video); Michael Mayr, Andreas Weixler (electronics),
(première)17.09.2019, Grosser Saal, ABPU Linz in the framework of
the international mathematic conference „Bridges“ - Formal Music
Night - "ASR - algorithmic and stochastic resonance" Efter Lydprøven,
Kristian Tangvik (tuba), Mara Probst (vocals, electronics), Se-Lien
Chuang (piano, vocals), Margarethe Maierhofer-Lischka (bass),
Michala Østergaard (drums), ca. 30´, (première) 31.05.2019, Forum
Stadtpark, Stadtpark Graz, in the framework of the V:NM festival
2019 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013
2014 2015 2016 2017 2018 2020 2021 2022 Top
STIO &
STRICRI@Zagreb, Styrian Improvisers Orchestra &
Croatian Improvisers Orchester, 2018, ca. 11´01´´, (première)
15.12.2018, Se-Lien Chuang, Dirigat, with STIO & STICRI at KSET
-Klub Studenata Elektrotehnike, Zagreb, Kroatien STIO & STRICRI@Pula,
Styrian Improvisers Orchestra & Croatian Improvisers Orchester,
2018, 10´24´´, (première) 14.12.2018, Se-Lien Chuang, Dirigat, with
STIO & STICRI in Dnevni boravak Rojca, Pula, Kroatien AAA_gig 3.2,
Chuang-Weixler-Kriegerstein-Maiz, 9´02´´, (première) 26.11.2018,
Keller, Forum Stadtpark Graz, featuring Andreas Weixler and Se-Lien
Chuang alias Atelier Avant Austria in the framework of the Grazer
Impro Club AAA_gig 3.1,
Chuang-Weixler--Kriegerstein-Maiz, 7´42´´, (première) 26.11.2018,
Keller, Forum Stadtpark Graz, featuring Andreas Weixler and Se-Lien
Chuang alias Atelier Avant Austria in the framework of the Grazer
Impro Club AAA_gig 2,
Chuang-Hofmeister-Wiesser, 7´25´´, (première) 26.11.2018, Keller,
Forum Stadtpark Graz, featuring Andreas Weixler and Se-Lien Chuang
alias Atelier Avant Austria in the framework of the Grazer Impro
Club AAA_gig 1,
Chuang-Weixler-Wurzwallner, 16´04´´, (première) 26.11.2018, Keller,
Forum Stadtpark Graz, featuring Andreas Weixler and Se-Lien Chuang
alias Atelier Avant Austria in the framework of the Grazer Impro
Club Double
Fancy Immersion, Harris, Chuang, Topel, Weixler,
audio visual ensemble improvisation, Pauline Kim Harris
(violin), Spencer Topel (SYRINX four
H15_mood 2, Morten Carlsen (sax), Se-Lien Chuang
(piano, vocals), Margarethe Maierhofer-Lischka (bass), Michala
Østergaard (drums), 9´08´´, (première) 30.08.2018, H15 - Copenhagen,
in the framework of the festival AlpenGlow VI - Styria meets
Copenhagen 2018 four
H15_mood 1, Morten Carlsen (sax), Se-Lien Chuang
(piano, vocals), Margarethe Maierhofer-Lischka (bass), Michala
Østergaard (drums), 19´18´´, (première) 30.08.2018, H15 - Copenhagen
in the framework of the festivals AlpenGlow VI - Styria meets
Copenhagen 2018
Sonic
Environment_Daegu by Se-Lien Chuang und Andreas
Weixler, audiovisuelle Echtzeit Processing für traditionelle
Koreanische Instrumente, Harfe, Klavier und Mal-Klang-Tafel 2018,
12´, mit Ensemble Phase, (première) 10.08.2018, Daegu Concert House,
Grand Hall in the framework of the ICMC Konferenz 2018 -
International Computer Music Conference in Daegu, South Korea Sonic
Environment_Artefacts by Se-Lien Chuang und Andreas
Weixler,audiovisual realtime improvisation, 2018, 10´55´´, with
ensemble ARTéfacts, (première) 04.07.2018, in the framework of SMC
- Sound and Music Computing Conference, Rialto Theatre,
Limassol / Cyprus JIM Electric 2:
Klammer-Maaß-Weixler-Chuang, Josef Klammer
(e-percussion), Stephan Maaß (percussion, electronics), Andreas
Weixler (realtime audio processing), Se-Lien Chuang (piano,
electronics), (première) 28.05.2018, Sonic Lab, ABPU Linz 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013
2014 2015 2016 2017 2019 2020 2021 2022 Top
Enhanced
Phenotype_Shanghai by Se-Lien Chuang und Andreas
Weixler, audiovisual realtime composition und interactive score for
open Chinese ensemble, (première) 19.10.2017, Heluting Concert Hall
/ Shanghai Conservatory of Music in the framework of ICMC Conference
2017 - International Computer Music Conference. Transformation#2
Teil 1, Teil 2,
(première)10.06. 2017, Alfred Schnittke Akademie Hamburg in the
framework of Blurred Edges - Festival für aktuelle Musik Hamburg En Tor I Parken
(A stroll in the park), (première) 24.05. 2017, Maria Norseth
Garli (vocal), Se-Lien Chuang (piano, electronics), Andreas Weixler
(electronics), Forum Stadtpark Graz, in the framework of the 11th
V:NM Festivals Enhanced
Phenotype_Figura, interactive Score (iScore) for
multiple computer, audiovisual realtime composition for open
ensemble, 2017, by Andreas Weixler & Se-Lien Chuang with Figura
ensemble, 20´, (première) 15.05.2017, concert hall of The Royal
Danish Academy of Music, in the framework of NIME conference
15.05.2017- 18.05.2017 Copenhagen, Denmark gula huset, mehrkanal elektroakustische
Komposition, 2017, 07´24´´, realisiert im VICC
Alpha Studio, Visby/Gotland, Schweden. 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013
2014 2015 2016 2018 2019 2020 2021 2022
Top
Interlude
for Pi and Io, for extended piano, voice, realtime audio
und video processing, 2016, 12´, Se-Lien Chuang, arco-piano,
realtime video processing; Andreas Weixler, multichannel audio
processing, (première) 17.12.2016, in the framework of Artist in
Residence Program, Polukružna dvorana Teatra &TD, Studentski
Centar, Zagreb/Croatia The
Colours of A Wooden Flute, version Music with the
Real, 2006/2016, ca. 6´(première) 06.12.2016, Se-Lien Chuang -
bass recorder, interactive visuals; Andreas Weixler - realtime audio
processing, in the framework of Symposium: Music with the Real,
Leicht über Linz _Festival for New Music, Kleiner Saal, ABPU/Linz Austrian Improvisers
Orchestra, with STIO - Styrian Improvisers Orchestra, Vienna
Improvisers Orchestra and GIS Orchestra Wels, 2015, ca. 6´,
(première) 25.11.2016, Se-Lien Chuang, director/conductor, Stockwerk
Jazz/Graz, in the framework of 20th anniversary party of V:NM Interlude for Pi and Io,
for extended piano, voice, realtime audio und video processing,
2016, 12´, Se-Lien Chuang, arco-piano, realtime video processing;
Andreas Weixler, multichannel audio processing, (première)
10.10.2016, in the framework of Symposium Media Art and the Art
Market Symposium, Sonic Lab, ABPU/Linz Interlude
for Pi and Io, for extended piano, realtime audio
und video processing 2006/2016, 10´58´´(première) 29.09.2016,
Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler
- realtime audio processing, in the framework of ERASMUS
presentation at Königliche Musikhochschule in Stockholm/Sweden The
Colours of A Wooden Flute, version
Stockholm, 2006/2016, 07´55´´ (première) 29.09.2016, Se-Lien
Chuang - bass recorder, interactive visuals; Andreas Weixler -
realtime audio processing, in the framework of ERASMUS presentation
at Königliche Musikhochschule in Stockholm/Sweden Interlude
for Pi and Io on fire, for extended piano, voice,
realtime audio and video processing, 2016, 12´, Se-Lien Chuang,
arco-piano, voice, realtime video processing; Andreas Weixler,
multichannel audio processing, (première)16.09.2016, selected work
for ICMC 2016 - International Computer Music Conference in Utrecht,
The Netherlands, Tivoli Vredenburg, Hertz concert hall with 8
channel Omniwave sound system Momentum
TonArt SMC, audiovisual realtime improvisation,
2016, 11´50´´, with Ensemble TonArt Hamburg, (première) 01.09.2016,
in the framework of SMC - Sound and Music Computing
Conference, Kampnagel, Hamburg/Germany VICC_variation_4.6,
20.2 ch version, multichannel electroacoustic composition, 2015,
06´08´´, (première) 10.09.2016, in the framework of Ars Electronica
Festival at CMS Produktionsstudio, ABPU/Linz The
Colours of A Wooden Flute, version ISEA
Hongkong, 2006/2016, 10´40´´(première) 20.05.2016, Se-Lien
Chuang - bass recorder, interactive visuals; Andreas Weixler -
realtime audio processing, selected work in the framework of ISEA -
International Symposium on Electronic Arts, CMC Theatre, Hongkong
City University’s Creative Media Centre/Hongkong The
Colours of A Wooden Flute, audiovisual transformation,
2006/2016, 6´08´´, (première) 10.05.2016, Se-Lien Chuang - bass
recorder, interactive visuals; Andreas Weixler - realtime audio
processing, in the framework of the workshop Design & Research,
FH Joanneum/Graz Largo, for soprano, mezzo-soprano and
piano, 2015, 04´31´´, Nataša Mirković, soprano; Dagmar Anna Hödl,
mezzo-soprano; Heimo Puschnigg, piano, (première) 28.04.2016, Les
Lieds - in series of the concerts d.a.s. - die andere saite (Verein
zur Förderung neuer Musik in Graz/Austria) Minoritensaal/Graz Vom Rufen, for soprano, mezzo-soprano
and piano, 2015, 02´30´´, Nataša Mirković, soprano; Dagmar Anna
Hödl, mezzo-soprano; Heimo Puschnigg, piano, (première) 28.04.2016,
Les Lieds - in series of the concerts d.a.s. - die andere saite
(Verein zur Förderung neuer Musik in Graz/Austria)
Minoritensaal/Graz for ovocutters, for cembalo and
accordion, 2016, 10´40´´, Christoph Hofer, accordion; Sonja Leipold,
cembalo, (première) 10.02.2016, in the framework of DUOS VI:
OVOCUTTERS, Alte Schmiede/Vienna You can leave the
Capsule, David, for extended piano, bass
recorder, voice and multichannel live electronics, 2016, ca. 30´,
Agnes Heginger, voice; Se-Lien Chuang, piano, bass recorder; Andreas
Weixler, electronics, (première) 15.01.2016, Open Space in the
framework of JIM Jazz Nite, Kleiner Saal, ABPU/Linz You can leave the
Capsule, David, for extended piano, bass recorder,
voice and multichannel live electronics, 2016, ca. 40´, Agnes
Heginger, voice; Se-Lien Chuang, piano, bass recorder; Andreas
Weixler, electronics, (première) 11.01.2016, in series of the
concerts Lost&Found in Strengen Kammer, Porgy&Bess/Vienna 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013 2014 2015 2017 2018 2019 2020 2021 2022 Top
Momentum
Seppo, audiovisual interactive performance, 2015,
14´52´´, by Andreas Weixler & Se-Lien Chuang with Seppo Gründler
at extended guitar, (première) 14.12.2015, Sonic Lab / ABPU, in the
series of CMS concert & talk #5 with special guest Seppo
Gründler „Once I was a guitarist" The Colours of A Wooden Flute,
audiosual transformation, 2006/2015, 6´08´´(première) 05.11.2015,
Se-Lien Chuang - bass recorder, interactive visuals; Andreas Weixler
- realtime audio processing, in the framework of IGNM -
Internationale Gesellschaft für Neue Musik_Forum Zeitgenössisches
Musikschaffen Kreiere -Komponiere, Aktionstag des
Oberösterreichischen KomponistInnenbundes, Momentum
LSU, audiovisual interactive performance, 2015,
17´, by Andreas Weixler & Se-Lien Chuang with Hans Leeuw at
electrumpet, (première) 03.06.2015, Shaver Theatre of LSU Music
& Dramatic Arts Building, selected work in the framework of NIME
- The 15th New Interfaces for Musical Expression May 31 - June 4
2015, at LSU Louisiana State University, Baton Rouge/LA, USA In Front
Of The Nail, audiovisual interactive performance,
2015, 23´20´´, with Se-Lien Chuang - piano; voice, Damir Prica Kafka
– sax; Andreas Weixler - live electronics, e-guitar; Josef Klammer –
drums, (première) 21.05.2015, Stadtpark Forum Graz in the framework
of V:NM festival 21.-24. May 2015 Momentum
Double Fancy, audiovisual realtime transformation for
viola , iPad and piano, 2015, by Se-Lien Chuang & Andreas
Weixler with Johannes Kretz, electronics and Wei-Ya Lin, viola,
ca.12´, (première) 30.04.2015, in series of the concerts Double
Fancy, Alte Schmiede,Vienna temptation, for
quartet and multichannel electroacoustics, 2015, 7´, (première)
30.04.2015, Wei-Ya Lin, viola; Andreas Weixler, e-guitar; Johannes
Kretz, i-bass; Se-Lien Chuang, piano, in series of the concerts
Double Fancy, Alte Schmiede, Vienna orchis blossom, video and
electroacoustic composition, 2015, 6´57´´, (première) 30.04.2015, in
series of the concerts Double Fancy, Alte Schmiede, Vienna The
Colours of A Wooden Flute, audiovisual transformation,
2006/2015, 6´08´´(première) 30.04.2015, Se-Lien Chuang - bass
recorder, interactive visuals; Andreas Weixler - realtime audio
processing, in series of the concerts Double Fancy, Alte
Schmiede,Vienna Heaven on
fire, for saxophone, accordion, percussion, piano
and multichannel electronics, 2015, 10´39´´, (première) 29.04.2015,
in series of the concerts Studio Fugu - ensemble for contemporary
music, Großer Saal at Anton Bruckner Private University Linz interlude
for Pi and for Io, interactive
audiovisual improvisation, 2006/15, 10´50´´, Se-Lien Chuang:
arco-piano, visuals, Max/MSP/Jitter, Andreas Weixler: multichannel
realtime granular synthesis, Max/MSP/Jitter, (première) 23.04.2015,
Sonic Lab, SARC - Sonic Arts Research Centre, Sonorities Festival,
Queens University, Belfast/Nordirland Austrian Improvisers Orchestra,
with STIO - Styrian Improvisers Orchestra, Vienna Improvisers
Orchestra and GIS Orchestra Wels, 2015, ca.11´, (première)
11.04.2015, Se-Lien Chuang, Dirigat, FORUM STADTPARK, Graz Momentum
nyc, audiovisual interactive performance, 2015, by
Andreas Weixler & Se-Lien Chuang in cooperation with NYC and
Boston musicians, 12´30´´, (première) 17.02.2015, Austrian Cultural
Forum in the framework of Andreas Weixler & Se-Lien Chuang
Electro Acoustic Portrait Virtuoso Chances incidere,
for e-guitar, multichannel electroacoustics & live electronics,
2014/15, 7´53´´, Mike Frengel - e-guitar Se-Lien Chuang -
composition, electronics; Andreas Weixler - live
electronics, (première) 17.02.2015, Austrian Cultural Forum in
New York in the framework of Andreas Weixler & Se-Lien Chuang
Electro Acoustic Portrait Virtuoso Chances Welches
Deine Seele begründe / Of which your soul was constitued,
for violoncello, tape and live electronics, 2011/15, ca. 10´,
(première) 17.02.2015, Austrian Cultural Forum in New York in the
framework of Andreas Weixler & Se-Lien Chuang Electro Acoustic
Portrait Virtuoso Chances Nowhereland,
for extended piano, bass clarinet, multichannel electroacoustics and
live electronics, 2014/15, 8´12´´, Marianne Gythfeldt - bass
clarinet; Se-Lien Chuang - composition, extended piano; Andreas
Weixler, live electronics, (première) 17.02.2015, Austrian Cultural
Forum in New York in the framework of Andreas Weixler & Se-Lien
Chuang Electro Acoustic Portrait Virtuoso Chances 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013 2014 2016 2017 2018 2019 2020 2021 2022 Top
incidere,
for e-guitar, multichannel electroacoustics & live electronics,
2014, 7´55´´, première 17.02.2015, Austrian Cultural Forum in New
York, Mike Frengel, e-guitar; Se-Lien Chuang, electronics; Andreas
Weixler, live electronics, within the scope of Andreas Weixler &
Se-Lien Chuang Electro Acoustic Portrait Virtuoso Chances Nowhereland,
for extended piano, bass clarinet, multichannel electroacoustics and
live electronics, 2014, 8´, première 17.02.2015, Austrian Cultural
Forum in New York, Marianne Gythfeldt, bass clarinet; Se-Lien
Chuang, extended piano, electronics; Andreas Weixler, live
electronics, within the scope of Andreas Weixler & Se-Lien
Chuang Electro Acoustic Portrait Virtuoso Chances Horchen,
performance-related algorithmic composition for CEUS
computer-operated grand piano, interactive light and live
electronics, 9´ 40´´, première 24.11.2014, Klavierhaus Merta Linz,
interactive Light: Se-Lien Chuang, live electronics: Andreas
Weixler, within the scope of CMS CEUS Project - research week for
guests of CMS and students of computer music, music- and medien
technology of the ABPU Momentum
Frengel, interactive improvisation for e-guitar,
extended piano and live electronics, 10´26´´, première 17.11. 2014,
Kleiner Saal, ABPU/Linz, Se-Lien Chuang, piano, interactive visual;
Andreas Weixler, multichannel audio processing; Mike Frengel,
e-guitar, in series of CMS-talks-concerts Mike Frengel "prepared
guitar and electronics" cited raw, in 2 movements, for oboe and
lupophon, ca. 5´, première 08.10.2014, Christopher Redgate: oboe
& lupophon, ACF - Austria Cultural Forum London/UK, within the
scope of call for composition commission for Christopher Redgate Impromptu, for oud and
electronics, 2011/14, ca. 6´, première16.09.2014, Theodoros Karras:
tampoura, Onassis Cultural Center Upper Hall, Athen, within the
scope of ICMC - International Computer Music Conference in
Athen/Greece,14.09. - 20.09.2014 STIO_Croatia_Zargreb,
with THE BIG STIOCRIO ORCHESTRA, 2014, 11´25´´, première 31.08.2014,
Se-Lien Chuang, conductor & vocal, Museum of contemporary arts
in Istria, Pula/Croatia, in series of the concerts V:NM
Festival „Styria meets Croatia“ Alpenglow/Styria meets Croatia, Pula
28.-30. 08. 2014 STIO_Croatia_Pula,
with THE BIG STIOCRIO ORCHESTRA, 2014, 7´10´´, première 30.08.2014,
Se-Lien Chuang, conductor & vocal, Museum of contemporary arts
in Istria, Pula/Croatia, in series of the concerts V:NM Festival
„Styria meets Croatia“ Alpenglow/Styria meets Croatia, Pula 28.-30.
08. 2014 AlpenGlow
Croatia, interactive comtemporary improvisation
concept with algorithmic electronics, 24´36´´, Andreas Weixler: live
electronics & e-guitar, Se-Lien Chuang: piano, vocal, Seppo
Gründler: e-guitar, Josef Klammer: drums , 2014, première
29.08.2014, Museum of contemporary arts in Istria, Pula/Croatia,
Alpenglow/Styria meets Croatia, Pula 28.-30. 08. 2014 ignition 50 for ELAK, 16-kanal
electroacoustic composition for 55 speakers Acousmonium, 2014, ca.
8´09´´, première 21.06.2014, within the scope of 50 years
jubilee of the education of electroacoustic music in Vienna - ELAK -
50 years Institute for composition and electroacoustics, Anker
Expedithalle Vienna Momentum
NYCEMF, audiovisual interactive performance, 2014,
by Andreas Weixler & Se-Lien Chuang in cooperation with
violinist Adrianna Mateo, ca.12´, première 8.6.2014, im
Playhouse, Abrons Center New York City within the scope of
NYCEMF - New York Electroacoustic Music Festival 2014 ignition, for
Kontrabassblockflöte and electronics, 2014, 8´27´´, première
30.05.2014, in series of the computer music concerts Sound &
Vision 8 - react, Kleiner Saal at Anton Bruckner University
Linz STIO_Graz,
2014, ca. 12´48´´, première 06.05.2014, Stockwerk/ Graz,
Styrian Improvisers Orchester meets Croatia, Se-Lien Chuang, Dirigat
& Stimme in series of the concerts STIO_Styrian Improvisers
Orchestra, Styria/Austria Abendröte, 2014, ca. 5´11´´,
première 29.4.2014, Cubus Kulturzentrum Minoriten/ Graz, in series
of the concerts IGNM Styria (International Association for New Music
Section Styria/Austria) STIO_Spoken Words,
2014, ca. 12´48´´, première 01.04.2014, Stockwerk/ Graz, special
guest: Ivana Sajko, Grazer Stadtschreiberin, Se-Lien Chuang,
conductor & vocal in series of the concerts STIO_Styrian
Improvisers Orchestra, Styria/Austria mind mapping I, II, III, IV, for
septet, 2014, 11´18´´ The Colours of a Wooden
Flute, Boston, for bass recorder, interactive
audiovisual composition/improvisation, 2006/14, 7´11´´, Se-Lien
Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler:
multichannel realtime granular synthesis, Max/MSP/Jitter, première
23.02.2014, Fenway Center at Northeastern University, Boston/USA,
within the scope of portrait concert Weixler&Chuang Virtuoso
Chances Welches
Deine Seele begründe/Of which your soul was constitued,
for violoncello, playback and live electronics, 2011/14, ca. 10´,
première 23.02.2014 Fenway Center at Northeastern University,
Boston/USA, within the scope of portrait concert Weixler &
Chuang Virtuoso Chances Momentum Boston,
audiovisual interactive performance, 2014, by Andreas Weixler &
Se-Lien Chuang in cooperation with Boston musicians, ca.12´,
première 23.02.2014, Fenway Center at Northeastern University,
Boston/USA, within the scope of portrait concert Weixler &
Chuang Virtuoso Chances 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2013 2015 2016 2017 2018 2019 2020 2021
2022 Top
as it is_for
gut string 4, 2013, ca. 7´10´´, (programmed première)
27.11.2013, Kulturzentrum Minoriten/ Graz, in series of the concerts
d.a.s.(Verein zur Förderung neuer Musik in Graz/Austria) interlude for Pi
and for Io, interactive audiovisual
improvisation, 2005/13, ca.6’, Se-Lien Chuang: arco-piano,
visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime
granular synthesis, Max/MSP/Jitter, première 14.11.2013,
Fachhochschule Nordwest-schweiz, Brugg The Colours of a
Wooden Flute, Vienna, for bass recorder, interactive
audio-visual composition/improvisation, 2006/13, ca. 10´, Se-Lien
Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler:
multichannel realtime granular synthesis, Max/MSP/Jitter, première
14.11.2013, Fachhochschule Nordwestschweiz, Brugg Momentum
NOVARS, audiovisual interactive performance, 2013,
von Andreas Weixler & Se-Lien Chuang in cooperation with
NOVARS, ca.10´, première 14.10.2013, SonicIntermedia NOVARS -
intermedial computer music concert series with emphesis on NOVARS im
DeepSpace des AEC - Ars Electronica Centre Linz Wetterleuchten,
Virtuoso Chances - return home, video and
electroacoustic composition, 2013, 7´33´´, première 14.10.2013,
composition: Andreas Weixler, video: Se-Lien Chuang, SonicIntermedia
NOVARS - intermedial computer music concert series with emphesis on
NOVARS im DeepSpace des AEC - Ars Electronica Centre Linz impromptu for
yang-chin_océan Indien, video and electroacoustic
composition, 2013, 6´10´´, première 14.10.2013, SonicIntermedia
NOVARS - intermedial computer music concert series with emphesis on
NOVARS im DeepSpace des AEC - Ars Electronica Centre Linz impromptu
for yang-chin, multichannel electroacoustic composition,
2013, 6´, première 17.07.2013, NOVARS Research Centre for
Electroacoustic Composition, Performance and Sound-Art, SAHC, The
University of Manchester, Manchester/UK
half a century,
for
brass
quintett,
2013, ca. 7´10´´, première 06.03.2013, Kulturzentrum
Minoriten/ Graz, in series of the concerts d.a.s. (Verein zur
Förderung neuer Musik in Graz/ Austria) 1996 1997 1998
1999
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010
2011
2012 2014 2015 2016 2017 2018 2019 2020 2021 2022 Top
as it is,
for Viola Solo, 2012/13, ca. 7´10´´ Momentum Leeds, audiovisual
realtime transformation for bass recorder, flute, vibraphone and
piano, 2012, by Andreas Weixler & Se-Lien Chuang, ca. 10 min,
première 14.12.2012, iFIMPaC - The International Festival for
Innovations in Music Production and Composition, Leeds College of
Music, UK, 13.-14.12. 2012 coincident
synchrisis I, II, III, for 7 instruments and
sensor-live-electronics, 2012, by Se-Lien Chuang, Sound director:
Se-Lien Chuang, realtime audio processing: Andreas Weixler,
interactive sensor system: Johannes Kretz, ca. 17 min, première
09.12. 2012, Palais Kabelwerk, Vienna, sensor - live-electronics -
dance - project of the ensemble xx. jahrhandert, conductor: Peter
Burwik Catch the Beatles
Catch the Cage,
for 6 Toy Pianos, 6 iContuctors and interactive iGing -
Videoprojektion, 2012, by Se-Lien Chuang and Andreas Weixler,
5´15´´, première 02.12.2012, Toy Piano World Summit in series of the
Good Luck Rainy Days 2012, 24.11 - 02.12.2012 Festival de Musique
Nouvelle Philharmonie Luxembourg
con amore, in 4 movements, for Chambre
d'écoute (piano forte/piano, oboe/oboe d‘amore/english horn,
violoncello), trio concert - piano forte, 2012, by Se-Lien Chuang,
ca.15 min, première 26.11.2012, Kulturzentrum Minoriten/ Graz, in
series of the concerts d.a.s. (Verein zur Förderung neuer Musik in
Graz/ Austria) Double Fancy Momentum,
audiovisual realtime transformation for 2 bass clarinet and piano,
2012, by Se-Lien Chuang & Andreas Weixler, ca. 14 min, première
23.11.2012, Alte Schmiede, Vienna Double Fancy,
for clarinet-duo, multichannel electroacoustics and live
electronics, 2012, Sound director: Se-Lien Chuang, live electronics:
Andreas Weixler, 4´56´´, première 23.11. 2012, Alte Schmiede, Vienna The Colours of a
Wooden Flute, Vienna, for bass recorder, interactive
audiovisual composition/improvisation, 2006/12, ca. 10´, Se-Lien
Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler:
multichannel realtime granular synthese, Max/MSP/Jitter, première
23.11.2012, Alte Schmiede, Vienna
tweaks for es,
for es-clarinet solo, 2012, 4´56´´
moments
musicaux, for mezzosopran and accordion, 2008/2012,
ca. 8´, première 09.11.2012, Großer Saal, Bruckner
University/Linz, the "Fest for New Music" IGNM Upper Austria Momentum BEAST,
audiovisual interactive performance, 2012, by Andreas Weixler &
Se-Lien Chuang in cooperation with BEER, ca.12´, première
29.10.2012, Sonicintermedia BEAST - intermedial computer music
concert series with emphesis on BEAST im DeepSpace des AEC - Ars
Electronica Centre Linz Jade f.o.o.t.,
video, electroacoustic composition and Sound diffusion, 1996/2012,
5´40´´, première 29.10.2012, composition: Andreas Weixler, video:
Se-Lien Chuang, Sonicintermedia BEAST - intermedial computer music
concert series with emphesis on BEAST at DeepSpace des AEC - Ars
Electronica Centre Linz Secret Momentum,
interaction, 2012, ca.11´, première 12.10.2012, violin: Barbara
Lüneburg, bass recorder, vocals: Se-Lien Chuang, multichannel audio
processing: Andreas Weixler, Favoriten Modern - musicale
for Slowind,
for woodwind quintet and live electronics, 2012, by Se-Lien Chuang
and Andreas Weixler, 15´10´´, première 11.09. 2012, Kino Siska,
Laibach in series of the ICMC - International computer Music
Conference Non-Cochlear Sound (09.09. - 14.09. 2012)
The Tides,
in 4 movements, 2012, instrumentation: flute, bassoon, saxophone,
violoncello, and double bass, 16´24´´, première 20.06. 2012,
Kulturzentrum Minoriten/ Graz, in series of the concerts
d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) SpectraSonic
Trombones, audiovisual realtime
composition/improvisation, by Andreas Weixler, Se-Lien Chuang, ca. 8
min, première 14. 05. 2012, Porgy & Bess, Vienna in and out -
for Menai Singing Bridge, for singing bridge, toy piano, bass
recorder and live electronics, 2012, by Jodi Rose, Andreas Weixler,
Se-Lien Chuang, Xenia PestovaBangor 2012, ca. 60 min, première
12.04.2012, Bridgemasters House, Menai Suspension Bridge,
INTER/actions symposium, Bangor, UK, April 10.-12. 2012 Enhanced
Phenotype, interactive Partitur (iScore) for multipel
computer, audiovisual realtime composition for open ensemble,
2012, from Andreas Weixler & Se-Lien Chuang, ca. 10´, première
12.04.2012, Powis Hall, School of Music, Bangor University,
INTER/actions symposium, Bangor, UK, April 10.-12. 2012
the giants
causeway - the days fly, for piano quintet, in 2 movements,
2012, instrumentation: violin, viola, violoncello, double bass and
piano, (1. movement: 4 min 36 sec, 2. movement: 6 min 20 sec),
première 19.03.2012, 3raum-Anatomietheater Vienna, in series of
dialogue concert of the 16. edition of Lauschergreifend live des ÖKB
- Austrian Composer League and the ensemble xx. jahrhandert 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005 2006
2007 2008
2009
2010
2011
2013
2014 2015 2016 2017 2018 2019 2020 2021 2022 Top
Welches Deine
Seele begründe / Of which your soul was constitued,
for violoncello, playback and live-electronics, 2011, ca. 10´,
première 21.11 .2011 Kulturzentrum Minoriten/ Graz, in concert
series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) The Colours of a
Wooden Flute, Stratford, for bass recorder, interactive
audiovisual composition/Improvisation, 2006/11, ca. 5´, Se-Lien
Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas Weixler:
multichannel realtime granular synthesis, Max/MSP/Jitter, première
30.09.2011,Challenging Digital Media: The Performing Arts
Conference, University of Waterloo, Stradford Campus, September
28-30, 2011, Canada Momentum
Huddersfield, audiovisual realtime Ttansformation for
bass recorder, clarinet and saxophone, 2011, ca. 10´, première 04.
August 2011 in St Paul's Huddersfield, UK in concert series of ICMC
- International computer Music Conference Huddersfield UK (31. 07. -
05.08. 2011) Impromptu,
for pipa and electronics, 2011, ca. 6´, première 01.07.2011 XIX
Randspiele Festival Panketal/Berlin 01.07.- 03.07. 2011 A Reminiscence of Pipa, for
Pipa and electronics, 2011, 9´ 14´´, composer: Tseng
Yu-Chung, interactive Visuals: Chuang Se-Lien, première 24.06.2011
in Nanhai Gallery of the National Taiwan Arts Education Center in
Taipei, Taiwan
I got reason
for you, for violin solo, 2011, 4´51´´, première 04.05.
2011, Kulturzentrum Minoriten/ Graz, in concert series of
d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) the
borderline
of random coincidence, Graz, for flute, piano, bass
recorder, audiovisual Interaction-contemporary improvisation concept
with algorithmic electronics and video projection, 2011, Se-Lien
Chuang: bass recorder, piano, computer; Andreas Weixler: computer;
Rowland Sutherland: flute. ca. 37´ 29´´, première 07. 04. 2011,
Theater im Bahnhof Graz, V:NM Festival 07.04 -10.04. 2011 Graz 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005
2006
2007 2008
2009
2010
2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 Top the giants
causeway - the days fly, for piano quartet, 2010,
4´ 27´´ The Colours of a Wooden Flute, Vienna, for bass
recorder, interactive audio-visual composition/ improvisation,
2006/10, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter,
Andreas Weixler: multichannel realtime audio processing, ca. 6´,
première 13. 11. 2011, aNOther festival, music, performance and
arts of the next generation at Palais Kabelwerk, Vienna chance,
for piano solo, uo, multichannel electroacoustics and live
electronics, 2010, 06´ 16´´, première 08.11. 2010, Kulturzentrum
Minoriten/Graz, in concert series of d.a.s.(Verein zur
Förderung neuer Musik in Graz/ Austria) momentum,
for Instrumentalisten and computer performer, audiovisual
composition/improvisation and Sound spatialization, 2010, ca.
15´, Anton Lukoszevieze: cello, Simon Waters: flute,
electronics, Ed Perkins: wine glasses, electronics, Bill Vine:
wine glasses, electronics, Se-Lien Chuang: visuals,
Max/MSP/Jitter,bass recorder, Andreas Weixler: sarcastic system,
multichannel realtime granular synthesis, Max/MSP/Jitter,
première 18.10.2010, UEA - intermedia computer music conert series with
focus on UEA in DeepSpace of AEC - Ars Electronica Centre Linz Dichte4Dichtl, multichannel
electroacoustic music & visual composition, 2010, 10´12´´,
première 18.10.2010, intermedia computer music conert series
with focus on UEA in DeepSpace of AEC - Ars Electronica Centre
Linz die Augenblicke in seinen Händen,
multichannel electroacoustic music & visual composition,
2010, 10´48´´, première 18.10.2010, intermedia computer music
conert series with focus on UEA in DeepSpace of AEC - Ars
Electronica Centre Linz Alpenglow VNM_2. movement, audiovisual
interaction - contemporary improvisation concept with
algorithmic elektronic and video projecion, Andreas Weixler:
computer, Se-Lien Chuang: piano, computer, Rowland Sutherland:
flute, 2010, ca. 20´, première 25. 09. 2010, Votex/London,
Alpenglow/ Styria meets UK, London 24.-26. 09. 2010 Alpenglow VNM _1. movement, , audiovisual
interaction - contemporary improvisation concept with
algorithmic elektronic and video projecion, Andreas Weixler: computer, Se-Lien Chuang:
piano, computer, Rowland Sutherland: flute, 2010, ca. 20´, première 25. 09. 2010,
Votex/London, Alpenglow/ Styria meets UK, London 24.-26. 09. 2010 Streichquartett in three movements, 2010, 9´48´´, première
22.April.2010 Graz, Kulturzentrum bei den Minoriten in concert
series of d.a.s.(die andere saite) 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005
2006
2007 2008
2009
2011 2012
2013
2014 2015 2016 2017 2018 2019 2020 2021 2022 Top die Zeit danach, for (contra-)basson duo,
multichannel electroacoustics and live electronics, 2009, 13´
43´´, première 07.12. 2009, Kulturzentrum Minoriten/Graz, in
concert series of d.a.s.(Verein zur Förderung neuer Musik
in Graz/ Austria) The Colours of
a Wooden Flute, Hagenberg, for bass recorder,
interactive audiovisual composition/ improvisation, 2006/09, ca.
5´, Se-Lien Chuang: bass recorder, visuals, Max/MSP/Jitter,
Andreas Weixler: multichannel realtime granular synthesis,
Max/MSP/Jitter, première 10.11.2009, Software Competence Center
Hagenberg - 10 years anniversary sarcastic
momentum, Belfast, for Instruments and computer
performer, audiovisual composition/ improvisation and Sound
spatialization, 2009, ca. 5´, Franziska Schröder: sax, Pedro
Rebelo: piano, Se-Lien Chuang: visuals, Max/MSP/Jitter, Andreas
Weixler: Sarcastic System, multichannel realtime granular
synthesis, Max/MSP/Jitter, première 19.10.2009, SARC -
intermedia computer music conert series with focus on SARC in
DeepSpace des AEC - Ars Electronica Centre Linz die Wege entstehen im Gehen - Semi
Studie, multichannel electroacoustic music & visual
composition, 2008, 9´, première 19.10.2009, intermedia computer
music conert series with focus on SARC in DeepSpace of AEC - Ars
Electronica Centre Linz Phenomenon,
interactive
score
for
orchestra
and
audiovisual
elektronics,
Weixler-Chuang,
2009,
ca. 15´, première 25. July 2009, in opening program of the
Salzburger Festspiele, in Odeion Kulturforum Salzburg seuil de saturation, for sextette, 2009, 4´08´´,
première 05.June 2009, Kulturzentrum Minoriten/ Graz, in concert
series of d.a.s.(Verein zur Förderung neuer Musik in Graz/
Austria) Fügung,
audiovisual interaction with 3 pianos - contemporary
improvisation concept with algorithmic elektronic and video
projecion, Weixler-Stepanik-Chuang, 2009, ca. 15´, première 05.
Mai 2009, at concert series Sound and Vision 3 - double
concert - electronics <--> 3 pnos, Kleiner Saal,
Anton Bruckner Privat University, Linz SpectraSonic
VNM, audiovisual interaction - contemporary
improvisation concept with algorithmic elektronic and video
projecion, 2009, ca. 20´, première 14. April 2009, IEM / Graz,
opening concert 7. V:NM Festival, Graz 16.-18. April 2009 SpectraSonic
VNM, audiovisual interaction - contemporary
improvisation concept with algorithmic elektronic and video
projecion, 2009, ca. 30´, première 10. March 2009,
LOFT/Köln, alpen:glühen II / styria meets cologne SpectraSonic
JIM, audiovisual interaction - contemporary
improvisation concept with algorithmic elektronic and video
projecion, 2009, ca. 20´, première 13. February 2009, Sky Media
Loft AEC - Ars Electronic Centre, Linz, Jazz-Nite, eine
Veranstaltung from institute JIM -Jazz and Improvised Music
Anton Bruckner Privat University, Linz, in cooperation with
Jazzzeit, Ars Electronica Centre and Ö1 I got reason, for 3 percussion, 2009, 3´ 02´´,
première 20.03.2009, Kulturzentrum Minoriten/ Graz, in concert
series of d.a.s.(Verein zur Förderung neuer Musik in Graz/
Austria) 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005
2006
2007 2008
2010
2011 2012
2013
2014 2015 2016 2017
2018 2019 2020 2021 2022 Top sarcastic momentum,
Belfast, for Instruments and computer performer, interactive
audiovisual composition/improvisation, 2008, ca. 10´, Franziska
Schröder: sax, Pedro
Rebelo: piano, Miguel Ortiz: trumpet, Cavan Fyans: laptop,
SuperCollider, David
Bird: voice, Se-Lien Chuang: bass recorder, visuals,
Max/MSP/Jitter, Andreas Weixler: sarcastic system, multichannel
realtime granular synthesis, Max/MSP/Jitter, première
09.10.2008, SARC - Sonic Arts Research Centre, concert series
"Music @ Queen's", Queens University, Belfast/Northern Ireland (live
stereo mp3, 4ch
ogg) die Wege
entstehen im Gehen - Semi Studie
multichannel electroacoustic piece, 2008, 9´, première
09.10.2008, SARC - Sonic Arts Research Centre, concert series
"Music @ Queen's", Queens University, Belfast/Northern Ireland (studio stereo
mp3)
The
Colours of A Wooden Flute, Belfast, for bass
recorder, interactive audiovisual composition/improvisation,
2006/08, ca. 15´, Se-Lien Chuang: bass recorder, visuals,
Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular
synthesis, Max/MSP/Jitter, première 09.10.2008, SARC - Sonic
Arts Research Centre, concert series "Music @ Queen's", Queens
University, Belfast/Northern Ireland (live
stereo mp3, 4ch
ogg) the giants
causeway for piano solo, 2008, 4´ 40´´,
première 14.03.2009, Kulturzentrum Minoriten/ Graz, in
concert series of d.a.s.(Verein zur Förderung neuer Musik in
Graz/Austria) I am from the
universe and you know what it´s worth
audiovisual realtime composition/improvisation from Andreas
Weixler & Se-Lien Chuang for `Roots´ ensemble, irish
traditional and contemporary instruments with bass recorder
solo, 2008, première 29.8.2008 Whitla Hall, QUB, ICMC 2008
(24.-29. 08), Belfast/Northern Irland I always
whisper to them
audiovisual realtime interaction - numerical creation, Elektronische
Studie for percussion solo and audio
realtime processing, 2008, 12´36‘”, première 30.05.2008,
at concert Sound and Vision II - musical inspiration and
digital concepts, Anton Bruckner Privat University,
Göllerichsaal, Linz moments
musicaux for mezzo-soprano and strings trio,
2007/ 08, ca. 8´, première 24.1.2008, A Day In Live -
lyrics to the time of day, Kulturzentrum Minoriten/ Graz, in
concert series of d.a.s.(Verein zur Förderung neuer Musik in
Graz/ Austria) J’écoute
marcher... for 13 instruments, video projection
& live electronics, 2007/ 08, 16´30”,
première 11.1.2008, Göllerichsaal Anton Bruckner Privat
University, in concert series of Sound and Vision (audio
excerpt: 8m, mp3) 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005
2006
2007 2009
2010
2011 2012 2013 2014 2015 2016 2017
2018 2019 2020 2021 2022
Top who is who
for
double
bass solo, CD-player and live electonics, 2007,
6´5”, première 27.10.2007, Kulturzentrum Minoriten/
Graz, in concert series of d.a.s.(Verein zur Förderung neuer
Musik in Graz/ Austria) The Colours of
A Wooden Flute, Copenhagen, for bass recorder,
interactive audiovisual composition/ improvisation, 2007, ca.
15´, Se-Lien Chuang: bass recorder, visuals,
Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular
synthesis, Max/MSP/Jitter, première 29.08.2007, Huset i
Magstræde, ICMC Copenhagen/Denmark for Reynolds
interactive audiovisual improvisation for Violine and computer
system, 2007, ca. 12´, Todd Reynolds: Violine, Se-Lien Chuang:
interactive visuals, Max/MSP/Jitter, Andreas Weixler:
multichannel realtime granular synthesis, Max/MSP/Jitter,
première 8.06.2007, NIME 07, Frederick Loewe Theater, NYU/
New York for DissonArt
for DissonArt ensemble, 2007, minimum ca. 5´, première
03.05.2007, Thessaloniki/ Griechenland, in concert series of
d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) "...demonstrandum"
interactive
audiovisual
composition/
improvisation
for
arco-piano
and
computer
system,
2007, ca. 30´, Se-Lien Chuang: Konzept, arco-piano, audiovisual
Interaktion, Wolfgang Musil: Elektronics, première
20..04.2007, ESC labor/ Graz in series of des V:NM
Festivals 07 Hetz
audiovisual
composition for piano, 2007, 4’ 26”, visual composition by
Se-Lien Chuang, audio composition by Andreas Weixler,
première 11.04-13.04.2007 with the Juilliard Electric
ensemble (Director: Edward Bilous) at the Juilliard Music
Technology Center NYC 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005
2006
2008 2009
2010
2011 2012
2013 2014 2015 2016 2017
2018 2019 2020 2021
2022 Top ohne Worte -
ein Trauermarsch for (bass-) clarinet, viola and
harp, 2006/ 07, minimum 4´ 33´´, première 07.03.2007,
Kulturzentrum Minoriten/ Graz, in concert series of
d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) The Colours of
A Wooden Flute, New York, for bass recorder,
interactive audiovisual composition/ improvisation, 2006, ca.
15´, Se-Lien Chuang: bass recorder, visuals,
Max/MSP/Jitter, Andreas Weixler: multichannel realtime granular
synthesis, Max/MSP/Jitter, première 15.12.2006,
Experimental Intermedia NYC audiovisual
realtime Prozesse and spontanes Komponieren im ensemble
interactive
audiovisual composition/improvisation with students of Anton
Bruckner Private University Linz, 2006, ca. 10´, Se-Lien
Chuang: visuals, Max/MSP/Jitter, Andreas Weixler: multichannel
realtime granular synthesis, Max/MSP/Jitter, première
20.11.2006, Johannes Kepler University, 2. Upper Austria
Conference of Sciences -Wissen schaf(f)t Zukunft interlude for
Pi and for Io interactive audiovisual
improvisation, 2006, ca.6’, Se-Lien Chuang: arco-piano,
visuals, Max/MSP/Jitter, Andreas Weixler: multichannel realtime
granular synthesis, Max/MSP/Jitter, première 06.11.2006,
Great Hall, Goldswithhs College, London The Colours of
A Wooden Flute, London, for bass recorder, interactive
audiovisual composition/improvisation, 2006, ca. 10´, Se-Lien
Chuang: bass recorder, visuals, Max/MSP/Jitter, Andreas
Weixler: multichannel realtime granular synthesis,
Max/MSP/Jitter, première 06.11.2006, Great Hall,
Goldswithhs College, London Das Kichern der
silbernen flute for flute (also piccolo),
interactive audiovisual composition/ improvisation, 2006, ca.
12´, Rowland Sutherland: flute (also piccolo), Se-Lien Chuang:
visuals, Max/MSP/Jitter, SuperCollider, Andreas Weixler:
multichannel realtime granular synthesis, Max/MSP/Jitter,
première 06.11.2006, Great Hall, Goldswithhs College,
London Percussion for 4 for
4 percussion players, 2006, 4´ 30´´, première 10.03.2008,
Kulturzentrum Minoriten/ Graz, in concert series of
d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) 1996
1997
1998 1999 2000
2001
2002
2003
2004
2005
2007
2008 2009
2010
2011
2012
2013 2014 2015
2016
2017
2018 2019
2020
2021
2022
TopRooming 2 for das
Janus Eesemble ensemble improvisation,
electroacoustic altered by Andreas Weixler, Se-Lien Chuang and Josef
Novotny, 2005, ca. 40´, première 13.12.2005, Porgy and Bess Vienna
Rooming 3 for das Janus ensemble
sequences of selected fragments of pieces by Luna Alcalay, Christian
Mühlbacher, Wolfgang Kubizek, Hans Steiner, Doug Hammond and Fabian
Pollack, reassembled and audiovisual spatial interpreted by Se-Lien
Chuang and Andreas Weixler, 2005, ca. 38´ , première 13.12.2005,
Porgy and Bess ViennaErinnerung in
jedem Laut interactive audiovisual instrumental
composition/ improvisation, 2005, ca.15 min, Se-Lien Chuang:
yang-qin, vocal, visuals, Max/msp/Jitter, Andreas Weixler:
multichannel real-time granular synthesis, Max/msp/Jitter, première
05. 09. 2005, Sky Media Loft, AEC - Ars Electronica Centre Linz, Ars
ElectronicaDoppelconcert -
Erinnerung in jedem Laut / interlude for Pi and for Io
interactive audiovisual instrumental composition/ improvisation,
2005, 30 min, Se-Lien Chuang: yang-qin, piano, visuals,
Max/msp/Jitter, Andreas Weixler: multichannel real-time granular
synthesis, Max/msp/Jitter, première 25. 05. 2005, ESC Labor, V:NM
Festival for New Music 25. -28. 05.2005 Graz zum
Kirschblütenfest 8-channel computer music
composition, 2005, 10 min 26 sec, première 05.- 07. 05. 2005, Hidden
Museum, Fraxern/Feldkirch, feast of cherry blossom
die
Heimkehrende in two movements for Oboe solo, 2004/
05, 6 min 22 sec interlude for Pi
and for Io interactive audiovisual
improvisation, 2005, 6 min, Se-Lien Chuang: arco-piano,
visuals, Max/msp/Jitter, Andreas Weixler: multichannel
realtime-Granularsynthese, Max/msp/Jitter, première 17. 01. 2005,
Sophiensaele, Berlin/Germany, Ultraschall - Festival for New Music for
Io 8-channel computer music composition, 2005,
6 min 26 sec , première 17. 01. 2005, Sophiensaele, Berlin/Germany,
Ultraschall - Festival for New Music 1996
1997
1998 1999 2000
2001
2002
2003
2004
2006
2007 2008 2009
2010
2011
2012 2013 2014 2015
2016
2017 2018 2019
2020 2021 2022
TopErinnerung in jedem Laut
interactive audiovisual Instrumentalcomposition/
Improvisation, 2004, ca.10’, Se-Lien Chuang: Yan-Zin, visuals,
Max/msp/Jitter, Andreas Weixler: multichannel
realtime-Granularsynthese, Max/msp/Jitter, première 15. 12.
2004, Jägersaal, Anton Bruckner Privat Universität Linz,
electronic access Erinnerung in jedem Laut interactive
audiovisual Instrumentalcomposition/ Improvisation, 2004,
ca.12’, Se-Lien Chuang: Yan-Zin, visuals, Max/msp/Jitter,
Andreas Weixler: multichannel realtime-Granularsynthese,
Max/msp/Jitter, première 12. 12. 2004, Radiokulturhaus, ORF
Vienna, electronic access die Heimkehrende for oboe solo,
2004, 6 min Erinnerung in
jedem Laut interactive audio visual
instrumental composition/ improvisation with Andreas Weixler
(Max/msp/Jitter), 2004, 15 min, première 23. 09.2004, Logos
Tetrahedron, Gent/Belgium, concert series of the Logos
Foandation Erinnerung
in jedem Laut interactive audio visual
instrumental composition/ improvisation with Andreas Weixler
(Max/msp), 2003, 16 min , première 10. 03.2004, Sumida
Triphony Hall, Tokio/Japan, concert of JSEM, Japanese Society
of Electroacoustic Music 1996
1997
1998
1999 2000
2001
2002
2003
2005
2006
2007
2008 2009
2010
2011 2012 2013 2014 2015
2016
2017 2018
2019
2020
2021
2022
Top for ensemble Triade for 2 oboes and
english horn, 2003, 10 min 09 sec , première 07.12.2003
Haus der Frauen/St. Johann bei Herberstein/Austria infinity
op.1
-op.4 arts video, 2003, 7 min 14
sec, music by Andreas Weixler, première 03.12.2003 in
Busan International Digital Technology Music Festival/South
Korea (video: infinity
op.1) Horch! Der
Duft der Blüten läutet nach concert
version, 8-channel ADAT piece, 2003, 15 min 20 sec,
première 07-11.11.2003 Seoul/South Korea, KNUA Hall of the
Korean National Univerity of Arts, in seires of Seoul
Internationalen computer Music Festival - KEAMS 2003 Lightingale audio visual
interactive performance by Se-Lien Chuang & Andreas
Weixler, 2003, 60 min, première 22.10.2003
Klosterneuburgl/Austria, Museum Sammlung Essl, in concert
series of react_chain Horch! Der
Duft der Blüten läutet nach tape music,
2003, 20 min 40 sec, première 09.07.2003, Innsbrucker
Seegrube (1900m)/Tirol, composition commission by Stadtmuseum
Innsbruck, in series of project “Ruheraum” exhibition by the
City of Innsbruck of celebrating the 75th anniversary of the
Nordkettenbahn funicular system which is in the Tyrolean
Alps/Austria Cross-over
audio visual interaction by Se-Lien Chuang &
forum::for::umläute + nap, ca. 30 min, première 30.05.2003,
Graz CUBE IEM, in concert series of the V:NM Festival 03 a visual crush on You
for
yan-zin,
computer
and
visual
sampler,
première
27.04.2003,
National
Theater Concert Hall in Taipeh, in concert series of the TNCA,
Tainan National College of Art, Taiwan liquid pendulum for clarinet, cello
and piano, 2003, 4 min 10 sec, première 25.04.2003,
Kulturzentrum Minoriten/ Graz, in concert series of
d.a.s.(Verein zur Föderung neuer Musik in Graz/Austria) Hör‘n Sie sich das an!
real-time Sound synthesis, 2003, 7 min, première
11.3.2003, electroacoustics Report 2 in concert series
of IEM CUBE 1996
1997
1998
1999 2000
2001
2002
2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016
2017 2018
2019
2020
2021
2022
Top Algotetrix
algorithmic
composition,
2002,
minimal
3
min,
première10.12.2002,
electroacoustics Report 1 in concert series of IEM CUBE running-figure-lantern
interactive
audio
visual
instrumental
theatre
by
Se-Lien
Chuang
& Andreas Weixler, 2002, 25 min, première
30.10.2002, Garden Pier in Port of Nagoya, ISEA 2002 - The
11th International Symposium on Electronic Art In der Mitte der
Hängebrücke erreichte mich der Ruf des Kuckucks
8-channel
ADAT
piece
,
2002,
5
min
12
sec, première 25.09.2002, Seoul/South Corea, Opera Workshop
Hall, Sookmyung Women‘s University, in sereis of the Seoul
Internationalen computer Musik Festivals - KEAMS 2002 In großen Takten singt das Meer for 2
pianos, 2002, 15 min, première 12.11.2002, Minoritensaal Graz,
in concert series of d.a.s.(Verein zur Föderung neuer Musik in
Graz/Austria)In der Mitte der
Hängebrücke erreichte mich der Ruf des Kuckucks string
trio for violin, viola and violoncello, 2002, 12 min,
première 29.05.2002, Minoritensaal Graz, in
concert seires of d.a.s.(Verein zur Föderung neuer Musik in
Graz/Austria)
Yo-Yo tape music, 2002, 38 min 49 sec
subject of canon tape music, 2002, 18 min 46 sec 1996
1997
1998 1999 2000
2001
2003
2004
2005
2006
2007 2008 2009
2010
2011 2012 2013 2014 2015
2016
2017
2018
2019
2020
2021
2022
Top In dem Zeitfluß for 13
Instruments, 2000/01, 10 min 42 sec, première 26.11.2001, Graz
Minoritensaal, in ceoncert series of
the University for music and Dramatic Arts Graz/Austria November
2001 living cave
interactive audio visual installation by Se-Lien Chuang with
Max/msp by Andreas Weixler, première 26.- 04.11.2001 Nagoya,
artport 01/mediaselect 2001 Japan
Lebens-lauf audio
visual composition by Se-Lien Chuang, visuals: Se-Lien Chuang
& Joseph Taucher, 2001, 45 sec, published
14.10.2001, CD-R Marathon 2001 commission by Werkstadt Graz
24-05-01 for prepared piano,
e-guitar & computer by Se-Lien Chuang and Seppo Gründler, 24
min, première 24.05.2001, Graz CUBE IEM in series of V:NM
Festival 01
a
crush on You for yan-zin solo with CD-player,
computer and video projection, première 24.05.2001, Graz CUBE
IEM in sereis of V:NM Festival 01
living cave
interactive audio visual installation by Se-Lien Chuang with
Max/msp by Andreas Weixler, première 16.- 20.05.2001, Laval
Virtual and VRIC (Virtual Reality International Conference) France
the Story
of Heike interactive audio visual narrative
performance by Mizuno/ Kitagawa/ Chuang/ Weixler, 14 min 22 sec,
première 16.02.2001 Nagoya, Sound Design Lab/Nagoya City
University Japan a crush on You
interactive
improvisation
for
yan-zin
(Se-Lien
Chuang)
and
computer
(Andreas
Weixler), première16.02.2001 Nagoya, Sound Design Lab/Nagoya City
University Japanliving cave interactive audio
visual installation by Se-Lien Chuang with Max/msp by Andreas
Weixler, ca. 11´, première 19.01.2001 Nagoya, Sound Design
Lab/Nagoya City University Japan
1996
1997
1998 1999 2000
2002
2003
2004
2005
2006
2007
2008 2009
2010
2011
2012
2013 2014 2015 2016
2017 2018
2019
2020
2021
2022
Top
„Ich höre wandern in ...“ for
xiao, sheng, pipa and guhzeng, 2000, 4 min 41sec, première
05.04.2000 Vienna, Concerthall in series of concerts of Hörgänge
Festivals 2000 „... in meinen Beinen“
for daraun, yan-zin, erhu and percussion, 2000, 5 min 15 sec,
première 05.04.2000 Vienna, Concerthall in series of concerts of
Hörgänge Festivals 2000
DEN FLUSS ANSCHAUEN
arts video by Getrude Moser Wagner(A) with music by Se-Lien
Chuang, 2000, 7 min 27sec, première 5.5.2000 Vienna,
Stadtpark/Vienna in series of "Fest der Flüsse"
Aloe acutissima
for Violin Solo, 2000, 4 min, première 16.06.2000 Graz, Botany
Garten cactus concert of d.a.s.(die andere saite)
Trio for
mezzosopran, oboe & violoncello, 2000, 4 min 15sec, première
16.06.2000 Graz, Botany Garten cactus concert of d.a.s.(die
andere saite)
In dem Zeitfluß
(in dem fließenden Flüstern) for 15 Instruments, 2000, 9
min
in die Weite eines
flüsternden Gebetes blicken tape piece, 2000,
7 min 36 sec, première 06.10.2000 Süd Korea, Concert Hall of
Kyzng Sung University, in series of concerts of the 6.
international festival in computermusic of Pusan Eletronic Music
Association Performance Süd-Korea
Lauf-auf
audiovisual
composition, 2000, 55 sec, published 08.10.2000, CD-R
marathon 2000 with commission of Werkstadt Graz
Streichquartett
in zwei Sätze, 2000, 6 min 37 sec, première 20.10.2000 Graz,
Kulturzentrum bei den Minoriten, in series of d.a.s. concerts
(die andere saite)
die Reisende
quartet for sopran, (alt) flute, engl. horn & percussion,
2000, 10min, commission by Styria Government 2000
living cave
audiovisual improvisation, 15 min, première 15.12.2000 New York,
Experimental Intermedia NYC
1996
1997
1998 1999 2001
2002
2003
2004
2005
2006
2007
2008 2009
2010
2011
2012 2013 2014 2015 2016 2017
2018 2019
2020
2021
2022
Top
Jasmin II for alt-flute and marimba,
1999, 4 min 25 sec, première 20.04.1999 Graz, Kulturzentrum bei
den Minoriten in series of concertsn d.a.s.(Verein zur Föderung
Neuer Musik Graz/Austria)the
cat
and the mouse, Revision I for guitar,
piano & live-electronic, 1999, 14 min 32 sec, première
12.05.1999 Glockenhaus/Lüneburg(D), 21.International Studyweek
for Contemporary Music 1999 (09.-16. Mai 1999)
the
cat
and the mouse, Revision II for guitar, piano
& live-electronic, 1999, ca 14 min, première 18.05.1999
Graz, in ESC at labor in series of V:NM Festival (Verein zur
Förderung and Verbreitung Neuer Musik)-3 days.extraordinary
music (18.- 20. MAI 1999)
paper wedding audiovisual
improvisation for piano (Se-Lien Chuang) and audio-visual
sampling (Andreas Weixler), première 26.06.1999 Vienna, Project
Theatre Studio Vienna, in series of DADA performance limits-no
limits with Peter Infeld (tenor), Karl Ratzer (git.), Luiss
Kloos (Reib-Glas) and ensemble of Project Theatre Vienna
a
crush on You interactive improvisation for
yan-zin (Se-Lien Chuang) and computer (Andreas Weixler),
première 26.09.1999 Styria, Steirische Weinstraße in series of
doctor conference by Hof Gasser
Sonic Satie interactive
composition for grand piano, disclavier, Max/msp real time
processing by Andreas Weixler with visual sampling improvisation
by Se-Lien Chuang, première 08.10.1999 Linz,
Bruckner-Conservatory in concerts series of Satie-Night Vexations
cave
tape music, 1999, 10 min 47 sec, première 08.10.1999 Linz,
Bruckner-Conservatory in series of Satie-Nacht “Vexations”
ec-lipse
tape music, 1999, 5 min 40 sec, première 12.12.1999 Vienna, Rhiz
in concert seires of Festival Elektrokomplex 99
MetaDancer
tape music, 1999, 3 min 10 sec, première 01.06.2000
Vienna, MICA-Sreet Festival in series of IGNM concerts
blue elephant animation
video, 1999, 2 min 2 sec, première 01.12.1999 Graz, Laufke in
series of culture month of Werkstadt Graz - presentation of Maya
Workshop/WIFI
Trinity animation video,
1999, 2 min 35 sec, première 01.12.1999 Graz, Laufke in series
of culture month of Werkstadt Graz - presentation of Maya
Workshop/WIFI
1996
1997
1998
2000 2001
2002
2003
2004
2005
2006
2007
2008 2009
2010
2011
2012 2013
2014 2015
2016
2017
2018
2019
2020 2021 2022
Top
„ - - - - - -
- in C“ for guitar, piano &
live-electronic, 1998, ca. 12 min, première 29.04.1998 Vienna,
Alte Schmiede in series of concerts of Festival Elektronischer
Frühling 1998 Westöstlicher Divan: Taiwan in Vienna-Vienna in
Taiwan Die
Kraft
ist die Linie 8-channel ADAT piece,
1998, 4 min 31sec, première 29.04.1998 Vienna, Alte Schmiede
Lini-en
8-channel ADAT piece mit video projection, 1998, 4 min 31sec,
première 08.06.1998 Linz, presentation concert IMAGES
ACOUSTiQUES ´98 of Bruckner-Conservatory - (1993-1998) 5 Jahre
SAMT (Studio for Advanced Music & Media Technology)
Catch in the Cage
arts video, 1998, 14 min 46 sec, November 1998 exhibited at the
Sammlung Essl, Klosterneuburg/Austria
Largo for
clarinet, violin & piano, 1998, 2 min 35 sec, première
06.12.1998 Graz/Austria, Großer Minoritensaal , ContrastTRIO -
at the 11th anniversary concert of d.a.s.(die andere saite)
Chant for
clarinet, viola & piano, 1998, 4 min 20 sec, première
06.12.1998 Graz/Austria, Großer Minoritensaal, ContrastTRIO - at
the 11th anniversary concert of d.a.s.(die andere saite)
Jasmin for
piano, 1998, 4 min 48 sec, première 12.12.1998 Graz, Aula der
KUG in series of composition workshops at the University for
Music and Dramatic Arts Graz/Austria
1996
1997
1999
2000 2001
2002
2003
2004
2005
2006
2007
2008 2009
2010
2011
2012 2013
2014 2015
2016
2017
2018
2019
2020
2021
2022
Top
holz-blech wind quintet for flute,
oboe, clarinet, horn & bassoon,1997, 4 min 07 sec,
première 28.04.1997 Graz, MHS (Workshop) Impromptu
piano piece, 1997, 6 min 13 sec, première 16.0.5.1997 Graz, MHS
(Workshop)
fujpair tape music,
1997, 4 min 59 sec, première 13.06.1997 Linz,
Bruckner-Conservatory
fujpair for
computer & prepared piano, 1997, 6 min 30 sec,
première 26.06.1997, Brussel, Boondael Chapel European
Electroacoustic Music in Brussel/FeBeME (Federation Belge de
Musique Electroacoustique) - BeFEM et Musiques§Recherches min97
(24.06-26.06.1997)
X a s for 2
percussions, 3 violins, viola and double bass, 1997, 4 min 42
sec, première 18.12.1997 Graz, Großer Minoritensaal
grüne Fee mit rotem Schuh
for percussion, violin, viola, cello & akkordeon, 1997/98, 4
min 44 sec, première 28.04.1998 Graz, Großer
Minoritensaal; RP ORF radio broadcasting
08.06.1998(Ö1-Zeitton, 23.00) 4 min 45 sec
1996
1998
1999
2000 2001
2002
2003
2004
2005
2006 2007
2008 2009
2010
2011
2012 2013 2014 2015
2016
2017
2018
2019
2020
2021
2022
Top
zu zweit
for prepared piano, 1996, 4 min 12 sec, première 13.12.1996
Graz, MHS (Workshop)
Launenspiel
8-channel ADAT piece, 1996/97, 6 min 43 sec, première 29.05.1997
Wels, music workstation
bow tape
music, 1996, 2 min 45 sec, produced at the University of East
Anglia, England
greedy new game
4-channel ADAT piece, 1996/97, 4 min 16 sec, première 06.06.1997
Vienna, Stadtinitiative
parame
tape music, 1996, 3 min 25 sec, première 20.03.1998 Graz,
gallery I & AC
1997
1998
1999
2000 2001
2002
2003
2004
2005
2006 2007
2008 2009
2010
2011 2012 2013 2014 2015
2016
2017 2018 2019
2020
2021
2022
Top
created: 30.01.2001 cse NCU/Japan
last update: 25.08.2022 cse AAA